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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99BF53 it is the complementary color #6640AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99BF53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99BF53 shade: #9EBF4E, #AFD161, #C0E374, #D1F587 and #E2FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99BF53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99BF53 shade: #99BF53, #88AD40, #779B2D, #66891A and #557707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99BF53 shade: #99BF53, #B6BF53, #BFAB53, #BF8E53 and #BF7153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99BF53 shade: #99BF53, #7CBF53, #5FBF53, #53BF65 and #53BF82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99BF53 shade matches the following richer shades: #99BF53, #9FD240, #A4E52D and #AAF81A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99BF53 shade: #99BF53, #94AC66, #8E9979, #88868C and #83739F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99BF53 shade: #BFAB53, #B6BF53, #99BF53, #7DBF53 and #60BF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99BF53 shade: #6D8C34, #85AA3F, #99BF53, #ABCA71 and #BDD58F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99BF53 shade: #99BF53, #53BF8F and #BA53BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99BF53 shade: #99BF53, #5399BF and #BF5399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99BF53 shade: #99BF53, #53BF8F, #7953BF and #BF5384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99BF53 shade: #99BF53, #53BFAF, #7953BF and #BF5363

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

Complementary color

CMYK 41 / 63 / 0 / 33

HEX #6640AC

RGB 102 64 172

HSL 261.11, 0.46%, 0.46%

LAB 36.87, 40.84, -52.17

 

CMYK 17 / 0 / 59 / 25

HEX #9EBF4E

RGB 158 191 78

HSL 77.52, 0.47%, 0.53%

LAB 72.95, -28.08, 52.14

 

CMYK 16 / 0 / 54 / 18

HEX #AFD161

RGB 175 209 97

HSL 78.21, 0.55%, 0.6%

LAB 79.37, -28.34, 51.15

 

CMYK 15 / 0 / 49 / 11

HEX #C0E374

RGB 192 227 116

HSL 78.92, 0.66%, 0.67%

LAB 85.71, -28.52, 50.06

 

CMYK 15 / 0 / 45 / 4

HEX #D1F587

RGB 209 245 135

HSL 79.64, 0.85%, 0.75%

LAB 91.96, -28.65, 48.94

 

CMYK 11 / 0 / 40 / 0

HEX #E2FF9A

RGB 226 255 154

HSL 77.23, 1%, 0.8%

LAB 96.01, -24.98, 45.14

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 21 / 0 / 63 / 32

HEX #88AD40

RGB 136 173 64

HSL 80.37, 0.46%, 0.46%

LAB 66.13, -29.34, 50.39

 

CMYK 23 / 0 / 71 / 39

HEX #779B2D

RGB 119 155 45

HSL 79.64, 0.55%, 0.39%

LAB 59.48, -28.95, 50.96

 

CMYK 26 / 0 / 81 / 46

HEX #66891A

RGB 102 137 26

HSL 78.92, 0.68%, 0.32%

LAB 52.72, -28.36, 50.8

 

CMYK 29 / 0 / 94 / 53

HEX #557707

RGB 85 119 7

HSL 78.21, 0.89%, 0.25%

LAB 45.83, -27.48, 49.18

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 5 / 0 / 57 / 25

HEX #B6BF53

RGB 182 191 83

HSL 65, 0.46%, 0.54%

LAB 74.72, -17.95, 52.35

 

CMYK 0 / 10 / 57 / 25

HEX #BFAB53

RGB 191 171 83

HSL 48.89, 0.46%, 0.54%

LAB 70.05, -3.85, 47.23

 

CMYK 0 / 26 / 57 / 25

HEX #BF8E53

RGB 191 142 83

HSL 32.78, 0.46%, 0.54%

LAB 62.55, 11.86, 38.35

 

CMYK 0 / 41 / 57 / 25

HEX #BF7153

RGB 191 113 83

HSL 16.67, 0.46%, 0.54%

LAB 55.59, 27.82, 29.74

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 35 / 0 / 57 / 25

HEX #7CBF53

RGB 124 191 83

HSL 97.22, 0.46%, 0.54%

LAB 70.99, -40.27, 47.1

 

CMYK 50 / 0 / 57 / 25

HEX #5FBF53

RGB 95 191 83

HSL 113.33, 0.46%, 0.54%

LAB 69.7, -49.4, 45.26

 

CMYK 57 / 0 / 47 / 25

HEX #53BF65

RGB 83 191 101

HSL 130, 0.46%, 0.54%

LAB 69.5, -50.11, 36.15

 

CMYK 57 / 0 / 32 / 25

HEX #53BF82

RGB 83 191 130

HSL 146.11, 0.46%, 0.54%

LAB 69.97, -45.06, 21.66

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 24 / 0 / 70 / 18

HEX #9FD240

RGB 159 210 64

HSL 80.96, 0.62%, 0.54%

LAB 78.37, -37.53, 63.65

 

