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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F45C it is the complementary color #660BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F45C shade: #9EF457, #AFFF6A, #C0FF7D, #D1FF90 and #E2FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F45C shade: #99F45C, #88E249, #77D036, #66BE23 and #55AC10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F45C shade: #99F35C, #C2F35C, #EAF35C, #F3D35C and #F3AB5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F45C shade: #99F35C, #70F35C, #5CF371, #5CF39A and #5CF3C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F45C shade matches the following richer shades: #99F35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F45C shade: #99F35C, #9CE56A, #9ED778, #A1C986 and #A4BB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F45C shade: #ECF35C, #C3F35C, #9BF35C, #73F35C and #5CF36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F45C shade: #69ED10, #81F136, #99F35C, #B1F683 and #C9F9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F45C shade: #99F45C, #5CF3D3 and #F35CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F45C shade: #99F45C, #5C9BF3 and #F35C9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F45C shade: #99F45C, #5CF3D3, #B45CF3 and #F35C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F45C shade: #99F45C, #5CE7F3, #B45CF3 and #F3695C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

Complementary color

CMYK 37 / 93 / 0 / 36

HEX #660BA3

RGB 102 11 163

HSL 275.92, 0.87%, 0.34%

LAB 28.66, 59.77, -60.14

 

CMYK 35 / 0 / 64 / 4

HEX #9EF457

RGB 158 244 87

HSL 92.87, 0.88%, 0.65%

LAB 88.28, -50.86, 65.17

 

CMYK 31 / 0 / 58 / 0

HEX #AFFF6A

RGB 175 255 106

HSL 92.21, 1%, 0.71%

LAB 92.43, -48.11, 62.16

 

CMYK 25 / 0 / 51 / 0

HEX #C0FF7D

RGB 192 255 125

HSL 89.08, 1%, 0.75%

LAB 93.54, -40.4, 55.3

 

CMYK 18 / 0 / 44 / 0

HEX #D1FF90

RGB 209 255 144

HSL 84.86, 1%, 0.78%

LAB 94.78, -32.3, 48.16

 

CMYK 11 / 0 / 36 / 0

HEX #E2FFA3

RGB 226 255 163

HSL 78.91, 1%, 0.82%

LAB 96.13, -23.91, 40.91

 

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

CMYK 40 / 0 / 68 / 11

HEX #88E249

RGB 136 226 73

HSL 95.29, 0.73%, 0.59%

LAB 81.9, -51.85, 63.53

 

CMYK 43 / 0 / 74 / 18

HEX #77D036

RGB 119 208 54

HSL 94.68, 0.62%, 0.51%

LAB 75.64, -51.45, 63.78

 

CMYK 46 / 0 / 82 / 25

HEX #66BE23

RGB 102 190 35

HSL 94.06, 0.69%, 0.44%

LAB 69.31, -50.82, 63.34

 

CMYK 51 / 0 / 91 / 33

HEX #55AC10

RGB 85 172 16

HSL 93.46, 0.83%, 0.37%

LAB 62.91, -49.86, 61.73

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 20 / 0 / 62 / 5

HEX #C2F35C

RGB 194 243 92

HSL 79.47, 0.86%, 0.66%

LAB 90.02, -37.24, 65.61

 

CMYK 4 / 0 / 62 / 5

HEX #EAF35C

RGB 234 243 92

HSL 63.58, 0.86%, 0.66%

LAB 92.74, -21.69, 69.33

 

CMYK 0 / 13 / 62 / 5

HEX #F3D35C

RGB 243 211 92

HSL 47.28, 0.86%, 0.66%

LAB 85.21, -2.17, 61.44

 

CMYK 0 / 30 / 62 / 5

HEX #F3AB5C

RGB 243 171 92

HSL 31.39, 0.86%, 0.66%

LAB 75.42, 18.66, 50.45

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 54 / 0 / 62 / 5

HEX #70F35C

RGB 112 243 92

HSL 112.05, 0.86%, 0.66%

LAB 86.17, -63.61, 60.29

 

CMYK 62 / 0 / 53 / 5

HEX #5CF371

RGB 92 243 113

HSL 128.34, 0.86%, 0.66%

LAB 85.79, -65.8, 50.5

 

CMYK 62 / 0 / 37 / 5

HEX #5CF39A

RGB 92 243 154

HSL 144.64, 0.86%, 0.66%

LAB 86.36, -59.47, 31.35

 

CMYK 62 / 0 / 20 / 5

HEX #5CF3C3

RGB 92 243 195

HSL 160.93, 0.86%, 0.66%

LAB 87.15, -51.16, 11.4

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 32 / 0 / 54 / 10

HEX #9CE56A

RGB 156 229 106

HSL 95.61, 0.7%, 0.66%

LAB 84.04, -43.46, 52.21

 

