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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F164 it is the complementary color #660E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F164 shade: #9EF15F, #AFFF72, #C0FF85, #D1FF98 and #E2FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F164 shade: #99F164, #88DF51, #77CD3E, #66BB2B and #55A918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F164 shade: #99F065, #BFF065, #E4F065, #F0D665 and #F0B165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F164 shade: #99F065, #73F065, #65F07B, #65F0A1 and #65F0C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F164 shade matches the following richer shades: #99F065 and #96FE57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F164 shade: #99F065, #9CE372, #A0D580, #A3C78D and #A7BA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F164 shade: #E5F065, #BFF065, #9AF065, #75F065 and #65F079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F164 shade: #67E919, #80ED3F, #99F065, #B2F48A and #CBF7B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F164 shade: #99F164, #65F0D7 and #F065D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F164 shade: #99F164, #659AF0 and #F0659A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F164 shade: #99F164, #65F0D7, #BB65F0 and #F0657E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F164 shade: #99F164, #65E0F0, #BB65F0 and #F07565

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

Complementary color

CMYK 34 / 91 / 0 / 39

HEX #660E9B

RGB 102 14 155

HSL 277.45, 0.83%, 0.33%

LAB 28.13, 57.47, -56.14

 

CMYK 34 / 0 / 61 / 5

HEX #9EF15F

RGB 158 241 95

HSL 94.11, 0.84%, 0.66%

LAB 87.49, -48.95, 61.03

 

CMYK 31 / 0 / 55 / 0

HEX #AFFF72

RGB 175 255 114

HSL 94.04, 1%, 0.72%

LAB 92.51, -47.36, 58.79

 

CMYK 25 / 0 / 48 / 0

HEX #C0FF85

RGB 192 255 133

HSL 90.98, 1%, 0.76%

LAB 93.63, -39.55, 51.72

 

CMYK 18 / 0 / 40 / 0

HEX #D1FF98

RGB 209 255 152

HSL 86.8, 1%, 0.8%

LAB 94.88, -31.36, 44.45

 

CMYK 11 / 0 / 33 / 0

HEX #E2FFAB

RGB 226 255 171

HSL 80.71, 1%, 0.84%

LAB 96.26, -22.91, 37.12

 

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

CMYK 39 / 0 / 64 / 13

HEX #88DF51

RGB 136 223 81

HSL 96.76, 0.69%, 0.6%

LAB 81.07, -49.99, 59.48

 

CMYK 42 / 0 / 70 / 20

HEX #77CD3E

RGB 119 205 62

HSL 96.08, 0.59%, 0.52%

LAB 74.78, -49.71, 60.07

 

CMYK 45 / 0 / 77 / 27

HEX #66BB2B

RGB 102 187 43

HSL 95.42, 0.63%, 0.45%

LAB 68.42, -49.22, 60.15

 

CMYK 50 / 0 / 86 / 34

HEX #55A918

RGB 85 169 24

HSL 94.76, 0.75%, 0.38%

LAB 61.97, -48.44, 59.3

 

CMYK 36 / 0 / 58 / 6

HEX #99F065

RGB 153 240 101

HSL 97.55, 0.82%, 0.67%

LAB 87.01, -49.63, 57.86

 

CMYK 20 / 0 / 58 / 6

HEX #BFF065

RGB 191 240 101

HSL 81.15, 0.82%, 0.67%

LAB 89.08, -36.29, 60.76

 

CMYK 5 / 0 / 58 / 6

HEX #E4F065

RGB 228 240 101

HSL 65.18, 0.82%, 0.67%

LAB 91.57, -22.03, 64.24

 

CMYK 0 / 11 / 58 / 6

HEX #F0D665

RGB 240 214 101

HSL 48.78, 0.82%, 0.67%

LAB 85.78, -4.33, 58.01

 

CMYK 0 / 26 / 58 / 6

HEX #F0B165

RGB 240 177 101

HSL 32.81, 0.82%, 0.67%

LAB 76.62, 14.89, 47.36

 

CMYK 36 / 0 / 58 / 6

HEX #99F065

RGB 153 240 101

HSL 97.55, 0.82%, 0.67%

LAB 87.01, -49.63, 57.86

 

CMYK 52 / 0 / 58 / 6

HEX #73F065

RGB 115 240 101

HSL 113.96, 0.82%, 0.67%

LAB 85.46, -60.81, 55.66

 

CMYK 58 / 0 / 49 / 6

HEX #65F07B

RGB 101 240 123

HSL 129.5, 0.82%, 0.67%

LAB 85.26, -61.45, 45.22

 

CMYK 58 / 0 / 33 / 6

HEX #65F0A1

RGB 101 240 161

HSL 145.9, 0.82%, 0.67%

LAB 85.84, -55.23, 27.14

 

CMYK 58 / 0 / 17 / 6

HEX #65F0C7

RGB 101 240 199

HSL 162.3, 0.82%, 0.67%

LAB 86.61, -47.35, 8.57

 

CMYK 36 / 0 / 58 / 6

HEX #99F065

RGB 153 240 101

HSL 97.55, 0.82%, 0.67%

LAB 87.01, -49.63, 57.86

 

CMYK 41 / 0 / 66 / 0

HEX #96FE57

RGB 150 254 87

HSL 97.37, 0.99%, 0.67%

LAB 90.81, -57.44, 67.75

 

