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Color name
HEX #99F36C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F36C it is the complementary color #660C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F36C shade: #9EF367, #AFFF7A, #C0FF8D, #D1FFA0 and #E2FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F36C shade: #99F36C, #88E159, #77CF46, #66BD33 and #55AB20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F36C shade: #99F36C, #BDF36C, #E2F36C, #F3E06C and #F3BB6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F36C shade: #99F36C, #75F36C, #6CF388, #6CF3AC and #6CF3D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F36C shade matches the following richer shades: #99F36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F36C shade: #99F36C, #9DE679, #A2D986, #A6CC93 and #AABF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F36C shade: #E1F36C, #BDF36C, #99F36C, #75F36C and #6CF387

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F36C shade: #64EC20, #7FF046, #99F36C, #B4F692 and #CEF9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F36C shade: #99F36C, #6CF3E1 and #F36CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F36C shade: #99F36C, #6C99F3 and #F36C99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F36C shade: #99F36C, #6CF3E1, #C66CF3 and #F36C7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F36C shade: #99F36C, #6CDCF3, #C66CF3 and #F3836C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

Complementary color

CMYK 31 / 92 / 0 / 42

HEX #660C93

RGB 102 12 147

HSL 280, 0.85%, 0.31%

LAB 27.28, 56.2, -52.61

 

CMYK 35 / 0 / 58 / 5

HEX #9EF367

RGB 158 243 103

HSL 96.43, 0.85%, 0.68%

LAB 88.14, -49.04, 58.34

 

CMYK 31 / 0 / 52 / 0

HEX #AFFF7A

RGB 175 255 122

HSL 96.09, 1%, 0.74%

LAB 92.59, -46.54, 55.31

 

CMYK 25 / 0 / 45 / 0

HEX #C0FF8D

RGB 192 255 141

HSL 93.16, 1%, 0.78%

LAB 93.73, -38.64, 48.07

 

CMYK 18 / 0 / 37 / 0

HEX #D1FFA0

RGB 209 255 160

HSL 89.05, 1%, 0.81%

LAB 95, -30.37, 40.69

 

CMYK 11 / 0 / 30 / 0

HEX #E2FFB3

RGB 226 255 179

HSL 82.89, 1%, 0.85%

LAB 96.39, -21.85, 33.31

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 40 / 0 / 60 / 12

HEX #88E159

RGB 136 225 89

HSL 99.26, 0.69%, 0.62%

LAB 81.73, -50.09, 56.85

 

CMYK 43 / 0 / 66 / 19

HEX #77CF46

RGB 119 207 70

HSL 98.54, 0.59%, 0.54%

LAB 75.44, -49.89, 57.65

 

CMYK 46 / 0 / 73 / 26

HEX #66BD33

RGB 102 189 51

HSL 97.83, 0.58%, 0.47%

LAB 69.08, -49.5, 58.09

 

CMYK 50 / 0 / 81 / 33

HEX #55AB20

RGB 85 171 32

HSL 97.12, 0.68%, 0.4%

LAB 62.64, -48.85, 57.82

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 22 / 0 / 56 / 5

HEX #BDF36C

RGB 189 243 108

HSL 84, 0.85%, 0.69%

LAB 89.86, -37.77, 58.57

 

CMYK 7 / 0 / 56 / 5

HEX #E2F36C

RGB 226 243 108

HSL 67.56, 0.85%, 0.69%

LAB 92.29, -23.73, 61.98

 

CMYK 0 / 8 / 56 / 5

HEX #F3E06C

RGB 243 224 108

HSL 51.56, 0.85%, 0.69%

LAB 88.66, -7.64, 58.2

 

CMYK 0 / 23 / 56 / 5

HEX #F3BB6C

RGB 243 187 108

HSL 35.11, 0.85%, 0.69%

LAB 79.43, 11.39, 47.34

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 52 / 0 / 56 / 5

HEX #75F36C

RGB 117 243 108

HSL 116, 0.85%, 0.69%

LAB 86.49, -60.63, 53.78

 

CMYK 56 / 0 / 44 / 5

HEX #6CF388

RGB 108 243 136

HSL 132.44, 0.85%, 0.69%

LAB 86.54, -59.09, 40.61

 

CMYK 56 / 0 / 29 / 5

HEX #6CF3AC

RGB 108 243 172

HSL 148.44, 0.85%, 0.69%

LAB 87.13, -52.86, 23.32

 

