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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998A3B it is the complementary color #6675C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998A3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998A3B shade: #9E8A36, #AF9C49, #C0AE5C, #D1C06F and #E2D282

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998A3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998A3B shade: #998A3B, #887828, #776615, #665402 and #554200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998A3B shade: #9A8B3B, #9A713B, #9A583B, #9A3E3B and #9A3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998A3B shade: #9A8B3B, #8F9A3B, #769A3B, #5D9A3B and #439A3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998A3B shade matches the following richer shades: #9A8B3B, #AB962A, #BCA219 and #CEAE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998A3B shade: #9A8B3B, #887F4D, #77735E, #66676F and #545B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998A3B shade: #9A583B, #9A713B, #9A8A3B, #909A3B and #779A3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998A3B shade: #5E5524, #7C7030, #9A8B3B, #B7A547 and #C3B465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998A3B shade: #998A3B, #3B9A3F and #643B9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998A3B shade: #998A3B, #3B9A8A and #8A3B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998A3B shade: #998A3B, #3B9A3F, #3B4B9A and #9A3B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998A3B shade: #998A3B, #3B9A5B, #3B4B9A and #9A3B7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

Complementary color

CMYK 48 / 40 / 0 / 23

HEX #6675C4

RGB 102 117 196

HSL 230.43, 0.44%, 0.58%

LAB 51.3, 15.98, -43.09

 

CMYK 0 / 13 / 66 / 38

HEX #9E8A36

RGB 158 138 54

HSL 48.46, 0.49%, 0.42%

LAB 57.76, -2.55, 46.32

 

CMYK 0 / 11 / 58 / 31

HEX #AF9C49

RGB 175 156 73

HSL 48.82, 0.41%, 0.49%

LAB 64.46, -3.49, 45.23

 

CMYK 0 / 9 / 52 / 25

HEX #C0AE5C

RGB 192 174 92

HSL 49.2, 0.44%, 0.56%

LAB 71.04, -4.26, 44.02

 

CMYK 0 / 8 / 47 / 18

HEX #D1C06F

RGB 209 192 111

HSL 49.59, 0.52%, 0.63%

LAB 77.52, -4.9, 42.79

 

CMYK 0 / 7 / 42 / 11

HEX #E2D282

RGB 226 210 130

HSL 50, 0.62%, 0.7%

LAB 83.9, -5.44, 41.57

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 0 / 12 / 71 / 47

HEX #887828

RGB 136 120 40

HSL 50, 0.55%, 0.35%

LAB 50.48, -3.43, 44.3

 

CMYK 0 / 14 / 82 / 53

HEX #776615

RGB 119 102 21

HSL 49.59, 0.7%, 0.27%

LAB 43.48, -2.13, 44.57

 

CMYK 0 / 18 / 98 / 60

HEX #665402

RGB 102 84 2

HSL 49.2, 0.96%, 0.2%

LAB 36.31, -0.47, 43.66

 

CMYK 0 / 22 / 100 / 67

HEX #554200

RGB 85 66 0

HSL 46.59, 1%, 0.17%

LAB 28.97, 1.8, 38.16

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 0 / 27 / 62 / 40

HEX #9A713B

RGB 154 113 59

HSL 34.11, 0.45%, 0.42%

LAB 50.68, 10.07, 35.82

 

CMYK 0 / 43 / 62 / 40

HEX #9A583B

RGB 154 88 59

HSL 18.32, 0.45%, 0.42%

LAB 44.47, 24.38, 28.39

 

CMYK 0 / 60 / 62 / 40

HEX #9A3E3B

RGB 154 62 59

HSL 1.89, 0.45%, 0.42%

LAB 38.95, 38.28, 21.47

 

CMYK 0 / 62 / 62 / 40

HEX #9A3B3B

RGB 154 59 59

HSL 0, 0.45%, 0.42%

LAB 38.4, 39.74, 20.76

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 7 / 0 / 62 / 40

HEX #8F9A3B

RGB 143 154 59

HSL 66.95, 0.45%, 0.42%

LAB 61.02, -17.38, 47.18

 

CMYK 23 / 0 / 62 / 40

HEX #769A3B

RGB 118 154 59

HSL 82.74, 0.45%, 0.42%

LAB 59.23, -27.79, 44.71

 

CMYK 40 / 0 / 62 / 40

HEX #5D9A3B

RGB 93 154 59

HSL 98.53, 0.45%, 0.42%

LAB 57.8, -37.18, 42.72

 

CMYK 56 / 0 / 62 / 40

HEX #439A3B

RGB 67 154 59

HSL 114.95, 0.45%, 0.42%

LAB 56.7, -45.23, 41.18

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 0 / 12 / 75 / 33

HEX #AB962A

RGB 171 150 42

HSL 50.23, 0.61%, 0.42%

LAB 62.2, -3.91, 56.18

 

