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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #999818 it is the complementary color #6667E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #999818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #999818 shade: #9E9813, #AFAA26, #C0BC39, #D1CE4C and #E2E05F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #999818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #999818 shade: #999818, #888605, #777400, #666200 and #555000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #999818 shade: #9A9918, #9A7618, #9A5318, #9A2F18 and #9A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #999818 shade: #9A9918, #789A18, #559A18, #329A18 and #189A21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #999818 shade matches the following richer shades: #9A9918 and #A8A709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #999818 shade: #9A9918, #8B8B26, #7D7C34, #6F6E43 and #606051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #999818 shade: #9A5218, #9A7518, #9A9818, #799A18 and #579A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #999818 shade: #53520C, #767512, #9A9918, #BEBC1D and #DDDB27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #999818 shade: #999818, #189A2F and #64189A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #999818 shade: #999818, #189A98 and #98189A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #999818 shade: #999818, #189A2F, #181A9A and #9A1882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #999818 shade: #999818, #189A57, #181A9A and #9A185B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

Complementary color

CMYK 56 / 55 / 0 / 9

HEX #6667E7

RGB 102 103 231

HSL 239.53, 0.73%, 0.65%

LAB 49.85, 35.46, -65.28

 

CMYK 0 / 4 / 88 / 38

HEX #9E9813

RGB 158 152 19

HSL 57.41, 0.79%, 0.35%

LAB 61.46, -11.61, 61.82

 

CMYK 0 / 3 / 78 / 31

HEX #AFAA26

RGB 175 170 38

HSL 57.81, 0.64%, 0.42%

LAB 68.02, -12.88, 63.02

 

CMYK 0 / 2 / 70 / 25

HEX #C0BC39

RGB 192 188 57

HSL 58.22, 0.54%, 0.49%

LAB 74.49, -13.91, 63.15

 

CMYK 0 / 1 / 64 / 18

HEX #D1CE4C

RGB 209 206 76

HSL 58.65, 0.59%, 0.56%

LAB 80.86, -14.77, 62.67

 

CMYK 0 / 1 / 58 / 11

HEX #E2E05F

RGB 226 224 95

HSL 59.08, 0.69%, 0.63%

LAB 87.15, -15.48, 61.87

 

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

CMYK 0 / 1 / 96 / 47

HEX #888605

RGB 136 134 5

HSL 59.08, 0.93%, 0.28%

LAB 54.34, -12.35, 57.92

 

CMYK 0 / 3 / 100 / 53

HEX #777400

RGB 119 116 0

HSL 58.49, 1%, 0.23%

LAB 47.51, -10.62, 53.13

 

CMYK 0 / 4 / 100 / 60

HEX #666200

RGB 102 98 0

HSL 57.65, 1%, 0.2%

LAB 40.51, -8.74, 47.32

 

CMYK 0 / 6 / 100 / 67

HEX #555000

RGB 85 80 0

HSL 56.47, 1%, 0.17%

LAB 33.28, -6.76, 41.33

 

CMYK 0 / 1 / 84 / 40

HEX #9A9918

RGB 154 153 24

HSL 59.54, 0.73%, 0.35%

LAB 61.41, -13.81, 60.49

 

CMYK 0 / 23 / 84 / 40

HEX #9A7618

RGB 154 118 24

HSL 43.38, 0.73%, 0.35%

LAB 51.72, 5.37, 52.26

 

CMYK 0 / 46 / 84 / 40

HEX #9A5318

RGB 154 83 24

HSL 27.23, 0.73%, 0.35%

LAB 42.95, 25.32, 44.62

 

CMYK 0 / 69 / 84 / 40

HEX #9A2F18

RGB 154 47 24

HSL 10.62, 0.73%, 0.35%

LAB 35.92, 43.4, 38.29

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 1 / 84 / 40

HEX #9A9918

RGB 154 153 24

HSL 59.54, 0.73%, 0.35%

LAB 61.41, -13.81, 60.49

 

CMYK 22 / 0 / 84 / 40

HEX #789A18

RGB 120 154 24

HSL 75.69, 0.73%, 0.35%

LAB 59.13, -29.12, 57.53

 

CMYK 45 / 0 / 84 / 40

HEX #559A18

RGB 85 154 24

HSL 91.85, 0.73%, 0.35%

LAB 57.18, -42.46, 55.06

 

CMYK 68 / 0 / 84 / 40

HEX #329A18

RGB 50 154 24

HSL 108, 0.73%, 0.35%

LAB 55.94, -52.25, 53.48

 

CMYK 84 / 0 / 79 / 40

HEX #189A21

RGB 24 154 33

HSL 124.15, 0.73%, 0.35%

LAB 55.5, -55.91, 50.18

 

CMYK 0 / 1 / 84 / 40

HEX #9A9918

RGB 154 153 24

HSL 59.54, 0.73%, 0.35%

LAB 61.41, -13.81, 60.49

 

CMYK 0 / 1 / 95 / 34

HEX #A8A709

RGB 168 167 9

HSL 59.62, 0.9%, 0.35%

LAB 66.51, -15.14, 67.78

 

