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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #999C24 it is the complementary color #6663DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #999C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #999C24 shade: #9E9C1F, #AFAE32, #C0C045, #D1D258 and #E2E46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #999C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #999C24 shade: #999C24, #888A11, #777800, #666600 and #555400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #999C24 shade: #9A9D23, #9D8023, #9D5F23, #9D3E23 and #9D2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #999C24 shade: #9A9D23, #799D23, #599D23, #389D23 and #239D30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #999C24 shade matches the following richer shades: #9A9D23, #A9AD14 and #B8BD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #999C24 shade: #9A9D23, #8C8E33, #7D7E43, #6E6E52 and #5F5F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #999C24 shade: #9D5E23, #9D7F23, #9B9D23, #7B9D23 and #5A9D23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #999C24 shade: #585A14, #797C1C, #9A9D23, #BBBF2B and #D0D340

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #999C24 shade: #999C24, #239D3E and #6F239D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #999C24 shade: #999C24, #239B9D and #9D239B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #999C24 shade: #999C24, #239D3E, #25239D and #9D2383

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #999C24 shade: #999C24, #239D62, #25239D and #9D235E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

Complementary color

CMYK 53 / 55 / 0 / 14

HEX #6663DB

RGB 102 99 219

HSL 241.5, 0.63%, 0.62%

LAB 48.09, 34.11, -61.36

 

CMYK 0 / 1 / 80 / 38

HEX #9E9C1F

RGB 158 156 31

HSL 59.06, 0.67%, 0.37%

LAB 62.63, -13.37, 59.78

 

CMYK 0 / 1 / 71 / 31

HEX #AFAE32

RGB 175 174 50

HSL 59.52, 0.56%, 0.44%

LAB 69.2, -14.42, 60.08

 

CMYK 0 / 0 / 64 / 25

HEX #C0C045

RGB 192 192 69

HSL 60, 0.49%, 0.51%

LAB 75.66, -15.27, 59.66

 

CMYK 0 / 0 / 58 / 18

HEX #D1D258

RGB 209 210 88

HSL 60.49, 0.58%, 0.58%

LAB 82.03, -15.97, 58.87

 

CMYK 1 / 0 / 53 / 11

HEX #E2E46B

RGB 226 228 107

HSL 60.99, 0.69%, 0.66%

LAB 88.31, -16.55, 57.89

 

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

CMYK 1 / 0 / 88 / 46

HEX #888A11

RGB 136 138 17

HSL 60.99, 0.78%, 0.3%

LAB 55.53, -14.24, 56.64

 

CMYK 1 / 0 / 100 / 53

HEX #777800

RGB 119 120 0

HSL 60.5, 1%, 0.24%

LAB 48.7, -12.82, 54

 

CMYK 0 / 0 / 100 / 60

HEX #666600

RGB 102 102 0

HSL 60, 1%, 0.2%

LAB 41.73, -11, 48.21

 

CMYK 0 / 1 / 100 / 67

HEX #555400

RGB 85 84 0

HSL 59.29, 1%, 0.17%

LAB 34.54, -9.11, 42.24

 

CMYK 2 / 0 / 78 / 38

HEX #9A9D23

RGB 154 157 35

HSL 61.48, 0.64%, 0.38%

LAB 62.6, -15.51, 58.4

 

CMYK 0 / 18 / 78 / 38

HEX #9D8023

RGB 157 128 35

HSL 45.74, 0.64%, 0.38%

LAB 54.79, 1.52, 51.3

 

CMYK 0 / 39 / 78 / 38

HEX #9D5F23

RGB 157 95 35

HSL 29.51, 0.64%, 0.38%

LAB 46.28, 20.29, 43.11

 

CMYK 0 / 61 / 78 / 38

HEX #9D3E23

RGB 157 62 35

HSL 13.28, 0.64%, 0.38%

LAB 39.13, 38.05, 35.86

 

CMYK 0 / 78 / 78 / 38

HEX #9D2323

RGB 157 35 35

HSL 0, 0.64%, 0.38%

LAB 34.99, 49.28, 31.45

 

CMYK 2 / 0 / 78 / 38

HEX #9A9D23

RGB 154 157 35

HSL 61.48, 0.64%, 0.38%

LAB 62.6, -15.51, 58.4

 

CMYK 23 / 0 / 78 / 38

HEX #799D23

RGB 121 157 35

HSL 77.7, 0.64%, 0.38%

LAB 60.16, -29.66, 55.26

 

CMYK 43 / 0 / 78 / 38

HEX #599D23

RGB 89 157 35

HSL 93.44, 0.64%, 0.38%

LAB 58.38, -41.78, 52.94

 

CMYK 64 / 0 / 78 / 38

HEX #389D23

RGB 56 157 35

HSL 109.67, 0.64%, 0.38%

LAB 57.15, -51.3, 51.33

 

CMYK 78 / 0 / 69 / 38

HEX #239D30

RGB 35 157 48

HSL 126.39, 0.64%, 0.38%

LAB 56.77, -54.18, 45.87

 

CMYK 2 / 0 / 78 / 38

HEX #9A9D23

RGB 154 157 35

HSL 61.48, 0.64%, 0.38%

LAB 62.6, -15.51, 58.4

 

