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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9995B6 it is the complementary color #666A49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9995B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9995B6 shade: #9E95B1, #AFA7C4, #C0B9D7, #D1CBEA and #E2DDFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9995B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9995B6 shade: #9995B6, #8883A3, #777190, #665F7D and #554D6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9995B6 shade: #9995B5, #A295B5, #AA95B5, #B395B5 and #B595AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9995B6 shade: #9995B5 and #9595B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9995B6 shade matches the following richer shades: #9995B5, #8E87C4, #8378D2, #786AE1 and #6D5BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9995B6 shade: #9995B5, #A4A4A7, #AFB298, #BAC18A and #C5CF7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9995B6 shade: #95A3B5, #959AB5, #9995B5, #A295B5 and #AA95B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9995B6 shade: #6B6692, #827DA4, #9995B5, #B1AEC6 and #C8C6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9995B6 shade: #9995B6, #B595AB and #9EB595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9995B6 shade: #9995B6, #B59995 and #95B599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9995B6 shade: #9995B6, #B595AB, #B2B595 and #95B59F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9995B6 shade: #9995B6, #B595A2, #B2B595 and #95B5A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

Complementary color

CMYK 4 / 0 / 31 / 58

HEX #666A49

RGB 102 106 73

HSL 67.27, 0.18%, 0.35%

LAB 43.67, -7.53, 18.06

 

CMYK 11 / 16 / 0 / 31

HEX #9E95B1

RGB 158 149 177

HSL 259.29, 0.15%, 0.64%

LAB 63.29, 8.88, -13.4

 

CMYK 11 / 15 / 0 / 23

HEX #AFA7C4

RGB 175 167 196

HSL 256.55, 0.2%, 0.71%

LAB 69.99, 8.55, -13.77

 

CMYK 11 / 14 / 0 / 16

HEX #C0B9D7

RGB 192 185 215

HSL 254, 0.27%, 0.78%

LAB 76.56, 8.25, -14.16

 

CMYK 11 / 13 / 0 / 8

HEX #D1CBEA

RGB 209 203 234

HSL 251.61, 0.42%, 0.86%

LAB 83.02, 7.97, -14.54

 

CMYK 11 / 13 / 0 / 1

HEX #E2DDFD

RGB 226 221 253

HSL 249.38, 0.89%, 0.93%

LAB 89.38, 7.71, -14.93

 

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

CMYK 17 / 20 / 0 / 36

HEX #8883A3

RGB 136 131 163

HSL 249.38, 0.15%, 0.58%

LAB 56.2, 8.65, -16.32

 

CMYK 17 / 22 / 0 / 44

HEX #777190

RGB 119 113 144

HSL 251.61, 0.12%, 0.5%

LAB 49.19, 9.04, -16.04

 

CMYK 18 / 24 / 0 / 51

HEX #665F7D

RGB 102 95 125

HSL 254, 0.14%, 0.43%

LAB 41.98, 9.48, -15.79

 

CMYK 20 / 27 / 0 / 58

HEX #554D6A

RGB 85 77 106

HSL 256.55, 0.16%, 0.36%

LAB 34.56, 9.99, -15.57

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 10 / 18 / 0 / 29

HEX #A295B5

RGB 162 149 181

HSL 264.38, 0.18%, 0.65%

LAB 63.76, 11.08, -14.9

 

CMYK 6 / 18 / 0 / 29

HEX #AA95B5

RGB 170 149 181

HSL 279.38, 0.18%, 0.65%

LAB 64.47, 13.81, -13.78

 

CMYK 1 / 18 / 0 / 29

HEX #B395B5

RGB 179 149 181

HSL 296.25, 0.18%, 0.65%

LAB 65.29, 16.91, -12.45

 

CMYK 0 / 18 / 3 / 29

HEX #B595AF

RGB 181 149 175

HSL 311.25, 0.18%, 0.65%

LAB 65.29, 16.47, -9.06

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 18 / 18 / 0 / 29

HEX #9595B5

RGB 149 149 181

HSL 240, 0.18%, 0.65%

LAB 62.69, 6.75, -16.62

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 28 / 31 / 0 / 23

HEX #8E87C4

RGB 142 135 196

HSL 246.89, 0.34%, 0.65%

LAB 59.03, 16.19, -30.76

 

CMYK 38 / 43 / 0 / 18

HEX #8378D2

RGB 131 120 210

HSL 247.33, 0.5%, 0.65%

LAB 54.98, 25.59, -45.1

 

CMYK 47 / 53 / 0 / 12

HEX #786AE1

RGB 120 106 225

HSL 247.06, 0.66%, 0.65%

LAB 51.54, 35.49, -59.12

 

