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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E245 it is the complementary color #661DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E245 shade: #9EE240, #AFF453, #C0FF66, #D1FF79 and #E2FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E245 shade: #99E245, #88D032, #77BE1F, #66AC0C and #559A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E245 shade: #99E245, #C3E245, #E2D645, #E2AC45 and #E28245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E245 shade: #99E245, #6FE245, #45E246, #45E270 and #45E29A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E245 shade matches the following richer shades: #99E245 and #9AF334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E245 shade: #99E245, #98D057, #96BF68, #95AE79 and #949C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E245 shade: #E2D545, #C5E245, #9BE245, #72E245 and #48E245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E245 shade: #70B81C, #85DC22, #99E245, #ACE769 and #C0ED8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E245 shade: #99E245, #45E2AB and #E245DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E245 shade: #99E245, #459BE2 and #E2459B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E245 shade: #99E245, #45E2AB, #8C45E2 and #E2457C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E245 shade: #99E245, #45E2DA, #8C45E2 and #E2454D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

Complementary color

CMYK 45 / 84 / 0 / 27

HEX #661DBA

RGB 102 29 186

HSL 267.9, 0.73%, 0.42%

LAB 32.37, 60.41, -67.84

 

CMYK 30 / 0 / 72 / 11

HEX #9EE240

RGB 158 226 64

HSL 85.19, 0.74%, 0.57%

LAB 82.93, -44.92, 68.21

 

CMYK 28 / 0 / 66 / 4

HEX #AFF453

RGB 175 244 83

HSL 85.71, 0.88%, 0.64%

LAB 89.13, -45.28, 67.89

 

CMYK 25 / 0 / 60 / 0

HEX #C0FF66

RGB 192 255 102

HSL 84.71, 1%, 0.7%

LAB 93.31, -42.51, 65.09

 

CMYK 18 / 0 / 53 / 0

HEX #D1FF79

RGB 209 255 121

HSL 80.6, 1%, 0.74%

LAB 94.51, -34.67, 58.5

 

CMYK 11 / 0 / 45 / 0

HEX #E2FF8C

RGB 226 255 140

HSL 75.13, 1%, 0.77%

LAB 95.82, -26.5, 51.6

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 35 / 0 / 76 / 18

HEX #88D032

RGB 136 208 50

HSL 87.34, 0.63%, 0.51%

LAB 76.42, -45.94, 66.13

 

CMYK 37 / 0 / 84 / 25

HEX #77BE1F

RGB 119 190 31

HSL 86.79, 0.72%, 0.43%

LAB 70.07, -45.3, 65.35

 

CMYK 41 / 0 / 93 / 33

HEX #66AC0C

RGB 102 172 12

HSL 86.25, 0.87%, 0.36%

LAB 63.64, -44.39, 63.27

 

CMYK 45 / 0 / 100 / 40

HEX #559A00

RGB 85 154 0

HSL 86.88, 1%, 0.3%

LAB 57.12, -43.16, 59.43

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 14 / 0 / 69 / 11

HEX #C3E245

RGB 195 226 69

HSL 71.85, 0.73%, 0.58%

LAB 85.21, -30.56, 69.46

 

CMYK 0 / 5 / 69 / 11

HEX #E2D645

RGB 226 214 69

HSL 55.41, 0.73%, 0.58%

LAB 84.32, -12.06, 69.36

 

CMYK 0 / 24 / 69 / 11

HEX #E2AC45

RGB 226 172 69

HSL 39.36, 0.73%, 0.58%

LAB 73.61, 9.66, 58.5

 

CMYK 0 / 42 / 69 / 11

HEX #E28245

RGB 226 130 69

HSL 23.31, 0.73%, 0.58%

LAB 63.81, 32.01, 48.01

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 51 / 0 / 69 / 11

HEX #6FE245

RGB 111 226 69

HSL 103.95, 0.73%, 0.58%

LAB 80.85, -59.67, 63.62

 

CMYK 69 / 0 / 69 / 11

HEX #45E246

RGB 69 226 70

HSL 120.38, 0.73%, 0.58%

LAB 79.67, -69.11, 61.65

 

CMYK 69 / 0 / 50 / 11

HEX #45E270

RGB 69 226 112

HSL 136.43, 0.73%, 0.58%

LAB 80.08, -64.24, 43.88

 

CMYK 69 / 0 / 32 / 11

HEX #45E29A

RGB 69 226 154

HSL 152.48, 0.73%, 0.58%

LAB 80.73, -56.93, 23.67

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 37 / 0 / 79 / 5

HEX #9AF334

RGB 154 243 52

HSL 87.96, 0.89%, 0.58%

LAB 87.59, -53.96, 76.31

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 27 / 0 / 58 / 18

HEX #98D057

RGB 152 208 87

HSL 87.77, 0.56%, 0.58%

LAB 77.56, -37.47, 53.24

 

