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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99A422 it is the complementary color #665BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99A422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99A422 shade: #9EA41D, #AFB630, #C0C843, #D1DA56 and #E2EC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99A422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99A422 shade: #99A422, #88920F, #778000, #666E00 and #555C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99A422 shade: #99A521, #A58C21, #A56921, #A54621 and #A52221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99A422 shade: #99A521, #76A521, #53A521, #2FA521 and #21A537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99A422 shade matches the following richer shades: #99A521, #A7B511 and #B4C501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99A422 shade: #99A521, #8C9431, #7F8441, #717452 and #646462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99A422 shade: #A56A21, #A58D21, #9AA521, #77A521 and #54A521

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99A422 shade: #5A6013, #7A821A, #99A521, #B9C728 and #CBD841

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99A422 shade: #99A422, #21A547 and #7B21A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99A422 shade: #99A422, #219AA5 and #A5219A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99A422 shade: #99A422, #21A547, #2C21A5 and #A5217F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99A422 shade: #99A422, #21A56E, #2C21A5 and #A52158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

Complementary color

CMYK 54 / 59 / 0 / 13

HEX #665BDD

RGB 102 91 221

HSL 245.08, 0.66%, 0.61%

LAB 46.35, 39.51, -65.31

 

CMYK 4 / 0 / 82 / 36

HEX #9EA41D

RGB 158 164 29

HSL 62.67, 0.7%, 0.38%

LAB 64.89, -17.57, 62.3

 

CMYK 4 / 0 / 74 / 29

HEX #AFB630

RGB 175 182 48

HSL 63.13, 0.58%, 0.45%

LAB 71.41, -18.58, 62.9

 

CMYK 4 / 0 / 67 / 22

HEX #C0C843

RGB 192 200 67

HSL 63.61, 0.55%, 0.52%

LAB 77.83, -19.39, 62.69

 

CMYK 4 / 0 / 61 / 15

HEX #D1DA56

RGB 209 218 86

HSL 64.09, 0.64%, 0.6%

LAB 84.16, -20.05, 62.05

 

CMYK 4 / 0 / 56 / 7

HEX #E2EC69

RGB 226 236 105

HSL 64.58, 0.78%, 0.67%

LAB 90.4, -20.6, 61.16

 

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

CMYK 7 / 0 / 90 / 43

HEX #88920F

RGB 136 146 15

HSL 64.58, 0.81%, 0.32%

LAB 57.87, -18.47, 58.97

 

CMYK 7 / 0 / 100 / 50

HEX #778000

RGB 119 128 0

HSL 64.22, 1%, 0.25%

LAB 51.11, -17.1, 55.77

 

CMYK 7 / 0 / 100 / 57

HEX #666E00

RGB 102 110 0

HSL 64.36, 1%, 0.22%

LAB 44.2, -15.41, 50.03

 

CMYK 8 / 0 / 100 / 64

HEX #555C00

RGB 85 92 0

HSL 64.57, 1%, 0.18%

LAB 37.09, -13.67, 44.11

 

CMYK 7 / 0 / 80 / 35

HEX #99A521

RGB 153 165 33

HSL 65.45, 0.67%, 0.39%

LAB 64.8, -20.12, 60.96

 

CMYK 0 / 15 / 80 / 35

HEX #A58C21

RGB 165 140 33

HSL 48.64, 0.67%, 0.39%

LAB 58.85, -1.54, 56.04

 

CMYK 0 / 36 / 80 / 35

HEX #A56921

RGB 165 105 33

HSL 32.73, 0.67%, 0.39%

LAB 49.75, 18.1, 47.69

 

CMYK 0 / 58 / 80 / 35

HEX #A54621

RGB 165 70 33

HSL 16.82, 0.67%, 0.39%

LAB 41.98, 37.1, 40.23

 

CMYK 0 / 79 / 80 / 35

HEX #A52221

RGB 165 34 33

HSL 0.45, 0.67%, 0.39%

LAB 36.47, 52, 34.68

 

CMYK 7 / 0 / 80 / 35

HEX #99A521

RGB 153 165 33

HSL 65.45, 0.67%, 0.39%

LAB 64.8, -20.12, 60.96

 

CMYK 28 / 0 / 80 / 35

HEX #76A521

RGB 118 165 33

HSL 81.36, 0.67%, 0.39%

LAB 62.4, -34.7, 57.9

 

CMYK 50 / 0 / 80 / 35

HEX #53A521

RGB 83 165 33

HSL 97.27, 0.67%, 0.39%

LAB 60.66, -47.07, 55.65

 

CMYK 72 / 0 / 80 / 35

HEX #2FA521

RGB 47 165 33

HSL 113.64, 0.67%, 0.39%

LAB 59.55, -56.03, 54.21

 

CMYK 80 / 0 / 67 / 35

HEX #21A537

RGB 33 165 55

HSL 130, 0.67%, 0.39%

LAB 59.44, -56.36, 45.8

 

CMYK 7 / 0 / 80 / 35

HEX #99A521

RGB 153 165 33

HSL 65.45, 0.67%, 0.39%

LAB 64.8, -20.12, 60.96

 

CMYK 8 / 0 / 91 / 29

HEX #A7B511

RGB 167 181 17

HSL 65.12, 0.83%, 0.39%

LAB 70.39, -22.51, 69.65

 

