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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99C932 it is the complementary color #6636CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99C932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99C932 shade: #9EC92D, #AFDB40, #C0ED53, #D1FF66 and #E2FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99C932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99C932 shade: #99C932, #88B71F, #77A50C, #669300 and #558100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99C932 shade: #98C731, #C0C731, #C7A631, #C77E31 and #C75531

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99C932 shade: #98C731, #6FC731, #47C731, #31C744 and #31C76D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99C932 shade matches the following richer shades: #98C731, #9FDC1D and #A6F009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99C932 shade: #98C731, #90B346, #899F5A, #828B6E and #7A7782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99C932 shade: #C7A731, #C0C731, #98C731, #70C731 and #48C731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99C932 shade: #658521, #7FA629, #98C731, #A9D34F and #B9DB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99C932 shade: #99C932, #31C77F and #BB31C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99C932 shade: #99C932, #3198C7 and #C73198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99C932 shade: #99C932, #31C77F, #6131C7 and #C7317A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99C932 shade: #99C932, #31C7AC, #6131C7 and #C7314D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

Complementary color

CMYK 50 / 74 / 0 / 20

HEX #6636CD

RGB 102 54 205

HSL 259.07, 0.6%, 0.51%

LAB 37.61, 55.09, -70.37

 

CMYK 21 / 0 / 78 / 21

HEX #9EC92D

RGB 158 201 45

HSL 76.54, 0.63%, 0.48%

LAB 75.6, -34.86, 67.34

 

CMYK 20 / 0 / 71 / 14

HEX #AFDB40

RGB 175 219 64

HSL 77.03, 0.68%, 0.55%

LAB 81.92, -35.46, 67.53

 

CMYK 19 / 0 / 65 / 7

HEX #C0ED53

RGB 192 237 83

HSL 77.53, 0.81%, 0.63%

LAB 88.16, -35.92, 67.17

 

CMYK 18 / 0 / 60 / 0

HEX #D1FF66

RGB 209 255 102

HSL 78.04, 1%, 0.7%

LAB 94.33, -36.27, 66.49

 

CMYK 11 / 0 / 53 / 0

HEX #E2FF79

RGB 226 255 121

HSL 72.99, 1%, 0.74%

LAB 95.61, -28.31, 60.07

 

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

CMYK 26 / 0 / 83 / 28

HEX #88B71F

RGB 136 183 31

HSL 78.55, 0.71%, 0.42%

LAB 68.9, -35.9, 64.67

 

CMYK 28 / 0 / 93 / 35

HEX #77A50C

RGB 119 165 12

HSL 78.04, 0.86%, 0.35%

LAB 62.39, -34.99, 62.63

 

CMYK 31 / 0 / 100 / 42

HEX #669300

RGB 102 147 0

HSL 78.37, 1%, 0.29%

LAB 55.78, -33.81, 58.78

 

CMYK 34 / 0 / 100 / 49

HEX #558100

RGB 85 129 0

HSL 80.47, 1%, 0.25%

LAB 49.05, -32.38, 53.17

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 4 / 0 / 75 / 22

HEX #C0C731

RGB 192 199 49

HSL 62.8, 0.6%, 0.49%

LAB 77.45, -19.79, 68.69

 

CMYK 0 / 17 / 75 / 22

HEX #C7A631

RGB 199 166 49

HSL 46.8, 0.6%, 0.49%

LAB 69.21, 0.23, 61.21

 

CMYK 0 / 37 / 75 / 22

HEX #C77E31

RGB 199 126 49

HSL 30.8, 0.6%, 0.49%

LAB 59.24, 21.96, 51.52

 

CMYK 0 / 57 / 75 / 22

HEX #C75531

RGB 199 85 49

HSL 14.4, 0.6%, 0.49%

LAB 50.52, 43.38, 42.58

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 44 / 0 / 75 / 22

HEX #6FC731

RGB 111 199 49

HSL 95.2, 0.6%, 0.49%

LAB 72.53, -50.75, 62.3

 

CMYK 64 / 0 / 75 / 22

HEX #47C731

RGB 71 199 49

HSL 111.2, 0.6%, 0.49%

LAB 71.15, -61.49, 60.48

 

CMYK 75 / 0 / 66 / 22

HEX #31C744

RGB 49 199 68

HSL 127.6, 0.6%, 0.49%

LAB 70.81, -63.83, 52.84

 

CMYK 75 / 0 / 45 / 22

HEX #31C76D

RGB 49 199 109

HSL 144, 0.6%, 0.49%

LAB 71.29, -58.24, 34.2

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 28 / 0 / 87 / 14

HEX #9FDC1D

RGB 159 220 29

HSL 79.16, 0.77%, 0.49%

LAB 81.1, -43.47, 76.08

 

