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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998AB3 it is the complementary color #66754C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998AB3 shade: #9E8AAE, #AF9CC1, #C0AED4, #D1C0E7 and #E2D2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998AB3 shade: #998AB3, #8878A0, #77668D, #66547A and #554267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998AB3 shade: #9889B2, #A389B2, #AE89B2, #B289AB and #B289A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998AB3 shade: #9889B2, #8D89B2 and #8989B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998AB3 shade matches the following richer shades: #9889B2, #947AC2, #906AD1, #8C5AE1 and #874BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998AB3 shade: #9889B2, #9C99A2, #A1A993, #A5B883 and #A9C873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998AB3 shade: #8991B2, #8D89B2, #9789B2, #A289B2 and #AD89B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998AB3 shade: #6E5C8D, #8270A2, #9889B2, #AEA2C2 and #C4BBD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998AB3 shade: #998AB3, #B2899C and #8BB289

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998AB3 shade: #998AB3, #B29789 and #89B297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998AB3 shade: #998AB3, #B2899C, #A4B289 and #89B2A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998AB3 shade: #998AB3, #B2898F, #A4B289 and #89B2AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

Complementary color

CMYK 13 / 0 / 35 / 54

HEX #66754C

RGB 102 117 76

HSL 81.95, 0.21%, 0.38%

LAB 47.07, -13.26, 20.82

 

CMYK 9 / 21 / 0 / 32

HEX #9E8AAE

RGB 158 138 174

HSL 273.33, 0.18%, 0.61%

LAB 60.34, 14.49, -16.15

 

CMYK 9 / 19 / 0 / 24

HEX #AF9CC1

RGB 175 156 193

HSL 270.81, 0.23%, 0.68%

LAB 67.08, 14.04, -16.5

 

CMYK 9 / 18 / 0 / 17

HEX #C0AED4

RGB 192 174 212

HSL 268.42, 0.31%, 0.76%

LAB 73.7, 13.64, -16.84

 

CMYK 10 / 17 / 0 / 9

HEX #D1C0E7

RGB 209 192 231

HSL 266.15, 0.45%, 0.83%

LAB 80.19, 13.26, -17.19

 

CMYK 10 / 16 / 0 / 2

HEX #E2D2FA

RGB 226 210 250

HSL 264, 0.8%, 0.9%

LAB 86.59, 12.91, -17.54

 

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

CMYK 15 / 25 / 0 / 37

HEX #8878A0

RGB 136 120 160

HSL 264, 0.17%, 0.55%

LAB 53.17, 14.38, -19.19

 

CMYK 16 / 28 / 0 / 45

HEX #77668D

RGB 119 102 141

HSL 266.15, 0.16%, 0.48%

LAB 46.11, 14.93, -18.97

 

CMYK 16 / 31 / 0 / 52

HEX #66547A

RGB 102 84 122

HSL 268.42, 0.18%, 0.4%

LAB 38.85, 15.55, -18.77

 

CMYK 17 / 36 / 0 / 60

HEX #554267

RGB 85 66 103

HSL 270.81, 0.22%, 0.33%

LAB 31.36, 16.27, -18.6

 

CMYK 15 / 23 / 0 / 30

HEX #9889B2

RGB 152 137 178

HSL 261.95, 0.21%, 0.62%

LAB 59.69, 13.92, -19.47

 

CMYK 8 / 23 / 0 / 30

HEX #A389B2

RGB 163 137 178

HSL 278.05, 0.21%, 0.62%

LAB 60.69, 17.6, -17.86

 

CMYK 2 / 23 / 0 / 30

HEX #AE89B2

RGB 174 137 178

HSL 294.15, 0.21%, 0.62%

LAB 61.74, 21.35, -16.15

 

CMYK 0 / 23 / 4 / 30

HEX #B289AB

RGB 178 137 171

HSL 310.24, 0.21%, 0.62%

LAB 61.91, 21.39, -11.89

 

CMYK 0 / 23 / 10 / 30

HEX #B289A0

RGB 178 137 160

HSL 326.34, 0.21%, 0.62%

LAB 61.56, 19.39, -6.15

 

CMYK 15 / 23 / 0 / 30

HEX #9889B2

RGB 152 137 178

HSL 261.95, 0.21%, 0.62%

LAB 59.69, 13.92, -19.47

 

CMYK 21 / 23 / 0 / 30

HEX #8D89B2

RGB 141 137 178

HSL 245.85, 0.21%, 0.62%

LAB 58.76, 10.32, -20.97

 

CMYK 23 / 23 / 0 / 30

HEX #8989B2

RGB 137 137 178

HSL 240, 0.21%, 0.62%

LAB 58.44, 9.04, -21.49

 

CMYK 15 / 23 / 0 / 30

HEX #9889B2

RGB 152 137 178

HSL 261.95, 0.21%, 0.62%

LAB 59.69, 13.92, -19.47

 

CMYK 24 / 37 / 0 / 24

HEX #947AC2

RGB 148 122 194

HSL 261.67, 0.37%, 0.62%

LAB 56.2, 25.06, -34

 

CMYK 31 / 49 / 0 / 18

HEX #906AD1

RGB 144 106 209

HSL 262.14, 0.53%, 0.62%

LAB 52.77, 36.9, -47.96

 

CMYK 38 / 60 / 0 / 12

HEX #8C5AE1

RGB 140 90 225

HSL 262.22, 0.69%, 0.62%

LAB 49.89, 48.94, -61.68

 

