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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D40B it is the complementary color #662BF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D40B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99D40B shade: #9ED406, #AFE619, #C0F82C, #D1FF3F and #E2FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D40B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99D40B shade: #99D40B, #88C200, #77B000, #669E00 and #558C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99D40B shade: #99D50B, #D0D50B, #D5A30B, #D56D0B and #D5360B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99D40B shade: #99D50B, #63D50B, #2CD50B, #0BD51F and #0BD556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99D40B shade matches the following richer shades: #99D50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99D40B shade: #99D50B, #92C31D, #8AB02F, #839E41 and #7B8C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99D40B shade: #D5A20B, #D1D50B, #9BD50B, #66D50B and #30D50B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99D40B shade: #618607, #7DAD09, #99D50B, #B2F216 and #BFF43E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99D40B shade: #99D40B, #0BD56C and #BD0BD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99D40B shade: #99D40B, #0B9BD5 and #D50B9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99D40B shade: #99D40B, #0BD56C, #440BD5 and #D50B73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99D40B shade: #99D40B, #0BD5A9, #440BD5 and #D50B36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

Complementary color

CMYK 58 / 82 / 0 / 4

HEX #662BF4

RGB 102 43 244

HSL 257.61, 0.9%, 0.56%

LAB 39.72, 69.91, -89.18

 

CMYK 25 / 0 / 97 / 17

HEX #9ED406

RGB 158 212 6

HSL 75.73, 0.94%, 0.43%

LAB 78.68, -40.79, 77.16

 

CMYK 24 / 0 / 89 / 10

HEX #AFE619

RGB 175 230 25

HSL 76.1, 0.8%, 0.5%

LAB 84.88, -41.85, 80.27

 

CMYK 23 / 0 / 82 / 3

HEX #C0F82C

RGB 192 248 44

HSL 76.47, 0.94%, 0.57%

LAB 91.02, -42.72, 82.15

 

CMYK 18 / 0 / 75 / 0

HEX #D1FF3F

RGB 209 255 63

HSL 74.38, 1%, 0.62%

LAB 94.07, -38.6, 80.26

 

CMYK 11 / 0 / 68 / 0

HEX #E2FF52

RGB 226 255 82

HSL 70.06, 1%, 0.66%

LAB 95.29, -31.08, 75.58

 

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

CMYK 30 / 0 / 100 / 24

HEX #88C200

RGB 136 194 0

HSL 77.94, 1%, 0.38%

LAB 72.11, -41.45, 72.15

 

CMYK 32 / 0 / 100 / 31

HEX #77B000

RGB 119 176 0

HSL 79.43, 1%, 0.35%

LAB 65.73, -40.1, 66.84

 

CMYK 35 / 0 / 100 / 38

HEX #669E00

RGB 102 158 0

HSL 81.27, 1%, 0.31%

LAB 59.23, -38.71, 61.43

 

CMYK 39 / 0 / 100 / 45

HEX #558C00

RGB 85 140 0

HSL 83.57, 1%, 0.27%

LAB 52.61, -37.28, 55.92

 

CMYK 28 / 0 / 95 / 16

HEX #99D50B

RGB 153 213 11

HSL 77.82, 0.9%, 0.44%

LAB 78.69, -43.07, 76.57

 

CMYK 2 / 0 / 95 / 16

HEX #D0D50B

RGB 208 213 11

HSL 61.49, 0.9%, 0.44%

LAB 82.39, -20.83, 81.04

 

CMYK 0 / 23 / 95 / 16

HEX #D5A30B

RGB 213 163 11

HSL 45.15, 0.9%, 0.44%

LAB 69.73, 7.03, 71.84

 

CMYK 0 / 49 / 95 / 16

HEX #D56D0B

RGB 213 109 11

HSL 29.11, 0.9%, 0.44%

LAB 57.18, 35.88, 63.04

 

CMYK 0 / 75 / 95 / 16

HEX #D5360B

RGB 213 54 11

HSL 12.77, 0.9%, 0.44%

LAB 48.02, 59.97, 57.24

 

CMYK 28 / 0 / 95 / 16

HEX #99D50B

RGB 153 213 11

HSL 77.82, 0.9%, 0.44%

LAB 78.69, -43.07, 76.57

 

CMYK 54 / 0 / 95 / 16

HEX #63D50B

RGB 99 213 11

HSL 93.86, 0.9%, 0.44%

LAB 76.23, -60.94, 73.58

 

CMYK 79 / 0 / 95 / 16

HEX #2CD50B

RGB 44 213 11

HSL 110.2, 0.9%, 0.44%

LAB 74.92, -71.99, 71.96

 

CMYK 95 / 0 / 85 / 16

HEX #0BD51F

RGB 11 213 31

HSL 125.94, 0.9%, 0.44%

LAB 74.67, -74.01, 68.44

 

CMYK 95 / 0 / 60 / 16

HEX #0BD556

RGB 11 213 86

HSL 142.28, 0.9%, 0.44%

LAB 75.03, -69.43, 49.72

 

CMYK 28 / 0 / 95 / 16

HEX #99D50B

RGB 153 213 11

HSL 77.82, 0.9%, 0.44%

LAB 78.69, -43.07, 76.57

 

