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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998528 it is the complementary color #667AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998528 shade: #9E8523, #AF9736, #C0A949, #D1BB5C and #E2CD6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998528 shade: #998528, #887315, #776102, #664F00 and #553D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998528 shade: #9A8527, #9A6627, #9A4827, #9A2927 and #9A2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998528 shade: #9A8527, #8F9A27, #709A27, #519A27 and #329A27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998528 shade matches the following richer shades: #9A8527, #A98F18 and #B99A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998528 shade: #9A8527, #8A7B37, #7A7147, #6B6756 and #5B5D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998528 shade: #9A4827, #9A6627, #9A8527, #909A27 and #729A27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998528 shade: #584C16, #79691F, #9A8527, #BAA230 and #CFB645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998528 shade: #998528, #279A29 and #57279A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998528 shade: #998528, #279A85 and #85279A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998528 shade: #998528, #279A29, #273C9A and #9A2798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998528 shade: #998528, #279A4B, #273C9A and #9A2775

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

Complementary color

CMYK 53 / 43 / 0 / 16

HEX #667AD7

RGB 102 122 215

HSL 229.38, 0.59%, 0.62%

LAB 53.65, 18.86, -50.16

 

CMYK 0 / 16 / 78 / 38

HEX #9E8523

RGB 158 133 35

HSL 47.8, 0.64%, 0.38%

LAB 56.25, -0.8, 52.7

 

CMYK 0 / 14 / 69 / 31

HEX #AF9736

RGB 175 151 54

HSL 48.1, 0.53%, 0.45%

LAB 62.94, -2.06, 52.26

 

CMYK 0 / 12 / 62 / 25

HEX #C0A949

RGB 192 169 73

HSL 48.4, 0.49%, 0.52%

LAB 69.51, -3.09, 51.34

 

CMYK 0 / 11 / 56 / 18

HEX #D1BB5C

RGB 209 187 92

HSL 48.72, 0.56%, 0.59%

LAB 75.99, -3.95, 50.22

 

CMYK 0 / 9 / 51 / 11

HEX #E2CD6F

RGB 226 205 111

HSL 49.04, 0.66%, 0.66%

LAB 82.37, -4.67, 49.03

 

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

CMYK 0 / 15 / 85 / 47

HEX #887315

RGB 136 115 21

HSL 49.04, 0.73%, 0.31%

LAB 48.95, -1.47, 50.05

 

CMYK 0 / 18 / 98 / 53

HEX #776102

RGB 119 97 2

HSL 48.72, 0.97%, 0.24%

LAB 41.96, 0.25, 48.62

 

CMYK 0 / 23 / 100 / 60

HEX #664F00

RGB 102 79 0

HSL 46.47, 1%, 0.2%

LAB 34.84, 2.49, 43.28

 

CMYK 0 / 28 / 100 / 67

HEX #553D00

RGB 85 61 0

HSL 43.06, 1%, 0.17%

LAB 27.49, 4.95, 36.93

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 0 / 34 / 75 / 40

HEX #9A6627

RGB 154 102 39

HSL 32.87, 0.6%, 0.38%

LAB 47.65, 15.13, 42.51

 

CMYK 0 / 53 / 75 / 40

HEX #9A4827

RGB 154 72 39

HSL 17.22, 0.6%, 0.38%

LAB 40.66, 31.93, 35.17

 

CMYK 0 / 73 / 75 / 40

HEX #9A2927

RGB 154 41 39

HSL 1.04, 0.6%, 0.38%

LAB 35.21, 46.36, 29.14

 

CMYK 0 / 75 / 75 / 40

HEX #9A2727

RGB 154 39 39

HSL 0, 0.6%, 0.38%

LAB 34.94, 47.1, 28.83

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 7 / 0 / 75 / 40

HEX #8F9A27

RGB 143 154 39

HSL 65.74, 0.6%, 0.38%

LAB 60.87, -18.62, 55.13

 

CMYK 27 / 0 / 75 / 40

HEX #709A27

RGB 112 154 39

HSL 81.91, 0.6%, 0.38%

LAB 58.7, -31.67, 52.29

 

CMYK 47 / 0 / 75 / 40

HEX #519A27

RGB 81 154 39

HSL 98.09, 0.6%, 0.38%

LAB 57.08, -42.93, 50.15

 

CMYK 68 / 0 / 75 / 40

HEX #329A27

RGB 50 154 39

HSL 114.26, 0.6%, 0.38%

LAB 56.02, -51.27, 48.75

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 0 / 15 / 86 / 34

HEX #A98F18

RGB 169 143 24

HSL 49.24, 0.75%, 0.38%

LAB 60.02, -1.65, 59.89

 

