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Color name
HEX #99EA1E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99EA1E it is the complementary color #6615E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99EA1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99EA1E shade: #9EEA19, #AFFC2C, #C0FF3F, #D1FF52 and #E2FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99EA1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99EA1E shade: #99EA1E, #88D80B, #77C600, #66B400 and #55A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99EA1E shade: #99EA1F, #D0EA1F, #EACD1F, #EA961F and #EA5F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99EA1E shade: #99EA1F, #62EA1F, #2BEA1F, #1FEA48 and #1FEA7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99EA1E shade matches the following richer shades: #99EA1F and #9DFD0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99EA1E shade: #99EA1F, #95D632, #91C246, #8DAE5A and #899A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99EA1E shade: #EACB1F, #D2EA1F, #9CEA1F, #66EA1F and #2FEA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99EA1E shade: #6AA70F, #83CC13, #99EA1F, #AAED44 and #BBF16A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99EA1E shade: #99EA1E, #1FEA95 and #E61FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99EA1E shade: #99EA1E, #1F9CEA and #EA1F9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99EA1E shade: #99EA1E, #1FEA95, #6C1FEA and #EA1F73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99EA1E shade: #99EA1E, #1FEAD2, #6C1FEA and #EA1F36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

Complementary color

CMYK 55 / 91 / 0 / 12

HEX #6615E1

RGB 102 21 225

HSL 263.82, 0.83%, 0.48%

LAB 35.59, 71.7, -85.22

 

CMYK 32 / 0 / 89 / 8

HEX #9EEA19

RGB 158 234 25

HSL 81.82, 0.83%, 0.51%

LAB 85.09, -49.83, 80.05

 

CMYK 31 / 0 / 83 / 1

HEX #AFFC2C

RGB 175 252 44

HSL 82.21, 0.97%, 0.58%

LAB 91.2, -50.65, 81.93

 

CMYK 25 / 0 / 75 / 0

HEX #C0FF3F

RGB 192 255 63

HSL 79.69, 1%, 0.62%

LAB 93.05, -44.99, 78.95

 

CMYK 18 / 0 / 68 / 0

HEX #D1FF52

RGB 209 255 82

HSL 75.95, 1%, 0.66%

LAB 94.18, -37.62, 74.1

 

CMYK 11 / 0 / 60 / 0

HEX #E2FF65

RGB 226 255 101

HSL 71.3, 1%, 0.7%

LAB 95.42, -29.88, 68.42

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

CMYK 37 / 0 / 95 / 15

HEX #88D80B

RGB 136 216 11

HSL 83.41, 0.9%, 0.45%

LAB 78.68, -50.5, 76.18

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 43 / 0 / 100 / 29

HEX #66B400

RGB 102 180 0

HSL 86, 1%, 0.35%

LAB 66.11, -47.86, 66.77

 

CMYK 48 / 0 / 100 / 36

HEX #55A200

RGB 85 162 0

HSL 88.52, 1%, 0.32%

LAB 59.68, -46.36, 61.43

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1F

RGB 153 234 31

HSL 83.94, 0.83%, 0.52%

LAB 84.85, -51.44, 78.73

 

CMYK 11 / 0 / 87 / 8

HEX #D0EA1F

RGB 208 234 31

HSL 67.68, 0.83%, 0.52%

LAB 88.14, -30.5, 82.8

 

CMYK 0 / 12 / 87 / 8

HEX #EACD1F

RGB 234 205 31

HSL 51.43, 0.83%, 0.52%

LAB 82.52, -5.44, 79.12

 

CMYK 0 / 36 / 87 / 8

HEX #EA961F

RGB 234 150 31

HSL 35.17, 0.83%, 0.52%

LAB 69.04, 23.38, 68.36

 

CMYK 0 / 59 / 87 / 8

HEX #EA5F1F

RGB 234 95 31

HSL 18.92, 0.83%, 0.52%

LAB 57.82, 51.01, 59.42

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1F

RGB 153 234 31

HSL 83.94, 0.83%, 0.52%

LAB 84.85, -51.44, 78.73

 

CMYK 58 / 0 / 87 / 8

HEX #62EA1F

RGB 98 234 31

HSL 100.2, 0.83%, 0.52%

LAB 82.67, -67.92, 76

 

CMYK 82 / 0 / 87 / 8

HEX #2BEA1F

RGB 43 234 31

HSL 116.45, 0.83%, 0.52%

LAB 81.54, -77.51, 74.59

 

CMYK 87 / 0 / 69 / 8

HEX #1FEA48

RGB 31 234 72

HSL 132.12, 0.83%, 0.52%

LAB 81.62, -76.03, 62.79

 

CMYK 87 / 0 / 46 / 8

HEX #1FEA7F

RGB 31 234 127

HSL 148.37, 0.83%, 0.52%

LAB 82.2, -68.97, 39.16

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1F

RGB 153 234 31

HSL 83.94, 0.83%, 0.52%

LAB 84.85, -51.44, 78.73

 

CMYK 38 / 0 / 96 / 1

HEX #9DFD0B

RGB 157 253 11

HSL 83.8, 0.98%, 0.52%

LAB 90.53, -58, 86

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1F

RGB 153 234 31

HSL 83.94, 0.83%, 0.52%

LAB 84.85, -51.44, 78.73

 