CMYK 2 / 0 / 88 / 32

HEX #A9AD14

RGB 169 173 20

HSL 61.57, 0.79%, 0.38%

LAB 68.29, -17.57, 67.52

 

CMYK 3 / 0 / 98 / 26

HEX #B8BD04

RGB 184 189 4

HSL 61.62, 0.96%, 0.38%

LAB 73.93, -19.33, 74.53

 

CMYK 2 / 0 / 78 / 38

HEX #9A9D23

RGB 154 157 35

HSL 61.48, 0.64%, 0.38%

LAB 62.6, -15.51, 58.4

 

CMYK 1 / 0 / 64 / 44

HEX #8C8E33

RGB 140 142 51

HSL 61.32, 0.47%, 0.38%

LAB 57.23, -12.97, 46.61

 

CMYK 1 / 0 / 47 / 51

HEX #7D7E43

RGB 125 126 67

HSL 61.02, 0.31%, 0.38%

LAB 51.48, -9.53, 31.83

 

CMYK 0 / 0 / 25 / 57

HEX #6E6E52

RGB 110 110 82

HSL 60, 0.15%, 0.38%

LAB 45.74, -5.05, 15.67

 

CMYK 3 / 3 / 0 / 62

HEX #5F5F62

RGB 95 95 98

HSL 240, 0.02%, 0.38%

LAB 40.41, 0.64, -1.71

 

CMYK 0 / 40 / 78 / 38

HEX #9D5E23

RGB 157 94 35

HSL 29.02, 0.64%, 0.38%

LAB 46.04, 20.85, 42.87

 

CMYK 0 / 19 / 78 / 38

HEX #9D7F23

RGB 157 127 35

HSL 45.25, 0.64%, 0.38%

LAB 54.52, 2.08, 51.04

 

CMYK 1 / 0 / 78 / 38

HEX #9B9D23

RGB 155 157 35

HSL 60.98, 0.64%, 0.38%

LAB 62.68, -15.07, 58.51

 

CMYK 22 / 0 / 78 / 38

HEX #7B9D23

RGB 123 157 35

HSL 76.72, 0.64%, 0.38%

LAB 60.29, -28.84, 55.43

 

CMYK 43 / 0 / 78 / 38

HEX #5A9D23

RGB 90 157 35

HSL 92.95, 0.64%, 0.38%

LAB 58.42, -41.43, 53

 

CMYK 2 / 0 / 78 / 65

HEX #585A14

RGB 88 90 20

HSL 61.71, 0.64%, 0.22%

LAB 36.81, -10.3, 37.66

 

CMYK 2 / 0 / 77 / 51

HEX #797C1C

RGB 121 124 28

HSL 61.88, 0.63%, 0.3%

LAB 50.17, -13.22, 48.3

 

CMYK 2 / 0 / 78 / 38

HEX #9A9D23

RGB 154 157 35

HSL 61.48, 0.64%, 0.38%

LAB 62.6, -15.51, 58.4

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 1 / 0 / 70 / 17

HEX #D0D340

RGB 208 211 64

HSL 61.22, 0.63%, 0.54%

LAB 82.04, -18.33, 68.44

 

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

CMYK 78 / 0 / 61 / 38

HEX #239D3E

RGB 35 157 62

HSL 133.28, 0.64%, 0.38%

LAB 56.9, -52.57, 39.78

 

CMYK 29 / 78 / 0 / 38

HEX #6F239D

RGB 111 35 157

HSL 277.38, 0.64%, 0.38%

LAB 31.84, 52.99, -51.25

 

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

CMYK 78 / 1 / 0 / 38

HEX #239B9D

RGB 35 155 157

HSL 180.98, 0.64%, 0.38%

LAB 58.26, -30.31, -10.25

 

CMYK 0 / 78 / 1 / 38

HEX #9D239B

RGB 157 35 155

HSL 300.98, 0.64%, 0.38%

LAB 39.13, 61.83, -37.92

 

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

CMYK 78 / 0 / 61 / 38

HEX #239D3E

RGB 35 157 62

HSL 133.28, 0.64%, 0.38%

LAB 56.9, -52.57, 39.78

 

CMYK 76 / 78 / 0 / 38

HEX #25239D

RGB 37 35 157

HSL 240.98, 0.64%, 0.38%

LAB 23.77, 42.56, -64.8

 

CMYK 0 / 78 / 17 / 38

HEX #9D2383

RGB 157 35 131

HSL 312.79, 0.64%, 0.38%

LAB 37.86, 58.15, -25.25

 

CMYK 2 / 0 / 77 / 39

HEX #999C24

RGB 153 156 36

HSL 61.5, 0.63%, 0.38%

LAB 62.23, -15.39, 57.72

 

CMYK 78 / 0 / 38 / 38

HEX #239D62

RGB 35 157 98

HSL 150.98, 0.64%, 0.38%

LAB 57.42, -46.53, 21.79

 

CMYK 76 / 78 / 0 / 38

HEX #25239D

RGB 37 35 157

HSL 240.98, 0.64%, 0.38%

LAB 23.77, 42.56, -64.8

 

CMYK 0 / 78 / 40 / 38

HEX #9D235E

RGB 157 35 94

HSL 330.98, 0.64%, 0.38%

LAB 36.33, 53.53, -4.3

 

Description

Color code: HEX #999C24 | qconv.com Color code: HEX #999C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 156 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 156 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 77 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 77% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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