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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #999A06 it is the complementary color #6665F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #999A06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #999A06 shade: #9E9A01, #AFAC14, #C0BE27, #D1D03A and #E2E24D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #999A06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #999A06 shade: #999A06, #888800, #777600, #666400 and #555200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #999A06 shade: #979805, #987105, #984A05, #982205 and #980505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #999A06 shade: #979805, #6F9805, #489805, #209805 and #059812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #999A06 shade matches the following richer shades: #979805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #999A06 shade: #979805, #8A8B12, #7E7E1F, #71722B and #656538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #999A06 shade: #984A05, #987105, #989805, #719805 and #4A9805

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #999A06 shade: #484802, #707004, #979805, #BFC006 and #E6E808

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #999A06 shade: #999A06, #059822 and #5D0598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #999A06 shade: #999A06, #059898 and #980598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #999A06 shade: #999A06, #059822, #050598 and #98057B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #999A06 shade: #999A06, #05984F, #050598 and #98054F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

Complementary color

CMYK 59 / 59 / 0 / 2

HEX #6665F9

RGB 102 101 249

HSL 240.41, 0.93%, 0.69%

LAB 50.65, 42.32, -74.05

 

CMYK 0 / 3 / 99 / 38

HEX #9E9A01

RGB 158 154 1

HSL 58.47, 0.99%, 0.31%

LAB 61.98, -12.97, 65.1

 

CMYK 0 / 2 / 89 / 31

HEX #AFAC14

RGB 175 172 20

HSL 58.84, 0.79%, 0.38%

LAB 68.51, -14.43, 67.91

 

CMYK 0 / 1 / 80 / 25

HEX #C0BE27

RGB 192 190 39

HSL 59.22, 0.66%, 0.45%

LAB 74.94, -15.67, 69.4

 

CMYK 0 / 0 / 72 / 18

HEX #D1D03A

RGB 209 208 58

HSL 59.6, 0.62%, 0.52%

LAB 81.28, -16.71, 69.82

 

CMYK 0 / 0 / 66 / 11

HEX #E2E24D

RGB 226 226 77

HSL 60, 0.72%, 0.59%

LAB 87.53, -17.58, 69.58

 

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

CMYK 0 / 0 / 100 / 47

HEX #888800

RGB 136 136 0

HSL 60, 1%, 0.27%

LAB 54.91, -13.51, 59.22

 

CMYK 0 / 1 / 100 / 53

HEX #777600

RGB 119 118 0

HSL 59.5, 1%, 0.23%

LAB 48.11, -11.72, 53.57

 

CMYK 0 / 2 / 100 / 60

HEX #666400

RGB 102 100 0

HSL 58.82, 1%, 0.2%

LAB 41.12, -9.87, 47.76

 

CMYK 0 / 4 / 100 / 67

HEX #555200

RGB 85 82 0

HSL 57.88, 1%, 0.17%

LAB 33.91, -7.94, 41.78

 

CMYK 1 / 0 / 97 / 40

HEX #979805

RGB 151 152 5

HSL 60.41, 0.94%, 0.31%

LAB 60.82, -15.02, 63.39

 

CMYK 0 / 26 / 97 / 40

HEX #987105

RGB 152 113 5

HSL 44.08, 0.94%, 0.31%

LAB 50.09, 6.86, 55.5

 

CMYK 0 / 51 / 97 / 40

HEX #984A05

RGB 152 74 5

HSL 28.16, 0.94%, 0.31%

LAB 40.55, 28.99, 48.85

 

CMYK 0 / 78 / 97 / 40

HEX #982205

RGB 152 34 5

HSL 11.84, 0.94%, 0.31%

LAB 33.63, 47.28, 44.52

 

CMYK 0 / 97 / 97 / 40

HEX #980505

RGB 152 5 5

HSL 0, 0.94%, 0.31%

LAB 31.34, 53.79, 43.04

 

CMYK 1 / 0 / 97 / 40

HEX #979805

RGB 151 152 5

HSL 60.41, 0.94%, 0.31%

LAB 60.82, -15.02, 63.39

 

CMYK 27 / 0 / 97 / 40

HEX #6F9805

RGB 111 152 5

HSL 76.73, 0.94%, 0.31%

LAB 57.89, -32.37, 59.86

 

CMYK 53 / 0 / 97 / 40

HEX #489805

RGB 72 152 5

HSL 92.65, 0.94%, 0.31%

LAB 55.93, -46.45, 57.47

 

CMYK 79 / 0 / 97 / 40

HEX #209805

RGB 32 152 5

HSL 108.98, 0.94%, 0.31%

LAB 54.84, -55.55, 56.13

 

CMYK 97 / 0 / 88 / 40

HEX #059812

RGB 5 152 18

HSL 125.31, 0.94%, 0.31%

LAB 54.59, -57.68, 53.49

 

CMYK 1 / 0 / 97 / 40

HEX #979805

RGB 151 152 5

HSL 60.41, 0.94%, 0.31%

LAB 60.82, -15.02, 63.39

 

