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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #999E14 it is the complementary color #6661EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #999E14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #999E14 shade: #9E9E0F, #AFB022, #C0C235, #D1D448 and #E2E65B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #999E14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #999E14 shade: #999E14, #888C01, #777A00, #666800 and #555600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #999E14 shade: #999E13, #9E7E13, #9E5813, #9E3313 and #9E1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #999E14 shade: #999E13, #749E13, #4E9E13, #299E13 and #139E23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #999E14 shade matches the following richer shades: #999E13 and #A7AD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #999E14 shade: #999E13, #8C9022, #7F8130, #71733E and #64654D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #999E14 shade: #9E5913, #9E7E13, #9A9E13, #759E13 and #4F9E13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #999E14 shade: #52550A, #767A0F, #999E13, #BDC318 and #DCE321

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #999E14 shade: #999E14, #139E34 and #6B139E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #999E14 shade: #999E14, #139A9E and #9E139A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #999E14 shade: #999E14, #139E34, #18139E and #9E137E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #999E14 shade: #999E14, #139E5D, #18139E and #9E1354

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

Complementary color

CMYK 57 / 59 / 0 / 8

HEX #6661EB

RGB 102 97 235

HSL 242.17, 0.78%, 0.65%

LAB 48.73, 40.3, -69.36

 

CMYK 0 / 0 / 91 / 38

HEX #9E9E0F

RGB 158 158 15

HSL 60, 0.83%, 0.34%

LAB 63.14, -14.84, 63.94

 

CMYK 1 / 0 / 81 / 31

HEX #AFB022

RGB 175 176 34

HSL 60.42, 0.68%, 0.41%

LAB 69.67, -16.1, 65.64

 

CMYK 1 / 0 / 73 / 24

HEX #C0C235

RGB 192 194 53

HSL 60.85, 0.57%, 0.48%

LAB 76.1, -17.13, 66.12

 

CMYK 1 / 0 / 66 / 17

HEX #D1D448

RGB 209 212 72

HSL 61.29, 0.62%, 0.56%

LAB 82.44, -17.98, 65.88

 

CMYK 2 / 0 / 60 / 10

HEX #E2E65B

RGB 226 230 91

HSL 61.73, 0.74%, 0.63%

LAB 88.69, -18.69, 65.24

 

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

CMYK 3 / 0 / 99 / 45

HEX #888C01

RGB 136 140 1

HSL 61.73, 0.99%, 0.28%

LAB 56.08, -15.61, 59.91

 

CMYK 2 / 0 / 100 / 52

HEX #777A00

RGB 119 122 0

HSL 61.48, 1%, 0.24%

LAB 49.3, -13.9, 54.44

 

CMYK 2 / 0 / 100 / 59

HEX #666800

RGB 102 104 0

HSL 61.15, 1%, 0.2%

LAB 42.35, -12.12, 48.66

 

CMYK 1 / 0 / 100 / 66

HEX #555600

RGB 85 86 0

HSL 60.7, 1%, 0.17%

LAB 35.18, -10.27, 42.71

 

CMYK 3 / 0 / 88 / 38

HEX #999E13

RGB 153 158 19

HSL 62.16, 0.79%, 0.35%

LAB 62.74, -16.98, 62.69

 

CMYK 0 / 20 / 88 / 38

HEX #9E7E13

RGB 158 126 19

HSL 46.19, 0.79%, 0.35%

LAB 54.28, 2.57, 56.01

 

CMYK 0 / 44 / 88 / 38

HEX #9E5813

RGB 158 88 19

HSL 29.78, 0.79%, 0.35%

LAB 44.65, 24.13, 48.17

 

CMYK 0 / 68 / 88 / 38

HEX #9E3313

RGB 158 51 19

HSL 13.81, 0.79%, 0.35%

LAB 37.27, 42.99, 42.12

 

CMYK 0 / 88 / 88 / 38

HEX #9E1313

RGB 158 19 19

HSL 0, 0.79%, 0.35%

LAB 33.52, 53.4, 39.02

 

CMYK 3 / 0 / 88 / 38

HEX #999E13

RGB 153 158 19

HSL 62.16, 0.79%, 0.35%

LAB 62.74, -16.98, 62.69

 

CMYK 27 / 0 / 88 / 38

HEX #749E13

RGB 116 158 19

HSL 78.13, 0.79%, 0.35%

LAB 60.08, -32.8, 59.4

 

CMYK 51 / 0 / 88 / 38

HEX #4E9E13

RGB 78 158 19

HSL 94.53, 0.79%, 0.35%

LAB 58.15, -46.53, 56.99

 

CMYK 74 / 0 / 88 / 38

HEX #299E13

RGB 41 158 19

HSL 110.5, 0.79%, 0.35%

LAB 57.05, -55.55, 55.6

 

CMYK 88 / 0 / 78 / 38

HEX #139E23

RGB 19 158 35

HSL 126.91, 0.79%, 0.35%

LAB 56.8, -57.49, 50.75

 

CMYK 3 / 0 / 88 / 38

HEX #999E13

RGB 153 158 19

HSL 62.16, 0.79%, 0.35%

LAB 62.74, -16.98, 62.69

 

CMYK 3 / 0 / 97 / 32

HEX #A7AD05

RGB 167 173 5

HSL 62.14, 0.94%, 0.35%

LAB 68.1, -18.69, 69.45

 

