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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E132 it is the complementary color #661ECD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E132 shade: #9EE12D, #AFF340, #C0FF53, #D1FF66 and #E2FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E132 shade: #99E132, #88CF1F, #77BD0C, #66AB00 and #559900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E132 shade: #99E032, #C7E032, #E0CA32, #E09B32 and #E06C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E132 shade: #99E032, #6AE032, #3BE032, #32E059 and #32E087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E132 shade matches the following richer shades: #99E032 and #9CF31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E132 shade: #99E032, #95CD45, #92BA58, #8EA76B and #8B947E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E132 shade: #E0C932, #C9E032, #9BE032, #6CE032 and #3EE032

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E132 shade: #6DA719, #84CB1E, #99E032, #AAE556 and #BCEB7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E132 shade: #99E132, #32E09B and #E032E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E132 shade: #99E132, #329BE0 and #E0329B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E132 shade: #99E132, #32E09B, #7832E0 and #E03278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E132 shade: #99E132, #32E0CF, #7832E0 and #E03244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

Complementary color

CMYK 50 / 85 / 0 / 20

HEX #661ECD

RGB 102 30 205

HSL 264.69, 0.74%, 0.46%

LAB 34.32, 64.63, -75.78

 

CMYK 30 / 0 / 80 / 12

HEX #9EE12D

RGB 158 225 45

HSL 82.33, 0.75%, 0.53%

LAB 82.54, -45.44, 73.67

 

CMYK 28 / 0 / 74 / 5

HEX #AFF340

RGB 175 243 64

HSL 82.79, 0.88%, 0.6%

LAB 88.73, -46.02, 74.18

 

CMYK 25 / 0 / 67 / 0

HEX #C0FF53

RGB 192 255 83

HSL 81.98, 1%, 0.66%

LAB 93.17, -43.89, 72.38

 

CMYK 18 / 0 / 60 / 0

HEX #D1FF66

RGB 209 255 102

HSL 78.04, 1%, 0.7%

LAB 94.33, -36.27, 66.49

 

CMYK 11 / 0 / 53 / 0

HEX #E2FF79

RGB 226 255 121

HSL 72.99, 1%, 0.74%

LAB 95.61, -28.31, 60.07

 

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

CMYK 34 / 0 / 85 / 19

HEX #88CF1F

RGB 136 207 31

HSL 84.2, 0.74%, 0.47%

LAB 76.04, -46.34, 70.89

 

CMYK 37 / 0 / 94 / 26

HEX #77BD0C

RGB 119 189 12

HSL 83.73, 0.88%, 0.39%

LAB 69.71, -45.42, 68.54

 

CMYK 40 / 0 / 100 / 33

HEX #66AB00

RGB 102 171 0

HSL 84.21, 1%, 0.34%

LAB 63.3, -44.21, 64.58

 

CMYK 44 / 0 / 100 / 40

HEX #559900

RGB 85 153 0

HSL 86.67, 1%, 0.3%

LAB 56.8, -42.75, 59.18

 

CMYK 32 / 0 / 78 / 12

HEX #99E032

RGB 153 224 50

HSL 84.48, 0.74%, 0.54%

LAB 82.01, -46.61, 71.69

 

CMYK 11 / 0 / 78 / 12

HEX #C7E032

RGB 199 224 50

HSL 68.62, 0.74%, 0.54%

LAB 84.83, -28.91, 75.32

 

CMYK 0 / 10 / 78 / 12

HEX #E0CA32

RGB 224 202 50

HSL 52.41, 0.74%, 0.54%

LAB 80.92, -7.66, 72.53

 

CMYK 0 / 31 / 78 / 12

HEX #E09B32

RGB 224 155 50

HSL 36.21, 0.74%, 0.54%

LAB 69.13, 17.02, 61.71

 

CMYK 0 / 52 / 78 / 12

HEX #E06C32

RGB 224 108 50

HSL 20, 0.74%, 0.54%

LAB 58.79, 41.65, 51.77

 

CMYK 32 / 0 / 78 / 12

HEX #99E032

RGB 153 224 50

HSL 84.48, 0.74%, 0.54%

LAB 82.01, -46.61, 71.69

 

CMYK 53 / 0 / 78 / 12

HEX #6AE032

RGB 106 224 50

HSL 100.69, 0.74%, 0.54%

LAB 79.96, -61.57, 69.04

 

CMYK 74 / 0 / 78 / 12

HEX #3BE032

RGB 59 224 50

HSL 116.9, 0.74%, 0.54%

LAB 78.74, -71.6, 67.44

 

CMYK 78 / 0 / 60 / 12

HEX #32E059

RGB 50 224 89

HSL 133.45, 0.74%, 0.54%

LAB 78.87, -69.36, 52.92

 

CMYK 78 / 0 / 40 / 12

HEX #32E087

RGB 50 224 135

HSL 149.31, 0.74%, 0.54%

LAB 79.46, -62.41, 31.66

 

CMYK 32 / 0 / 78 / 12

HEX #99E032

RGB 153 224 50

HSL 84.48, 0.74%, 0.54%

LAB 82.01, -46.61, 71.69

 

CMYK 36 / 0 / 87 / 5

HEX #9CF31F

RGB 156 243 31

HSL 84.62, 0.9%, 0.54%

LAB 87.62, -54.03, 81.11

 

