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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E3CA it is the complementary color #661C35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E3CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E3CA shade: #9EE3C5, #AFF5D8, #C0FFEB, #D1FFFE and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E3CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E3CA shade: #99E3CA, #88D1B7, #77BFA4, #66AD91 and #559B7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E3CA shade: #9AE3CB, #9AE3B7, #9AE3A3, #A5E39A and #B9E39A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E3CA shade: #9AE3CB, #9AE3DE, #9AD4E3, #9AC1E3 and #9AADE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E3CA shade matches the following richer shades: #9AE3CB, #90EDCE and #86F8D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E3CA shade: #9AE3CB, #A5D9C7, #AFCEC4, #B9C4C0 and #C4BABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E3CA shade: #9AE3A3, #9AE3B6, #9AE3CA, #9AE3DD and #9AD6E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E3CA shade: #5AD1A9, #7ADABA, #9AE3CB, #BBECDB and #DBF5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E3CA shade: #99E3CA, #9AA5E3 and #E3AD9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E3CA shade: #99E3CA, #CA9AE3 and #E3CA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E3CA shade: #99E3CA, #9AA5E3, #E39AB4 and #E3D89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E3CA shade: #99E3CA, #A59AE3, #E39AB4 and #D8E39A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

Complementary color

CMYK 0 / 73 / 48 / 60

HEX #661C35

RGB 102 28 53

HSL 339.73, 0.57%, 0.25%

LAB 23.38, 35.12, 2.66

 

CMYK 30 / 0 / 13 / 11

HEX #9EE3C5

RGB 158 227 197

HSL 153.91, 0.55%, 0.75%

LAB 85.12, -27.84, 7.78

 

CMYK 29 / 0 / 12 / 4

HEX #AFF5D8

RGB 175 245 216

HSL 155.14, 0.78%, 0.82%

LAB 91.4, -27.63, 7.01

 

CMYK 25 / 0 / 8 / 0

HEX #C0FFEB

RGB 192 255 235

HSL 160.95, 1%, 0.88%

LAB 95.47, -23.62, 3.17

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFE

RGB 209 255 254

HSL 178.7, 1%, 0.91%

LAB 96.91, -14.73, -4.38

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

CMYK 35 / 0 / 12 / 18

HEX #88D1B7

RGB 136 209 183

HSL 158.63, 0.44%, 0.68%

LAB 78.61, -28.48, 5.71

 

CMYK 38 / 0 / 14 / 25

HEX #77BFA4

RGB 119 191 164

HSL 157.5, 0.36%, 0.61%

LAB 72.14, -28.7, 6.54

 

CMYK 41 / 0 / 16 / 32

HEX #66AD91

RGB 102 173 145

HSL 156.34, 0.3%, 0.54%

LAB 65.56, -28.92, 7.44

 

CMYK 45 / 0 / 19 / 39

HEX #559B7E

RGB 85 155 126

HSL 155.14, 0.29%, 0.47%

LAB 58.86, -29.14, 8.41

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 32 / 0 / 19 / 11

HEX #9AE3B7

RGB 154 227 183

HSL 143.84, 0.57%, 0.75%

LAB 84.6, -31.77, 14.37

 

CMYK 32 / 0 / 28 / 11

HEX #9AE3A3

RGB 154 227 163

HSL 127.4, 0.57%, 0.75%

LAB 84.2, -35.38, 24.24

 

CMYK 27 / 0 / 32 / 11

HEX #A5E39A

RGB 165 227 154

HSL 110.96, 0.57%, 0.75%

LAB 84.62, -33.3, 29.54

 

CMYK 19 / 0 / 32 / 11

HEX #B9E39A

RGB 185 227 154

HSL 94.52, 0.57%, 0.75%

LAB 85.8, -26.45, 31.32

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 32 / 0 / 2 / 11

HEX #9AE3DE

RGB 154 227 222

HSL 175.89, 0.57%, 0.75%

LAB 85.55, -23.63, -4.8

 

CMYK 32 / 7 / 0 / 11

HEX #9AD4E3

RGB 154 212 227

HSL 192.33, 0.57%, 0.75%

LAB 81.57, -14.95, -13.36

 

CMYK 32 / 15 / 0 / 11

HEX #9AC1E3

RGB 154 193 227

HSL 207.95, 0.57%, 0.75%

LAB 76.41, -5.01, -21.14

 

CMYK 32 / 24 / 0 / 11

HEX #9AADE3

RGB 154 173 227

HSL 224.38, 0.57%, 0.75%

LAB 71.08, 5.9, -29.29

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 39 / 0 / 13 / 7

HEX #90EDCE

RGB 144 237 206

HSL 160, 0.72%, 0.75%

LAB 87.46, -34.61, 6.35

 

