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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E44D it is the complementary color #661BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E44D shade: #9EE448, #AFF65B, #C0FF6E, #D1FF81 and #E2FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E44D shade: #99E44D, #88D23A, #77C027, #66AE14 and #559C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E44D shade: #99E44D, #C2E44D, #E4DE4D, #E4B54D and #E48C4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E44D shade: #99E44D, #70E44D, #4DE452, #4DE47B and #4DE4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E44D shade matches the following richer shades: #99E44D and #99F43D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E44D shade: #99E44D, #99D35E, #99C36E, #99B27F and #99A28F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E44D shade: #E4DC4D, #C3E44D, #9BE44D, #73E44D and #4DE450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E44D shade: #70C21D, #84DF29, #99E44D, #AEE971 and #C2EF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E44D shade: #99E44D, #4DE4B4 and #E44DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E44D shade: #99E44D, #4D9BE4 and #E44D9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E44D shade: #99E44D, #4DE4B4, #964DE4 and #E44D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E44D shade: #99E44D, #4DE4E1, #964DE4 and #E44D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

Complementary color

CMYK 43 / 85 / 0 / 30

HEX #661BB2

RGB 102 27 178

HSL 269.8, 0.74%, 0.4%

LAB 31.4, 59.16, -64.67

 

CMYK 31 / 0 / 68 / 11

HEX #9EE448

RGB 158 228 72

HSL 86.92, 0.74%, 0.59%

LAB 83.56, -45.26, 65.97

 

CMYK 29 / 0 / 63 / 4

HEX #AFF65B

RGB 175 246 91

HSL 87.48, 0.9%, 0.66%

LAB 89.76, -45.55, 65.42

 

CMYK 25 / 0 / 57 / 0

HEX #C0FF6E

RGB 192 255 110

HSL 86.07, 1%, 0.72%

LAB 93.39, -41.83, 61.78

 

CMYK 18 / 0 / 49 / 0

HEX #D1FF81

RGB 209 255 129

HSL 81.9, 1%, 0.75%

LAB 94.59, -33.9, 54.97

 

CMYK 11 / 0 / 42 / 0

HEX #E2FF94

RGB 226 255 148

HSL 76.26, 1%, 0.79%

LAB 95.92, -25.65, 47.92

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 35 / 0 / 72 / 18

HEX #88D23A

RGB 136 210 58

HSL 89.21, 0.63%, 0.53%

LAB 77.06, -46.31, 64.09

 

CMYK 38 / 0 / 80 / 25

HEX #77C027

RGB 119 192 39

HSL 88.63, 0.66%, 0.45%

LAB 70.71, -45.79, 63.8

 

CMYK 41 / 0 / 89 / 32

HEX #66AE14

RGB 102 174 20

HSL 88.05, 0.79%, 0.38%

LAB 64.28, -45.01, 62.45

 

CMYK 46 / 0 / 99 / 39

HEX #559C01

RGB 85 156 1

HSL 87.48, 0.99%, 0.31%

LAB 57.76, -43.94, 59.78

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 15 / 0 / 66 / 11

HEX #C2E44D

RGB 194 228 77

HSL 73.51, 0.74%, 0.6%

LAB 85.75, -31.41, 67.02

 

CMYK 0 / 3 / 66 / 11

HEX #E4DE4D

RGB 228 222 77

HSL 57.62, 0.74%, 0.6%

LAB 86.64, -14.79, 68.73

 

CMYK 0 / 21 / 66 / 11

HEX #E4B54D

RGB 228 181 77

HSL 41.32, 0.74%, 0.6%

LAB 76.12, 6.19, 57.73

 

CMYK 0 / 39 / 66 / 11

HEX #E48C4D

RGB 228 140 77

HSL 25.03, 0.74%, 0.6%

LAB 66.36, 28, 46.97

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 51 / 0 / 66 / 11

HEX #70E44D

RGB 112 228 77

HSL 106.09, 0.74%, 0.6%

LAB 81.55, -59.49, 61.31

 

CMYK 66 / 0 / 64 / 11

HEX #4DE452

RGB 77 228 82

HSL 121.99, 0.74%, 0.6%

LAB 80.56, -67.18, 57.92

 

CMYK 66 / 0 / 46 / 11

HEX #4DE47B

RGB 77 228 123

HSL 138.28, 0.74%, 0.6%

LAB 81.01, -61.91, 39.75

 

CMYK 66 / 0 / 28 / 11

HEX #4DE4A4

RGB 77 228 164

HSL 154.57, 0.74%, 0.6%

LAB 81.7, -54.38, 19.83

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 37 / 0 / 75 / 4

HEX #99F43D

RGB 153 244 61

HSL 89.84, 0.89%, 0.6%

LAB 87.88, -54.25, 73.93

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 27 / 0 / 55 / 17

HEX #99D35E

RGB 153 211 94

HSL 89.74, 0.57%, 0.6%

LAB 78.56, -37.79, 51.24

 

