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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99AB47 it is the complementary color #6654B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99AB47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99AB47 shade: #9EAB42, #AFBD55, #C0CF68, #D1E17B and #E2F38E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99AB47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99AB47 shade: #99AB47, #889934, #778721, #66750E and #556300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99AB47 shade: #97A846, #A8A046, #A88546, #A86B46 and #A85046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99AB47 shade: #97A846, #7CA846, #62A846, #47A846 and #46A860

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99AB47 shade matches the following richer shades: #97A846, #A3BC33, #B0CF1F and #BCE30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99AB47 shade: #97A846, #8A955A, #7E826D, #726E80 and #655B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99AB47 shade: #A88446, #A89F46, #98A846, #7EA846 and #64A846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99AB47 shade: #636E2E, #7D8B3A, #97A846, #AABB5D and #B9C77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99AB47 shade: #99AB47, #46A86A and #9246A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99AB47 shade: #99AB47, #4698A8 and #A84698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99AB47 shade: #99AB47, #46A86A, #5746A8 and #A84684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99AB47 shade: #99AB47, #46A888, #5746A8 and #A84667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

Complementary color

CMYK 45 / 54 / 0 / 28

HEX #6654B8

RGB 102 84 184

HSL 250.8, 0.41%, 0.53%

LAB 42.19, 32.53, -50.68

 

CMYK 8 / 0 / 61 / 33

HEX #9EAB42

RGB 158 171 66

HSL 67.43, 0.44%, 0.46%

LAB 67.12, -19.18, 51.03

 

CMYK 7 / 0 / 55 / 26

HEX #AFBD55

RGB 175 189 85

HSL 68.08, 0.44%, 0.54%

LAB 73.65, -19.66, 50.08

 

CMYK 7 / 0 / 50 / 19

HEX #C0CF68

RGB 192 207 104

HSL 68.74, 0.52%, 0.61%

LAB 80.08, -20.04, 49

 

CMYK 7 / 0 / 45 / 12

HEX #D1E17B

RGB 209 225 123

HSL 69.41, 0.63%, 0.68%

LAB 86.42, -20.34, 47.86

 

CMYK 7 / 0 / 42 / 5

HEX #E2F38E

RGB 226 243 142

HSL 70.1, 0.81%, 0.75%

LAB 92.67, -20.58, 46.73

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 11 / 0 / 66 / 40

HEX #889934

RGB 136 153 52

HSL 70.1, 0.49%, 0.4%

LAB 60.13, -20.38, 49.14

 

CMYK 12 / 0 / 76 / 47

HEX #778721

RGB 119 135 33

HSL 69.41, 0.61%, 0.33%

LAB 53.34, -19.7, 49.45

 

CMYK 13 / 0 / 88 / 54

HEX #66750E

RGB 102 117 14

HSL 68.74, 0.79%, 0.26%

LAB 46.42, -18.77, 48.62

 

CMYK 14 / 0 / 100 / 61

HEX #556300

RGB 85 99 0

HSL 68.48, 1%, 0.19%

LAB 39.34, -17.51, 45.79

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 0 / 5 / 58 / 34

HEX #A8A046

RGB 168 160 70

HSL 55.1, 0.41%, 0.47%

LAB 64.89, -8.9, 46.98

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 36 / 58 / 34

HEX #A86B46

RGB 168 107 70

HSL 22.65, 0.41%, 0.47%

LAB 51.02, 20.49, 30.64

 

CMYK 0 / 52 / 58 / 34

HEX #A85046

RGB 168 80 70

HSL 6.12, 0.41%, 0.47%

LAB 44.95, 35.3, 22.98

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 26 / 0 / 58 / 34

HEX #7CA846

RGB 124 168 70

HSL 86.94, 0.41%, 0.47%

LAB 63.94, -31.12, 45.03

 

CMYK 42 / 0 / 58 / 34

HEX #62A846

RGB 98 168 70

HSL 102.86, 0.41%, 0.47%

LAB 62.54, -40.44, 43.06

 

CMYK 58 / 0 / 58 / 34

HEX #47A846

RGB 71 168 70

HSL 119.39, 0.41%, 0.47%

LAB 61.47, -48.36, 41.53

 

CMYK 58 / 0 / 43 / 34

HEX #46A860

RGB 70 168 96

HSL 135.92, 0.41%, 0.47%

LAB 61.79, -44.79, 28.78

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 13 / 0 / 73 / 26

HEX #A3BC33

RGB 163 188 51

HSL 70.95, 0.57%, 0.47%

LAB 72.22, -26.44, 62.33

 

CMYK 15 / 0 / 85 / 19

HEX #B0CF1F

RGB 176 207 31

HSL 70.57, 0.74%, 0.47%

LAB 78.44, -30.91, 73.87

 

