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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99807C it is the complementary color #667F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99807C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99807C shade: #9E8077, #AF928A, #C0A49D, #D1B6B0 and #E2C8C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99807C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99807C shade: #99807C, #886E69, #775C56, #664A43 and #553830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99807C shade: #977F7B and #977B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99807C shade: #977F7B, #97877B, #978E7B, #97967B and #91977B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99807C shade matches the following richer shades: #977F7B, #AA7168, #BD6455, #D05642 and #E3482F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99807C shade: #977F7B, #848D8E, #719AA1, #5EA8B4 and #4BB6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99807C shade: #977B86, #977B7F, #977F7B, #97867B and #978E7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99807C shade: #6C5854, #836A67, #977F7B, #A99592 and #BCACA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99807C shade: #99807C, #8E977B and #7B8397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99807C shade: #99807C, #7B977F and #7F7B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99807C shade: #99807C, #8E977B, #7B9497 and #857B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99807C shade: #99807C, #85977B, #7B9497 and #8D7B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

Complementary color

CMYK 22 / 3 / 0 / 49

HEX #667F83

RGB 102 127 131

HSL 188.28, 0.12%, 0.46%

LAB 51.43, -8.02, -5.15

 

CMYK 0 / 19 / 25 / 38

HEX #9E8077

RGB 158 128 119

HSL 13.85, 0.17%, 0.54%

LAB 56.13, 10.1, 9.23

 

CMYK 0 / 17 / 21 / 31

HEX #AF928A

RGB 175 146 138

HSL 12.97, 0.19%, 0.61%

LAB 62.93, 9.57, 8.29

 

CMYK 0 / 15 / 18 / 25

HEX #C0A49D

RGB 192 164 157

HSL 12, 0.22%, 0.68%

LAB 69.61, 9.11, 7.42

 

CMYK 0 / 13 / 16 / 18

HEX #D1B6B0

RGB 209 182 176

HSL 10.91, 0.26%, 0.75%

LAB 76.16, 8.69, 6.6

 

CMYK 0 / 12 / 14 / 11

HEX #E2C8C3

RGB 226 200 195

HSL 9.68, 0.35%, 0.83%

LAB 82.6, 8.31, 5.83

 

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

CMYK 0 / 19 / 23 / 47

HEX #886E69

RGB 136 110 105

HSL 9.68, 0.13%, 0.47%

LAB 48.77, 9.44, 6.66

 

CMYK 0 / 23 / 28 / 53

HEX #775C56

RGB 119 92 86

HSL 10.91, 0.16%, 0.4%

LAB 41.61, 10.06, 7.68

 

CMYK 0 / 27 / 34 / 60

HEX #664A43

RGB 102 74 67

HSL 12, 0.21%, 0.33%

LAB 34.25, 10.82, 8.84

 

CMYK 0 / 34 / 44 / 67

HEX #553830

RGB 85 56 48

HSL 12.97, 0.28%, 0.26%

LAB 26.66, 11.77, 10.22

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 0 / 19 / 19 / 41

HEX #977B7B

RGB 151 123 123

HSL 0, 0.12%, 0.54%

LAB 54.21, 10.83, 4.08

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 0 / 11 / 19 / 41

HEX #97877B

RGB 151 135 123

HSL 25.71, 0.12%, 0.54%

LAB 57.4, 3.98, 8.65

 

CMYK 0 / 6 / 19 / 41

HEX #978E7B

RGB 151 142 123

HSL 40.71, 0.12%, 0.54%

LAB 59.3, 0.04, 11.33

 

CMYK 0 / 1 / 19 / 41

HEX #97967B

RGB 151 150 123

HSL 57.86, 0.12%, 0.54%

LAB 61.5, -4.38, 14.41

 

CMYK 4 / 0 / 19 / 41

HEX #91977B

RGB 145 151 123

HSL 72.86, 0.12%, 0.54%

LAB 61.29, -7.26, 14.05

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 0 / 34 / 39 / 33

HEX #AA7168

RGB 170 113 104

HSL 8.18, 0.28%, 0.54%

LAB 53.34, 21.41, 14.22

 

CMYK 0 / 47 / 55 / 26

HEX #BD6455

RGB 189 100 85

HSL 8.65, 0.44%, 0.54%

LAB 52.5, 34.18, 24.57

 

CMYK 0 / 59 / 68 / 18

HEX #D05642

RGB 208 86 66

HSL 8.45, 0.6%, 0.54%

LAB 52.35, 47.03, 35.85

 

CMYK 0 / 68 / 79 / 11

HEX #E3482F

RGB 227 72 47

HSL 8.33, 0.76%, 0.54%

LAB 53.14, 58.7, 47.79

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 7 / 1 / 0 / 44

HEX #848D8E

RGB 132 141 142

HSL 186, 0.04%, 0.54%

LAB 57.95, -3.06, -1.67

 