CMYK 1 / 0 / 97 / 40

HEX #979805

RGB 151 152 5

HSL 60.41, 0.94%, 0.31%

LAB 60.82, -15.02, 63.39

 

CMYK 1 / 0 / 87 / 45

HEX #8A8B12

RGB 138 139 18

HSL 60.5, 0.77%, 0.31%

LAB 56, -13.83, 56.87

 

CMYK 0 / 0 / 75 / 51

HEX #7E7E1F

RGB 126 126 31

HSL 60, 0.61%, 0.31%

LAB 51.22, -11.87, 48.36

 

CMYK 1 / 0 / 62 / 55

HEX #71722B

RGB 113 114 43

HSL 60.85, 0.45%, 0.31%

LAB 46.6, -10.5, 38.18

 

CMYK 0 / 0 / 45 / 60

HEX #656538

RGB 101 101 56

HSL 60, 0.29%, 0.31%

LAB 41.78, -7.38, 25.42

 

CMYK 0 / 51 / 97 / 40

HEX #984A05

RGB 152 74 5

HSL 28.16, 0.94%, 0.31%

LAB 40.55, 28.99, 48.85

 

CMYK 0 / 26 / 97 / 40

HEX #987105

RGB 152 113 5

HSL 44.08, 0.94%, 0.31%

LAB 50.09, 6.86, 55.5

 

CMYK 0 / 0 / 97 / 40

HEX #989805

RGB 152 152 5

HSL 60, 0.94%, 0.31%

LAB 60.91, -14.57, 63.49

 

CMYK 26 / 0 / 97 / 40

HEX #719805

RGB 113 152 5

HSL 75.92, 0.94%, 0.31%

LAB 58.02, -31.56, 60.01

 

CMYK 51 / 0 / 97 / 40

HEX #4A9805

RGB 74 152 5

HSL 91.84, 0.94%, 0.31%

LAB 56.01, -45.83, 57.56

 

CMYK 0 / 0 / 97 / 72

HEX #484802

RGB 72 72 2

HSL 60, 0.95%, 0.15%

LAB 29.45, -8.57, 37.12

 

CMYK 0 / 0 / 96 / 56

HEX #707004

RGB 112 112 4

HSL 60, 0.93%, 0.23%

LAB 45.69, -11.65, 50.61

 

CMYK 1 / 0 / 97 / 40

HEX #979805

RGB 151 152 5

HSL 60.41, 0.94%, 0.31%

LAB 60.82, -15.02, 63.39

 

CMYK 1 / 0 / 97 / 25

HEX #BFC006

RGB 191 192 6

HSL 60.32, 0.94%, 0.39%

LAB 75.32, -17.78, 75.6

 

CMYK 1 / 0 / 97 / 9

HEX #E6E808

RGB 230 232 8

HSL 60.54, 0.93%, 0.47%

LAB 89.18, -20.84, 87.15

 

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

CMYK 97 / 0 / 78 / 40

HEX #059822

RGB 5 152 34

HSL 131.84, 0.94%, 0.31%

LAB 54.66, -56.71, 48.96

 

CMYK 39 / 97 / 0 / 40

HEX #5D0598

RGB 93 5 152

HSL 275.92, 0.94%, 0.31%

LAB 25.87, 57.41, -58.06

 

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

CMYK 97 / 0 / 0 / 40

HEX #059898

RGB 5 152 152

HSL 180, 0.94%, 0.31%

LAB 56.84, -32.47, -9.56

 

CMYK 0 / 97 / 0 / 40

HEX #980598

RGB 152 5 152

HSL 300, 0.94%, 0.31%

LAB 36.08, 66.16, -41.02

 

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

CMYK 97 / 0 / 78 / 40

HEX #059822

RGB 5 152 34

HSL 131.84, 0.94%, 0.31%

LAB 54.66, -56.71, 48.96

 

CMYK 97 / 97 / 0 / 40

HEX #050598

RGB 5 5 152

HSL 240, 0.94%, 0.31%

LAB 17.5, 52.29, -72.19

 

CMYK 0 / 97 / 19 / 40

HEX #98057B

RGB 152 5 123

HSL 311.84, 0.94%, 0.31%

LAB 34.42, 62.02, -25.7

 

CMYK 1 / 0 / 96 / 40

HEX #999A06

RGB 153 154 6

HSL 60.41, 0.93%, 0.31%

LAB 61.56, -15.15, 63.88

 

CMYK 97 / 0 / 48 / 40

HEX #05984F

RGB 5 152 79

HSL 150.2, 0.94%, 0.31%

LAB 55.13, -50.95, 28.99

 

CMYK 97 / 97 / 0 / 40

HEX #050598

RGB 5 5 152

HSL 240, 0.94%, 0.31%

LAB 17.5, 52.29, -72.19

 

CMYK 0 / 97 / 48 / 40

HEX #98054F

RGB 152 5 79

HSL 329.8, 0.94%, 0.31%

LAB 32.59, 57.21, -0.19

 

Description

Color code: HEX #999A06 | qconv.com Color code: HEX #999A06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 154 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 154 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 96 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 96% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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