CMYK 30 / 0 / 77 / 16

HEX #95D632

RGB 149 214 50

HSL 83.78, 0.67%, 0.52%

LAB 78.88, -43.81, 68.69

 

CMYK 25 / 0 / 64 / 24

HEX #91C246

RGB 145 194 70

HSL 83.71, 0.5%, 0.52%

LAB 72.92, -35.18, 55.34

 

CMYK 19 / 0 / 48 / 32

HEX #8DAE5A

RGB 141 174 90

HSL 83.57, 0.34%, 0.52%

LAB 67.03, -25.33, 39.23

 

CMYK 11 / 0 / 29 / 40

HEX #899A6E

RGB 137 154 110

HSL 83.18, 0.18%, 0.52%

LAB 61.27, -14.04, 21.16

 

CMYK 0 / 13 / 87 / 8

HEX #EACB1F

RGB 234 203 31

HSL 50.84, 0.83%, 0.52%

LAB 82, -4.42, 78.71

 

CMYK 10 / 0 / 87 / 8

HEX #D2EA1F

RGB 210 234 31

HSL 67.09, 0.83%, 0.52%

LAB 88.28, -29.69, 82.97

 

CMYK 33 / 0 / 87 / 8

HEX #9CEA1F

RGB 156 234 31

HSL 83.05, 0.83%, 0.52%

LAB 85, -50.39, 78.92

 

CMYK 56 / 0 / 87 / 8

HEX #66EA1F

RGB 102 234 31

HSL 99.01, 0.83%, 0.52%

LAB 82.79, -66.93, 76.16

 

CMYK 80 / 0 / 87 / 8

HEX #2FEA1F

RGB 47 234 31

HSL 115.27, 0.83%, 0.52%

LAB 81.59, -77.07, 74.65

 

CMYK 37 / 0 / 91 / 35

HEX #6AA70F

RGB 106 167 15

HSL 84.08, 0.84%, 0.36%

LAB 62.28, -40.79, 61.77

 

CMYK 36 / 0 / 91 / 20

HEX #83CC13

RGB 131 204 19

HSL 83.68, 0.83%, 0.44%

LAB 74.86, -47.21, 72.01

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1F

RGB 153 234 31

HSL 83.94, 0.83%, 0.52%

LAB 84.85, -51.44, 78.73

 

CMYK 28 / 0 / 71 / 7

HEX #AAED44

RGB 170 237 68

HSL 83.79, 0.82%, 0.6%

LAB 86.77, -45.05, 70.85

 

CMYK 22 / 0 / 56 / 5

HEX #BBF16A

RGB 187 241 106

HSL 84, 0.83%, 0.68%

LAB 89.17, -37.78, 58.62

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

CMYK 87 / 0 / 36 / 8

HEX #1FEA95

RGB 31 234 149

HSL 154.88, 0.83%, 0.52%

LAB 82.54, -64.97, 28.6

 

CMYK 2 / 87 / 0 / 8

HEX #E61FEA

RGB 230 31 234

HSL 298.82, 0.83%, 0.52%

LAB 55.83, 88.49, -56.55

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

CMYK 87 / 33 / 0 / 8

HEX #1F9CEA

RGB 31 156 234

HSL 203.05, 0.83%, 0.52%

LAB 61.66, -4.83, -48.21

 

CMYK 0 / 87 / 33 / 8

HEX #EA1F9C

RGB 234 31 156

HSL 323.05, 0.83%, 0.52%

LAB 52.81, 79.41, -16.18

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

CMYK 87 / 0 / 36 / 8

HEX #1FEA95

RGB 31 234 149

HSL 154.88, 0.83%, 0.52%

LAB 82.54, -64.97, 28.6

 

CMYK 54 / 87 / 0 / 8

HEX #6C1FEA

RGB 108 31 234

HSL 262.76, 0.83%, 0.52%

LAB 38.04, 71.86, -86.29

 

CMYK 0 / 87 / 51 / 8

HEX #EA1F73

RGB 234 31 115

HSL 335.17, 0.83%, 0.52%

LAB 51.51, 75.79, 6.53

 

CMYK 35 / 0 / 87 / 8

HEX #99EA1E

RGB 153 234 30

HSL 83.82, 0.83%, 0.52%

LAB 84.85, -51.47, 78.91

 

CMYK 87 / 0 / 10 / 8

HEX #1FEAD2

RGB 31 234 210

HSL 172.91, 0.83%, 0.52%

LAB 83.86, -50.73, -1.34

 

CMYK 54 / 87 / 0 / 8

HEX #6C1FEA

RGB 108 31 234

HSL 262.76, 0.83%, 0.52%

LAB 38.04, 71.86, -86.29

 

CMYK 0 / 87 / 77 / 8

HEX #EA1F36

RGB 234 31 54

HSL 353.2, 0.83%, 0.52%

LAB 50.38, 72.56, 41.62

 

Description

Color code: HEX #99EA1E | qconv.com Color code: HEX #99EA1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 234 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 234 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 87% 8% C M Y K

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Provide designers and agencies with accurate color values.

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