CMYK 27 / 0 / 44 / 16

HEX #9ED778

RGB 158 215 120

HSL 96, 0.54%, 0.66%

LAB 80.31, -34.91, 41

 

CMYK 20 / 0 / 33 / 21

HEX #A1C986

RGB 161 201 134

HSL 95.82, 0.38%, 0.66%

LAB 76.72, -25.32, 29.28

 

CMYK 12 / 0 / 21 / 27

HEX #A4BB94

RGB 164 187 148

HSL 95.38, 0.22%, 0.66%

LAB 73.27, -15.06, 17.18

 

CMYK 3 / 0 / 62 / 5

HEX #ECF35C

RGB 236 243 92

HSL 62.78, 0.86%, 0.66%

LAB 92.89, -20.89, 69.54

 

CMYK 20 / 0 / 62 / 5

HEX #C3F35C

RGB 195 243 92

HSL 79.07, 0.86%, 0.66%

LAB 90.08, -36.86, 65.7

 

CMYK 36 / 0 / 62 / 5

HEX #9BF35C

RGB 155 243 92

HSL 94.97, 0.86%, 0.66%

LAB 87.89, -51.03, 62.68

 

CMYK 53 / 0 / 62 / 5

HEX #73F35C

RGB 115 243 92

HSL 110.86, 0.86%, 0.66%

LAB 86.27, -62.85, 60.42

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 56 / 0 / 93 / 7

HEX #69ED10

RGB 105 237 16

HSL 95.84, 0.87%, 0.5%

LAB 83.76, -67.56, 79.25

 

CMYK 46 / 0 / 78 / 5

HEX #81F136

RGB 129 241 54

HSL 95.94, 0.87%, 0.58%

LAB 85.93, -61.02, 73.81

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 28 / 0 / 47 / 4

HEX #B1F683

RGB 177 246 131

HSL 96, 0.86%, 0.74%

LAB 90.27, -40.96, 48.34

 

CMYK 19 / 0 / 32 / 2

HEX #C9F9AA

RGB 201 249 170

HSL 96.46, 0.87%, 0.82%

LAB 93.05, -29.01, 33.07

 

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

CMYK 62 / 0 / 13 / 5

HEX #5CF3D3

RGB 92 243 211

HSL 167.28, 0.86%, 0.66%

LAB 87.52, -47.44, 3.6

 

CMYK 0 / 62 / 11 / 5

HEX #F35CD8

RGB 243 92 216

HSL 310.73, 0.86%, 0.66%

LAB 63.07, 71.21, -34.86

 

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

CMYK 62 / 36 / 0 / 5

HEX #5C9BF3

RGB 92 155 243

HSL 214.97, 0.86%, 0.66%

LAB 63.5, 6.3, -50.15

 

CMYK 0 / 62 / 36 / 5

HEX #F35C9B

RGB 243 92 155

HSL 334.97, 0.86%, 0.66%

LAB 60.85, 63.32, -3.4

 

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

CMYK 62 / 0 / 13 / 5

HEX #5CF3D3

RGB 92 243 211

HSL 167.28, 0.86%, 0.66%

LAB 87.52, -47.44, 3.6

 

CMYK 26 / 62 / 0 / 5

HEX #B45CF3

RGB 180 92 243

HSL 274.97, 0.86%, 0.66%

LAB 55.92, 61.01, -61.84

 

CMYK 0 / 62 / 49 / 5

HEX #F35C7D

RGB 243 92 125

HSL 346.89, 0.86%, 0.66%

LAB 60.06, 60.38, 12.9

 

CMYK 37 / 0 / 62 / 4

HEX #99F45C

RGB 153 244 92

HSL 95.92, 0.87%, 0.66%

LAB 88.09, -52.09, 62.87

 

CMYK 62 / 5 / 0 / 5

HEX #5CE7F3

RGB 92 231 243

HSL 184.77, 0.86%, 0.66%

LAB 84.94, -33.73, -17.02

 

CMYK 26 / 62 / 0 / 5

HEX #B45CF3

RGB 180 92 243

HSL 274.97, 0.86%, 0.66%

LAB 55.92, 61.01, -61.84

 

CMYK 0 / 57 / 62 / 5

HEX #F3695C

RGB 243 105 92

HSL 5.17, 0.86%, 0.66%

LAB 61.59, 52.17, 33.84

 

Description

Color code: HEX #99F45C | qconv.com Color code: HEX #99F45C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 244 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 244 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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