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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998932 it is the complementary color #6676CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998932 shade: #9E892D, #AF9B40, #C0AD53, #D1BF66 and #E2D179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998932 shade: #998932, #88771F, #77650C, #665300 and #554100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998932 shade: #9A8931, #9A6D31, #9A5131, #9A3531 and #9A3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998932 shade: #9A8931, #8E9A31, #729A31, #569A31 and #399A31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998932 shade matches the following richer shades: #9A8931, #AA9521, #BBA010 and #CBAB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998932 shade: #9A8931, #897E42, #797352, #686763 and #585C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998932 shade: #9A5131, #9A6C31, #9A8831, #8F9A31 and #739A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998932 shade: #5B521D, #7A6D27, #9A8931, #B9A53C and #C8B656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998932 shade: #998932, #319A35 and #5F319A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998932 shade: #998932, #319A88 and #88319A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998932 shade: #998932, #319A35, #31439A and #9A3196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998932 shade: #998932, #319A54, #31439A and #9A3177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

Complementary color

CMYK 50 / 42 / 0 / 20

HEX #6676CD

RGB 102 118 205

HSL 230.68, 0.51%, 0.6%

LAB 52.05, 18.15, -47.04

 

CMYK 0 / 13 / 72 / 38

HEX #9E892D

RGB 158 137 45

HSL 48.85, 0.56%, 0.4%

LAB 57.41, -2.54, 49.9

 

CMYK 0 / 11 / 63 / 31

HEX #AF9B40

RGB 175 155 64

HSL 49.19, 0.46%, 0.47%

LAB 64.1, -3.6, 49.07

 

CMYK 0 / 10 / 57 / 25

HEX #C0AD53

RGB 192 173 83

HSL 49.54, 0.46%, 0.54%

LAB 70.68, -4.48, 47.97

 

CMYK 0 / 9 / 51 / 18

HEX #D1BF66

RGB 209 191 102

HSL 49.91, 0.54%, 0.61%

LAB 77.15, -5.2, 46.78

 

CMYK 0 / 8 / 46 / 11

HEX #E2D179

RGB 226 209 121

HSL 50.29, 0.64%, 0.68%

LAB 83.52, -5.81, 45.56

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 0 / 13 / 77 / 47

HEX #88771F

RGB 136 119 31

HSL 50.29, 0.63%, 0.33%

LAB 50.13, -3.34, 47.66

 

CMYK 0 / 15 / 90 / 53

HEX #77650C

RGB 119 101 12

HSL 49.91, 0.82%, 0.26%

LAB 43.15, -1.84, 47.04

 

CMYK 0 / 19 / 100 / 60

HEX #665300

RGB 102 83 0

HSL 48.82, 1%, 0.2%

LAB 36.01, 0.07, 44.1

 

CMYK 0 / 24 / 100 / 67

HEX #554100

RGB 85 65 0

HSL 45.88, 1%, 0.17%

LAB 28.67, 2.42, 37.92

 

CMYK 0 / 11 / 68 / 40

HEX #9A8931

RGB 154 137 49

HSL 50.29, 0.52%, 0.4%

LAB 57.06, -4.12, 47.7

 

CMYK 0 / 29 / 68 / 40

HEX #9A6D31

RGB 154 109 49

HSL 34.29, 0.52%, 0.4%

LAB 49.53, 11.67, 39.66

 

CMYK 0 / 47 / 68 / 40

HEX #9A5131

RGB 154 81 49

HSL 18.29, 0.52%, 0.4%

LAB 42.73, 27.6, 31.99

 

CMYK 0 / 66 / 68 / 40

HEX #9A3531

RGB 154 53 49

HSL 2.29, 0.52%, 0.4%

LAB 37.18, 41.88, 25.39

 

CMYK 0 / 68 / 68 / 40

HEX #9A3131

RGB 154 49 49

HSL 0, 0.52%, 0.4%

LAB 36.53, 43.64, 24.6

 

CMYK 0 / 11 / 68 / 40

HEX #9A8931

RGB 154 137 49

HSL 50.29, 0.52%, 0.4%

LAB 57.06, -4.12, 47.7

 

CMYK 8 / 0 / 68 / 40

HEX #8E9A31

RGB 142 154 49

HSL 66.86, 0.52%, 0.4%

LAB 60.86, -18.5, 51.29

 

CMYK 26 / 0 / 68 / 40

HEX #729A31

RGB 114 154 49

HSL 82.86, 0.52%, 0.4%

LAB 58.89, -30.2, 48.64

 

CMYK 44 / 0 / 68 / 40

HEX #569A31

RGB 86 154 49

HSL 98.86, 0.52%, 0.4%

LAB 57.38, -40.51, 46.58

 

CMYK 63 / 0 / 68 / 40

HEX #399A31

RGB 57 154 49

HSL 115.43, 0.52%, 0.4%

LAB 56.29, -48.82, 45.09

 

CMYK 0 / 11 / 68 / 40

HEX #9A8931

RGB 154 137 49

HSL 50.29, 0.52%, 0.4%

LAB 57.06, -4.12, 47.7

 

CMYK 0 / 12 / 81 / 33

HEX #AA9521

RGB 170 149 33

HSL 50.8, 0.67%, 0.4%

LAB 61.78, -4.18, 58.84

 

