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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E575 it is the complementary color #661A8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E575 shade: #9EE570, #AFF783, #C0FF96, #D1FFA9 and #E2FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E575 shade: #99E575, #88D362, #77C14F, #66AF3C and #559D29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E575 shade: #99E475, #B7E475, #D5E475, #E4D675 and #E4B875

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E575 shade: #99E475, #7BE475, #75E48E, #75E4AC and #75E4C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E575 shade matches the following richer shades: #99E475 and #94F268

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E575 shade: #99E475, #9ED783, #A3CA90, #A7BD9D and #ACB0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E575 shade: #D6E475, #B8E475, #9AE475, #7DE475 and #75E48C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E575 shade: #66D730, #7FDE53, #99E475, #B3EB98 and #CCF2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E575 shade: #99E575, #75E4D6 and #E475C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E575 shade: #99E575, #759AE4 and #E4759A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E575 shade: #99E575, #75E4D6, #BF75E4 and #E47584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E575 shade: #99E575, #75D2E4, #BF75E4 and #E48875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

Complementary color

CMYK 26 / 81 / 0 / 46

HEX #661A8A

RGB 102 26 138

HSL 280.71, 0.68%, 0.32%

LAB 27.84, 50.46, -46.12

 

CMYK 31 / 0 / 51 / 10

HEX #9EE570

RGB 158 229 112

HSL 96.41, 0.69%, 0.67%

LAB 84.21, -42.13, 49.66

 

CMYK 29 / 0 / 47 / 3

HEX #AFF783

RGB 175 247 131

HSL 97.24, 0.88%, 0.74%

LAB 90.45, -42.08, 48.53

 

CMYK 25 / 0 / 41 / 0

HEX #C0FF96

RGB 192 255 150

HSL 96, 1%, 0.79%

LAB 93.85, -37.54, 43.9

 

CMYK 18 / 0 / 34 / 0

HEX #D1FFA9

RGB 209 255 169

HSL 92.09, 1%, 0.83%

LAB 95.14, -29.19, 36.43

 

CMYK 11 / 0 / 26 / 0

HEX #E2FFBC

RGB 226 255 188

HSL 85.97, 1%, 0.87%

LAB 96.54, -20.6, 28.99

 

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

CMYK 36 / 0 / 54 / 17

HEX #88D362

RGB 136 211 98

HSL 99.82, 0.56%, 0.61%

LAB 77.7, -43.29, 48.15

 

CMYK 38 / 0 / 59 / 24

HEX #77C14F

RGB 119 193 79

HSL 98.95, 0.48%, 0.53%

LAB 71.3, -43.25, 49.23

 

CMYK 42 / 0 / 66 / 31

HEX #66AF3C

RGB 102 175 60

HSL 98.09, 0.49%, 0.46%

LAB 64.81, -43.09, 50.13

 

CMYK 46 / 0 / 74 / 38

HEX #559D29

RGB 85 157 41

HSL 97.24, 0.59%, 0.39%

LAB 58.23, -42.72, 50.62

 

CMYK 33 / 0 / 49 / 11

HEX #99E475

RGB 153 228 117

HSL 100.54, 0.67%, 0.68%

LAB 83.73, -42.8, 46.65

 

CMYK 20 / 0 / 49 / 11

HEX #B7E475

RGB 183 228 117

HSL 84.32, 0.67%, 0.68%

LAB 85.42, -32.24, 49.11

 

CMYK 7 / 0 / 49 / 11

HEX #D5E475

RGB 213 228 117

HSL 68.11, 0.67%, 0.68%

LAB 87.44, -20.82, 52.02

 

CMYK 0 / 6 / 49 / 11

HEX #E4D675

RGB 228 214 117

HSL 52.43, 0.67%, 0.68%

LAB 84.93, -7.92, 49.27

 

CMYK 0 / 19 / 49 / 11

HEX #E4B875

RGB 228 184 117

HSL 36.22, 0.67%, 0.68%

LAB 77.32, 7.62, 39.88

 

CMYK 33 / 0 / 49 / 11

HEX #99E475

RGB 153 228 117

HSL 100.54, 0.67%, 0.68%

LAB 83.73, -42.8, 46.65

 

CMYK 46 / 0 / 49 / 11

HEX #7BE475

RGB 123 228 117

HSL 116.76, 0.67%, 0.68%

LAB 82.37, -52.07, 44.67

 

CMYK 49 / 0 / 38 / 11

HEX #75E48E

RGB 117 228 142

HSL 133.51, 0.67%, 0.68%

LAB 82.5, -49.98, 32.43

 

CMYK 49 / 0 / 25 / 11

HEX #75E4AC

RGB 117 228 172

HSL 149.73, 0.67%, 0.68%

LAB 83.04, -44.5, 17.71

 

CMYK 49 / 0 / 12 / 11

HEX #75E4C9

RGB 117 228 201

HSL 165.41, 0.67%, 0.68%

LAB 83.7, -38.24, 3.4

 

CMYK 33 / 0 / 49 / 11

HEX #99E475

RGB 153 228 117

HSL 100.54, 0.67%, 0.68%

LAB 83.73, -42.8, 46.65

 

CMYK 39 / 0 / 57 / 5

HEX #94F268

RGB 148 242 104

HSL 100.87, 0.84%, 0.68%

LAB 87.39, -51.76, 56.92

 