CMYK 28 / 0 / 80 / 10

HEX #A4E52D

RGB 164 229 45

HSL 81.2, 0.78%, 0.54%

LAB 84.03, -44.95, 75.13

 

CMYK 31 / 0 / 90 / 3

HEX #AAF81A

RGB 170 248 26

HSL 81.08, 0.94%, 0.54%

LAB 89.75, -51.28, 83.97

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 14 / 0 / 41 / 33

HEX #94AC66

RGB 148 172 102

HSL 80.57, 0.3%, 0.54%

LAB 67.1, -20.17, 33.26

 

CMYK 7 / 0 / 21 / 40

HEX #8E9979

RGB 142 153 121

HSL 80.63, 0.14%, 0.54%

LAB 61.58, -9.83, 15.53

 

CMYK 3 / 4 / 0 / 45

HEX #88868C

RGB 136 134 140

HSL 260, 0.03%, 0.54%

LAB 56.27, 1.94, -2.96

 

CMYK 18 / 28 / 0 / 38

HEX #83739F

RGB 131 115 159

HSL 261.82, 0.19%, 0.54%

LAB 51.37, 15.43, -21.41

 

CMYK 0 / 10 / 57 / 25

HEX #BFAB53

RGB 191 171 83

HSL 48.89, 0.46%, 0.54%

LAB 70.05, -3.85, 47.23

 

CMYK 5 / 0 / 57 / 25

HEX #B6BF53

RGB 182 191 83

HSL 65, 0.46%, 0.54%

LAB 74.72, -17.95, 52.35

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 35 / 0 / 57 / 25

HEX #7DBF53

RGB 125 191 83

HSL 96.67, 0.46%, 0.54%

LAB 71.04, -39.93, 47.17

 

CMYK 50 / 0 / 57 / 25

HEX #60BF53

RGB 96 191 83

HSL 112.78, 0.46%, 0.54%

LAB 69.73, -49.12, 45.32

 

CMYK 22 / 0 / 63 / 45

HEX #6D8C34

RGB 109 140 52

HSL 81.14, 0.46%, 0.38%

LAB 54.3, -25.19, 42.3

 

CMYK 22 / 0 / 63 / 33

HEX #85AA3F

RGB 133 170 63

HSL 80.75, 0.46%, 0.46%

LAB 65.04, -29.18, 49.58

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 15 / 0 / 44 / 21

HEX #ABCA71

RGB 171 202 113

HSL 80.9, 0.46%, 0.62%

LAB 77.34, -24.84, 40.92

 

CMYK 11 / 0 / 33 / 16

HEX #BDD58F

RGB 189 213 143

HSL 80.57, 0.45%, 0.7%

LAB 82.05, -19.71, 32.02

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 57 / 0 / 25 / 25

HEX #53BF8F

RGB 83 191 143

HSL 153.33, 0.46%, 0.54%

LAB 70.23, -42.39, 15.04

 

CMYK 3 / 57 / 0 / 25

HEX #BA53BF

RGB 186 83 191

HSL 297.22, 0.46%, 0.54%

LAB 52.27, 56.24, -38.12

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 57 / 20 / 0 / 25

HEX #5399BF

RGB 83 153 191

HSL 201.11, 0.46%, 0.54%

LAB 60.23, -10.98, -26.37

 

CMYK 0 / 57 / 20 / 25

HEX #BF5399

RGB 191 83 153

HSL 321.11, 0.46%, 0.54%

LAB 51.34, 51.42, -17.3

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 57 / 0 / 25 / 25

HEX #53BF8F

RGB 83 191 143

HSL 153.33, 0.46%, 0.54%

LAB 70.23, -42.39, 15.04

 

CMYK 37 / 57 / 0 / 25

HEX #7953BF

RGB 121 83 191

HSL 261.11, 0.46%, 0.54%

LAB 44.25, 39.57, -51.36

 

CMYK 0 / 57 / 31 / 25

HEX #BF5384

RGB 191 83 132

HSL 332.78, 0.46%, 0.54%

LAB 50.6, 48.53, -5.93

 

CMYK 20 / 0 / 57 / 25

HEX #99BF53

RGB 153 191 83

HSL 81.11, 0.46%, 0.54%

LAB 72.67, -29.6, 49.47

 

CMYK 57 / 0 / 8 / 25

HEX #53BFAF

RGB 83 191 175

HSL 171.11, 0.46%, 0.54%

LAB 71.01, -34.83, -1.27

 

CMYK 37 / 57 / 0 / 25

HEX #7953BF

RGB 121 83 191

HSL 261.11, 0.46%, 0.54%

LAB 44.25, 39.57, -51.36

 

CMYK 0 / 57 / 48 / 25

HEX #BF5363

RGB 191 83 99

HSL 351.11, 0.46%, 0.54%

LAB 49.69, 44.83, 12.57

 

Description

Color code: HEX #99BF53 | qconv.com Color code: HEX #99BF53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 191 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 191 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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