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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99FDA6 it is the complementary color #660259. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99FDA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99FDA6 shade: #9EFDA1, #AFFFB4, #C0FFC7, #D1FFDA and #E2FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99FDA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99FDA6 shade: #99FDA6, #88EB93, #77D980, #66C76D and #55B55A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99FDA6 shade: #9BFCA7, #A8FC9B, #C3FC9B, #DDFC9B and #F7FC9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99FDA6 shade: #9BFCA7, #9BFCC2, #9BFCDC, #9BFCF6 and #9BE8FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99FDA6 shade matches the following richer shades: #9BFCA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99FDA6 shade: #9BFCA7, #A3F4AD, #ABECB3, #B3E4BA and #BCDBC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99FDA6 shade: #C3FC9B, #A9FC9B, #9BFCA6, #9BFCC0 and #9BFCDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99FDA6 shade: #4AFB61, #72FC84, #9BFCA7, #C3FDCB and #EBFEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99FDA6 shade: #99FDA6, #9BDDFC and #FC9BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99FDA6 shade: #99FDA6, #A69BFC and #FCA69B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99FDA6 shade: #99FDA6, #9BDDFC, #FC9BF1 and #FCBA9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99FDA6 shade: #99FDA6, #9BC0FC, #FC9BF1 and #FCD79B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

Complementary color

CMYK 0 / 98 / 13 / 60

HEX #660259

RGB 102 2 89

HSL 307.8, 0.96%, 0.2%

LAB 22.26, 47.64, -23.53

 

CMYK 38 / 0 / 36 / 1

HEX #9EFDA1

RGB 158 253 161

HSL 121.89, 0.96%, 0.81%

LAB 91.73, -46.02, 35.4

 

CMYK 31 / 0 / 29 / 0

HEX #AFFFB4

RGB 175 255 180

HSL 123.75, 1%, 0.84%

LAB 93.42, -38.76, 28.29

 

CMYK 25 / 0 / 22 / 0

HEX #C0FFC7

RGB 192 255 199

HSL 126.67, 1%, 0.88%

LAB 94.67, -30.28, 20.52

 

CMYK 18 / 0 / 15 / 0

HEX #D1FFDA

RGB 209 255 218

HSL 131.74, 1%, 0.91%

LAB 96.05, -21.55, 12.88

 

CMYK 11 / 0 / 7 / 0

HEX #E2FFED

RGB 226 255 237

HSL 142.76, 1%, 0.94%

LAB 97.55, -12.67, 5.42

 

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

CMYK 42 / 0 / 37 / 8

HEX #88EB93

RGB 136 235 147

HSL 126.67, 0.71%, 0.73%

LAB 85.38, -46.92, 33.85

 

CMYK 45 / 0 / 41 / 15

HEX #77D980

RGB 119 217 128

HSL 125.51, 0.56%, 0.66%

LAB 79.1, -47.1, 35.08

 

CMYK 49 / 0 / 45 / 22

HEX #66C76D

RGB 102 199 109

HSL 124.33, 0.46%, 0.59%

LAB 72.74, -47.22, 36.36

 

CMYK 53 / 0 / 50 / 29

HEX #55B55A

RGB 85 181 90

HSL 123.13, 0.39%, 0.52%

LAB 66.3, -47.22, 37.7

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA7

RGB 155 252 167

HSL 127.42, 0.94%, 0.8%

LAB 91.41, -45.54, 31.95

 

CMYK 33 / 0 / 38 / 1

HEX #A8FC9B

RGB 168 252 155

HSL 111.96, 0.94%, 0.8%

LAB 91.82, -43.42, 38.59

 

CMYK 23 / 0 / 38 / 1

HEX #C3FC9B

RGB 195 252 155

HSL 95.26, 0.94%, 0.8%

LAB 93.27, -34.51, 40.75

 

CMYK 12 / 0 / 38 / 1

HEX #DDFC9B

RGB 221 252 155

HSL 79.18, 0.94%, 0.8%

LAB 94.89, -25.27, 43.15

 

CMYK 2 / 0 / 38 / 1

HEX #F7FC9B

RGB 247 252 155

HSL 63.09, 0.94%, 0.8%

LAB 96.72, -15.6, 45.87

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA7

RGB 155 252 167

HSL 127.42, 0.94%, 0.8%

LAB 91.41, -45.54, 31.95

 

CMYK 38 / 0 / 23 / 1

HEX #9BFCC2

RGB 155 252 194

HSL 144.12, 0.94%, 0.8%

LAB 91.9, -40.84, 18.93

 

CMYK 38 / 0 / 13 / 1

HEX #9BFCDC

RGB 155 252 220

HSL 160.21, 0.94%, 0.8%

LAB 92.47, -35.66, 6.34

 

CMYK 38 / 0 / 2 / 1

HEX #9BFCF6

RGB 155 252 246

HSL 176.29, 0.94%, 0.8%

LAB 93.12, -29.92, -6.16

 

CMYK 38 / 8 / 0 / 1

HEX #9BE8FC

RGB 155 232 252

HSL 192.37, 0.94%, 0.8%

LAB 87.83, -18.75, -17.17

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA7

RGB 155 252 167

HSL 127.42, 0.94%, 0.8%

LAB 91.41, -45.54, 31.95

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA7

RGB 155 252 167

HSL 127.42, 0.94%, 0.8%

LAB 91.41, -45.54, 31.95

 