CMYK 56 / 0 / 14 / 5

HEX #6CF3D0

RGB 108 243 208

HSL 164.44, 0.85%, 0.69%

LAB 87.89, -45.21, 5.75

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 32 / 0 / 47 / 10

HEX #9DE679

RGB 157 230 121

HSL 100.18, 0.69%, 0.69%

LAB 84.56, -41.86, 45.8

 

CMYK 25 / 0 / 38 / 15

HEX #A2D986

RGB 162 217 134

HSL 99.76, 0.52%, 0.69%

LAB 81.31, -32.59, 35.32

 

CMYK 19 / 0 / 28 / 20

HEX #A6CC93

RGB 166 204 147

HSL 100, 0.36%, 0.69%

LAB 78.11, -23.05, 24.39

 

CMYK 11 / 0 / 17 / 25

HEX #AABF9F

RGB 170 191 159

HSL 99.38, 0.2%, 0.69%

LAB 75.02, -13.11, 13.76

 

CMYK 7 / 0 / 56 / 5

HEX #E1F36C

RGB 225 243 108

HSL 68, 0.85%, 0.69%

LAB 92.22, -24.12, 61.88

 

CMYK 22 / 0 / 56 / 5

HEX #BDF36C

RGB 189 243 108

HSL 84, 0.85%, 0.69%

LAB 89.86, -37.77, 58.57

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 52 / 0 / 56 / 5

HEX #75F36C

RGB 117 243 108

HSL 116, 0.85%, 0.69%

LAB 86.49, -60.63, 53.78

 

CMYK 56 / 0 / 44 / 5

HEX #6CF387

RGB 108 243 135

HSL 132, 0.85%, 0.69%

LAB 86.52, -59.24, 41.08

 

CMYK 58 / 0 / 86 / 7

HEX #64EC20

RGB 100 236 32

HSL 100, 0.84%, 0.53%

LAB 83.34, -68.07, 76.42

 

CMYK 47 / 0 / 71 / 6

HEX #7FF046

RGB 127 240 70

HSL 99.88, 0.85%, 0.61%

LAB 85.64, -60.27, 68.36

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 27 / 0 / 41 / 4

HEX #B4F692

RGB 180 246 146

HSL 99.6, 0.85%, 0.77%

LAB 90.64, -38.08, 41.6

 

CMYK 17 / 0 / 26 / 2

HEX #CEF9B9

RGB 206 249 185

HSL 100.31, 0.84%, 0.85%

LAB 93.61, -25.09, 26.31

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 56 / 0 / 7 / 5

HEX #6CF3E1

RGB 108 243 225

HSL 172, 0.85%, 0.69%

LAB 88.32, -41.16, -2.5

 

CMYK 0 / 56 / 15 / 5

HEX #F36CCF

RGB 243 108 207

HSL 316, 0.85%, 0.69%

LAB 65.19, 63.11, -26.52

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 56 / 37 / 0 / 5

HEX #6C99F3

RGB 108 153 243

HSL 220, 0.85%, 0.69%

LAB 63.71, 10.51, -49.77

 

CMYK 0 / 56 / 37 / 5

HEX #F36C99

RGB 243 108 153

HSL 340, 0.85%, 0.69%

LAB 63.41, 56.1, 1.5

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 56 / 0 / 7 / 5

HEX #6CF3E1

RGB 108 243 225

HSL 172, 0.85%, 0.69%

LAB 88.32, -41.16, -2.5

 

CMYK 19 / 56 / 0 / 5

HEX #C66CF3

RGB 198 108 243

HSL 280, 0.85%, 0.69%

LAB 60.96, 57.48, -53.66

 

CMYK 0 / 56 / 48 / 5

HEX #F36C7E

RGB 243 108 126

HSL 352, 0.85%, 0.69%

LAB 62.75, 53.39, 16.06

 

CMYK 37 / 0 / 56 / 5

HEX #99F36C

RGB 153 243 108

HSL 100, 0.85%, 0.69%

LAB 87.95, -50.17, 55.86

 

CMYK 56 / 9 / 0 / 5

HEX #6CDCF3

RGB 108 220 243

HSL 190.22, 0.85%, 0.69%

LAB 82.3, -25.64, -20.97

 

CMYK 19 / 56 / 0 / 5

HEX #C66CF3

RGB 198 108 243

HSL 280, 0.85%, 0.69%

LAB 60.96, 57.48, -53.66

 

CMYK 0 / 46 / 56 / 5

HEX #F3836C

RGB 243 131 108

HSL 10.22, 0.85%, 0.69%

LAB 66.8, 40.67, 31.61

 

Description

Color code: HEX #99F36C | qconv.com Color code: HEX #99F36C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 243 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 243 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 56% 5% C M Y K

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Provide designers and agencies with accurate color values.

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