CMYK 22 / 0 / 44 / 24

HEX #99C36E

RGB 153 195 110

HSL 89.65, 0.41%, 0.6%

LAB 74.14, -28.58, 38.17

 

CMYK 14 / 0 / 29 / 30

HEX #99B27F

RGB 153 178 127

HSL 89.41, 0.25%, 0.6%

LAB 69.57, -17.83, 23.31

 

CMYK 6 / 0 / 12 / 36

HEX #99A28F

RGB 153 162 143

HSL 88.42, 0.09%, 0.6%

LAB 65.43, -6.77, 8.79

 

CMYK 0 / 4 / 66 / 11

HEX #E4DC4D

RGB 228 220 77

HSL 56.82, 0.74%, 0.6%

LAB 86.11, -13.8, 68.19

 

CMYK 14 / 0 / 66 / 11

HEX #C3E44D

RGB 195 228 77

HSL 73.11, 0.74%, 0.6%

LAB 85.82, -31.02, 67.11

 

CMYK 32 / 0 / 66 / 11

HEX #9BE44D

RGB 155 228 77

HSL 89.01, 0.74%, 0.6%

LAB 83.44, -45.97, 63.89

 

CMYK 50 / 0 / 66 / 11

HEX #73E44D

RGB 115 228 77

HSL 104.9, 0.74%, 0.6%

LAB 81.66, -58.66, 61.46

 

CMYK 66 / 0 / 65 / 11

HEX #4DE450

RGB 77 228 80

HSL 121.19, 0.74%, 0.6%

LAB 80.54, -67.38, 58.72

 

CMYK 42 / 0 / 85 / 24

HEX #70C21D

RGB 112 194 29

HSL 89.82, 0.74%, 0.44%

LAB 70.95, -49.4, 66.46

 

CMYK 41 / 0 / 82 / 13

HEX #84DF29

RGB 132 223 41

HSL 90, 0.74%, 0.52%

LAB 80.65, -53.82, 72.52

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 25 / 0 / 52 / 9

HEX #AEE971

RGB 174 233 113

HSL 89.5, 0.73%, 0.68%

LAB 86.24, -38.21, 51.84

 

CMYK 19 / 0 / 38 / 6

HEX #C2EF95

RGB 194 239 149

HSL 90, 0.74%, 0.76%

LAB 89.57, -29.62, 38.9

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 66 / 0 / 21 / 11

HEX #4DE4B4

RGB 77 228 180

HSL 160.93, 0.74%, 0.6%

LAB 82.03, -50.88, 11.92

 

CMYK 0 / 66 / 6 / 11

HEX #E44DD7

RGB 228 77 215

HSL 305.17, 0.74%, 0.6%

LAB 58.7, 73.15, -41.29

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 66 / 32 / 0 / 11

HEX #4D9BE4

RGB 77 155 228

HSL 209.01, 0.74%, 0.6%

LAB 62.19, -1.24, -43.99

 

CMYK 0 / 66 / 32 / 11

HEX #E44D9B

RGB 228 77 155

HSL 329.01, 0.74%, 0.6%

LAB 56.26, 65, -10.49

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 66 / 0 / 21 / 11

HEX #4DE4B4

RGB 77 228 180

HSL 160.93, 0.74%, 0.6%

LAB 82.03, -50.88, 11.92

 

CMYK 34 / 66 / 0 / 11

HEX #964DE4

RGB 150 77 228

HSL 269.01, 0.74%, 0.6%

LAB 48.75, 58.41, -65.16

 

CMYK 0 / 66 / 45 / 11

HEX #E44D7D

RGB 228 77 125

HSL 340.93, 0.74%, 0.6%

LAB 55.36, 61.88, 5.9

 

CMYK 33 / 0 / 66 / 11

HEX #99E44D

RGB 153 228 77

HSL 89.8, 0.74%, 0.6%

LAB 83.33, -46.66, 63.75

 

CMYK 66 / 0 / 1 / 11

HEX #4DE4E1

RGB 77 228 225

HSL 178.81, 0.74%, 0.6%

LAB 83.18, -39.55, -10.19

 

CMYK 34 / 66 / 0 / 11

HEX #964DE4

RGB 150 77 228

HSL 269.01, 0.74%, 0.6%

LAB 48.75, 58.41, -65.16

 

CMYK 0 / 66 / 65 / 11

HEX #E44D50

RGB 228 77 80

HSL 358.81, 0.74%, 0.6%

LAB 54.43, 58.51, 31.17

 

Description

Color code: HEX #99E44D | qconv.com Color code: HEX #99E44D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 228 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 228 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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