CMYK 36 / 0 / 58 / 6

HEX #99F065

RGB 153 240 101

HSL 97.55, 0.82%, 0.67%

LAB 87.01, -49.63, 57.86

 

CMYK 31 / 0 / 50 / 11

HEX #9CE372

RGB 156 227 114

HSL 97.7, 0.67%, 0.67%

LAB 83.56, -41.71, 47.9

 

CMYK 25 / 0 / 40 / 16

HEX #A0D580

RGB 160 213 128

HSL 97.41, 0.5%, 0.67%

LAB 79.97, -32.24, 36.59

 

CMYK 18 / 0 / 29 / 22

HEX #A3C78D

RGB 163 199 141

HSL 97.24, 0.34%, 0.67%

LAB 76.41, -22.58, 25.21

 

CMYK 10 / 0 / 17 / 27

HEX #A7BA9B

RGB 167 186 155

HSL 96.77, 0.18%, 0.67%

LAB 73.35, -12.28, 13.55

 

CMYK 5 / 0 / 58 / 6

HEX #E5F065

RGB 229 240 101

HSL 64.75, 0.82%, 0.67%

LAB 91.65, -21.63, 64.34

 

CMYK 20 / 0 / 58 / 6

HEX #BFF065

RGB 191 240 101

HSL 81.15, 0.82%, 0.67%

LAB 89.08, -36.29, 60.76

 

CMYK 36 / 0 / 58 / 6

HEX #9AF065

RGB 154 240 101

HSL 97.12, 0.82%, 0.67%

LAB 87.06, -49.3, 57.93

 

CMYK 51 / 0 / 58 / 6

HEX #75F065

RGB 117 240 101

HSL 113.09, 0.82%, 0.67%

LAB 85.52, -60.29, 55.76

 

CMYK 58 / 0 / 50 / 6

HEX #65F079

RGB 101 240 121

HSL 128.63, 0.82%, 0.67%

LAB 85.23, -61.73, 46.14

 

CMYK 56 / 0 / 89 / 9

HEX #67E919

RGB 103 233 25

HSL 97.5, 0.83%, 0.51%

LAB 82.5, -66.51, 76.97

 

CMYK 46 / 0 / 73 / 7

HEX #80ED3F

RGB 128 237 63

HSL 97.59, 0.83%, 0.59%

LAB 84.75, -59.31, 69.87

 

CMYK 36 / 0 / 58 / 6

HEX #99F065

RGB 153 240 101

HSL 97.55, 0.82%, 0.67%

LAB 87.01, -49.63, 57.86

 

CMYK 27 / 0 / 43 / 4

HEX #B2F48A

RGB 178 244 138

HSL 97.36, 0.83%, 0.75%

LAB 89.86, -38.88, 44.48

 

CMYK 18 / 0 / 29 / 3

HEX #CBF7B0

RGB 203 247 176

HSL 97.18, 0.82%, 0.83%

LAB 92.73, -26.52, 29.64

 

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

CMYK 58 / 0 / 10 / 6

HEX #65F0D7

RGB 101 240 215

HSL 169.21, 0.82%, 0.67%

LAB 86.99, -43.59, 0.77

 

CMYK 0 / 58 / 13 / 6

HEX #F065D2

RGB 240 101 210

HSL 312.95, 0.82%, 0.67%

LAB 63.74, 65.8, -30.47

 

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

CMYK 58 / 36 / 0 / 6

HEX #659AF0

RGB 101 154 240

HSL 217.12, 0.82%, 0.67%

LAB 63.48, 7.58, -48.5

 

CMYK 0 / 58 / 36 / 6

HEX #F0659A

RGB 240 101 154

HSL 337.12, 0.82%, 0.67%

LAB 61.8, 58.43, -1.48

 

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

CMYK 58 / 0 / 10 / 6

HEX #65F0D7

RGB 101 240 215

HSL 169.21, 0.82%, 0.67%

LAB 86.99, -43.59, 0.77

 

CMYK 22 / 58 / 0 / 6

HEX #BB65F0

RGB 187 101 240

HSL 277.12, 0.82%, 0.67%

LAB 58.19, 57.62, -56.48

 

CMYK 0 / 58 / 48 / 6

HEX #F0657E

RGB 240 101 126

HSL 349.21, 0.82%, 0.67%

LAB 61.08, 55.59, 13.67

 

CMYK 37 / 0 / 59 / 5

HEX #99F164

RGB 153 241 100

HSL 97.45, 0.83%, 0.67%

LAB 87.29, -50.14, 58.61

 

CMYK 58 / 7 / 0 / 6

HEX #65E0F0

RGB 101 224 240

HSL 186.91, 0.82%, 0.67%

LAB 83.11, -29.71, -18.17

 

CMYK 22 / 58 / 0 / 6

HEX #BB65F0

RGB 187 101 240

HSL 277.12, 0.82%, 0.67%

LAB 58.19, 57.62, -56.48

 

CMYK 0 / 51 / 58 / 6

HEX #F07565

RGB 240 117 101

HSL 6.91, 0.82%, 0.67%

LAB 63.5, 46.01, 31.15

 

Description

Color code: HEX #99F164 | qconv.com Color code: HEX #99F164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 241 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 241 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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