CMYK 28 / 0 / 95 / 16

HEX #99D50B

RGB 153 213 11

HSL 77.82, 0.9%, 0.44%

LAB 78.69, -43.07, 76.57

 

CMYK 25 / 0 / 85 / 24

HEX #92C31D

RGB 146 195 29

HSL 77.71, 0.74%, 0.44%

LAB 73.04, -37.46, 68.97

 

CMYK 22 / 0 / 73 / 31

HEX #8AB02F

RGB 138 176 47

HSL 77.67, 0.58%, 0.44%

LAB 67.02, -31.12, 58.11

 

CMYK 17 / 0 / 59 / 38

HEX #839E41

RGB 131 158 65

HSL 77.42, 0.42%, 0.44%

LAB 61.36, -23.96, 44.56

 

CMYK 12 / 0 / 41 / 45

HEX #7B8C53

RGB 123 140 83

HSL 77.89, 0.26%, 0.44%

LAB 55.68, -16.05, 28.42

 

CMYK 0 / 24 / 95 / 16

HEX #D5A20B

RGB 213 162 11

HSL 44.85, 0.9%, 0.44%

LAB 69.48, 7.57, 71.65

 

CMYK 2 / 0 / 95 / 16

HEX #D1D50B

RGB 209 213 11

HSL 61.19, 0.9%, 0.44%

LAB 82.47, -20.41, 81.13

 

CMYK 27 / 0 / 95 / 16

HEX #9BD50B

RGB 155 213 11

HSL 77.23, 0.9%, 0.44%

LAB 78.8, -42.32, 76.71

 

CMYK 52 / 0 / 95 / 16

HEX #66D50B

RGB 102 213 11

HSL 92.97, 0.9%, 0.44%

LAB 76.34, -60.11, 73.7

 

CMYK 77 / 0 / 95 / 16

HEX #30D50B

RGB 48 213 11

HSL 109.01, 0.9%, 0.44%

LAB 74.98, -71.47, 72.03

 

CMYK 28 / 0 / 95 / 47

HEX #618607

RGB 97 134 7

HSL 77.48, 0.9%, 0.28%

LAB 51.39, -29.64, 53.99

 

CMYK 28 / 0 / 95 / 32

HEX #7DAD09

RGB 125 173 9

HSL 77.56, 0.9%, 0.36%

LAB 65.17, -36.29, 65.42

 

CMYK 28 / 0 / 95 / 16

HEX #99D50B

RGB 153 213 11

HSL 77.82, 0.9%, 0.44%

LAB 78.69, -43.07, 76.57

 

CMYK 26 / 0 / 91 / 5

HEX #B2F216

RGB 178 242 22

HSL 77.45, 0.89%, 0.52%

LAB 88.46, -45.94, 83.67

 

CMYK 22 / 0 / 75 / 4

HEX #BFF43E

RGB 191 244 62

HSL 77.47, 0.89%, 0.6%

LAB 89.92, -40.63, 76.27

 

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

CMYK 95 / 0 / 49 / 16

HEX #0BD56C

RGB 11 213 108

HSL 148.81, 0.9%, 0.44%

LAB 75.29, -66.28, 39.7

 

CMYK 11 / 95 / 0 / 16

HEX #BD0BD5

RGB 189 11 213

HSL 292.87, 0.9%, 0.44%

LAB 46.79, 81.17, -59.5

 

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

CMYK 95 / 27 / 0 / 16

HEX #0B9BD5

RGB 11 155 213

HSL 197.23, 0.9%, 0.44%

LAB 60.17, -12.88, -38.91

 

CMYK 0 / 95 / 27 / 16

HEX #D50B9B

RGB 213 11 155

HSL 317.23, 0.9%, 0.44%

LAB 47.95, 77.48, -23.38

 

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

CMYK 95 / 0 / 49 / 16

HEX #0BD56C

RGB 11 213 108

HSL 148.81, 0.9%, 0.44%

LAB 75.29, -66.28, 39.7

 

CMYK 68 / 95 / 0 / 16

HEX #440BD5

RGB 68 11 213

HSL 256.93, 0.9%, 0.44%

LAB 30.09, 68.59, -87.54

 

CMYK 0 / 95 / 46 / 16

HEX #D50B73

RGB 213 11 115

HSL 329.11, 0.9%, 0.44%

LAB 46.48, 73.6, -1.27

 

CMYK 28 / 0 / 95 / 17

HEX #99D40B

RGB 153 212 11

HSL 77.61, 0.9%, 0.44%

LAB 78.39, -42.64, 76.34

 

CMYK 95 / 0 / 21 / 16

HEX #0BD5A9

RGB 11 213 169

HSL 166.93, 0.9%, 0.44%

LAB 76.39, -53.71, 9.6

 

CMYK 68 / 95 / 0 / 16

HEX #440BD5

RGB 68 11 213

HSL 256.93, 0.9%, 0.44%

LAB 30.09, 68.59, -87.54

 

CMYK 0 / 95 / 75 / 16

HEX #D50B36

RGB 213 11 54

HSL 347.23, 0.9%, 0.44%

LAB 45.15, 69.99, 34.64

 

Description

Color code: HEX #99D40B | qconv.com Color code: HEX #99D40B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 212 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 212 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 95 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 95% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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