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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99C222 it is the complementary color #663DDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99C222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99C222 shade: #9EC21D, #AFD430, #C0E643, #D1F856 and #E2FF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99C222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99C222 shade: #99C222, #88B00F, #779E00, #668C00 and #557A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99C222 shade: #99C322, #C3C022, #C39522, #C36A22 and #C33E22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99C222 shade: #99C322, #6EC322, #43C322, #22C32C and #22C358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99C222 shade matches the following richer shades: #99C322 and #A2D50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99C222 shade: #99C322, #90B034, #879D47, #7E8B5A and #75786C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99C222 shade: #C39522, #C3C022, #9AC322, #70C322 and #45C322

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99C222 shade: #627C16, #7EA01C, #99C322, #B0DB33 and #BDE156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99C222 shade: #99C222, #22C36A and #AA22C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99C222 shade: #99C222, #229AC3 and #C3229A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99C222 shade: #99C222, #22C36A, #4A22C3 and #C3227A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99C222 shade: #99C222, #22C39A, #4A22C3 and #C3224A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

Complementary color

CMYK 54 / 72 / 0 / 13

HEX #663DDD

RGB 102 61 221

HSL 255.38, 0.7%, 0.55%

LAB 40.22, 56.06, -75.31

 

CMYK 19 / 0 / 85 / 24

HEX #9EC21D

RGB 158 194 29

HSL 73.09, 0.74%, 0.44%

LAB 73.51, -32.22, 69.66

 

CMYK 17 / 0 / 77 / 17

HEX #AFD430

RGB 175 212 48

HSL 73.54, 0.66%, 0.51%

LAB 79.85, -33.04, 70.76

 

CMYK 17 / 0 / 71 / 10

HEX #C0E643

RGB 192 230 67

HSL 73.99, 0.77%, 0.58%

LAB 86.11, -33.7, 70.99

 

CMYK 16 / 0 / 65 / 3

HEX #D1F856

RGB 209 248 86

HSL 74.44, 0.92%, 0.65%

LAB 92.29, -34.22, 70.67

 

CMYK 11 / 0 / 59 / 0

HEX #E2FF69

RGB 226 255 105

HSL 71.6, 1%, 0.71%

LAB 95.46, -29.59, 66.81

 

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

CMYK 23 / 0 / 91 / 31

HEX #88B00F

RGB 136 176 15

HSL 74.91, 0.84%, 0.37%

LAB 66.76, -33.14, 66.15

 

CMYK 25 / 0 / 100 / 38

HEX #779E00

RGB 119 158 0

HSL 74.81, 1%, 0.31%

LAB 60.23, -31.99, 62.63

 

CMYK 27 / 0 / 100 / 45

HEX #668C00

RGB 102 140 0

HSL 76.29, 1%, 0.27%

LAB 53.58, -30.57, 57.09

 

CMYK 30 / 0 / 100 / 52

HEX #557A00

RGB 85 122 0

HSL 78.2, 1%, 0.24%

LAB 46.78, -29.12, 51.43

 

CMYK 22 / 0 / 83 / 24

HEX #99C322

RGB 153 195 34

HSL 75.65, 0.7%, 0.45%

LAB 73.49, -34.53, 68.35

 

CMYK 0 / 2 / 83 / 24

HEX #C3C022

RGB 195 192 34

HSL 58.88, 0.7%, 0.45%

LAB 75.71, -15.54, 71.46

 

CMYK 0 / 24 / 83 / 24

HEX #C39522

RGB 195 149 34

HSL 42.86, 0.7%, 0.45%

LAB 64.33, 7.07, 61.74

 

CMYK 0 / 46 / 83 / 24

HEX #C36A22

RGB 195 106 34

HSL 26.83, 0.7%, 0.45%

LAB 54.05, 30.53, 52.72

 

CMYK 0 / 68 / 83 / 24

HEX #C33E22

RGB 195 62 34

HSL 10.43, 0.7%, 0.45%

LAB 45.86, 51.66, 45.27

 

CMYK 22 / 0 / 83 / 24

HEX #99C322

RGB 153 195 34

HSL 75.65, 0.7%, 0.45%

LAB 73.49, -34.53, 68.35

 

CMYK 44 / 0 / 83 / 24

HEX #6EC322

RGB 110 195 34

HSL 91.68, 0.7%, 0.45%

LAB 71.19, -50.26, 65.43

 

CMYK 66 / 0 / 83 / 24

HEX #43C322

RGB 67 195 34

HSL 107.7, 0.7%, 0.45%

LAB 69.71, -61.9, 63.54

 

CMYK 83 / 0 / 77 / 24

HEX #22C32C

RGB 34 195 44

HSL 123.73, 0.7%, 0.45%

LAB 69.15, -66.54, 59.91

 

CMYK 83 / 0 / 55 / 24

HEX #22C358

RGB 34 195 88

HSL 140.12, 0.7%, 0.45%

LAB 69.52, -61.93, 42.33

 

CMYK 22 / 0 / 83 / 24

HEX #99C322

RGB 153 195 34

HSL 75.65, 0.7%, 0.45%

LAB 73.49, -34.53, 68.35

 

CMYK 24 / 0 / 93 / 16

HEX #A2D50F

RGB 162 213 15

HSL 75.45, 0.87%, 0.45%

LAB 79.22, -39.57, 76.78

 

