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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B4EB it is the complementary color #664B14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B4EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B4EB shade: #9EB4E6, #AFC6F9, #C0D8FF, #D1EAFF and #E2FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B4EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B4EB shade: #99B4EB, #88A2D8, #7790C5, #667EB2 and #556C9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B4EB shade: #98B3EA, #989DEA, #AA98EA, #C098EA and #D698EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B4EB shade: #98B3EA, #989DEA and #9898EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B4EB shade matches the following richer shades: #98B3EA, #8EB0F4 and #84ADFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B4EB shade: #98B3EA, #A2B7E0, #ACBAD6, #B6BDCD and #C0C1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B4EB shade: #98DFEA, #98CAEA, #98B4EA, #989EEA and #A998EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B4EB shade: #5381DD, #769AE3, #98B3EA, #BBCDF1 and #DDE6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B4EB shade: #99B4EB, #DF98EA and #D4EA98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B4EB shade: #99B4EB, #EA98B4 and #B4EA98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B4EB shade: #99B4EB, #DF98EA, #EACF98 and #A3EA98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B4EB shade: #99B4EB, #EA98DD, #EACF98 and #98EAA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

Complementary color

CMYK 0 / 26 / 80 / 60

HEX #664B14

RGB 102 75 20

HSL 40.24, 0.67%, 0.24%

LAB 33.79, 5.62, 35.27

 

CMYK 31 / 22 / 0 / 10

HEX #9EB4E6

RGB 158 180 230

HSL 221.67, 0.59%, 0.76%

LAB 73.3, 3.92, -27.48

 

CMYK 30 / 20 / 0 / 2

HEX #AFC6F9

RGB 175 198 249

HSL 221.35, 0.86%, 0.83%

LAB 79.81, 3.62, -27.65

 

CMYK 25 / 15 / 0 / 0

HEX #C0D8FF

RGB 192 216 255

HSL 217.14, 1%, 0.88%

LAB 85.78, 0.34, -21.65

 

CMYK 18 / 8 / 0 / 0

HEX #D1EAFF

RGB 209 234 255

HSL 207.39, 1%, 0.91%

LAB 91.51, -3.93, -12.9

 

CMYK 11 / 1 / 0 / 0

HEX #E2FCFF

RGB 226 252 255

HSL 186.21, 1%, 0.94%

LAB 97.23, -7.81, -4.31

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 37 / 25 / 0 / 15

HEX #88A2D8

RGB 136 162 216

HSL 220.5, 0.51%, 0.69%

LAB 66.54, 4.18, -30.34

 

CMYK 40 / 27 / 0 / 23

HEX #7790C5

RGB 119 144 197

HSL 220.77, 0.4%, 0.62%

LAB 59.8, 4.62, -30.27

 

CMYK 43 / 29 / 0 / 30

HEX #667EB2

RGB 102 126 178

HSL 221.05, 0.33%, 0.55%

LAB 52.91, 5.15, -30.24

 

CMYK 47 / 32 / 0 / 38

HEX #556C9F

RGB 85 108 159

HSL 221.35, 0.3%, 0.48%

LAB 45.85, 5.78, -30.25

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 35 / 33 / 0 / 8

HEX #989DEA

RGB 152 157 234

HSL 236.34, 0.66%, 0.76%

LAB 67.07, 16.17, -39.34

 

CMYK 27 / 35 / 0 / 8

HEX #AA98EA

RGB 170 152 234

HSL 253.17, 0.66%, 0.76%

LAB 67.23, 24.05, -38.99

 

CMYK 18 / 35 / 0 / 8

HEX #C098EA

RGB 192 152 234

HSL 269.27, 0.66%, 0.76%

LAB 69.19, 30.49, -35.8

 

CMYK 9 / 35 / 0 / 8

HEX #D698EA

RGB 214 152 234

HSL 285.37, 0.66%, 0.76%

LAB 71.35, 37.14, -32.28

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 35 / 33 / 0 / 8

HEX #989DEA

RGB 152 157 234

HSL 236.34, 0.66%, 0.76%

LAB 67.07, 16.17, -39.34

 

CMYK 35 / 35 / 0 / 8

HEX #9898EA

RGB 152 152 234

HSL 240, 0.66%, 0.76%

LAB 65.8, 19.03, -41.33

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 42 / 28 / 0 / 4

HEX #8EB0F4

RGB 142 176 244

HSL 220, 0.82%, 0.76%

LAB 71.78, 5.5, -37.52

 

