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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B918 it is the complementary color #6646E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B918 shade: #9EB913, #AFCB26, #C0DD39, #D1EF4C and #E2FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B918 shade: #99B918, #88A705, #779500, #668300 and #557100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B918 shade: #99B918, #B9AD18, #B98218, #B95618 and #B92B18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B918 shade: #99B918, #6DB918, #42B918, #18B919 and #18B944

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B918 shade matches the following richer shades: #99B918 and #A3C907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B918 shade: #99B918, #8EA828, #849739, #7A864A and #70755B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B918 shade: #B98018, #B9AB18, #9BB918, #70B918 and #45B918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B918 shade: #5C700E, #7A9413, #99B918, #B7DD1C and #C4E53D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B918 shade: #99B918, #18B955 and #9618B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B918 shade: #99B918, #189BB9 and #B9189B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B918 shade: #99B918, #18B955, #3518B9 and #B9187B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B918 shade: #99B918, #18B986, #3518B9 and #B9184B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

Complementary color

CMYK 56 / 70 / 0 / 9

HEX #6646E7

RGB 102 70 231

HSL 251.93, 0.77%, 0.59%

LAB 42.72, 54.3, -76.89

 

CMYK 15 / 0 / 90 / 27

HEX #9EB913

RGB 158 185 19

HSL 69.76, 0.81%, 0.4%

LAB 70.88, -28.23, 69.44

 

CMYK 14 / 0 / 81 / 20

HEX #AFCB26

RGB 175 203 38

HSL 70.18, 0.68%, 0.47%

LAB 77.26, -29.22, 71.2

 

CMYK 13 / 0 / 74 / 13

HEX #C0DD39

RGB 192 221 57

HSL 70.61, 0.71%, 0.55%

LAB 83.56, -30.03, 71.86

 

CMYK 13 / 0 / 68 / 6

HEX #D1EF4C

RGB 209 239 76

HSL 71.04, 0.84%, 0.62%

LAB 89.77, -30.68, 71.81

 

CMYK 11 / 0 / 63 / 0

HEX #E2FF5F

RGB 226 255 95

HSL 70.88, 1%, 0.69%

LAB 95.38, -30.29, 70.77

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 19 / 0 / 97 / 35

HEX #88A705

RGB 136 167 5

HSL 71.48, 0.94%, 0.34%

LAB 64.07, -29.08, 65.36

 

CMYK 20 / 0 / 100 / 42

HEX #779500

RGB 119 149 0

HSL 72.08, 1%, 0.29%

LAB 57.48, -27.71, 60.54

 

CMYK 22 / 0 / 100 / 49

HEX #668300

RGB 102 131 0

HSL 73.28, 1%, 0.26%

LAB 50.75, -26.24, 54.94

 

CMYK 25 / 0 / 100 / 56

HEX #557100

RGB 85 113 0

HSL 74.87, 1%, 0.22%

LAB 43.86, -24.75, 49.2

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 0 / 6 / 87 / 27

HEX #B9AD18

RGB 185 173 24

HSL 55.53, 0.77%, 0.41%

LAB 69.66, -10.44, 68.39

 

CMYK 0 / 30 / 87 / 27

HEX #B98218

RGB 185 130 24

HSL 39.5, 0.77%, 0.41%

LAB 58.36, 12.77, 59.24

 

CMYK 0 / 54 / 87 / 27

HEX #B95618

RGB 185 86 24

HSL 23.11, 0.77%, 0.41%

LAB 48.31, 36.64, 51.05

 

CMYK 0 / 77 / 87 / 27

HEX #B92B18

RGB 185 43 24

HSL 7.08, 0.77%, 0.41%

LAB 41.39, 55.09, 45.37

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 41 / 0 / 87 / 27

HEX #6DB918

RGB 109 185 24

HSL 88.32, 0.77%, 0.41%

LAB 68.03, -46.97, 64.97

 

CMYK 64 / 0 / 87 / 27

HEX #42B918

RGB 66 185 24

HSL 104.35, 0.77%, 0.41%

LAB 66.46, -59.23, 62.99

 

CMYK 87 / 0 / 86 / 27

HEX #18B919

RGB 24 185 25

HSL 120.37, 0.77%, 0.41%

LAB 65.72, -65.63, 61.84

 

CMYK 87 / 0 / 63 / 27

HEX #18B944

RGB 24 185 68

HSL 136.4, 0.77%, 0.41%

LAB 65.99, -62.24, 47.39

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 19 / 0 / 97 / 21

HEX #A3C907

RGB 163 201 7

HSL 71.75, 0.93%, 0.41%

LAB 75.81, -33.86, 74.97

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 15 / 0 / 76 / 34

HEX #8EA828

RGB 142 168 40

HSL 72.19, 0.62%, 0.41%

LAB 64.89, -26.01, 58.57

 