CMYK 32 / 0 / 78 / 12

HEX #99E032

RGB 153 224 50

HSL 84.48, 0.74%, 0.54%

LAB 82.01, -46.61, 71.69

 

CMYK 27 / 0 / 66 / 20

HEX #95CD45

RGB 149 205 69

HSL 84.71, 0.58%, 0.54%

LAB 76.36, -38.72, 59.49

 

CMYK 22 / 0 / 53 / 27

HEX #92BA58

RGB 146 186 88

HSL 84.49, 0.42%, 0.54%

LAB 70.82, -29.43, 44.86

 

CMYK 15 / 0 / 36 / 35

HEX #8EA76B

RGB 142 167 107

HSL 85, 0.25%, 0.54%

LAB 65.32, -19.3, 28.24

 

CMYK 6 / 0 / 15 / 42

HEX #8B947E

RGB 139 148 126

HSL 84.55, 0.09%, 0.54%

LAB 60.05, -7.41, 10.54

 

CMYK 0 / 10 / 78 / 12

HEX #E0C932

RGB 224 201 50

HSL 52.07, 0.74%, 0.54%

LAB 80.66, -7.15, 72.29

 

CMYK 10 / 0 / 78 / 12

HEX #C9E032

RGB 201 224 50

HSL 67.93, 0.74%, 0.54%

LAB 84.98, -28.09, 75.5

 

CMYK 31 / 0 / 78 / 12

HEX #9BE032

RGB 155 224 50

HSL 83.79, 0.74%, 0.54%

LAB 82.11, -45.89, 71.83

 

CMYK 52 / 0 / 78 / 12

HEX #6CE032

RGB 108 224 50

HSL 100, 0.74%, 0.54%

LAB 80.03, -61.02, 69.13

 

CMYK 72 / 0 / 78 / 12

HEX #3EE032

RGB 62 224 50

HSL 115.86, 0.74%, 0.54%

LAB 78.79, -71.13, 67.52

 

CMYK 35 / 0 / 85 / 35

HEX #6DA719

RGB 109 167 25

HSL 84.51, 0.74%, 0.38%

LAB 62.47, -39.37, 59.94

 

CMYK 35 / 0 / 85 / 20

HEX #84CB1E

RGB 132 203 30

HSL 84.62, 0.74%, 0.46%

LAB 74.64, -46.13, 69.82

 

CMYK 32 / 0 / 78 / 12

HEX #99E032

RGB 153 224 50

HSL 84.48, 0.74%, 0.54%

LAB 82.01, -46.61, 71.69

 

CMYK 26 / 0 / 62 / 10

HEX #AAE556

RGB 170 229 86

HSL 84.76, 0.73%, 0.62%

LAB 84.62, -40.34, 61.79

 

CMYK 20 / 0 / 48 / 8

HEX #BCEB7A

RGB 188 235 122

HSL 84.96, 0.74%, 0.7%

LAB 87.73, -33.11, 49.62

 

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

CMYK 78 / 0 / 31 / 12

HEX #32E09B

RGB 50 224 155

HSL 156.21, 0.74%, 0.54%

LAB 79.82, -58.46, 21.84

 

CMYK 0 / 78 / 0 / 12

HEX #E032E0

RGB 224 50 224

HSL 300, 0.74%, 0.54%

LAB 55.59, 82.07, -51.34

 

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

CMYK 78 / 31 / 0 / 12

HEX #329BE0

RGB 50 155 224

HSL 203.79, 0.74%, 0.54%

LAB 61.22, -6.25, -43.35

 

CMYK 0 / 78 / 31 / 12

HEX #E0329B

RGB 224 50 155

HSL 323.79, 0.74%, 0.54%

LAB 52.39, 72.89, -16.39

 

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

CMYK 78 / 0 / 31 / 12

HEX #32E09B

RGB 50 224 155

HSL 156.21, 0.74%, 0.54%

LAB 79.82, -58.46, 21.84

 

CMYK 46 / 78 / 0 / 12

HEX #7832E0

RGB 120 50 224

HSL 264.14, 0.74%, 0.54%

LAB 40.66, 64.33, -76.22

 

CMYK 0 / 78 / 46 / 12

HEX #E03278

RGB 224 50 120

HSL 335.86, 0.74%, 0.54%

LAB 51.25, 69.44, 2.88

 

CMYK 32 / 0 / 78 / 12

HEX #99E132

RGB 153 225 50

HSL 84.69, 0.74%, 0.54%

LAB 82.3, -47.03, 71.96

 

CMYK 78 / 0 / 8 / 12

HEX #32E0CF

RGB 50 224 207

HSL 174.14, 0.74%, 0.54%

LAB 81.01, -45.87, -3.9

 

CMYK 46 / 78 / 0 / 12

HEX #7832E0

RGB 120 50 224

HSL 264.14, 0.74%, 0.54%

LAB 40.66, 64.33, -76.22

 

CMYK 0 / 78 / 70 / 12

HEX #E03244

RGB 224 50 68

HSL 353.79, 0.74%, 0.54%

LAB 50.15, 66.02, 32.76

 

Description

Color code: HEX #99E132 | qconv.com Color code: HEX #99E132 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 225 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 225 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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