CMYK 31 / 0 / 96 / 6

HEX #A6F009

RGB 166 240 9

HSL 79.22, 0.93%, 0.49%

LAB 87.22, -49.69, 83.74

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 20 / 0 / 61 / 30

HEX #90B346

RGB 144 179 70

HSL 79.27, 0.44%, 0.49%

LAB 68.47, -28.54, 50.46

 

CMYK 14 / 0 / 43 / 38

HEX #899F5A

RGB 137 159 90

HSL 79.13, 0.28%, 0.49%

LAB 62.38, -19.39, 33.4

 

CMYK 6 / 0 / 21 / 45

HEX #828B6E

RGB 130 139 110

HSL 78.62, 0.12%, 0.49%

LAB 56.42, -8.69, 14.44

 

CMYK 6 / 8 / 0 / 49

HEX #7A7782

RGB 122 119 130

HSL 256.36, 0.04%, 0.49%

LAB 50.62, 3.4, -5.6

 

CMYK 0 / 16 / 75 / 22

HEX #C7A731

RGB 199 167 49

HSL 47.2, 0.6%, 0.49%

LAB 69.47, -0.3, 61.46

 

CMYK 4 / 0 / 75 / 22

HEX #C0C731

RGB 192 199 49

HSL 62.8, 0.6%, 0.49%

LAB 77.45, -19.79, 68.69

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 44 / 0 / 75 / 22

HEX #70C731

RGB 112 199 49

HSL 94.8, 0.6%, 0.49%

LAB 72.57, -50.43, 62.35

 

CMYK 64 / 0 / 75 / 22

HEX #48C731

RGB 72 199 49

HSL 110.8, 0.6%, 0.49%

LAB 71.18, -61.28, 60.52

 

CMYK 24 / 0 / 75 / 48

HEX #658521

RGB 101 133 33

HSL 79.2, 0.6%, 0.33%

LAB 51.44, -26.45, 47.17

 

CMYK 23 / 0 / 75 / 35

HEX #7FA629

RGB 127 166 41

HSL 78.72, 0.6%, 0.41%

LAB 63.3, -31.18, 56.36

 

CMYK 24 / 0 / 75 / 22

HEX #98C731

RGB 152 199 49

HSL 78.8, 0.6%, 0.49%

LAB 74.66, -36.11, 65.09

 

CMYK 20 / 0 / 63 / 17

HEX #A9D34F

RGB 169 211 79

HSL 79.09, 0.6%, 0.57%

LAB 79.38, -33.12, 58.99

 

CMYK 16 / 0 / 49 / 14

HEX #B9DB70

RGB 185 219 112

HSL 79.07, 0.6%, 0.65%

LAB 82.99, -27.79, 48.57

 

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

CMYK 75 / 0 / 36 / 22

HEX #31C77F

RGB 49 199 127

HSL 151.2, 0.6%, 0.49%

LAB 71.58, -54.92, 25.28

 

CMYK 6 / 75 / 0 / 22

HEX #BB31C7

RGB 187 49 199

HSL 295.2, 0.6%, 0.49%

LAB 48.11, 71.12, -49.33

 

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

CMYK 75 / 24 / 0 / 22

HEX #3198C7

RGB 49 152 199

HSL 198.8, 0.6%, 0.49%

LAB 59.19, -13.4, -32.57

 

CMYK 0 / 75 / 24 / 22

HEX #C73198

RGB 199 49 152

HSL 318.8, 0.6%, 0.49%

LAB 47.76, 66.81, -22.08

 

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

CMYK 75 / 0 / 36 / 22

HEX #31C77F

RGB 49 199 127

HSL 151.2, 0.6%, 0.49%

LAB 71.58, -54.92, 25.28

 

CMYK 51 / 75 / 0 / 22

HEX #6131C7

RGB 97 49 199

HSL 259.2, 0.6%, 0.49%

LAB 35.72, 55.09, -70

 

CMYK 0 / 75 / 39 / 22

HEX #C7317A

RGB 199 49 122

HSL 330.8, 0.6%, 0.49%

LAB 46.64, 63.36, -5.63

 

CMYK 24 / 0 / 75 / 21

HEX #99C932

RGB 153 201 50

HSL 79.07, 0.6%, 0.49%

LAB 75.31, -36.58, 65.4

 

CMYK 75 / 0 / 14 / 22

HEX #31C7AC

RGB 49 199 172

HSL 169.2, 0.6%, 0.49%

LAB 72.55, -44.53, 2.51

 

CMYK 51 / 75 / 0 / 22

HEX #6131C7

RGB 97 49 199

HSL 259.2, 0.6%, 0.49%

LAB 35.72, 55.09, -70

 

CMYK 0 / 75 / 61 / 22

HEX #C7314D

RGB 199 49 77

HSL 348.8, 0.6%, 0.49%

LAB 45.46, 59.62, 20.42

 

Description

Color code: HEX #99C932 | qconv.com Color code: HEX #99C932 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 201 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 201 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 75 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 75% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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