CMYK 17 / 0 / 95 / 11

HEX #BCE30C

RGB 188 227 12

HSL 70.88, 0.9%, 0.47%

LAB 84.82, -35.64, 82.18

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 7 / 0 / 40 / 42

HEX #8A955A

RGB 138 149 90

HSL 71.19, 0.25%, 0.47%

LAB 59.56, -13.77, 29.83

 

CMYK 3 / 0 / 16 / 49

HEX #7E826D

RGB 126 130 109

HSL 71.43, 0.09%, 0.47%

LAB 53.5, -5.44, 10.88

 

CMYK 11 / 14 / 0 / 50

HEX #726E80

RGB 114 110 128

HSL 253.33, 0.08%, 0.47%

LAB 47.35, 5.37, -9.37

 

CMYK 32 / 39 / 0 / 42

HEX #655B94

RGB 101 91 148

HSL 250.53, 0.24%, 0.47%

LAB 41.82, 17.63, -29.93

 

CMYK 0 / 21 / 58 / 34

HEX #A88446

RGB 168 132 70

HSL 37.96, 0.41%, 0.47%

LAB 57.34, 6.39, 38.28

 

CMYK 0 / 5 / 58 / 34

HEX #A89F46

RGB 168 159 70

HSL 54.49, 0.41%, 0.47%

LAB 64.61, -8.36, 46.67

 

CMYK 10 / 0 / 58 / 34

HEX #98A846

RGB 152 168 70

HSL 69.8, 0.41%, 0.47%

LAB 65.84, -19.86, 47.7

 

CMYK 25 / 0 / 58 / 34

HEX #7EA846

RGB 126 168 70

HSL 85.71, 0.41%, 0.47%

LAB 64.07, -30.35, 45.2

 

CMYK 40 / 0 / 58 / 34

HEX #64A846

RGB 100 168 70

HSL 101.63, 0.41%, 0.47%

LAB 62.64, -39.78, 43.19

 

CMYK 10 / 0 / 58 / 57

HEX #636E2E

RGB 99 110 46

HSL 70.31, 0.41%, 0.31%

LAB 44.24, -14.4, 33.71

 

CMYK 10 / 0 / 58 / 45

HEX #7D8B3A

RGB 125 139 58

HSL 70.37, 0.41%, 0.39%

LAB 55.21, -17.4, 40.8

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 9 / 0 / 50 / 27

HEX #AABB5D

RGB 170 187 93

HSL 70.85, 0.41%, 0.55%

LAB 72.81, -19.96, 45.21

 

CMYK 7 / 0 / 39 / 22

HEX #B9C77A

RGB 185 199 122

HSL 70.91, 0.41%, 0.63%

LAB 77.62, -16.9, 36.95

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 37 / 34

HEX #46A86A

RGB 70 168 106

HSL 142.04, 0.41%, 0.47%

LAB 61.95, -42.99, 23.66

 

CMYK 13 / 58 / 0 / 34

HEX #9246A8

RGB 146 70 168

HSL 286.53, 0.41%, 0.47%

LAB 43.24, 47.47, -39.29

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 10 / 0 / 34

HEX #4698A8

RGB 70 152 168

HSL 189.8, 0.41%, 0.47%

LAB 58.59, -20.09, -15.92

 

CMYK 0 / 58 / 10 / 34

HEX #A84698

RGB 168 70 152

HSL 309.8, 0.41%, 0.47%

LAB 45.6, 50.56, -25.84

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 37 / 34

HEX #46A86A

RGB 70 168 106

HSL 142.04, 0.41%, 0.47%

LAB 61.95, -42.99, 23.66

 

CMYK 48 / 58 / 0 / 34

HEX #5746A8

RGB 87 70 168

HSL 250.41, 0.41%, 0.47%

LAB 36.43, 32.86, -50.58

 

CMYK 0 / 58 / 21 / 34

HEX #A84684

RGB 168 70 132

HSL 322.04, 0.41%, 0.47%

LAB 44.76, 47.42, -15.07

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 19 / 34

HEX #46A888

RGB 70 168 136

HSL 160.41, 0.41%, 0.47%

LAB 62.58, -36.57, 8.02

 

CMYK 48 / 58 / 0 / 34

HEX #5746A8

RGB 87 70 168

HSL 250.41, 0.41%, 0.47%

LAB 36.43, 32.86, -50.58

 

CMYK 0 / 58 / 39 / 34

HEX #A84667

RGB 168 70 103

HSL 339.8, 0.41%, 0.47%

LAB 43.78, 43.59, 1.22

 

Description

Color code: HEX #99AB47 | qconv.com Color code: HEX #99AB47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 171 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 171 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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