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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99C024 it is the complementary color #663FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99C024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99C024 shade: #9EC01F, #AFD232, #C0E445, #D1F658 and #E2FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99C024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99C024 shade: #99C024, #88AE11, #779C00, #668A00 and #557800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99C024 shade: #99C024, #C0BD24, #C09324, #C06924 and #C03F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99C024 shade: #99C024, #6FC024, #45C024, #24C02D and #24C058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99C024 shade matches the following richer shades: #99C024 and #A3D312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99C024 shade: #99C024, #90AE37, #879B49, #7D895C and #74766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99C024 shade: #C09424, #C0BE24, #99C024, #70C024 and #46C024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99C024 shade: #627B17, #7E9E1E, #99C024, #B0D836 and #BDDF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99C024 shade: #99C024, #24C06A and #A924C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99C024 shade: #99C024, #2499C0 and #C02499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99C024 shade: #99C024, #24C06A, #4B24C0 and #C0247A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99C024 shade: #99C024, #24C099, #4B24C0 and #C0244B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

Complementary color

CMYK 53 / 71 / 0 / 14

HEX #663FDB

RGB 102 63 219

HSL 255, 0.68%, 0.55%

LAB 40.4, 54.5, -73.86

 

CMYK 18 / 0 / 84 / 25

HEX #9EC01F

RGB 158 192 31

HSL 72.67, 0.72%, 0.44%

LAB 72.94, -31.22, 68.72

 

CMYK 17 / 0 / 76 / 18

HEX #AFD232

RGB 175 210 50

HSL 73.13, 0.64%, 0.51%

LAB 79.29, -32.03, 69.65

 

CMYK 16 / 0 / 70 / 11

HEX #C0E445

RGB 192 228 69

HSL 73.58, 0.75%, 0.58%

LAB 85.57, -32.67, 69.75

 

CMYK 15 / 0 / 64 / 4

HEX #D1F658

RGB 209 246 88

HSL 74.05, 0.9%, 0.65%

LAB 91.76, -33.17, 69.35

 

CMYK 11 / 0 / 58 / 0

HEX #E2FF6B

RGB 226 255 107

HSL 71.76, 1%, 0.71%

LAB 95.48, -29.44, 65.99

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 22 / 0 / 90 / 32

HEX #88AE11

RGB 136 174 17

HSL 74.52, 0.82%, 0.37%

LAB 66.17, -32.17, 65.34

 

CMYK 24 / 0 / 100 / 39

HEX #779C00

RGB 119 156 0

HSL 74.23, 1%, 0.31%

LAB 59.62, -31.05, 62.16

 

CMYK 26 / 0 / 100 / 46

HEX #668A00

RGB 102 138 0

HSL 75.65, 1%, 0.27%

LAB 52.95, -29.62, 56.61

 

CMYK 29 / 0 / 100 / 53

HEX #557800

RGB 85 120 0

HSL 77.5, 1%, 0.24%

LAB 46.13, -28.17, 50.93

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 0 / 2 / 81 / 25

HEX #C0BD24

RGB 192 189 36

HSL 58.85, 0.68%, 0.45%

LAB 74.65, -15.26, 69.96

 

CMYK 0 / 23 / 81 / 25

HEX #C09324

RGB 192 147 36

HSL 42.69, 0.68%, 0.45%

LAB 63.51, 6.89, 60.26

 

CMYK 0 / 45 / 81 / 25

HEX #C06924

RGB 192 105 36

HSL 26.54, 0.68%, 0.45%

LAB 53.42, 29.88, 51.18

 

CMYK 0 / 67 / 81 / 25

HEX #C03F24

RGB 192 63 36

HSL 10.38, 0.68%, 0.45%

LAB 45.48, 50.29, 43.73

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 42 / 0 / 81 / 25

HEX #6FC024

RGB 111 192 36

HSL 91.15, 0.68%, 0.45%

LAB 70.32, -48.65, 64.14

 

CMYK 64 / 0 / 81 / 25

HEX #45C024

RGB 69 192 36

HSL 107.31, 0.68%, 0.45%

LAB 68.82, -60.37, 62.21

 

CMYK 81 / 0 / 77 / 25

HEX #24C02D

RGB 36 192 45

HSL 123.46, 0.68%, 0.45%

LAB 68.21, -65.35, 58.69

 