CMYK 3 / 0 / 88 / 38

HEX #999E13

RGB 153 158 19

HSL 62.16, 0.79%, 0.35%

LAB 62.74, -16.98, 62.69

 

CMYK 3 / 0 / 76 / 44

HEX #8C9022

RGB 140 144 34

HSL 62.18, 0.62%, 0.35%

LAB 57.69, -14.99, 53.8

 

CMYK 2 / 0 / 63 / 49

HEX #7F8130

RGB 127 129 48

HSL 61.48, 0.46%, 0.35%

LAB 52.32, -12, 42.38

 

CMYK 2 / 0 / 46 / 55

HEX #71733E

RGB 113 115 62

HSL 62.26, 0.3%, 0.35%

LAB 47.13, -9.26, 28.95

 

CMYK 1 / 0 / 24 / 60

HEX #64654D

RGB 100 101 77

HSL 62.5, 0.13%, 0.35%

LAB 42.08, -4.86, 13.5

 

CMYK 0 / 44 / 88 / 38

HEX #9E5913

RGB 158 89 19

HSL 30.22, 0.79%, 0.35%

LAB 44.89, 23.57, 48.36

 

CMYK 0 / 20 / 88 / 38

HEX #9E7E13

RGB 158 126 19

HSL 46.19, 0.79%, 0.35%

LAB 54.28, 2.57, 56.01

 

CMYK 3 / 0 / 88 / 38

HEX #9A9E13

RGB 154 158 19

HSL 61.73, 0.79%, 0.35%

LAB 62.82, -16.54, 62.79

 

CMYK 26 / 0 / 88 / 38

HEX #759E13

RGB 117 158 19

HSL 77.7, 0.79%, 0.35%

LAB 60.14, -32.4, 59.48

 

CMYK 50 / 0 / 88 / 38

HEX #4F9E13

RGB 79 158 19

HSL 94.1, 0.79%, 0.35%

LAB 58.19, -46.22, 57.04

 

CMYK 4 / 0 / 88 / 67

HEX #52550A

RGB 82 85 10

HSL 62.4, 0.79%, 0.19%

LAB 34.63, -10.82, 38.98

 

CMYK 3 / 0 / 88 / 52

HEX #767A0F

RGB 118 122 15

HSL 62.24, 0.78%, 0.27%

LAB 49.26, -14.02, 51.29

 

CMYK 3 / 0 / 88 / 38

HEX #999E13

RGB 153 158 19

HSL 62.16, 0.79%, 0.35%

LAB 62.74, -16.98, 62.69

 

CMYK 3 / 0 / 88 / 24

HEX #BDC318

RGB 189 195 24

HSL 62.11, 0.78%, 0.43%

LAB 76.02, -19.86, 73.66

 

CMYK 3 / 0 / 85 / 11

HEX #DCE321

RGB 220 227 33

HSL 62.16, 0.78%, 0.51%

LAB 87.13, -22.22, 81.96

 

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

CMYK 88 / 0 / 67 / 38

HEX #139E34

RGB 19 158 52

HSL 134.24, 0.79%, 0.35%

LAB 56.92, -55.93, 44.28

 

CMYK 32 / 88 / 0 / 38

HEX #6B139E

RGB 107 19 158

HSL 277.99, 0.79%, 0.35%

LAB 29.56, 57.66, -55.59

 

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

CMYK 88 / 3 / 0 / 38

HEX #139A9E

RGB 19 154 158

HSL 181.73, 0.79%, 0.35%

LAB 57.77, -30.86, -11.57

 

CMYK 0 / 88 / 3 / 38

HEX #9E139A

RGB 158 19 154

HSL 301.73, 0.79%, 0.35%

LAB 37.96, 65.61, -39.17

 

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

CMYK 88 / 0 / 67 / 38

HEX #139E34

RGB 19 158 52

HSL 134.24, 0.79%, 0.35%

LAB 56.92, -55.93, 44.28

 

CMYK 85 / 88 / 0 / 38

HEX #18139E

RGB 24 19 158

HSL 242.16, 0.79%, 0.35%

LAB 20.55, 49.83, -70.77

 

CMYK 0 / 88 / 20 / 38

HEX #9E137E

RGB 158 19 126

HSL 313.81, 0.79%, 0.35%

LAB 36.44, 61.6, -24.33

 

CMYK 3 / 0 / 87 / 38

HEX #999E14

RGB 153 158 20

HSL 62.17, 0.78%, 0.35%

LAB 62.74, -16.96, 62.48

 

CMYK 88 / 0 / 41 / 38

HEX #139E5D

RGB 19 158 93

HSL 151.94, 0.79%, 0.35%

LAB 57.45, -49.59, 24.52

 

CMYK 85 / 88 / 0 / 38

HEX #18139E

RGB 24 19 158

HSL 242.16, 0.79%, 0.35%

LAB 20.55, 49.83, -70.77

 

CMYK 0 / 88 / 47 / 38

HEX #9E1354

RGB 158 19 84

HSL 331.94, 0.79%, 0.35%

LAB 34.75, 56.94, -0.14

 

Description

Color code: HEX #999E14 | qconv.com Color code: HEX #999E14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 158 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 158 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 87 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 87% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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