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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E773 it is the complementary color #66188C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E773 shade: #9EE76E, #AFF981, #C0FF94, #D1FFA7 and #E2FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E773 shade: #99E773, #88D560, #77C34D, #66B13A and #559F27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E773 shade: #99E773, #B8E773, #D7E773, #E7D773 and #E7B873

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E773 shade: #99E773, #7AE773, #73E78B, #73E7AB and #73E7CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E773 shade matches the following richer shades: #99E773 and #94F466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E773 shade: #99E773, #9DDA80, #A2CC8D, #A7BF9B and #ABB2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E773 shade: #D7E773, #B8E773, #9AE773, #7BE773 and #73E78A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E773 shade: #66DB2C, #7FE150, #99E773, #B3ED96 and #CCF3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E773 shade: #99E773, #73E7D7 and #E773C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E773 shade: #99E773, #739AE7 and #E7739A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E773 shade: #99E773, #73E7D7, #C073E7 and #E77382

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E773 shade: #99E773, #73D4E7, #C073E7 and #E78673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

Complementary color

CMYK 27 / 83 / 0 / 45

HEX #66188C

RGB 102 24 140

HSL 280.34, 0.71%, 0.32%

LAB 27.77, 51.56, -47.48

 

CMYK 32 / 0 / 52 / 9

HEX #9EE76E

RGB 158 231 110

HSL 96.2, 0.72%, 0.67%

LAB 84.76, -43.22, 51.25

 

CMYK 30 / 0 / 48 / 2

HEX #AFF981

RGB 175 249 129

HSL 97, 0.91%, 0.74%

LAB 90.98, -43.18, 50.13

 

CMYK 25 / 0 / 42 / 0

HEX #C0FF94

RGB 192 255 148

HSL 95.33, 1%, 0.79%

LAB 93.82, -37.79, 44.83

 

CMYK 18 / 0 / 35 / 0

HEX #D1FFA7

RGB 209 255 167

HSL 91.36, 1%, 0.83%

LAB 95.1, -29.46, 37.38

 

CMYK 11 / 0 / 27 / 0

HEX #E2FFBA

RGB 226 255 186

HSL 85.22, 1%, 0.86%

LAB 96.51, -20.89, 29.95

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 36 / 0 / 55 / 16

HEX #88D560

RGB 136 213 96

HSL 99.49, 0.58%, 0.61%

LAB 78.27, -44.36, 49.75

 

CMYK 39 / 0 / 61 / 24

HEX #77C34D

RGB 119 195 77

HSL 98.64, 0.5%, 0.53%

LAB 71.88, -44.3, 50.78

 

CMYK 42 / 0 / 67 / 31

HEX #66B13A

RGB 102 177 58

HSL 97.82, 0.51%, 0.46%

LAB 65.42, -44.1, 51.61

 

CMYK 47 / 0 / 75 / 38

HEX #559F27

RGB 85 159 39

HSL 97, 0.61%, 0.39%

LAB 58.86, -43.68, 51.97

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 20 / 0 / 50 / 9

HEX #B8E773

RGB 184 231 115

HSL 84.31, 0.71%, 0.68%

LAB 86.3, -33.47, 51.12

 

CMYK 7 / 0 / 50 / 9

HEX #D7E773

RGB 215 231 115

HSL 68.28, 0.71%, 0.68%

LAB 88.37, -21.68, 54.09

 

CMYK 0 / 7 / 50 / 9

HEX #E7D773

RGB 231 215 115

HSL 51.72, 0.71%, 0.68%

LAB 85.42, -7.39, 50.88

 

CMYK 0 / 20 / 50 / 9

HEX #E7B873

RGB 231 184 115

HSL 35.69, 0.71%, 0.68%

LAB 77.58, 8.66, 41.3

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 47 / 0 / 50 / 9

HEX #7AE773

RGB 122 231 115

HSL 116.38, 0.71%, 0.68%

LAB 83.19, -53.81, 46.63

 

CMYK 50 / 0 / 40 / 9

HEX #73E78B

RGB 115 231 139

HSL 132.41, 0.71%, 0.68%

LAB 83.26, -52.21, 34.93

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 50 / 0 / 13 / 9

HEX #73E7CA

RGB 115 231 202

HSL 165, 0.71%, 0.68%

LAB 84.52, -39.82, 4.05

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 39 / 0 / 58 / 4

HEX #94F466

RGB 148 244 102

HSL 100.56, 0.87%, 0.68%

LAB 87.95, -52.77, 58.43

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 28 / 0 / 41 / 15

HEX #9DDA80

RGB 157 218 128

HSL 100.67, 0.55%, 0.68%

LAB 81.22, -35.59, 38.17

 