CMYK 0 / 14 / 87 / 26

HEX #BCA219

RGB 188 162 25

HSL 50.43, 0.77%, 0.42%

LAB 66.98, -3.3, 66.12

 

CMYK 0 / 16 / 97 / 19

HEX #CEAE07

RGB 206 174 7

HSL 50.35, 0.93%, 0.42%

LAB 71.83, -1.94, 73.52

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 0 / 7 / 43 / 47

HEX #887F4D

RGB 136 127 77

HSL 50.85, 0.28%, 0.42%

LAB 52.89, -4.18, 28.37

 

CMYK 0 / 3 / 21 / 53

HEX #77735E

RGB 119 115 94

HSL 50.4, 0.12%, 0.42%

LAB 48.25, -2.25, 12.19

 

CMYK 8 / 7 / 0 / 56

HEX #66676F

RGB 102 103 111

HSL 233.33, 0.04%, 0.42%

LAB 43.76, 1.34, -4.62

 

CMYK 35 / 29 / 0 / 49

HEX #545B81

RGB 84 91 129

HSL 230.67, 0.21%, 0.42%

LAB 39.5, 7.07, -22.17

 

CMYK 0 / 43 / 62 / 40

HEX #9A583B

RGB 154 88 59

HSL 18.32, 0.45%, 0.42%

LAB 44.47, 24.38, 28.39

 

CMYK 0 / 27 / 62 / 40

HEX #9A713B

RGB 154 113 59

HSL 34.11, 0.45%, 0.42%

LAB 50.68, 10.07, 35.82

 

CMYK 0 / 10 / 62 / 40

HEX #9A8A3B

RGB 154 138 59

HSL 49.89, 0.45%, 0.42%

LAB 57.43, -4, 43.5

 

CMYK 6 / 0 / 62 / 40

HEX #909A3B

RGB 144 154 59

HSL 66.32, 0.45%, 0.42%

LAB 61.09, -16.95, 47.29

 

CMYK 23 / 0 / 62 / 40

HEX #779A3B

RGB 119 154 59

HSL 82.11, 0.45%, 0.42%

LAB 59.3, -27.39, 44.8

 

CMYK 0 / 10 / 62 / 63

HEX #5E5524

RGB 94 85 36

HSL 50.69, 0.45%, 0.25%

LAB 35.99, -3.32, 29.4

 

CMYK 0 / 10 / 61 / 51

HEX #7C7030

RGB 124 112 48

HSL 50.53, 0.44%, 0.34%

LAB 47.09, -3.91, 36.54

 

CMYK 0 / 10 / 62 / 40

HEX #9A8B3B

RGB 154 139 59

HSL 50.53, 0.45%, 0.42%

LAB 57.7, -4.55, 43.81

 

CMYK 0 / 10 / 61 / 28

HEX #B7A547

RGB 183 165 71

HSL 50.36, 0.44%, 0.5%

LAB 67.6, -4.99, 49.91

 

CMYK 0 / 8 / 48 / 24

HEX #C3B465

RGB 195 180 101

HSL 50.43, 0.44%, 0.58%

LAB 73.01, -5.35, 41.98

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 62 / 0 / 59 / 40

HEX #3B9A3F

RGB 59 154 63

HSL 122.53, 0.45%, 0.42%

LAB 56.49, -46.78, 38.96

 

CMYK 35 / 62 / 0 / 40

HEX #643B9A

RGB 100 59 154

HSL 265.89, 0.45%, 0.42%

LAB 34.34, 38.34, -45.47

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 62 / 0 / 10 / 40

HEX #3B9A8A

RGB 59 154 138

HSL 169.89, 0.45%, 0.42%

LAB 57.92, -31.77, 0.12

 

CMYK 10 / 62 / 0 / 40

HEX #8A3B9A

RGB 138 59 154

HSL 289.89, 0.45%, 0.42%

LAB 39.35, 47.9, -37.16

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 62 / 0 / 59 / 40

HEX #3B9A3F

RGB 59 154 63

HSL 122.53, 0.45%, 0.42%

LAB 56.49, -46.78, 38.96

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 0 / 62 / 2 / 40

HEX #9A3B97

RGB 154 59 151

HSL 301.89, 0.45%, 0.42%

LAB 41.58, 51.53, -31.67

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 62 / 0 / 41 / 40

HEX #3B9A5B

RGB 59 154 91

HSL 140.21, 0.45%, 0.42%

LAB 56.88, -42.44, 24.99

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 0 / 62 / 21 / 40

HEX #9A3B7A

RGB 154 59 122

HSL 320.21, 0.45%, 0.42%

LAB 40.25, 46.8, -16.02

 

Description

Color code: HEX #998A3B | qconv.com Color code: HEX #998A3B | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 138 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 138 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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