CMYK 30 / 4 / 0 / 37

HEX #719AA1

RGB 113 154 161

HSL 188.75, 0.2%, 0.54%

LAB 60.95, -12.2, -8.19

 

CMYK 48 / 7 / 0 / 29

HEX #5EA8B4

RGB 94 168 180

HSL 188.37, 0.36%, 0.54%

LAB 64.71, -19.78, -13.34

 

CMYK 62 / 9 / 0 / 22

HEX #4BB6C7

RGB 75 182 199

HSL 188.23, 0.53%, 0.54%

LAB 68.81, -25.34, -17.75

 

CMYK 0 / 19 / 11 / 41

HEX #977B86

RGB 151 123 134

HSL 336.43, 0.12%, 0.54%

LAB 54.52, 12.72, -1.89

 

CMYK 0 / 19 / 16 / 41

HEX #977B7F

RGB 151 123 127

HSL 351.43, 0.12%, 0.54%

LAB 54.32, 11.5, 1.91

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 0 / 11 / 19 / 41

HEX #97867B

RGB 151 134 123

HSL 23.57, 0.12%, 0.54%

LAB 57.13, 4.54, 8.26

 

CMYK 0 / 6 / 19 / 41

HEX #978E7B

RGB 151 142 123

HSL 40.71, 0.12%, 0.54%

LAB 59.3, 0.04, 11.33

 

CMYK 0 / 19 / 22 / 58

HEX #6C5854

RGB 108 88 84

HSL 10, 0.13%, 0.38%

LAB 39.25, 7.5, 5.4

 

CMYK 0 / 19 / 21 / 49

HEX #836A67

RGB 131 106 103

HSL 6.43, 0.12%, 0.46%

LAB 47.12, 9.43, 5.43

 

CMYK 0 / 16 / 19 / 41

HEX #977F7B

RGB 151 127 123

HSL 8.57, 0.12%, 0.54%

LAB 55.27, 8.53, 5.6

 

CMYK 0 / 12 / 14 / 34

HEX #A99592

RGB 169 149 146

HSL 7.83, 0.12%, 0.62%

LAB 63.35, 6.9, 4.29

 

CMYK 0 / 9 / 10 / 26

HEX #BCACA9

RGB 188 172 169

HSL 9.47, 0.12%, 0.7%

LAB 71.6, 5.23, 3.61

 

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

CMYK 6 / 0 / 19 / 41

HEX #8E977B

RGB 142 151 123

HSL 79.29, 0.12%, 0.54%

LAB 61.06, -8.42, 13.68

 

CMYK 19 / 13 / 0 / 41

HEX #7B8397

RGB 123 131 151

HSL 222.86, 0.12%, 0.54%

LAB 54.74, 1.48, -11.7

 

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

CMYK 19 / 0 / 16 / 41

HEX #7B977F

RGB 123 151 127

HSL 128.57, 0.12%, 0.54%

LAB 59.78, -14.75, 9.43

 

CMYK 16 / 19 / 0 / 41

HEX #7F7B97

RGB 127 123 151

HSL 248.57, 0.12%, 0.54%

LAB 52.85, 7.5, -14.52

 

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

CMYK 6 / 0 / 19 / 41

HEX #8E977B

RGB 142 151 123

HSL 79.29, 0.12%, 0.54%

LAB 61.06, -8.42, 13.68

 

CMYK 19 / 2 / 0 / 41

HEX #7B9497

RGB 123 148 151

HSL 186.43, 0.12%, 0.54%

LAB 59.55, -8.11, -4.53

 

CMYK 12 / 19 / 0 / 41

HEX #857B97

RGB 133 123 151

HSL 261.43, 0.12%, 0.54%

LAB 53.37, 9.57, -13.68

 

CMYK 0 / 16 / 19 / 40

HEX #99807C

RGB 153 128 124

HSL 8.28, 0.12%, 0.54%

LAB 55.75, 8.91, 5.74

 

CMYK 12 / 0 / 19 / 41

HEX #85977B

RGB 133 151 123

HSL 98.57, 0.12%, 0.54%

LAB 60.38, -11.83, 12.64

 

CMYK 19 / 2 / 0 / 41

HEX #7B9497

RGB 123 148 151

HSL 186.43, 0.12%, 0.54%

LAB 59.55, -8.11, -4.53

 

CMYK 7 / 19 / 0 / 41

HEX #8D7B97

RGB 141 123 151

HSL 278.57, 0.12%, 0.54%

LAB 54.09, 12.37, -12.52

 

Description

Color code: HEX #99807C | qconv.com Color code: HEX #99807C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 128 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 128 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 19 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 19% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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