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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CA3AA it is the complementary color #635C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CA3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CA3AA shade: #A1A3A5, #B2B5B8, #C3C7CB, #D4D9DE and #E5EBF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CA3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CA3AA shade: #9CA3AA, #8B9197, #7A7F84, #696D71 and #585B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CA3AA shade: #9BA3AA, #9B9FAA, #9C9BAA, #A09BAA and #A49BAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CA3AA shade: #9BA3AA, #9B9FAA and #9B9BAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CA3AA shade matches the following richer shades: #9BA3AA, #8DA3B9, #7EA3C8, #6FA3D7 and #60A3E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CA3AA shade: #9BA3AA, #AAA39B, #B9A38C, #C8A37D and #D7A36F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CA3AA shade: #9BAAAA, #9BA7AA, #9BA3AA, #9B9FAA and #9C9BAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CA3AA shade: #707983, #858E97, #9BA3AA, #B2B7BD and #C8CCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CA3AA shade: #9CA3AA, #A69BAA and #A9AA9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CA3AA shade: #9CA3AA, #AA9BA3 and #A3AA9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CA3AA shade: #9CA3AA, #A69BAA, #AAA39B and #A0AA9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CA3AA shade: #9CA3AA, #AA9BAA, #AAA39B and #9BAA9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

Complementary color

CMYK 0 / 7 / 14 / 61

HEX #635C55

RGB 99 92 85

HSL 30, 0.08%, 0.36%

LAB 39.52, 1.47, 5.03

 

CMYK 2 / 1 / 0 / 35

HEX #A1A3A5

RGB 161 163 165

HSL 210, 0.02%, 0.64%

LAB 66.89, -0.32, -1.29

 

CMYK 3 / 2 / 0 / 28

HEX #B2B5B8

RGB 178 181 184

HSL 210, 0.04%, 0.71%

LAB 73.53, -0.47, -1.9

 

CMYK 4 / 2 / 0 / 20

HEX #C3C7CB

RGB 195 199 203

HSL 210, 0.07%, 0.78%

LAB 80.04, -0.62, -2.48

 

CMYK 5 / 2 / 0 / 13

HEX #D4D9DE

RGB 212 217 222

HSL 210, 0.13%, 0.85%

LAB 86.45, -0.75, -3.05

 

CMYK 5 / 2 / 0 / 5

HEX #E5EBF1

RGB 229 235 241

HSL 210, 0.3%, 0.92%

LAB 92.76, -0.89, -3.6

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 8 / 4 / 0 / 41

HEX #8B9197

RGB 139 145 151

HSL 210, 0.05%, 0.57%

LAB 59.87, -0.94, -3.93

 

CMYK 8 / 4 / 0 / 48

HEX #7A7F84

RGB 122 127 132

HSL 210, 0.04%, 0.5%

LAB 52.93, -0.81, -3.36

 

CMYK 7 / 4 / 0 / 56

HEX #696D71

RGB 105 109 113

HSL 210, 0.04%, 0.43%

LAB 45.82, -0.67, -2.76

 

CMYK 6 / 3 / 0 / 63

HEX #585B5E

RGB 88 91 94

HSL 210, 0.03%, 0.36%

LAB 38.49, -0.52, -2.14

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 9 / 6 / 0 / 33

HEX #9B9FAA

RGB 155 159 170

HSL 224, 0.08%, 0.64%

LAB 65.49, 0.78, -6.21

 

CMYK 8 / 9 / 0 / 33

HEX #9C9BAA

RGB 156 155 170

HSL 244, 0.08%, 0.64%

LAB 64.49, 3.35, -7.67

 

CMYK 6 / 9 / 0 / 33

HEX #A09BAA

RGB 160 155 170

HSL 260, 0.08%, 0.64%

LAB 64.82, 4.74, -7.16

 

CMYK 4 / 9 / 0 / 33

HEX #A49BAA

RGB 164 155 170

HSL 276, 0.08%, 0.64%

LAB 65.15, 6.14, -6.63

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 9 / 6 / 0 / 33

HEX #9B9FAA

RGB 155 159 170

HSL 224, 0.08%, 0.64%

LAB 65.49, 0.78, -6.21

 

CMYK 9 / 9 / 0 / 33

HEX #9B9BAA

RGB 155 155 170

HSL 240, 0.08%, 0.64%

LAB 64.41, 3.01, -7.8

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 24 / 12 / 0 / 27

HEX #8DA3B9

RGB 141 163 185

HSL 210, 0.24%, 0.64%

LAB 66.03, -2.72, -13.89

 

CMYK 37 / 19 / 0 / 22

HEX #7EA3C8

RGB 126 163 200

HSL 210, 0.4%, 0.64%

LAB 65.59, -3.4, -22.99

 

CMYK 48 / 24 / 0 / 16

HEX #6FA3D7

RGB 111 163 215

HSL 210, 0.57%, 0.64%

LAB 65.34, -3.07, -31.76

 