CMYK 33 / 0 / 49 / 11

HEX #99E475

RGB 153 228 117

HSL 100.54, 0.67%, 0.68%

LAB 83.73, -42.8, 46.65

 

CMYK 27 / 0 / 39 / 16

HEX #9ED783

RGB 158 215 131

HSL 100.71, 0.51%, 0.68%

LAB 80.46, -33.46, 35.7

 

CMYK 19 / 0 / 29 / 21

HEX #A3CA90

RGB 163 202 144

HSL 100.34, 0.35%, 0.68%

LAB 77.31, -23.59, 24.85

 

CMYK 12 / 0 / 17 / 26

HEX #A7BD9D

RGB 167 189 157

HSL 101.25, 0.2%, 0.68%

LAB 74.22, -13.49, 13.68

 

CMYK 2 / 0 / 3 / 31

HEX #ACB0AA

RGB 172 176 170

HSL 100, 0.04%, 0.68%

LAB 71.37, -2.53, 2.57

 

CMYK 6 / 0 / 49 / 11

HEX #D6E475

RGB 214 228 117

HSL 67.57, 0.67%, 0.68%

LAB 87.52, -20.43, 52.13

 

CMYK 19 / 0 / 49 / 11

HEX #B8E475

RGB 184 228 117

HSL 83.78, 0.67%, 0.68%

LAB 85.48, -31.87, 49.2

 

CMYK 32 / 0 / 49 / 11

HEX #9AE475

RGB 154 228 117

HSL 100, 0.67%, 0.68%

LAB 83.78, -42.47, 46.72

 

CMYK 45 / 0 / 49 / 11

HEX #7DE475

RGB 125 228 117

HSL 115.68, 0.67%, 0.68%

LAB 82.45, -51.5, 44.79

 

CMYK 49 / 0 / 39 / 11

HEX #75E48C

RGB 117 228 140

HSL 132.43, 0.67%, 0.68%

LAB 82.47, -50.31, 33.4

 

CMYK 53 / 0 / 78 / 16

HEX #66D730

RGB 102 215 48

HSL 100.6, 0.68%, 0.52%

LAB 77.06, -59.53, 66.84

 

CMYK 43 / 0 / 63 / 13

HEX #7FDE53

RGB 127 222 83

HSL 101.01, 0.68%, 0.6%

LAB 80.39, -52.27, 57.79

 

CMYK 33 / 0 / 49 / 11

HEX #99E475

RGB 153 228 117

HSL 100.54, 0.67%, 0.68%

LAB 83.73, -42.8, 46.65

 

CMYK 24 / 0 / 35 / 8

HEX #B3EB98

RGB 179 235 152

HSL 100.48, 0.67%, 0.76%

LAB 87.61, -32.59, 34.67

 

CMYK 16 / 0 / 23 / 5

HEX #CCF2BB

RGB 204 242 187

HSL 101.45, 0.68%, 0.84%

LAB 91.65, -22.1, 22.57

 

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

CMYK 49 / 0 / 6 / 11

HEX #75E4D6

RGB 117 228 214

HSL 172.43, 0.67%, 0.68%

LAB 84.03, -35.17, -2.98

 

CMYK 0 / 49 / 13 / 11

HEX #E475C7

RGB 228 117 199

HSL 315.68, 0.67%, 0.68%

LAB 64.44, 53.3, -23.35

 

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

CMYK 49 / 32 / 0 / 11

HEX #759AE4

RGB 117 154 228

HSL 220, 0.67%, 0.68%

LAB 63.75, 7.3, -41.41

 

CMYK 0 / 49 / 32 / 11

HEX #E4759A

RGB 228 117 154

HSL 340, 0.67%, 0.68%

LAB 62.97, 46.96, 0.03

 

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

CMYK 49 / 0 / 6 / 11

HEX #75E4D6

RGB 117 228 214

HSL 172.43, 0.67%, 0.68%

LAB 84.03, -35.17, -2.98

 

CMYK 16 / 49 / 0 / 11

HEX #BF75E4

RGB 191 117 228

HSL 280, 0.67%, 0.68%

LAB 61.13, 47.91, -45.1

 

CMYK 0 / 49 / 42 / 11

HEX #E47584

RGB 228 117 132

HSL 351.89, 0.67%, 0.68%

LAB 62.41, 44.44, 11.83

 

CMYK 33 / 0 / 49 / 10

HEX #99E575

RGB 153 229 117

HSL 100.71, 0.68%, 0.68%

LAB 84.02, -43.24, 47

 

CMYK 49 / 8 / 0 / 11

HEX #75D2E4

RGB 117 210 228

HSL 189.73, 0.67%, 0.68%

LAB 79.31, -22.92, -17.45

 

CMYK 16 / 49 / 0 / 11

HEX #BF75E4

RGB 191 117 228

HSL 280, 0.67%, 0.68%

LAB 61.13, 47.91, -45.1

 

CMYK 0 / 40 / 49 / 11

HEX #E48875

RGB 228 136 117

HSL 10.27, 0.67%, 0.68%

LAB 66.05, 33.16, 25.29

 

Description

Color code: HEX #99E575 | qconv.com Color code: HEX #99E575 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 229 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 229 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 49 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 49% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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