CMYK 0 / 1 / 84 / 40

HEX #9A9918

RGB 154 153 24

HSL 59.54, 0.73%, 0.35%

LAB 61.41, -13.81, 60.49

 

CMYK 0 / 0 / 73 / 45

HEX #8B8B26

RGB 139 139 38

HSL 60, 0.57%, 0.35%

LAB 56.18, -12.6, 50.89

 

CMYK 0 / 1 / 58 / 51

HEX #7D7C34

RGB 125 124 52

HSL 59.18, 0.41%, 0.35%

LAB 50.71, -9.86, 38.65

 

CMYK 0 / 1 / 40 / 56

HEX #6F6E43

RGB 111 110 67

HSL 58.64, 0.25%, 0.35%

LAB 45.55, -6.72, 24.13

 

CMYK 0 / 0 / 16 / 62

HEX #606051

RGB 96 96 81

HSL 60, 0.08%, 0.35%

LAB 40.32, -2.92, 8.59

 

CMYK 0 / 47 / 84 / 40

HEX #9A5218

RGB 154 82 24

HSL 26.77, 0.73%, 0.35%

LAB 42.72, 25.87, 44.41

 

CMYK 0 / 24 / 84 / 40

HEX #9A7518

RGB 154 117 24

HSL 42.92, 0.73%, 0.35%

LAB 51.45, 5.93, 52.03

 

CMYK 0 / 1 / 84 / 40

HEX #9A9818

RGB 154 152 24

HSL 59.08, 0.73%, 0.35%

LAB 61.13, -13.28, 60.25

 

CMYK 21 / 0 / 84 / 40

HEX #799A18

RGB 121 154 24

HSL 75.23, 0.73%, 0.35%

LAB 59.2, -28.7, 57.61

 

CMYK 44 / 0 / 84 / 40

HEX #579A18

RGB 87 154 24

HSL 90.92, 0.73%, 0.35%

LAB 57.27, -41.78, 55.17

 

CMYK 0 / 1 / 86 / 67

HEX #53520C

RGB 83 82 12

HSL 59.15, 0.75%, 0.19%

LAB 33.77, -8.5, 37.64

 

CMYK 0 / 1 / 85 / 54

HEX #767512

RGB 118 117 18

HSL 59.4, 0.74%, 0.27%

LAB 47.77, -11.2, 49.25

 

CMYK 0 / 1 / 84 / 40

HEX #9A9918

RGB 154 153 24

HSL 59.54, 0.73%, 0.35%

LAB 61.41, -13.81, 60.49

 

CMYK 0 / 1 / 85 / 25

HEX #BEBC1D

RGB 190 188 29

HSL 59.25, 0.74%, 0.43%

LAB 74.19, -15.82, 71.19

 

CMYK 0 / 1 / 82 / 13

HEX #DDDB27

RGB 221 219 39

HSL 59.34, 0.73%, 0.51%

LAB 85.09, -17.77, 79.02

 

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

CMYK 84 / 0 / 69 / 40

HEX #189A2F

RGB 24 154 47

HSL 130.62, 0.73%, 0.35%

LAB 55.59, -54.7, 44.99

 

CMYK 35 / 84 / 0 / 40

HEX #64189A

RGB 100 24 154

HSL 275.08, 0.73%, 0.35%

LAB 28.63, 54.31, -54.72

 

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

CMYK 84 / 0 / 1 / 40

HEX #189A98

RGB 24 154 152

HSL 179.08, 0.73%, 0.35%

LAB 57.63, -32.38, -8.36

 

CMYK 1 / 84 / 0 / 40

HEX #98189A

RGB 152 24 154

HSL 299.08, 0.73%, 0.35%

LAB 37.23, 63.48, -40.4

 

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

CMYK 84 / 0 / 69 / 40

HEX #189A2F

RGB 24 154 47

HSL 130.62, 0.73%, 0.35%

LAB 55.59, -54.7, 44.99

 

CMYK 84 / 83 / 0 / 40

HEX #181A9A

RGB 24 26 154

HSL 239.08, 0.73%, 0.35%

LAB 21.08, 45.47, -67.44

 

CMYK 0 / 84 / 16 / 40

HEX #9A1882

RGB 154 24 130

HSL 311.08, 0.73%, 0.35%

LAB 36.24, 60.25, -27.2

 

CMYK 0 / 1 / 84 / 40

HEX #999818

RGB 153 152 24

HSL 59.53, 0.73%, 0.35%

LAB 61.04, -13.73, 60.15

 

CMYK 84 / 0 / 44 / 40

HEX #189A57

RGB 24 154 87

HSL 149.08, 0.73%, 0.35%

LAB 56.08, -48.84, 25.98

 

CMYK 84 / 83 / 0 / 40

HEX #181A9A

RGB 24 26 154

HSL 239.08, 0.73%, 0.35%

LAB 21.08, 45.47, -67.44

 

CMYK 0 / 84 / 41 / 40

HEX #9A185B

RGB 154 24 91

HSL 329.08, 0.73%, 0.35%

LAB 34.56, 55.5, -5.06

 

Description

Color code: HEX #999818 | qconv.com Color code: HEX #999818 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 152 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 152 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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