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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E23F it is the complementary color #661DC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E23F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E23F shade: #9EE23A, #AFF44D, #C0FF60, #D1FF73 and #E2FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E23F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E23F shade: #99E23F, #88D02C, #77BE19, #66AC06 and #559A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E23F shade: #99E240, #C5E240, #E2D340, #E2A740 and #E27C40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E23F shade: #99E240, #6EE240, #42E240, #40E269 and #40E295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E23F shade matches the following richer shades: #99E240 and #9BF42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E23F shade: #99E240, #97D051, #96BF63, #94AD75 and #929B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E23F shade: #E2D240, #C7E240, #9CE240, #70E240 and #45E240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E23F shade: #70B51B, #86D920, #99E240, #ACE764 and #BFED87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E23F shade: #99E23F, #40E2A6 and #E240DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E23F shade: #99E23F, #409CE2 and #E2409C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E23F shade: #99E23F, #40E2A6, #8640E2 and #E2407B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E23F shade: #99E23F, #40E2D7, #8640E2 and #E2404B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

Complementary color

CMYK 47 / 85 / 0 / 25

HEX #661DC0

RGB 102 29 192

HSL 266.87, 0.74%, 0.43%

LAB 32.94, 61.83, -70.44

 

CMYK 30 / 0 / 74 / 11

HEX #9EE23A

RGB 158 226 58

HSL 84.29, 0.74%, 0.56%

LAB 82.9, -45.25, 70.18

 

CMYK 28 / 0 / 68 / 4

HEX #AFF44D

RGB 175 244 77

HSL 84.79, 0.88%, 0.63%

LAB 89.09, -45.69, 70.09

 

CMYK 25 / 0 / 62 / 0

HEX #C0FF60

RGB 192 255 96

HSL 83.77, 1%, 0.69%

LAB 93.26, -42.98, 67.48

 

CMYK 18 / 0 / 55 / 0

HEX #D1FF73

RGB 209 255 115

HSL 79.71, 1%, 0.73%

LAB 94.45, -35.21, 61.09

 

CMYK 11 / 0 / 47 / 0

HEX #E2FF86

RGB 226 255 134

HSL 74.38, 1%, 0.76%

LAB 95.75, -27.11, 54.32

 

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

CMYK 35 / 0 / 79 / 18

HEX #88D02C

RGB 136 208 44

HSL 86.34, 0.65%, 0.49%

LAB 76.39, -46.24, 67.91

 

CMYK 37 / 0 / 87 / 25

HEX #77BE19

RGB 119 190 25

HSL 85.82, 0.77%, 0.42%

LAB 70.05, -45.51, 66.68

 

CMYK 41 / 0 / 97 / 33

HEX #66AC06

RGB 102 172 6

HSL 85.3, 0.93%, 0.35%

LAB 63.63, -44.51, 64.05

 

CMYK 45 / 0 / 100 / 40

HEX #559A00

RGB 85 154 0

HSL 86.88, 1%, 0.3%

LAB 57.12, -43.16, 59.43

 

CMYK 32 / 0 / 72 / 11

HEX #99E240

RGB 153 226 64

HSL 87.04, 0.74%, 0.57%

LAB 82.67, -46.7, 67.85

 

CMYK 13 / 0 / 72 / 11

HEX #C5E240

RGB 197 226 64

HSL 70.74, 0.74%, 0.57%

LAB 85.32, -30.02, 71.36

 

CMYK 0 / 7 / 72 / 11

HEX #E2D340

RGB 226 211 64

HSL 54.44, 0.74%, 0.57%

LAB 83.51, -10.79, 70.37

 

CMYK 0 / 26 / 72 / 11

HEX #E2A740

RGB 226 167 64

HSL 38.15, 0.74%, 0.57%

LAB 72.35, 12.07, 59.32

 

CMYK 0 / 45 / 72 / 11

HEX #E27C40

RGB 226 124 64

HSL 22.22, 0.74%, 0.57%

LAB 62.47, 34.89, 49.01

 

CMYK 32 / 0 / 72 / 11

HEX #99E240

RGB 153 226 64

HSL 87.04, 0.74%, 0.57%

LAB 82.67, -46.7, 67.85

 

CMYK 51 / 0 / 72 / 11

HEX #6EE240

RGB 110 226 64

HSL 102.96, 0.74%, 0.57%

LAB 80.78, -60.32, 65.35

 

CMYK 71 / 0 / 72 / 11

HEX #42E240

RGB 66 226 64

HSL 119.26, 0.74%, 0.57%

LAB 79.57, -70.11, 63.72

 

CMYK 72 / 0 / 54 / 11

HEX #40E269

RGB 64 226 105

HSL 135.19, 0.74%, 0.57%

LAB 79.9, -66.03, 46.94

 

CMYK 72 / 0 / 34 / 11

HEX #40E295

RGB 64 226 149

HSL 151.48, 0.74%, 0.57%

LAB 80.55, -58.67, 25.98

 

CMYK 32 / 0 / 72 / 11

HEX #99E240

RGB 153 226 64

HSL 87.04, 0.74%, 0.57%

LAB 82.67, -46.7, 67.85

 

CMYK 36 / 0 / 81 / 4

HEX #9BF42E

RGB 155 244 46

HSL 86.97, 0.9%, 0.57%

LAB 87.9, -54.28, 78.17

 