CMYK 58 / 29 / 0 / 10

HEX #60A3E5

RGB 96 163 229

HSL 209.77, 0.72%, 0.64%

LAB 65.23, -2.06, -39.71

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 0 / 4 / 9 / 33

HEX #AAA39B

RGB 170 163 155

HSL 32, 0.08%, 0.64%

LAB 67.36, 1.09, 5.04

 

CMYK 0 / 12 / 24 / 27

HEX #B9A38C

RGB 185 163 140

HSL 30.67, 0.24%, 0.64%

LAB 68.32, 4.39, 14.9

 

CMYK 0 / 19 / 38 / 22

HEX #C8A37D

RGB 200 163 125

HSL 30.4, 0.41%, 0.64%

LAB 69.44, 8.35, 24.88

 

CMYK 0 / 24 / 48 / 16

HEX #D7A36F

RGB 215 163 111

HSL 30, 0.57%, 0.64%

LAB 70.73, 12.95, 34.37

 

CMYK 9 / 0 / 0 / 33

HEX #9BAAAA

RGB 155 170 170

HSL 180, 0.08%, 0.64%

LAB 68.48, -5.23, -1.8

 

CMYK 9 / 2 / 0 / 33

HEX #9BA7AA

RGB 155 167 170

HSL 192, 0.08%, 0.64%

LAB 67.66, -3.6, -3.01

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 9 / 6 / 0 / 33

HEX #9B9FAA

RGB 155 159 170

HSL 224, 0.08%, 0.64%

LAB 65.49, 0.78, -6.21

 

CMYK 8 / 9 / 0 / 33

HEX #9C9BAA

RGB 156 155 170

HSL 244, 0.08%, 0.64%

LAB 64.49, 3.35, -7.67

 

CMYK 15 / 8 / 0 / 49

HEX #707983

RGB 112 121 131

HSL 211.58, 0.08%, 0.48%

LAB 50.4, -1.14, -6.6

 

CMYK 12 / 6 / 0 / 41

HEX #858E97

RGB 133 142 151

HSL 210, 0.08%, 0.56%

LAB 58.57, -1.36, -5.9

 

CMYK 9 / 4 / 0 / 33

HEX #9BA3AA

RGB 155 163 170

HSL 208, 0.08%, 0.64%

LAB 66.57, -1.42, -4.61

 

CMYK 6 / 3 / 0 / 26

HEX #B2B7BD

RGB 178 183 189

HSL 212.73, 0.08%, 0.72%

LAB 74.19, -0.58, -3.65

 

CMYK 4 / 2 / 0 / 18

HEX #C8CCD0

RGB 200 204 208

HSL 210, 0.08%, 0.8%

LAB 81.85, -0.61, -2.47

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 2 / 9 / 0 / 33

HEX #A69BAA

RGB 166 155 170

HSL 284, 0.08%, 0.64%

LAB 65.32, 6.85, -6.36

 

CMYK 1 / 0 / 9 / 33

HEX #A9AA9B

RGB 169 170 155

HSL 64, 0.08%, 0.64%

LAB 69.15, -3.08, 7.6

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 0 / 9 / 4 / 33

HEX #AA9BA3

RGB 170 155 163

HSL 328, 0.08%, 0.64%

LAB 65.46, 6.94, -2.18

 

CMYK 4 / 0 / 9 / 33

HEX #A3AA9B

RGB 163 170 155

HSL 88, 0.08%, 0.64%

LAB 68.68, -5.28, 6.87

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 2 / 9 / 0 / 33

HEX #A69BAA

RGB 166 155 170

HSL 284, 0.08%, 0.64%

LAB 65.32, 6.85, -6.36

 

CMYK 0 / 4 / 9 / 33

HEX #AAA39B

RGB 170 163 155

HSL 32, 0.08%, 0.64%

LAB 67.36, 1.09, 5.04

 

CMYK 6 / 0 / 9 / 33

HEX #A0AA9B

RGB 160 170 155

HSL 100, 0.08%, 0.64%

LAB 68.45, -6.36, 6.52

 

CMYK 8 / 4 / 0 / 33

HEX #9CA3AA

RGB 156 163 170

HSL 210, 0.08%, 0.64%

LAB 66.65, -1.07, -4.49

 

CMYK 0 / 9 / 0 / 33

HEX #AA9BAA

RGB 170 155 170

HSL 300, 0.08%, 0.64%

LAB 65.66, 8.27, -5.81

 

CMYK 0 / 4 / 9 / 33

HEX #AAA39B

RGB 170 163 155

HSL 32, 0.08%, 0.64%

LAB 67.36, 1.09, 5.04

 

CMYK 9 / 0 / 9 / 33

HEX #9BAA9B

RGB 155 170 155

HSL 120, 0.08%, 0.64%

LAB 68.08, -8.16, 5.94

 

Description

Color code: HEX #9CA3AA | qconv.com Color code: HEX #9CA3AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 163 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 163 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 4 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 4% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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