CMYK 21 / 0 / 46 / 25

HEX #96BF68

RGB 150 191 104

HSL 88.28, 0.4%, 0.58%

LAB 72.72, -28.52, 39.36

 

CMYK 14 / 0 / 30 / 32

HEX #95AE79

RGB 149 174 121

HSL 88.3, 0.25%, 0.58%

LAB 68.05, -18.19, 24.44

 

CMYK 5 / 0 / 11 / 39

HEX #949C8B

RGB 148 156 139

HSL 88.24, 0.08%, 0.58%

LAB 63.29, -6.09, 7.92

 

CMYK 0 / 6 / 69 / 11

HEX #E2D545

RGB 226 213 69

HSL 55.03, 0.73%, 0.58%

LAB 84.06, -11.56, 69.1

 

CMYK 13 / 0 / 69 / 11

HEX #C5E245

RGB 197 226 69

HSL 71.08, 0.73%, 0.58%

LAB 85.35, -29.76, 69.64

 

CMYK 31 / 0 / 69 / 11

HEX #9BE245

RGB 155 226 69

HSL 87.13, 0.73%, 0.58%

LAB 82.8, -45.67, 66.25

 

CMYK 50 / 0 / 69 / 11

HEX #72E245

RGB 114 226 69

HSL 102.8, 0.73%, 0.58%

LAB 80.96, -58.84, 63.77

 

CMYK 68 / 0 / 69 / 11

HEX #48E245

RGB 72 226 69

HSL 118.85, 0.73%, 0.58%

LAB 79.73, -68.66, 62.11

 

CMYK 39 / 0 / 85 / 28

HEX #70B81C

RGB 112 184 28

HSL 87.69, 0.74%, 0.42%

LAB 67.88, -45.38, 64.01

 

CMYK 40 / 0 / 85 / 14

HEX #85DC22

RGB 133 220 34

HSL 88.06, 0.73%, 0.5%

LAB 79.78, -52.57, 73.41

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 26 / 0 / 55 / 9

HEX #ACE769

RGB 172 231 105

HSL 88.1, 0.72%, 0.66%

LAB 85.47, -38.84, 54.57

 

CMYK 19 / 0 / 41 / 7

HEX #C0ED8D

RGB 192 237 141

HSL 88.13, 0.73%, 0.74%

LAB 88.78, -30.41, 41.81

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 69 / 0 / 24 / 11

HEX #45E2AB

RGB 69 226 171

HSL 158.98, 0.73%, 0.58%

LAB 81.07, -53.32, 15.27

 

CMYK 0 / 69 / 4 / 11

HEX #E245DA

RGB 226 69 218

HSL 303.06, 0.73%, 0.58%

LAB 57.55, 75.97, -44.83

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 69 / 31 / 0 / 11

HEX #459BE2

RGB 69 155 226

HSL 207.13, 0.73%, 0.58%

LAB 61.83, -3.15, -43.47

 

CMYK 0 / 69 / 31 / 11

HEX #E2459B

RGB 226 69 155

HSL 327.13, 0.73%, 0.58%

LAB 54.86, 67.42, -12.63

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 69 / 0 / 24 / 11

HEX #45E2AB

RGB 69 226 171

HSL 158.98, 0.73%, 0.58%

LAB 81.07, -53.32, 15.27

 

CMYK 38 / 69 / 0 / 11

HEX #8C45E2

RGB 140 69 226

HSL 267.13, 0.73%, 0.58%

LAB 46.07, 59.79, -68.42

 

CMYK 0 / 69 / 45 / 11

HEX #E2457C

RGB 226 69 124

HSL 338.98, 0.73%, 0.58%

LAB 53.9, 64.22, 4.35

 

CMYK 32 / 0 / 69 / 11

HEX #99E245

RGB 153 226 69

HSL 87.9, 0.73%, 0.58%

LAB 82.7, -46.38, 66.11

 

CMYK 69 / 0 / 4 / 11

HEX #45E2DA

RGB 69 226 218

HSL 176.94, 0.73%, 0.58%

LAB 82.23, -41.64, -7.91

 

CMYK 38 / 69 / 0 / 11

HEX #8C45E2

RGB 140 69 226

HSL 267.13, 0.73%, 0.58%

LAB 46.07, 59.79, -68.42

 

CMYK 0 / 69 / 66 / 11

HEX #E2454D

RGB 226 69 77

HSL 356.94, 0.73%, 0.58%

LAB 52.91, 60.8, 30.94

 

Description

Color code: HEX #99E245 | qconv.com Color code: HEX #99E245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 226 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 226 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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