CMYK 13 / 0 / 62 / 41

HEX #849739

RGB 132 151 57

HSL 72.13, 0.45%, 0.41%

LAB 59.28, -20.69, 45.95

 

CMYK 9 / 0 / 45 / 47

HEX #7A864A

RGB 122 134 74

HSL 72, 0.29%, 0.41%

LAB 53.69, -14.38, 30.75

 

CMYK 4 / 0 / 22 / 54

HEX #70755B

RGB 112 117 91

HSL 71.54, 0.13%, 0.41%

LAB 48.16, -6.77, 13.74

 

CMYK 0 / 31 / 87 / 27

HEX #B98018

RGB 185 128 24

HSL 38.76, 0.77%, 0.41%

LAB 57.86, 13.88, 58.84

 

CMYK 0 / 8 / 87 / 27

HEX #B9AB18

RGB 185 171 24

HSL 54.78, 0.77%, 0.41%

LAB 69.12, -9.4, 67.96

 

CMYK 16 / 0 / 87 / 27

HEX #9BB918

RGB 155 185 24

HSL 71.18, 0.77%, 0.41%

LAB 70.69, -29.36, 68.27

 

CMYK 39 / 0 / 87 / 27

HEX #70B918

RGB 112 185 24

HSL 87.2, 0.77%, 0.41%

LAB 68.17, -45.93, 65.15

 

CMYK 63 / 0 / 87 / 27

HEX #45B918

RGB 69 185 24

HSL 103.23, 0.77%, 0.41%

LAB 66.54, -58.55, 63.1

 

CMYK 18 / 0 / 88 / 56

HEX #5C700E

RGB 92 112 14

HSL 72.24, 0.78%, 0.25%

LAB 44.08, -20.7, 46.33

 

CMYK 18 / 0 / 87 / 42

HEX #7A9413

RGB 122 148 19

HSL 72.09, 0.77%, 0.33%

LAB 57.43, -25.52, 57.33

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 17 / 0 / 87 / 13

HEX #B7DD1C

RGB 183 221 28

HSL 71.81, 0.78%, 0.49%

LAB 82.84, -34.63, 78.31

 

CMYK 14 / 0 / 73 / 10

HEX #C4E53D

RGB 196 229 61

HSL 71.79, 0.76%, 0.57%

LAB 86.06, -31.97, 73.04

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 87 / 0 / 54 / 27

HEX #18B955

RGB 24 185 85

HSL 142.73, 0.77%, 0.41%

LAB 66.17, -59.98, 39.7

 

CMYK 19 / 87 / 0 / 27

HEX #9618B9

RGB 150 24 185

HSL 286.96, 0.77%, 0.41%

LAB 38.97, 68.48, -56.18

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 87 / 16 / 0 / 27

HEX #189BB9

RGB 24 155 185

HSL 191.18, 0.77%, 0.41%

LAB 59.1, -22.15, -24.85

 

CMYK 0 / 87 / 16 / 27

HEX #B9189B

RGB 185 24 155

HSL 311.18, 0.77%, 0.41%

LAB 43.26, 70.17, -31.07

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 87 / 0 / 54 / 27

HEX #18B955

RGB 24 185 85

HSL 142.73, 0.77%, 0.41%

LAB 66.17, -59.98, 39.7

 

CMYK 71 / 87 / 0 / 27

HEX #3518B9

RGB 53 24 185

HSL 250.81, 0.77%, 0.41%

LAB 26.49, 57.18, -77.14

 

CMYK 0 / 87 / 34 / 27

HEX #B9187B

RGB 185 24 123

HSL 323.11, 0.77%, 0.41%

LAB 41.84, 66.32, -13.72

 

CMYK 17 / 0 / 87 / 27

HEX #99B918

RGB 153 185 24

HSL 71.93, 0.77%, 0.41%

LAB 70.55, -30.18, 68.1

 

CMYK 87 / 0 / 28 / 27

HEX #18B986

RGB 24 185 134

HSL 160.99, 0.77%, 0.41%

LAB 66.99, -50.57, 15.2

 

CMYK 71 / 87 / 0 / 27

HEX #3518B9

RGB 53 24 185

HSL 250.81, 0.77%, 0.41%

LAB 26.49, 57.18, -77.14

 

CMYK 0 / 87 / 59 / 27

HEX #B9184B

RGB 185 24 75

HSL 340.99, 0.77%, 0.41%

LAB 40.37, 62.17, 14.37

 

Description

Color code: HEX #99B918 | qconv.com Color code: HEX #99B918 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 185 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 185 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 87 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 87% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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