CMYK 48 / 32 / 0 / 0

HEX #84ADFE

RGB 132 173 254

HSL 219.84, 0.98%, 0.76%

LAB 70.84, 7.6, -44.45

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 28 / 18 / 0 / 12

HEX #A2B7E0

RGB 162 183 224

HSL 219.68, 0.5%, 0.76%

LAB 74.15, 1.97, -22.91

 

CMYK 20 / 13 / 0 / 16

HEX #ACBAD6

RGB 172 186 214

HSL 220, 0.34%, 0.76%

LAB 75.29, 1.07, -15.68

 

CMYK 11 / 8 / 0 / 20

HEX #B6BDCD

RGB 182 189 205

HSL 221.74, 0.19%, 0.76%

LAB 76.53, 0.75, -8.87

 

CMYK 2 / 1 / 0 / 24

HEX #C0C1C3

RGB 192 193 195

HSL 220, 0.02%, 0.76%

LAB 78.04, 0.03, -1.13

 

CMYK 35 / 5 / 0 / 8

HEX #98DFEA

RGB 152 223 234

HSL 188.05, 0.66%, 0.76%

LAB 84.68, -19.39, -12.42

 

CMYK 35 / 14 / 0 / 8

HEX #98CAEA

RGB 152 202 234

HSL 203.41, 0.66%, 0.76%

LAB 78.96, -8.6, -21.05

 

CMYK 35 / 23 / 0 / 8

HEX #98B4EA

RGB 152 180 234

HSL 219.51, 0.66%, 0.76%

LAB 73.06, 3.26, -30.06

 

CMYK 35 / 32 / 0 / 8

HEX #989EEA

RGB 152 158 234

HSL 235.61, 0.66%, 0.76%

LAB 67.33, 15.6, -38.95

 

CMYK 28 / 35 / 0 / 8

HEX #A998EA

RGB 169 152 234

HSL 252.44, 0.66%, 0.76%

LAB 67.15, 23.76, -39.13

 

CMYK 62 / 42 / 0 / 13

HEX #5381DD

RGB 83 129 221

HSL 220, 0.67%, 0.6%

LAB 54.82, 12.8, -51.74

 

CMYK 48 / 32 / 0 / 11

HEX #769AE3

RGB 118 154 227

HSL 220.18, 0.66%, 0.68%

LAB 63.76, 7.24, -40.83

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 22 / 15 / 0 / 5

HEX #BBCDF1

RGB 187 205 241

HSL 220, 0.66%, 0.84%

LAB 82.15, 1.52, -19.74

 

CMYK 11 / 7 / 0 / 3

HEX #DDE6F8

RGB 221 230 248

HSL 220, 0.66%, 0.92%

LAB 91.12, 0.44, -9.75

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 5 / 35 / 0 / 8

HEX #DF98EA

RGB 223 152 234

HSL 291.95, 0.66%, 0.76%

LAB 72.29, 39.9, -30.76

 

CMYK 9 / 0 / 35 / 8

HEX #D4EA98

RGB 212 234 152

HSL 76.1, 0.66%, 0.76%

LAB 89.44, -20.31, 37.47

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 0 / 35 / 23 / 8

HEX #EA98B4

RGB 234 152 180

HSL 339.51, 0.66%, 0.76%

LAB 71.72, 34.47, -1.72

 

CMYK 23 / 0 / 35 / 8

HEX #B4EA98

RGB 180 234 152

HSL 99.51, 0.66%, 0.76%

LAB 87.4, -31.78, 34.39

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 5 / 35 / 0 / 8

HEX #DF98EA

RGB 223 152 234

HSL 291.95, 0.66%, 0.76%

LAB 72.29, 39.9, -30.76

 

CMYK 0 / 12 / 35 / 8

HEX #EACF98

RGB 234 207 152

HSL 40.24, 0.66%, 0.76%

LAB 84.17, 1.68, 30.82

 

CMYK 30 / 0 / 35 / 8

HEX #A3EA98

RGB 163 234 152

HSL 111.95, 0.66%, 0.76%

LAB 86.45, -37.46, 32.98

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 0 / 35 / 6 / 8

HEX #EA98DD

RGB 234 152 221

HSL 309.51, 0.66%, 0.76%

LAB 73, 40.98, -22.43

 

CMYK 0 / 12 / 35 / 8

HEX #EACF98

RGB 234 207 152

HSL 40.24, 0.66%, 0.76%

LAB 84.17, 1.68, 30.82

 

CMYK 35 / 0 / 29 / 8

HEX #98EAA6

RGB 152 234 166

HSL 130.24, 0.66%, 0.76%

LAB 86.14, -38.66, 25.33

 

Description

Color code: HEX #99B4EB | qconv.com Color code: HEX #99B4EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 180 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 180 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 23 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 23% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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