CMYK 46 / 0 / 16 / 3

HEX #86F8D1

RGB 134 248 209

HSL 159.47, 0.89%, 0.75%

LAB 90.23, -41.48, 8.71

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 24 / 0 / 8 / 15

HEX #A5D9C7

RGB 165 217 199

HSL 159.23, 0.41%, 0.75%

LAB 82.78, -20.44, 3.4

 

CMYK 15 / 0 / 5 / 19

HEX #AFCEC4

RGB 175 206 196

HSL 160.65, 0.24%, 0.75%

LAB 80.32, -12.3, 1.5

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C0

RGB 185 196 192

HSL 158.18, 0.09%, 0.75%

LAB 78.23, -4.52, 0.69

 

CMYK 0 / 5 / 4 / 23

HEX #C4BABD

RGB 196 186 189

HSL 342, 0.08%, 0.75%

LAB 76.39, 4.06, -0.26

 

CMYK 32 / 0 / 28 / 11

HEX #9AE3A3

RGB 154 227 163

HSL 127.4, 0.57%, 0.75%

LAB 84.2, -35.38, 24.24

 

CMYK 32 / 0 / 20 / 11

HEX #9AE3B6

RGB 154 227 182

HSL 143.01, 0.57%, 0.75%

LAB 84.58, -31.96, 14.87

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CA

RGB 154 227 202

HSL 159.45, 0.57%, 0.75%

LAB 85.03, -27.98, 5

 

CMYK 32 / 0 / 3 / 11

HEX #9AE3DD

RGB 154 227 221

HSL 175.07, 0.57%, 0.75%

LAB 85.52, -23.86, -4.31

 

CMYK 32 / 6 / 0 / 11

HEX #9AD6E3

RGB 154 214 227

HSL 190.68, 0.57%, 0.75%

LAB 82.11, -15.97, -12.54

 

CMYK 57 / 0 / 19 / 18

HEX #5AD1A9

RGB 90 209 169

HSL 159.83, 0.56%, 0.59%

LAB 76.46, -42.98, 9.88

 

CMYK 44 / 0 / 15 / 15

HEX #7ADABA

RGB 122 218 186

HSL 160, 0.56%, 0.67%

LAB 80.64, -35.84, 6.95

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 21 / 0 / 7 / 7

HEX #BBECDB

RGB 187 236 219

HSL 159.18, 0.56%, 0.83%

LAB 89.71, -19.04, 3.08

 

CMYK 11 / 0 / 4 / 4

HEX #DBF5EC

RGB 219 245 236

HSL 159.23, 0.57%, 0.91%

LAB 94.49, -10.14, 1.44

 

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

CMYK 32 / 27 / 0 / 11

HEX #9AA5E3

RGB 154 165 227

HSL 230.96, 0.57%, 0.75%

LAB 68.99, 10.38, -32.52

 

CMYK 0 / 24 / 32 / 11

HEX #E3AD9A

RGB 227 173 154

HSL 15.62, 0.57%, 0.75%

LAB 75.17, 17.15, 17.4

 

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

CMYK 11 / 32 / 0 / 11

HEX #CA9AE3

RGB 202 154 227

HSL 279.45, 0.57%, 0.75%

LAB 70.33, 30.94, -30.12

 

CMYK 0 / 11 / 32 / 11

HEX #E3CA9A

RGB 227 202 154

HSL 39.45, 0.57%, 0.75%

LAB 82.33, 1.81, 27.21

 

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

CMYK 32 / 27 / 0 / 11

HEX #9AA5E3

RGB 154 165 227

HSL 230.96, 0.57%, 0.75%

LAB 68.99, 10.38, -32.52

 

CMYK 0 / 32 / 21 / 11

HEX #E39AB4

RGB 227 154 180

HSL 338.63, 0.57%, 0.75%

LAB 71.38, 30.93, -2.32

 

CMYK 0 / 5 / 32 / 11

HEX #E3D89A

RGB 227 216 154

HSL 50.96, 0.57%, 0.75%

LAB 85.89, -5.41, 31.98

 

CMYK 33 / 0 / 11 / 11

HEX #99E3CA

RGB 153 227 202

HSL 159.73, 0.57%, 0.75%

LAB 84.98, -28.27, 4.93

 

CMYK 27 / 32 / 0 / 11

HEX #A59AE3

RGB 165 154 227

HSL 249.04, 0.57%, 0.75%

LAB 67.02, 19.76, -35.51

 

CMYK 0 / 32 / 21 / 11

HEX #E39AB4

RGB 227 154 180

HSL 338.63, 0.57%, 0.75%

LAB 71.38, 30.93, -2.32

 

CMYK 5 / 0 / 32 / 11

HEX #D8E39A

RGB 216 227 154

HSL 69.04, 0.57%, 0.75%

LAB 87.91, -15.13, 34.49

 

Description

Color code: HEX #99E3CA | qconv.com Color code: HEX #99E3CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 227 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 227 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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