CMYK 9 / 0 / 99 / 23

HEX #B4C501

RGB 180 197 1

HSL 65.2, 0.99%, 0.39%

LAB 75.85, -25, 76.14

 

CMYK 7 / 0 / 80 / 35

HEX #99A521

RGB 153 165 33

HSL 65.45, 0.67%, 0.39%

LAB 64.8, -20.12, 60.96

 

CMYK 5 / 0 / 67 / 42

HEX #8C9431

RGB 140 148 49

HSL 64.85, 0.5%, 0.39%

LAB 58.95, -16.27, 49.28

 

CMYK 4 / 0 / 51 / 48

HEX #7F8441

RGB 127 132 65

HSL 64.48, 0.34%, 0.39%

LAB 53.38, -12.15, 35.22

 

CMYK 3 / 0 / 29 / 55

HEX #717452

RGB 113 116 82

HSL 65.29, 0.17%, 0.39%

LAB 47.77, -7.21, 18.46

 

CMYK 0 / 0 / 2 / 61

HEX #646462

RGB 100 100 98

HSL 60, 0.01%, 0.39%

LAB 42.32, -0.41, 1.13

 

CMYK 0 / 36 / 80 / 35

HEX #A56A21

RGB 165 106 33

HSL 33.18, 0.67%, 0.39%

LAB 50, 17.53, 47.92

 

CMYK 0 / 15 / 80 / 35

HEX #A58D21

RGB 165 141 33

HSL 49.09, 0.67%, 0.39%

LAB 59.12, -2.09, 56.28

 

CMYK 7 / 0 / 80 / 35

HEX #9AA521

RGB 154 165 33

HSL 65, 0.67%, 0.39%

LAB 64.88, -19.69, 61.06

 

CMYK 28 / 0 / 80 / 35

HEX #77A521

RGB 119 165 33

HSL 80.91, 0.67%, 0.39%

LAB 62.46, -34.3, 57.97

 

CMYK 49 / 0 / 80 / 35

HEX #54A521

RGB 84 165 33

HSL 96.82, 0.67%, 0.39%

LAB 60.7, -46.76, 55.7

 

CMYK 6 / 0 / 80 / 62

HEX #5A6013

RGB 90 96 19

HSL 64.68, 0.67%, 0.23%

LAB 38.87, -12.79, 40.05

 

CMYK 6 / 0 / 80 / 49

HEX #7A821A

RGB 122 130 26

HSL 64.62, 0.67%, 0.31%

LAB 52.04, -16.07, 50.72

 

CMYK 7 / 0 / 80 / 35

HEX #99A521

RGB 153 165 33

HSL 65.45, 0.67%, 0.39%

LAB 64.8, -20.12, 60.96

 

CMYK 7 / 0 / 80 / 22

HEX #B9C728

RGB 185 199 40

HSL 65.28, 0.67%, 0.47%

LAB 76.87, -23.08, 70.61

 

CMYK 6 / 0 / 70 / 15

HEX #CBD841

RGB 203 216 65

HSL 65.17, 0.66%, 0.55%

LAB 83.01, -22.79, 68.91

 

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

CMYK 80 / 0 / 57 / 35

HEX #21A547

RGB 33 165 71

HSL 137.27, 0.67%, 0.39%

LAB 59.61, -54.38, 38.63

 

CMYK 25 / 80 / 0 / 35

HEX #7B21A5

RGB 123 33 165

HSL 280.91, 0.67%, 0.39%

LAB 34.01, 57.61, -52.48

 

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

CMYK 80 / 7 / 0 / 35

HEX #219AA5

RGB 33 154 165

HSL 185, 0.67%, 0.39%

LAB 58.18, -27.52, -14.92

 

CMYK 0 / 80 / 7 / 35

HEX #A5219A

RGB 165 33 154

HSL 305, 0.67%, 0.39%

LAB 40.28, 63.92, -35.41

 

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

CMYK 80 / 0 / 57 / 35

HEX #21A547

RGB 33 165 71

HSL 137.27, 0.67%, 0.39%

LAB 59.61, -54.38, 38.63

 

CMYK 73 / 80 / 0 / 35

HEX #2C21A5

RGB 44 33 165

HSL 245, 0.67%, 0.39%

LAB 24.76, 46.78, -68

 

CMYK 0 / 80 / 23 / 35

HEX #A5217F

RGB 165 33 127

HSL 317.27, 0.67%, 0.39%

LAB 38.93, 60.08, -20.99

 

CMYK 7 / 0 / 79 / 36

HEX #99A422

RGB 153 164 34

HSL 65.08, 0.66%, 0.39%

LAB 64.51, -19.58, 60.41

 

CMYK 80 / 0 / 33 / 35

HEX #21A56E

RGB 33 165 110

HSL 155, 0.67%, 0.39%

LAB 60.21, -47.36, 18.98

 

CMYK 73 / 80 / 0 / 35

HEX #2C21A5

RGB 44 33 165

HSL 245, 0.67%, 0.39%

LAB 24.76, 46.78, -68

 

CMYK 0 / 80 / 47 / 35

HEX #A52158

RGB 165 33 88

HSL 335, 0.67%, 0.39%

LAB 37.47, 55.73, 1.4

 

Description

Color code: HEX #99A422 | qconv.com Color code: HEX #99A422 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 164 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 164 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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