CMYK 54 / 62 / 0 / 6

HEX #6D5BEF

RGB 109 91 239

HSL 247.3, 0.82%, 0.65%

LAB 48.22, 46.22, -72.41

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 2 / 2 / 0 / 35

HEX #A4A4A7

RGB 164 164 167

HSL 240, 0.02%, 0.65%

LAB 67.45, 0.58, -1.56

 

CMYK 2 / 0 / 15 / 30

HEX #AFB298

RGB 175 178 152

HSL 66.92, 0.14%, 0.65%

LAB 71.71, -5.65, 12.95

 

CMYK 4 / 0 / 28 / 24

HEX #BAC18A

RGB 186 193 138

HSL 67.64, 0.31%, 0.65%

LAB 76.32, -11.43, 26.96

 

CMYK 5 / 0 / 40 / 19

HEX #C5CF7C

RGB 197 207 124

HSL 67.23, 0.46%, 0.65%

LAB 80.71, -16.01, 40.06

 

CMYK 18 / 10 / 0 / 29

HEX #95A3B5

RGB 149 163 181

HSL 213.75, 0.18%, 0.65%

LAB 66.46, -1.08, -10.95

 

CMYK 18 / 15 / 0 / 29

HEX #959AB5

RGB 149 154 181

HSL 230.63, 0.18%, 0.65%

LAB 64.03, 3.93, -14.61

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 10 / 18 / 0 / 29

HEX #A295B5

RGB 162 149 181

HSL 264.38, 0.18%, 0.65%

LAB 63.76, 11.08, -14.9

 

CMYK 6 / 18 / 0 / 29

HEX #AA95B5

RGB 170 149 181

HSL 279.38, 0.18%, 0.65%

LAB 64.47, 13.81, -13.78

 

CMYK 27 / 30 / 0 / 43

HEX #6B6692

RGB 107 102 146

HSL 246.82, 0.18%, 0.49%

LAB 45.23, 12.19, -23.4

 

CMYK 21 / 24 / 0 / 36

HEX #827DA4

RGB 130 125 164

HSL 247.69, 0.18%, 0.57%

LAB 54.13, 10.39, -20.1

 

CMYK 15 / 18 / 0 / 29

HEX #9995B5

RGB 153 149 181

HSL 247.5, 0.18%, 0.65%

LAB 63.01, 8.07, -16.11

 

CMYK 11 / 12 / 0 / 22

HEX #B1AEC6

RGB 177 174 198

HSL 247.5, 0.17%, 0.73%

LAB 72.03, 5.78, -11.81

 

CMYK 7 / 8 / 0 / 16

HEX #C8C6D7

RGB 200 198 215

HSL 247.06, 0.18%, 0.81%

LAB 80.5, 3.91, -8.21

 

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

CMYK 0 / 18 / 6 / 29

HEX #B595AB

RGB 181 149 171

HSL 318.75, 0.18%, 0.65%

LAB 65.17, 15.73, -7

 

CMYK 13 / 0 / 18 / 29

HEX #9EB595

RGB 158 181 149

HSL 103.13, 0.18%, 0.65%

LAB 71.21, -13.96, 13.7

 

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

CMYK 0 / 15 / 18 / 29

HEX #B59995

RGB 181 153 149

HSL 7.5, 0.18%, 0.65%

LAB 65.57, 9.72, 5.96

 

CMYK 18 / 0 / 15 / 29

HEX #95B599

RGB 149 181 153

HSL 127.5, 0.18%, 0.65%

LAB 70.69, -16.42, 10.7

 

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

CMYK 0 / 18 / 6 / 29

HEX #B595AB

RGB 181 149 171

HSL 318.75, 0.18%, 0.65%

LAB 65.17, 15.73, -7

 

CMYK 2 / 0 / 18 / 29

HEX #B2B595

RGB 178 181 149

HSL 65.63, 0.18%, 0.65%

LAB 72.68, -6.6, 15.98

 

CMYK 18 / 0 / 12 / 29

HEX #95B59F

RGB 149 181 159

HSL 138.75, 0.18%, 0.65%

LAB 70.83, -15.28, 7.62

 

CMYK 16 / 18 / 0 / 29

HEX #9995B6

RGB 153 149 182

HSL 247.27, 0.18%, 0.65%

LAB 63.05, 8.29, -16.62

 

CMYK 0 / 18 / 10 / 29

HEX #B595A2

RGB 181 149 162

HSL 335.63, 0.18%, 0.65%

LAB 64.9, 14.12, -2.32

 

CMYK 2 / 0 / 18 / 29

HEX #B2B595

RGB 178 181 149

HSL 65.63, 0.18%, 0.65%

LAB 72.68, -6.6, 15.98

 

CMYK 18 / 0 / 7 / 29

HEX #95B5A9

RGB 149 181 169

HSL 157.5, 0.18%, 0.65%

LAB 71.08, -13.31, 2.5

 

Description

Color code: HEX #9995B6 | qconv.com Color code: HEX #9995B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 149 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 149 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 18 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 18% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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