CMYK 33 / 0 / 29 / 4

HEX #A3F4AD

RGB 163 244 173

HSL 127.41, 0.79%, 0.8%

LAB 89.63, -38.65, 26.58

 

CMYK 28 / 0 / 24 / 7

HEX #ABECB3

RGB 171 236 179

HSL 127.38, 0.63%, 0.8%

LAB 87.92, -31.47, 21.23

 

CMYK 21 / 0 / 18 / 11

HEX #B3E4BA

RGB 179 228 186

HSL 128.57, 0.48%, 0.8%

LAB 86.31, -23.85, 15.41

 

CMYK 14 / 0 / 12 / 14

HEX #BCDBC0

RGB 188 219 192

HSL 127.74, 0.3%, 0.8%

LAB 84.57, -15.35, 9.86

 

CMYK 23 / 0 / 38 / 1

HEX #C3FC9B

RGB 195 252 155

HSL 95.26, 0.94%, 0.8%

LAB 93.27, -34.51, 40.75

 

CMYK 33 / 0 / 38 / 1

HEX #A9FC9B

RGB 169 252 155

HSL 111.34, 0.94%, 0.8%

LAB 91.87, -43.11, 38.66

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA6

RGB 155 252 166

HSL 126.8, 0.94%, 0.8%

LAB 91.39, -45.7, 32.43

 

CMYK 38 / 0 / 24 / 1

HEX #9BFCC0

RGB 155 252 192

HSL 142.89, 0.94%, 0.8%

LAB 91.86, -41.21, 19.9

 

CMYK 38 / 0 / 13 / 1

HEX #9BFCDA

RGB 155 252 218

HSL 158.97, 0.94%, 0.8%

LAB 92.42, -36.08, 7.31

 

CMYK 71 / 0 / 61 / 2

HEX #4AFB61

RGB 74 251 97

HSL 127.8, 0.96%, 0.64%

LAB 87.64, -73.65, 59.58

 

CMYK 55 / 0 / 48 / 1

HEX #72FC84

RGB 114 252 132

HSL 127.83, 0.96%, 0.72%

LAB 89.33, -61.69, 46.1

 

CMYK 38 / 0 / 34 / 1

HEX #9BFCA7

RGB 155 252 167

HSL 127.42, 0.94%, 0.8%

LAB 91.41, -45.54, 31.95

 

CMYK 23 / 0 / 20 / 1

HEX #C3FDCB

RGB 195 253 203

HSL 128.28, 0.94%, 0.88%

LAB 94.38, -27.7, 18.09

 

CMYK 7 / 0 / 6 / 0

HEX #EBFEEE

RGB 235 254 238

HSL 129.47, 0.9%, 0.96%

LAB 97.92, -9.06, 5.52

 

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

CMYK 38 / 12 / 0 / 1

HEX #9BDDFC

RGB 155 221 252

HSL 199.18, 0.94%, 0.8%

LAB 84.85, -13.18, -21.68

 

CMYK 0 / 38 / 28 / 1

HEX #FC9BB6

RGB 252 155 182

HSL 343.3, 0.94%, 0.8%

LAB 74.52, 39.49, 1.51

 

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

CMYK 34 / 38 / 0 / 1

HEX #A69BFC

RGB 166 155 252

HSL 246.8, 0.94%, 0.8%

LAB 68.44, 25.76, -46.96

 

CMYK 0 / 34 / 38 / 1

HEX #FCA69B

RGB 252 166 155

HSL 6.8, 0.94%, 0.8%

LAB 76.27, 30.46, 18.8

 

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

CMYK 38 / 12 / 0 / 1

HEX #9BDDFC

RGB 155 221 252

HSL 199.18, 0.94%, 0.8%

LAB 84.85, -13.18, -21.68

 

CMYK 0 / 38 / 4 / 1

HEX #FC9BF1

RGB 252 155 241

HSL 306.8, 0.94%, 0.8%

LAB 76.37, 48.49, -28.02

 

CMYK 0 / 26 / 38 / 1

HEX #FCBA9B

RGB 252 186 155

HSL 19.18, 0.94%, 0.8%

LAB 80.84, 19.97, 25.06

 

CMYK 40 / 0 / 34 / 1

HEX #99FDA6

RGB 153 253 166

HSL 127.8, 0.96%, 0.8%

LAB 91.58, -46.7, 32.68

 

CMYK 38 / 24 / 0 / 1

HEX #9BC0FC

RGB 155 192 252

HSL 217.11, 0.94%, 0.8%

LAB 77.1, 2.17, -33.53

 

CMYK 0 / 38 / 4 / 1

HEX #FC9BF1

RGB 252 155 241

HSL 306.8, 0.94%, 0.8%

LAB 76.37, 48.49, -28.02

 

CMYK 0 / 15 / 38 / 1

HEX #FCD79B

RGB 252 215 155

HSL 37.11, 0.94%, 0.8%

LAB 87.81, 4.87, 34.4

 

Description

Color code: HEX #99FDA6 | qconv.com Color code: HEX #99FDA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 253 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 253 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 34% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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