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Color name
HEX #99F217

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F217 it is the complementary color #660DE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F217 shade: #9EF212, #AFFF25, #C0FF38, #D1FF4B and #E2FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F217 shade: #99F217, #88E004, #77CE00, #66BC00 and #55AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F217 shade: #99F117, #D3F117, #F1D417, #F19917 and #F15F17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F217 shade: #99F117, #5EF117, #23F117, #17F146 and #17F181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F217 shade matches the following richer shades: #99F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F217 shade: #99F117, #95DD2B, #91C93F, #8DB653 and #8AA266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F217 shade: #F1D417, #D4F117, #9AF117, #60F117 and #26F117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F217 shade: #6AAC0A, #82D30C, #99F117, #AAF33E and #BBF665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F217 shade: #99F217, #17F19A and #F117F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F217 shade: #99F217, #179AF1 and #F1179A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F217 shade: #99F217, #17F19A, #6E17F1 and #F1176E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F217 shade: #99F217, #17F1DB, #6E17F1 and #F1172D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

Complementary color

CMYK 56 / 94 / 0 / 9

HEX #660DE8

RGB 102 13 232

HSL 264.38, 0.89%, 0.48%

LAB 35.87, 74.77, -88.77

 

CMYK 35 / 0 / 93 / 5

HEX #9EF212

RGB 158 242 18

HSL 82.5, 0.9%, 0.51%

LAB 87.4, -53.22, 82.86

 

CMYK 31 / 0 / 85 / 0

HEX #AFFF25

RGB 175 255 37

HSL 82.02, 1%, 0.57%

LAB 92.03, -52.1, 84.11

 

CMYK 25 / 0 / 78 / 0

HEX #C0FF38

RGB 192 255 56

HSL 78.99, 1%, 0.61%

LAB 93.02, -45.3, 80.92

 

CMYK 18 / 0 / 71 / 0

HEX #D1FF4B

RGB 209 255 75

HSL 75.33, 1%, 0.65%

LAB 94.13, -38.02, 76.5

 

CMYK 11 / 0 / 63 / 0

HEX #E2FF5E

RGB 226 255 94

HSL 70.81, 1%, 0.68%

LAB 95.37, -30.36, 71.16

 

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

CMYK 39 / 0 / 98 / 12

HEX #88E004

RGB 136 224 4

HSL 84, 0.96%, 0.45%

LAB 81.05, -53.78, 78.69

 

CMYK 42 / 0 / 100 / 19

HEX #77CE00

RGB 119 206 0

HSL 85.34, 1%, 0.4%

LAB 74.87, -52.45, 73.91

 

CMYK 46 / 0 / 100 / 26

HEX #66BC00

RGB 102 188 0

HSL 87.45, 1%, 0.37%

LAB 68.6, -51, 68.71

 

CMYK 50 / 0 / 100 / 33

HEX #55AA00

RGB 85 170 0

HSL 90, 1%, 0.33%

LAB 62.24, -49.46, 63.43

 

CMYK 37 / 0 / 90 / 5

HEX #99F117

RGB 153 241 23

HSL 84.22, 0.89%, 0.52%

LAB 86.87, -54.45, 81.7

 

CMYK 12 / 0 / 90 / 5

HEX #D3F117

RGB 211 241 23

HSL 68.26, 0.89%, 0.52%

LAB 90.24, -32.68, 85.82

 

CMYK 0 / 12 / 90 / 5

HEX #F1D417

RGB 241 212 23

HSL 52.02, 0.89%, 0.52%

LAB 84.92, -6.14, 82.69

 

CMYK 0 / 37 / 90 / 5

HEX #F19917

RGB 241 153 23

HSL 35.78, 0.89%, 0.52%

LAB 70.56, 24.59, 71.84

 

CMYK 0 / 61 / 90 / 5

HEX #F15F17

RGB 241 95 23

HSL 19.82, 0.89%, 0.52%

LAB 58.93, 53.36, 63.39

 

CMYK 37 / 0 / 90 / 5

HEX #99F117

RGB 153 241 23

HSL 84.22, 0.89%, 0.52%

LAB 86.87, -54.45, 81.7

 

CMYK 61 / 0 / 90 / 5

HEX #5EF117

RGB 94 241 23

HSL 100.46, 0.89%, 0.52%

LAB 84.66, -71.38, 78.98

 

CMYK 85 / 0 / 90 / 5

HEX #23F117

RGB 35 241 23

HSL 116.7, 0.89%, 0.52%

LAB 83.62, -80.45, 77.68

 

CMYK 90 / 0 / 71 / 5

HEX #17F146

RGB 23 241 70

HSL 132.94, 0.89%, 0.52%

LAB 83.72, -78.72, 65.69

 

CMYK 90 / 0 / 46 / 5

HEX #17F181

RGB 23 241 129

HSL 149.17, 0.89%, 0.52%

LAB 84.32, -71.41, 40.87

 

CMYK 37 / 0 / 90 / 5

HEX #99F117

RGB 153 241 23

HSL 84.22, 0.89%, 0.52%

LAB 86.87, -54.45, 81.7

 