CMYK 22 / 0 / 83 / 24

HEX #99C322

RGB 153 195 34

HSL 75.65, 0.7%, 0.45%

LAB 73.49, -34.53, 68.35

 

CMYK 18 / 0 / 70 / 31

HEX #90B034

RGB 144 176 52

HSL 75.48, 0.54%, 0.45%

LAB 67.45, -28.4, 56.83

 

CMYK 14 / 0 / 55 / 38

HEX #879D47

RGB 135 157 71

HSL 75.35, 0.38%, 0.45%

LAB 61.41, -21.26, 41.82

 

CMYK 9 / 0 / 35 / 45

HEX #7E8B5A

RGB 126 139 90

HSL 75.92, 0.21%, 0.45%

LAB 55.72, -13.35, 24.68

 

CMYK 3 / 0 / 10 / 53

HEX #75786C

RGB 117 120 108

HSL 75, 0.05%, 0.45%

LAB 49.86, -3.48, 6.2

 

CMYK 0 / 24 / 83 / 24

HEX #C39522

RGB 195 149 34

HSL 42.86, 0.7%, 0.45%

LAB 64.33, 7.07, 61.74

 

CMYK 0 / 2 / 83 / 24

HEX #C3C022

RGB 195 192 34

HSL 58.88, 0.7%, 0.45%

LAB 75.71, -15.54, 71.46

 

CMYK 21 / 0 / 83 / 24

HEX #9AC322

RGB 154 195 34

HSL 75.28, 0.7%, 0.45%

LAB 73.56, -34.13, 68.43

 

CMYK 43 / 0 / 83 / 24

HEX #70C322

RGB 112 195 34

HSL 90.93, 0.7%, 0.45%

LAB 71.28, -49.61, 65.54

 

CMYK 65 / 0 / 83 / 24

HEX #45C322

RGB 69 195 34

HSL 106.96, 0.7%, 0.45%

LAB 69.76, -61.47, 63.61

 

CMYK 21 / 0 / 82 / 51

HEX #627C16

RGB 98 124 22

HSL 75.29, 0.7%, 0.29%

LAB 48.35, -23.84, 47.96

 

CMYK 21 / 0 / 83 / 37

HEX #7EA01C

RGB 126 160 28

HSL 75.45, 0.7%, 0.37%

LAB 61.36, -29.35, 58.58

 

CMYK 22 / 0 / 83 / 24

HEX #99C322

RGB 153 195 34

HSL 75.65, 0.7%, 0.45%

LAB 73.49, -34.53, 68.35

 

CMYK 20 / 0 / 77 / 14

HEX #B0DB33

RGB 176 219 51

HSL 75.36, 0.7%, 0.53%

LAB 81.91, -35.72, 71.79

 

CMYK 16 / 0 / 62 / 12

HEX #BDE156

RGB 189 225 86

HSL 75.54, 0.7%, 0.61%

LAB 84.66, -31.35, 62.18

 

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

CMYK 83 / 0 / 46 / 24

HEX #22C36A

RGB 34 195 106

HSL 146.83, 0.7%, 0.45%

LAB 69.76, -59.1, 33.73

 

CMYK 13 / 83 / 0 / 24

HEX #AA22C3

RGB 170 34 195

HSL 290.68, 0.7%, 0.45%

LAB 43.7, 71.37, -54.24

 

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

CMYK 83 / 21 / 0 / 24

HEX #229AC3

RGB 34 154 195

HSL 195.28, 0.7%, 0.45%

LAB 59.33, -17.42, -30.12

 

CMYK 0 / 83 / 21 / 24

HEX #C3229A

RGB 195 34 154

HSL 315.28, 0.7%, 0.45%

LAB 45.74, 70.13, -26.46

 

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

CMYK 83 / 0 / 46 / 24

HEX #22C36A

RGB 34 195 106

HSL 146.83, 0.7%, 0.45%

LAB 69.76, -59.1, 33.73

 

CMYK 62 / 83 / 0 / 24

HEX #4A22C3

RGB 74 34 195

HSL 254.91, 0.7%, 0.45%

LAB 30.74, 57.78, -75.95

 

CMYK 0 / 83 / 37 / 24

HEX #C3227A

RGB 195 34 122

HSL 327.2, 0.7%, 0.45%

LAB 44.45, 66.46, -8.98

 

CMYK 21 / 0 / 82 / 24

HEX #99C222

RGB 153 194 34

HSL 75.38, 0.7%, 0.45%

LAB 73.2, -34.07, 68.1

 

CMYK 83 / 0 / 21 / 24

HEX #22C39A

RGB 34 195 154

HSL 164.72, 0.7%, 0.45%

LAB 70.67, -48.95, 9.54

 

CMYK 62 / 83 / 0 / 24

HEX #4A22C3

RGB 74 34 195

HSL 254.91, 0.7%, 0.45%

LAB 30.74, 57.78, -75.95

 

CMYK 0 / 83 / 62 / 24

HEX #C3224A

RGB 195 34 74

HSL 345.09, 0.7%, 0.45%

LAB 43.12, 62.56, 19.04

 

Description

Color code: HEX #99C222 | qconv.com Color code: HEX #99C222 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 194 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 194 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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