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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99C666 it is the complementary color #663999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99C666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99C666 shade: #9EC661, #AFD874, #C0EA87, #D1FC9A and #E2FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99C666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99C666 shade: #99C666, #88B453, #77A240, #66902D and #557E1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99C666 shade: #99C666, #B3C666, #C6BF66, #C6A566 and #C68B66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99C666 shade: #99C666, #7FC666, #66C667, #66C681 and #66C69B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99C666 shade matches the following richer shades: #99C666, #9AD755, #9BE844 and #9CF933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99C666 shade: #99C666, #98B577, #97A488, #969399 and #9582AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99C666 shade: #C6C066, #B3C666, #99C666, #80C666 and #66C666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99C666 shade: #709F3A, #85BB48, #99C666, #ADD184 and #C1DCA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99C666 shade: #99C666, #66C6A6 and #C666C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99C666 shade: #99C666, #6699C6 and #C66699

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99C666 shade: #99C666, #66C6A6, #9366C6 and #C66686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99C666 shade: #99C666, #66C6C3, #9366C6 and #C66669

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

Complementary color

CMYK 33 / 63 / 0 / 40

HEX #663999

RGB 102 57 153

HSL 268.13, 0.46%, 0.41%

LAB 34.09, 39.67, -45.24

 

CMYK 20 / 0 / 51 / 22

HEX #9EC661

RGB 158 198 97

HSL 83.76, 0.47%, 0.58%

LAB 75.15, -29.62, 45.88

 

CMYK 19 / 0 / 46 / 15

HEX #AFD874

RGB 175 216 116

HSL 84.6, 0.56%, 0.65%

LAB 81.56, -29.7, 44.74

 

CMYK 18 / 0 / 42 / 8

HEX #C0EA87

RGB 192 234 135

HSL 85.45, 0.7%, 0.72%

LAB 87.87, -29.73, 43.6

 

CMYK 17 / 0 / 39 / 1

HEX #D1FC9A

RGB 209 252 154

HSL 86.33, 0.94%, 0.8%

LAB 94.1, -29.73, 42.47

 

CMYK 11 / 0 / 32 / 0

HEX #E2FFAD

RGB 226 255 173

HSL 81.22, 1%, 0.84%

LAB 96.29, -22.65, 36.17

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 24 / 0 / 54 / 29

HEX #88B453

RGB 136 180 83

HSL 87.22, 0.39%, 0.52%

LAB 68.39, -30.91, 44.22

 

CMYK 27 / 0 / 60 / 36

HEX #77A240

RGB 119 162 64

HSL 86.33, 0.43%, 0.44%

LAB 61.77, -30.78, 45.27

 

CMYK 29 / 0 / 69 / 44

HEX #66902D

RGB 102 144 45

HSL 85.45, 0.52%, 0.37%

LAB 55.03, -30.52, 46.05

 

CMYK 33 / 0 / 79 / 51

HEX #557E1A

RGB 85 126 26

HSL 84.6, 0.66%, 0.3%

LAB 48.17, -30.05, 46.18

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 10 / 0 / 48 / 22

HEX #B3C666

RGB 179 198 102

HSL 71.88, 0.46%, 0.59%

LAB 76.64, -20.95, 45.59

 

CMYK 0 / 4 / 48 / 22

HEX #C6BF66

RGB 198 191 102

HSL 55.63, 0.46%, 0.59%

LAB 76.21, -9.73, 45.42

 

CMYK 0 / 17 / 48 / 22

HEX #C6A566

RGB 198 165 102

HSL 39.38, 0.46%, 0.59%

LAB 69.38, 3.98, 37.03

 

CMYK 0 / 30 / 48 / 22

HEX #C68B66

RGB 198 139 102

HSL 23.13, 0.46%, 0.59%

LAB 62.87, 18.15, 28.72

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 36 / 0 / 48 / 22

HEX #7FC666

RGB 127 198 102

HSL 104.38, 0.46%, 0.59%

LAB 73.45, -40.13, 40.98

 

CMYK 48 / 0 / 48 / 22

HEX #66C667

RGB 102 198 103

HSL 120.63, 0.46%, 0.59%

LAB 72.36, -47.67, 38.88

 

CMYK 48 / 0 / 35 / 22

HEX #66C681

RGB 102 198 129

HSL 136.88, 0.46%, 0.59%

LAB 72.76, -43.53, 26.07

 

CMYK 48 / 0 / 22 / 22

HEX #66C69B

RGB 102 198 155

HSL 153.13, 0.46%, 0.59%

LAB 73.27, -38.45, 12.93

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 28 / 0 / 60 / 16

HEX #9AD755

RGB 154 215 85

HSL 88.15, 0.62%, 0.59%

LAB 79.69, -40.05, 56.53

 