CMYK 0 / 17 / 96 / 27

HEX #B99A08

RGB 185 154 8

HSL 49.49, 0.92%, 0.38%

LAB 64.52, -0.65, 67.11

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 0 / 11 / 60 / 46

HEX #8A7B37

RGB 138 123 55

HSL 49.16, 0.43%, 0.38%

LAB 51.66, -3.17, 38.56

 

CMYK 0 / 7 / 42 / 52

HEX #7A7147

RGB 122 113 71

HSL 49.41, 0.26%, 0.38%

LAB 47.5, -3.09, 24.57

 

CMYK 0 / 4 / 20 / 58

HEX #6B6756

RGB 107 103 86

HSL 48.57, 0.11%, 0.38%

LAB 43.5, -1.58, 10.17

 

CMYK 11 / 9 / 0 / 60

HEX #5B5D66

RGB 91 93 102

HSL 229.09, 0.06%, 0.38%

LAB 39.6, 1.22, -5.41

 

CMYK 0 / 53 / 75 / 40

HEX #9A4827

RGB 154 72 39

HSL 17.22, 0.6%, 0.38%

LAB 40.66, 31.93, 35.17

 

CMYK 0 / 34 / 75 / 40

HEX #9A6627

RGB 154 102 39

HSL 32.87, 0.6%, 0.38%

LAB 47.65, 15.13, 42.51

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 6 / 0 / 75 / 40

HEX #909A27

RGB 144 154 39

HSL 65.22, 0.6%, 0.38%

LAB 60.95, -18.19, 55.23

 

CMYK 26 / 0 / 75 / 40

HEX #729A27

RGB 114 154 39

HSL 80.87, 0.6%, 0.38%

LAB 58.82, -30.87, 52.45

 

CMYK 0 / 14 / 75 / 65

HEX #584C16

RGB 88 76 22

HSL 49.09, 0.6%, 0.22%

LAB 32.48, -1.89, 32.53

 

CMYK 0 / 13 / 74 / 53

HEX #79691F

RGB 121 105 31

HSL 49.33, 0.59%, 0.3%

LAB 44.61, -2.44, 41.8

 

CMYK 0 / 14 / 75 / 40

HEX #9A8527

RGB 154 133 39

HSL 49.04, 0.6%, 0.38%

LAB 55.88, -2.45, 50.68

 

CMYK 0 / 13 / 74 / 27

HEX #BAA230

RGB 186 162 48

HSL 49.57, 0.59%, 0.46%

LAB 66.9, -3.4, 58.93

 

CMYK 0 / 12 / 67 / 19

HEX #CFB645

RGB 207 182 69

HSL 49.13, 0.59%, 0.54%

LAB 74.29, -3.74, 58.63

 

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

CMYK 75 / 0 / 73 / 40

HEX #279A29

RGB 39 154 41

HSL 121.04, 0.6%, 0.38%

LAB 55.79, -53.2, 47.67

 

CMYK 44 / 75 / 0 / 40

HEX #57279A

RGB 87 39 154

HSL 265.04, 0.6%, 0.38%

LAB 28.93, 46.17, -54.31

 

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

CMYK 75 / 0 / 14 / 40

HEX #279A85

RGB 39 154 133

HSL 169.04, 0.6%, 0.38%

LAB 57.3, -36.34, 2.01

 

CMYK 14 / 75 / 0 / 40

HEX #85279A

RGB 133 39 154

HSL 289.04, 0.6%, 0.38%

LAB 35.54, 55.25, -43.29

 

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

CMYK 75 / 0 / 73 / 40

HEX #279A29

RGB 39 154 41

HSL 121.04, 0.6%, 0.38%

LAB 55.79, -53.2, 47.67

 

CMYK 75 / 61 / 0 / 40

HEX #273C9A

RGB 39 60 154

HSL 229.04, 0.6%, 0.38%

LAB 29.4, 26, -53.7

 

CMYK 0 / 75 / 1 / 40

HEX #9A2798

RGB 154 39 152

HSL 301.04, 0.6%, 0.38%

LAB 38.88, 59.46, -36.54

 

CMYK 0 / 13 / 74 / 40

HEX #998528

RGB 153 133 40

HSL 49.38, 0.59%, 0.38%

LAB 55.79, -2.86, 50.16

 

CMYK 75 / 0 / 51 / 40

HEX #279A4B

RGB 39 154 75

HSL 138.78, 0.6%, 0.38%

LAB 56.14, -49.02, 32.43

 

CMYK 75 / 61 / 0 / 40

HEX #273C9A

RGB 39 60 154

HSL 229.04, 0.6%, 0.38%

LAB 29.4, 26, -53.7

 

CMYK 0 / 75 / 24 / 40

HEX #9A2775

RGB 154 39 117

HSL 319.3, 0.6%, 0.38%

LAB 37.12, 54.17, -17.71

 

Description

Color code: HEX #998528 | qconv.com Color code: HEX #998528 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 133 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 133 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 74 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 74% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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