CMYK 32 / 0 / 72 / 11

HEX #99E240

RGB 153 226 64

HSL 87.04, 0.74%, 0.57%

LAB 82.67, -46.7, 67.85

 

CMYK 27 / 0 / 61 / 18

HEX #97D051

RGB 151 208 81

HSL 86.93, 0.57%, 0.57%

LAB 77.45, -38.37, 55.72

 

CMYK 21 / 0 / 48 / 25

HEX #96BF63

RGB 150 191 99

HSL 86.74, 0.42%, 0.57%

LAB 72.66, -29.1, 41.77

 

CMYK 14 / 0 / 32 / 32

HEX #94AD75

RGB 148 173 117

HSL 86.79, 0.25%, 0.57%

LAB 67.63, -18.64, 26.01

 

CMYK 6 / 0 / 13 / 39

HEX #929B87

RGB 146 155 135

HSL 87, 0.09%, 0.57%

LAB 62.76, -7, 9.39

 

CMYK 0 / 7 / 72 / 11

HEX #E2D240

RGB 226 210 64

HSL 54.07, 0.74%, 0.57%

LAB 83.25, -10.29, 70.12

 

CMYK 12 / 0 / 72 / 11

HEX #C7E240

RGB 199 226 64

HSL 70, 0.74%, 0.57%

LAB 85.46, -29.23, 71.54

 

CMYK 31 / 0 / 72 / 11

HEX #9CE240

RGB 156 226 64

HSL 85.93, 0.74%, 0.57%

LAB 82.82, -45.63, 68.06

 

CMYK 50 / 0 / 72 / 11

HEX #70E240

RGB 112 226 64

HSL 102.22, 0.74%, 0.57%

LAB 80.85, -59.76, 65.44

 

CMYK 69 / 0 / 72 / 11

HEX #45E240

RGB 69 226 64

HSL 118.15, 0.74%, 0.57%

LAB 79.63, -69.6, 63.81

 

CMYK 38 / 0 / 85 / 29

HEX #70B51B

RGB 112 181 27

HSL 86.88, 0.74%, 0.41%

LAB 66.95, -44.17, 63.43

 

CMYK 38 / 0 / 85 / 15

HEX #86D920

RGB 134 217 32

HSL 86.92, 0.74%, 0.49%

LAB 78.92, -51.1, 73.12

 

CMYK 32 / 0 / 72 / 11

HEX #99E240

RGB 153 226 64

HSL 87.04, 0.74%, 0.57%

LAB 82.67, -46.7, 67.85

 

CMYK 26 / 0 / 57 / 9

HEX #ACE764

RGB 172 231 100

HSL 87.02, 0.73%, 0.65%

LAB 85.42, -39.31, 56.74

 

CMYK 19 / 0 / 43 / 7

HEX #BFED87

RGB 191 237 135

HSL 87.06, 0.74%, 0.73%

LAB 88.64, -31.49, 44.55

 

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

CMYK 72 / 0 / 27 / 11

HEX #40E2A6

RGB 64 226 166

HSL 157.78, 0.74%, 0.57%

LAB 80.87, -55.13, 17.59

 

CMYK 0 / 72 / 2 / 11

HEX #E240DD

RGB 226 64 221

HSL 301.85, 0.74%, 0.57%

LAB 57.13, 78.05, -47.19

 

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

CMYK 72 / 31 / 0 / 11

HEX #409CE2

RGB 64 156 226

HSL 205.93, 0.74%, 0.57%

LAB 61.96, -4.42, -43.27

 

CMYK 0 / 72 / 31 / 11

HEX #E2409C

RGB 226 64 156

HSL 325.93, 0.74%, 0.57%

LAB 54.28, 69.26, -14.09

 

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

CMYK 72 / 0 / 27 / 11

HEX #40E2A6

RGB 64 226 166

HSL 157.78, 0.74%, 0.57%

LAB 80.87, -55.13, 17.59

 

CMYK 41 / 72 / 0 / 11

HEX #8640E2

RGB 134 64 226

HSL 265.93, 0.74%, 0.57%

LAB 44.56, 61.01, -70.93

 

CMYK 0 / 72 / 46 / 11

HEX #E2407B

RGB 226 64 123

HSL 338.15, 0.74%, 0.57%

LAB 53.24, 65.89, 4

 

CMYK 32 / 0 / 72 / 11

HEX #99E23F

RGB 153 226 63

HSL 86.87, 0.74%, 0.57%

LAB 82.66, -46.76, 68.19

 

CMYK 72 / 0 / 5 / 11

HEX #40E2D7

RGB 64 226 215

HSL 175.93, 0.74%, 0.57%

LAB 82.05, -43.07, -6.6

 

CMYK 41 / 72 / 0 / 11

HEX #8640E2

RGB 134 64 226

HSL 265.93, 0.74%, 0.57%

LAB 44.56, 61.01, -70.93

 

CMYK 0 / 72 / 67 / 11

HEX #E2404B

RGB 226 64 75

HSL 355.93, 0.74%, 0.57%

LAB 52.22, 62.49, 31.26

 

Description

Color code: HEX #99E23F | qconv.com Color code: HEX #99E23F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 226 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 226 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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