CMYK 33 / 0 / 71 / 9

HEX #9BE844

RGB 155 232 68

HSL 88.17, 0.78%, 0.59%

LAB 84.53, -48.26, 68.36

 

CMYK 37 / 0 / 80 / 2

HEX #9CF933

RGB 156 249 51

HSL 88.18, 0.94%, 0.59%

LAB 89.42, -55.72, 78.28

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 16 / 0 / 34 / 29

HEX #98B577

RGB 152 181 119

HSL 88.06, 0.3%, 0.59%

LAB 70.21, -20.89, 28.43

 

CMYK 8 / 0 / 17 / 36

HEX #97A488

RGB 151 164 136

HSL 87.86, 0.13%, 0.59%

LAB 65.68, -9.81, 13

 

CMYK 2 / 4 / 0 / 40

HEX #969399

RGB 150 147 153

HSL 270, 0.03%, 0.59%

LAB 61.35, 2.27, -2.78

 

CMYK 12 / 24 / 0 / 33

HEX #9582AA

RGB 149 130 170

HSL 268.5, 0.19%, 0.59%

LAB 57.33, 15.18, -18.53

 

CMYK 0 / 3 / 48 / 22

HEX #C6C066

RGB 198 192 102

HSL 56.25, 0.46%, 0.59%

LAB 76.48, -10.24, 45.75

 

CMYK 10 / 0 / 48 / 22

HEX #B3C666

RGB 179 198 102

HSL 71.88, 0.46%, 0.59%

LAB 76.64, -20.95, 45.59

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 35 / 0 / 48 / 22

HEX #80C666

RGB 128 198 102

HSL 103.75, 0.46%, 0.59%

LAB 73.5, -39.8, 41.05

 

CMYK 48 / 0 / 48 / 22

HEX #66C666

RGB 102 198 102

HSL 120, 0.46%, 0.59%

LAB 72.34, -47.81, 39.36

 

CMYK 30 / 0 / 64 / 38

HEX #709F3A

RGB 112 159 58

HSL 87.92, 0.47%, 0.43%

LAB 60.38, -32.6, 46.32

 

CMYK 29 / 0 / 61 / 27

HEX #85BB48

RGB 133 187 72

HSL 88.17, 0.46%, 0.51%

LAB 70.17, -36.33, 51.28

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 17 / 0 / 37 / 18

HEX #ADD184

RGB 173 209 132

HSL 88.05, 0.46%, 0.67%

LAB 79.7, -25.13, 34.37

 

CMYK 12 / 0 / 26 / 14

HEX #C1DCA2

RGB 193 220 162

HSL 87.93, 0.45%, 0.75%

LAB 84.55, -19.02, 25.61

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 48 / 0 / 16 / 22

HEX #66C6A6

RGB 102 198 166

HSL 160, 0.46%, 0.59%

LAB 73.52, -36.04, 7.35

 

CMYK 0 / 48 / 3 / 22

HEX #C666C0

RGB 198 102 192

HSL 303.75, 0.46%, 0.59%

LAB 57.38, 50.6, -30.59

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 48 / 23 / 0 / 22

HEX #6699C6

RGB 102 153 198

HSL 208.13, 0.46%, 0.59%

LAB 61.38, -4.6, -28.46

 

CMYK 0 / 48 / 23 / 22

HEX #C66699

RGB 198 102 153

HSL 328.13, 0.46%, 0.59%

LAB 55.9, 44.31, -10.32

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 48 / 0 / 16 / 22

HEX #66C6A6

RGB 102 198 166

HSL 160, 0.46%, 0.59%

LAB 73.52, -36.04, 7.35

 

CMYK 26 / 48 / 0 / 22

HEX #9366C6

RGB 147 102 198

HSL 268.13, 0.46%, 0.59%

LAB 51.59, 37.25, -43.54

 

CMYK 0 / 48 / 32 / 22

HEX #C66686

RGB 198 102 134

HSL 340, 0.46%, 0.59%

LAB 55.31, 41.71, -0.06

 

CMYK 23 / 0 / 48 / 22

HEX #99C666

RGB 153 198 102

HSL 88.13, 0.46%, 0.59%

LAB 74.9, -30.96, 43.08

 

CMYK 48 / 0 / 2 / 22

HEX #66C6C3

RGB 102 198 195

HSL 178.13, 0.46%, 0.59%

LAB 74.29, -29.01, -7.25

 

CMYK 26 / 48 / 0 / 22

HEX #9366C6

RGB 147 102 198

HSL 268.13, 0.46%, 0.59%

LAB 51.59, 37.25, -43.54

 

CMYK 0 / 48 / 47 / 22

HEX #C66669

RGB 198 102 105

HSL 358.13, 0.46%, 0.59%

LAB 54.58, 38.41, 15.93

 

Description

Color code: HEX #99C666 | qconv.com Color code: HEX #99C666 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 198 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 198 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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