CMYK 44 / 69 / 0 / 5

HEX #874BF1

RGB 135 75 241

HSL 261.69, 0.86%, 0.62%

LAB 47.67, 59.78, -74.32

 

CMYK 15 / 23 / 0 / 30

HEX #9889B2

RGB 152 137 178

HSL 261.95, 0.21%, 0.62%

LAB 59.69, 13.92, -19.47

 

CMYK 4 / 6 / 0 / 36

HEX #9C99A2

RGB 156 153 162

HSL 260, 0.05%, 0.62%

LAB 63.72, 2.84, -4.32

 

CMYK 5 / 0 / 13 / 34

HEX #A1A993

RGB 161 169 147

HSL 81.82, 0.11%, 0.62%

LAB 68.06, -6.88, 10.39

 

CMYK 10 / 0 / 29 / 28

HEX #A5B883

RGB 165 184 131

HSL 81.51, 0.27%, 0.62%

LAB 72.17, -15.79, 24.82

 

CMYK 16 / 0 / 43 / 22

HEX #A9C873

RGB 169 200 115

HSL 81.88, 0.44%, 0.62%

LAB 76.67, -24.39, 39.05

 

CMYK 23 / 19 / 0 / 30

HEX #8991B2

RGB 137 145 178

HSL 228.29, 0.21%, 0.62%

LAB 60.59, 4.44, -18.21

 

CMYK 21 / 23 / 0 / 30

HEX #8D89B2

RGB 141 137 178

HSL 245.85, 0.21%, 0.62%

LAB 58.76, 10.32, -20.97

 

CMYK 15 / 23 / 0 / 30

HEX #9789B2

RGB 151 137 178

HSL 260.49, 0.21%, 0.62%

LAB 59.6, 13.59, -19.61

 

CMYK 9 / 23 / 0 / 30

HEX #A289B2

RGB 162 137 178

HSL 276.59, 0.21%, 0.62%

LAB 60.59, 17.26, -18.01

 

CMYK 3 / 23 / 0 / 30

HEX #AD89B2

RGB 173 137 178

HSL 292.68, 0.21%, 0.62%

LAB 61.65, 21, -16.31

 

CMYK 22 / 35 / 0 / 45

HEX #6E5C8D

RGB 110 92 141

HSL 262.04, 0.21%, 0.46%

LAB 42.6, 18, -24.45

 

CMYK 20 / 31 / 0 / 36

HEX #8270A2

RGB 130 112 162

HSL 261.6, 0.21%, 0.54%

LAB 50.62, 17.6, -24.33

 

CMYK 15 / 23 / 0 / 30

HEX #9889B2

RGB 152 137 178

HSL 261.95, 0.21%, 0.62%

LAB 59.69, 13.92, -19.47

 

CMYK 10 / 16 / 0 / 24

HEX #AEA2C2

RGB 174 162 194

HSL 262.5, 0.21%, 0.7%

LAB 68.56, 10.57, -14.83

 

CMYK 7 / 11 / 0 / 17

HEX #C4BBD3

RGB 196 187 211

HSL 262.5, 0.21%, 0.78%

LAB 77.27, 7.69, -10.9

 

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

CMYK 0 / 23 / 12 / 30

HEX #B2899C

RGB 178 137 156

HSL 332.2, 0.21%, 0.62%

LAB 61.44, 18.7, -4.05

 

CMYK 22 / 0 / 23 / 30

HEX #8BB289

RGB 139 178 137

HSL 117.07, 0.21%, 0.62%

LAB 68.85, -21.25, 16.76

 

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

CMYK 0 / 15 / 23 / 30

HEX #B29789

RGB 178 151 137

HSL 20.49, 0.21%, 0.62%

LAB 64.49, 7.81, 11.1

 

CMYK 23 / 0 / 15 / 30

HEX #89B297

RGB 137 178 151

HSL 140.49, 0.21%, 0.62%

LAB 69.04, -19.34, 9.34

 

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

CMYK 0 / 23 / 12 / 30

HEX #B2899C

RGB 178 137 156

HSL 332.2, 0.21%, 0.62%

LAB 61.44, 18.7, -4.05

 

CMYK 8 / 0 / 23 / 30

HEX #A4B289

RGB 164 178 137

HSL 80.49, 0.21%, 0.62%

LAB 70.55, -12.16, 19.37

 

CMYK 23 / 0 / 10 / 30

HEX #89B2A0

RGB 137 178 160

HSL 153.66, 0.21%, 0.62%

LAB 69.25, -17.54, 4.71

 

CMYK 15 / 23 / 0 / 30

HEX #998AB3

RGB 153 138 179

HSL 261.95, 0.21%, 0.62%

LAB 60.07, 13.9, -19.44

 

CMYK 0 / 23 / 20 / 30

HEX #B2898F

RGB 178 137 143

HSL 351.22, 0.21%, 0.62%

LAB 61.08, 16.55, 2.83

 

CMYK 8 / 0 / 23 / 30

HEX #A4B289

RGB 164 178 137

HSL 80.49, 0.21%, 0.62%

LAB 70.55, -12.16, 19.37

 

CMYK 23 / 0 / 3 / 30

HEX #89B2AC

RGB 137 178 172

HSL 171.22, 0.21%, 0.62%

LAB 69.57, -14.99, -1.45

 

Description

Color code: HEX #998AB3 | qconv.com Color code: HEX #998AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 138 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 138 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 23 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 23% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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