CMYK 0 / 14 / 91 / 27

HEX #BBA010

RGB 187 160 16

HSL 50.53, 0.84%, 0.4%

LAB 66.32, -2.86, 67.38

 

CMYK 0 / 16 / 100 / 20

HEX #CBAB00

RGB 203 171 0

HSL 50.54, 1%, 0.4%

LAB 70.75, -1.76, 73.43

 

CMYK 0 / 11 / 68 / 40

HEX #9A8931

RGB 154 137 49

HSL 50.29, 0.52%, 0.4%

LAB 57.06, -4.12, 47.7

 

CMYK 0 / 8 / 52 / 46

HEX #897E42

RGB 137 126 66

HSL 50.7, 0.35%, 0.4%

LAB 52.55, -4.34, 33.9

 

CMYK 0 / 5 / 32 / 53

HEX #797352

RGB 121 115 82

HSL 50.77, 0.19%, 0.4%

LAB 48.18, -3.23, 19.14

 

CMYK 0 / 1 / 5 / 59

HEX #686763

RGB 104 103 99

HSL 48, 0.02%, 0.4%

LAB 43.57, -0.41, 2.39

 

CMYK 23 / 20 / 0 / 55

HEX #585C73

RGB 88 92 115

HSL 231.11, 0.13%, 0.4%

LAB 39.52, 3.93, -13.54

 

CMYK 0 / 47 / 68 / 40

HEX #9A5131

RGB 154 81 49

HSL 18.29, 0.52%, 0.4%

LAB 42.73, 27.6, 31.99

 

CMYK 0 / 30 / 68 / 40

HEX #9A6C31

RGB 154 108 49

HSL 33.71, 0.52%, 0.4%

LAB 49.27, 12.25, 39.38

 

CMYK 0 / 12 / 68 / 40

HEX #9A8831

RGB 154 136 49

HSL 49.71, 0.52%, 0.4%

LAB 56.78, -3.57, 47.41

 

CMYK 7 / 0 / 68 / 40

HEX #8F9A31

RGB 143 154 49

HSL 66.29, 0.52%, 0.4%

LAB 60.93, -18.07, 51.39

 

CMYK 25 / 0 / 68 / 40

HEX #739A31

RGB 115 154 49

HSL 82.29, 0.52%, 0.4%

LAB 58.95, -29.8, 48.72

 

CMYK 0 / 10 / 68 / 64

HEX #5B521D

RGB 91 82 29

HSL 51.29, 0.52%, 0.24%

LAB 34.7, -3.55, 31.52

 

CMYK 0 / 11 / 68 / 52

HEX #7A6D27

RGB 122 109 39

HSL 50.6, 0.52%, 0.32%

LAB 45.94, -3.78, 39.6

 

CMYK 0 / 11 / 68 / 40

HEX #9A8931

RGB 154 137 49

HSL 50.29, 0.52%, 0.4%

LAB 57.06, -4.12, 47.7

 

CMYK 0 / 11 / 68 / 27

HEX #B9A53C

RGB 185 165 60

HSL 50.4, 0.51%, 0.48%

LAB 67.69, -4.82, 54.92

 

CMYK 0 / 9 / 57 / 22

HEX #C8B656

RGB 200 182 86

HSL 50.53, 0.51%, 0.56%

LAB 73.81, -5.58, 50.33

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 68 / 0 / 66 / 40

HEX #319A35

RGB 49 154 53

HSL 122.29, 0.52%, 0.4%

LAB 56.11, -50.16, 43.1

 

CMYK 38 / 68 / 0 / 40

HEX #5F319A

RGB 95 49 154

HSL 266.29, 0.52%, 0.4%

LAB 31.72, 42.68, -49.72

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 68 / 0 / 12 / 40

HEX #319A88

RGB 49 154 136

HSL 169.71, 0.52%, 0.4%

LAB 57.6, -34.06, 0.76

 

CMYK 12 / 68 / 0 / 40

HEX #88319A

RGB 136 49 154

HSL 289.71, 0.52%, 0.4%

LAB 37.42, 51.94, -40.26

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 68 / 0 / 66 / 40

HEX #319A35

RGB 49 154 53

HSL 122.29, 0.52%, 0.4%

LAB 56.11, -50.16, 43.1

 

CMYK 68 / 56 / 0 / 40

HEX #31439A

RGB 49 67 154

HSL 229.71, 0.52%, 0.4%

LAB 31.81, 22.72, -49.77

 

CMYK 0 / 68 / 3 / 40

HEX #9A3196

RGB 154 49 150

HSL 302.29, 0.52%, 0.4%

LAB 40.03, 55.54, -33.51

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 68 / 0 / 45 / 40

HEX #319A54

RGB 49 154 84

HSL 140, 0.52%, 0.4%

LAB 56.49, -45.77, 28.2

 

CMYK 68 / 56 / 0 / 40

HEX #31439A

RGB 49 67 154

HSL 229.71, 0.52%, 0.4%

LAB 31.81, 22.72, -49.77

 

CMYK 0 / 68 / 23 / 40

HEX #9A3177

RGB 154 49 119

HSL 320, 0.52%, 0.4%

LAB 38.55, 50.7, -16.77

 

Description

Color code: HEX #998932 | qconv.com Color code: HEX #998932 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 137 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 137 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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