CMYK 37 / 0 / 90 / 5

HEX #99F117

RGB 153 241 23

HSL 84.22, 0.89%, 0.52%

LAB 86.87, -54.45, 81.7

 

CMYK 33 / 0 / 81 / 13

HEX #95DD2B

RGB 149 221 43

HSL 84.27, 0.72%, 0.52%

LAB 80.89, -47.09, 72.53

 

CMYK 28 / 0 / 69 / 21

HEX #91C93F

RGB 145 201 63

HSL 84.35, 0.56%, 0.52%

LAB 74.92, -38.85, 60.25

 

CMYK 23 / 0 / 54 / 29

HEX #8DB653

RGB 141 182 83

HSL 84.85, 0.4%, 0.52%

LAB 69.29, -29.95, 45.36

 

CMYK 15 / 0 / 37 / 36

HEX #8AA266

RGB 138 162 102

HSL 84, 0.24%, 0.52%

LAB 63.51, -18.98, 28.5

 

CMYK 0 / 12 / 90 / 5

HEX #F1D417

RGB 241 212 23

HSL 52.02, 0.89%, 0.52%

LAB 84.92, -6.14, 82.69

 

CMYK 12 / 0 / 90 / 5

HEX #D4F117

RGB 212 241 23

HSL 67.98, 0.89%, 0.52%

LAB 90.31, -32.28, 85.9

 

CMYK 36 / 0 / 90 / 5

HEX #9AF117

RGB 154 241 23

HSL 83.94, 0.89%, 0.52%

LAB 86.92, -54.1, 81.76

 

CMYK 60 / 0 / 90 / 5

HEX #60F117

RGB 96 241 23

HSL 99.91, 0.89%, 0.52%

LAB 84.72, -70.93, 79.05

 

CMYK 84 / 0 / 90 / 5

HEX #26F117

RGB 38 241 23

HSL 115.87, 0.89%, 0.52%

LAB 83.64, -80.19, 77.71

 

CMYK 38 / 0 / 94 / 33

HEX #6AAC0A

RGB 106 172 10

HSL 84.44, 0.89%, 0.36%

LAB 63.83, -43.02, 63.77

 

CMYK 38 / 0 / 94 / 17

HEX #82D30C

RGB 130 211 12

HSL 84.42, 0.89%, 0.44%

LAB 76.9, -50.54, 74.54

 

CMYK 37 / 0 / 90 / 5

HEX #99F117

RGB 153 241 23

HSL 84.22, 0.89%, 0.52%

LAB 86.87, -54.45, 81.7

 

CMYK 30 / 0 / 74 / 5

HEX #AAF33E

RGB 170 243 62

HSL 84.2, 0.88%, 0.6%

LAB 88.45, -47.92, 74.45

 

CMYK 24 / 0 / 59 / 4

HEX #BBF665

RGB 187 246 101

HSL 84.41, 0.89%, 0.68%

LAB 90.51, -40.44, 62.31

 

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

CMYK 90 / 0 / 36 / 5

HEX #17F19A

RGB 23 241 154

HSL 156.06, 0.89%, 0.52%

LAB 84.7, -66.88, 28.95

 

CMYK 0 / 90 / 0 / 5

HEX #F117F1

RGB 241 23 241

HSL 300, 0.89%, 0.52%

LAB 57.72, 92.39, -57.35

 

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

CMYK 90 / 36 / 0 / 5

HEX #179AF1

RGB 23 154 241

HSL 203.94, 0.89%, 0.52%

LAB 61.35, -1.54, -52.57

 

CMYK 0 / 90 / 36 / 5

HEX #F1179A

RGB 241 23 154

HSL 323.94, 0.89%, 0.52%

LAB 53.65, 81.87, -13.59

 

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

CMYK 90 / 0 / 36 / 5

HEX #17F19A

RGB 23 241 154

HSL 156.06, 0.89%, 0.52%

LAB 84.7, -66.88, 28.95

 

CMYK 54 / 90 / 0 / 5

HEX #6E17F1

RGB 110 23 241

HSL 263.94, 0.89%, 0.52%

LAB 38.34, 75.61, -89.75

 

CMYK 0 / 90 / 54 / 5

HEX #F1176E

RGB 241 23 110

HSL 336.06, 0.89%, 0.52%

LAB 52.33, 78.27, 10.92

 

CMYK 37 / 0 / 90 / 5

HEX #99F217

RGB 153 242 23

HSL 84.38, 0.89%, 0.52%

LAB 87.16, -54.84, 81.94

 

CMYK 90 / 0 / 9 / 5

HEX #17F1DB

RGB 23 241 219

HSL 173.94, 0.89%, 0.52%

LAB 86.11, -51.6, -2.77

 

CMYK 54 / 90 / 0 / 5

HEX #6E17F1

RGB 110 23 241

HSL 263.94, 0.89%, 0.52%

LAB 38.34, 75.61, -89.75

 

CMYK 0 / 90 / 81 / 5

HEX #F1172D

RGB 241 23 45

HSL 353.94, 0.89%, 0.52%

LAB 51.27, 75.31, 47.91

 

Description

Color code: HEX #99F217 | qconv.com Color code: HEX #99F217 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 242 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 242 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 90% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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