CMYK 21 / 0 / 31 / 20

HEX #A2CC8D

RGB 162 204 141

HSL 100, 0.38%, 0.68%

LAB 77.75, -25.39, 27.01

 

CMYK 13 / 0 / 19 / 25

HEX #A7BF9B

RGB 167 191 155

HSL 100, 0.22%, 0.68%

LAB 74.73, -14.86, 15.48

 

CMYK 4 / 0 / 6 / 30

HEX #ABB2A8

RGB 171 178 168

HSL 102, 0.06%, 0.68%

LAB 71.78, -4.33, 4.25

 

CMYK 7 / 0 / 50 / 9

HEX #D7E773

RGB 215 231 115

HSL 68.28, 0.71%, 0.68%

LAB 88.37, -21.68, 54.09

 

CMYK 20 / 0 / 50 / 9

HEX #B8E773

RGB 184 231 115

HSL 84.31, 0.71%, 0.68%

LAB 86.3, -33.47, 51.12

 

CMYK 33 / 0 / 50 / 9

HEX #9AE773

RGB 154 231 115

HSL 99.83, 0.71%, 0.68%

LAB 84.62, -44.01, 48.7

 

CMYK 47 / 0 / 50 / 9

HEX #7BE773

RGB 123 231 115

HSL 115.86, 0.71%, 0.68%

LAB 83.23, -53.53, 46.69

 

CMYK 50 / 0 / 40 / 9

HEX #73E78A

RGB 115 231 138

HSL 131.9, 0.71%, 0.68%

LAB 83.25, -52.37, 35.41

 

CMYK 53 / 0 / 80 / 14

HEX #66DB2C

RGB 102 219 44

HSL 100.11, 0.71%, 0.52%

LAB 78.27, -61.18, 69.12

 

CMYK 44 / 0 / 64 / 12

HEX #7FE150

RGB 127 225 80

HSL 100.55, 0.71%, 0.6%

LAB 81.26, -53.73, 59.97

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 24 / 0 / 37 / 7

HEX #B3ED96

RGB 179 237 150

HSL 100, 0.71%, 0.76%

LAB 88.14, -33.79, 36.37

 

CMYK 16 / 0 / 23 / 5

HEX #CCF3BA

RGB 204 243 186

HSL 101.05, 0.7%, 0.84%

LAB 91.9, -22.74, 23.43

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 50 / 0 / 7 / 9

HEX #73E7D7

RGB 115 231 215

HSL 171.72, 0.71%, 0.68%

LAB 84.84, -36.75, -2.32

 

CMYK 0 / 50 / 13 / 9

HEX #E773C8

RGB 231 115 200

HSL 316.03, 0.71%, 0.68%

LAB 64.5, 55.32, -23.78

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 50 / 33 / 0 / 9

HEX #739AE7

RGB 115 154 231

HSL 219.83, 0.71%, 0.68%

LAB 63.77, 7.74, -43.03

 

CMYK 0 / 50 / 33 / 9

HEX #E7739A

RGB 231 115 154

HSL 339.83, 0.71%, 0.68%

LAB 63, 48.96, 0.12

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 50 / 0 / 7 / 9

HEX #73E7D7

RGB 115 231 215

HSL 171.72, 0.71%, 0.68%

LAB 84.84, -36.75, -2.32

 

CMYK 17 / 50 / 0 / 9

HEX #C073E7

RGB 192 115 231

HSL 279.83, 0.71%, 0.68%

LAB 60.99, 49.86, -46.98

 

CMYK 0 / 50 / 44 / 9

HEX #E77382

RGB 231 115 130

HSL 352.24, 0.71%, 0.68%

LAB 62.39, 46.29, 13.01

 

CMYK 34 / 0 / 50 / 9

HEX #99E773

RGB 153 231 115

HSL 100.34, 0.71%, 0.68%

LAB 84.57, -44.34, 48.62

 

CMYK 50 / 8 / 0 / 9

HEX #73D4E7

RGB 115 212 231

HSL 189.83, 0.71%, 0.68%

LAB 79.9, -23.55, -18.18

 

CMYK 17 / 50 / 0 / 9

HEX #C073E7

RGB 192 115 231

HSL 279.83, 0.71%, 0.68%

LAB 60.99, 49.86, -46.98

 

CMYK 0 / 42 / 50 / 9

HEX #E78673

RGB 231 134 115

HSL 9.83, 0.71%, 0.68%

LAB 65.96, 35.17, 26.35

 

Description

Color code: HEX #99E773 | qconv.com Color code: HEX #99E773 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 231 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 231 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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