CMYK 81 / 0 / 54 / 25

HEX #24C058

RGB 36 192 88

HSL 140, 0.68%, 0.45%

LAB 68.59, -60.73, 41.21

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 23 / 0 / 91 / 17

HEX #A3D312

RGB 163 211 18

HSL 74.92, 0.84%, 0.45%

LAB 78.71, -38.24, 76.01

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 17 / 0 / 68 / 32

HEX #90AE37

RGB 144 174 55

HSL 75.13, 0.52%, 0.45%

LAB 66.88, -27.25, 55.09

 

CMYK 13 / 0 / 53 / 39

HEX #879B49

RGB 135 155 73

HSL 74.63, 0.36%, 0.45%

LAB 60.85, -20.04, 40.18

 

CMYK 9 / 0 / 33 / 46

HEX #7D895C

RGB 125 137 92

HSL 76, 0.2%, 0.45%

LAB 55.1, -12.39, 22.73

 

CMYK 2 / 0 / 7 / 54

HEX #74766E

RGB 116 118 110

HSL 75, 0.04%, 0.45%

LAB 49.25, -2.34, 4.14

 

CMYK 0 / 23 / 81 / 25

HEX #C09424

RGB 192 148 36

HSL 43.08, 0.68%, 0.45%

LAB 63.77, 6.35, 60.48

 

CMYK 0 / 1 / 81 / 25

HEX #C0BE24

RGB 192 190 36

HSL 59.23, 0.68%, 0.45%

LAB 74.93, -15.77, 70.19

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 42 / 0 / 81 / 25

HEX #70C024

RGB 112 192 36

HSL 90.77, 0.68%, 0.45%

LAB 70.37, -48.32, 64.2

 

CMYK 64 / 0 / 81 / 25

HEX #46C024

RGB 70 192 36

HSL 106.92, 0.68%, 0.45%

LAB 68.84, -60.14, 62.24

 

CMYK 20 / 0 / 81 / 52

HEX #627B17

RGB 98 123 23

HSL 75, 0.68%, 0.29%

LAB 48.04, -23.29, 47.36

 

CMYK 20 / 0 / 81 / 38

HEX #7E9E1E

RGB 126 158 30

HSL 75, 0.68%, 0.37%

LAB 60.77, -28.31, 57.49

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 19 / 0 / 75 / 15

HEX #B0D836

RGB 176 216 54

HSL 74.81, 0.68%, 0.53%

LAB 81.08, -34.22, 70.09

 

CMYK 15 / 0 / 61 / 13

HEX #BDDF58

RGB 189 223 88

HSL 75.11, 0.68%, 0.61%

LAB 84.12, -30.27, 60.76

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 81 / 0 / 45 / 25

HEX #24C06A

RGB 36 192 106

HSL 146.92, 0.68%, 0.45%

LAB 68.83, -57.84, 32.55

 

CMYK 12 / 81 / 0 / 25

HEX #A924C0

RGB 169 36 192

HSL 291.15, 0.68%, 0.45%

LAB 43.51, 70.16, -52.8

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 81 / 20 / 0 / 25

HEX #2499C0

RGB 36 153 192

HSL 195, 0.68%, 0.45%

LAB 58.94, -17.74, -29.04

 

CMYK 0 / 81 / 20 / 25

HEX #C02499

RGB 192 36 153

HSL 315, 0.68%, 0.45%

LAB 45.31, 68.87, -26.57

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 81 / 0 / 45 / 25

HEX #24C06A

RGB 36 192 106

HSL 146.92, 0.68%, 0.45%

LAB 68.83, -57.84, 32.55

 

CMYK 61 / 81 / 0 / 25

HEX #4B24C0

RGB 75 36 192

HSL 255, 0.68%, 0.45%

LAB 30.79, 56.24, -74.09

 

CMYK 0 / 81 / 36 / 25

HEX #C0247A

RGB 192 36 122

HSL 326.92, 0.68%, 0.45%

LAB 44.05, 65.24, -9.63

 

CMYK 20 / 0 / 81 / 25

HEX #99C024

RGB 153 192 36

HSL 75, 0.68%, 0.45%

LAB 72.63, -33.08, 67.08

 

CMYK 81 / 0 / 20 / 25

HEX #24C099

RGB 36 192 153

HSL 165, 0.68%, 0.45%

LAB 69.74, -47.8, 8.77

 

CMYK 61 / 81 / 0 / 25

HEX #4B24C0

RGB 75 36 192

HSL 255, 0.68%, 0.45%

LAB 30.79, 56.24, -74.09

 

CMYK 0 / 81 / 61 / 25

HEX #C0244B

RGB 192 36 75

HSL 345, 0.68%, 0.45%

LAB 42.73, 61.3, 17.78

 

Description

Color code: HEX #99C024 | qconv.com Color code: HEX #99C024 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 192 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 192 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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