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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CA3C4 it is the complementary color #635C3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CA3C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CA3C4 shade: #A1A3BF, #B2B5D2, #C3C7E5, #D4D9F8 and #E5EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CA3C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CA3C4 shade: #9CA3C4, #8B91B1, #7A7F9E, #696D8B and #585B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CA3C4 shade: #9CA3C3, #9F9CC3, #AA9CC3, #B59CC3 and #BF9CC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CA3C4 shade: #9CA3C3 and #9C9CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CA3C4 shade matches the following richer shades: #9CA3C3, #8F9AD0, #8292DD, #758AEA and #6981F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CA3C4 shade: #9CA3C3, #A8ABB6, #B5B3AA, #C2BC9D and #CFC490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CA3C4 shade: #9CB8C3, #9CADC3, #9CA3C3, #9F9CC3 and #AA9CC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CA3C4 shade: #6873A4, #828BB4, #9CA3C3, #B5BBD3 and #CFD3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CA3C4 shade: #9CA3C4, #C39CC3 and #B3C39C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CA3C4 shade: #9CA3C4, #C39CA3 and #A3C39C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CA3C4 shade: #9CA3C4, #C39CC3, #C3BC9C and #9CC39C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CA3C4 shade: #9CA3C4, #C39CB7, #C3BC9C and #9CC3A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

Complementary color

CMYK 0 / 7 / 40 / 61

HEX #635C3B

RGB 99 92 59

HSL 49.5, 0.25%, 0.31%

LAB 38.94, -2.64, 20.02

 

CMYK 16 / 15 / 0 / 25

HEX #A1A3BF

RGB 161 163 191

HSL 236, 0.19%, 0.69%

LAB 67.68, 5.07, -14.6

 

CMYK 15 / 14 / 0 / 18

HEX #B2B5D2

RGB 178 181 210

HSL 234.38, 0.26%, 0.76%

LAB 74.3, 4.82, -14.96

 

CMYK 15 / 13 / 0 / 10

HEX #C3C7E5

RGB 195 199 229

HSL 232.94, 0.4%, 0.83%

LAB 80.8, 4.59, -15.32

 

CMYK 15 / 13 / 0 / 3

HEX #D4D9F8

RGB 212 217 248

HSL 231.67, 0.72%, 0.9%

LAB 87.19, 4.38, -15.68

 

CMYK 10 / 8 / 0 / 0

HEX #E5EBFF

RGB 229 235 255

HSL 226.15, 1%, 0.95%

LAB 93.14, 1.78, -10.33

 

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 23 / 20 / 0 / 38

HEX #7A7F9E

RGB 122 127 158

HSL 231.67, 0.16%, 0.55%

LAB 53.8, 5.15, -17.19

 

CMYK 24 / 22 / 0 / 45

HEX #696D8B

RGB 105 109 139

HSL 232.94, 0.14%, 0.48%

LAB 46.72, 5.48, -16.95

 

CMYK 27 / 24 / 0 / 53

HEX #585B78

RGB 88 91 120

HSL 234.38, 0.15%, 0.41%

LAB 39.43, 5.87, -16.75

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 18 / 20 / 0 / 24

HEX #9F9CC3

RGB 159 156 195

HSL 244.62, 0.25%, 0.69%

LAB 65.82, 9.23, -19.66

 

CMYK 13 / 20 / 0 / 24

HEX #AA9CC3

RGB 170 156 195

HSL 261.54, 0.25%, 0.69%

LAB 66.72, 12.81, -18.2

 

CMYK 7 / 20 / 0 / 24

HEX #B59CC3

RGB 181 156 195

HSL 278.46, 0.25%, 0.69%

LAB 67.68, 16.47, -16.65

 

CMYK 2 / 20 / 0 / 24

HEX #BF9CC3

RGB 191 156 195

HSL 293.85, 0.25%, 0.69%

LAB 68.6, 19.84, -15.17

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 20 / 20 / 0 / 24

HEX #9C9CC3

RGB 156 156 195

HSL 240, 0.25%, 0.69%

LAB 65.58, 8.27, -20.04

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 31 / 26 / 0 / 18

HEX #8F9AD0

RGB 143 154 208

HSL 229.85, 0.41%, 0.69%

LAB 64.57, 8.59, -28.92

 

CMYK 41 / 34 / 0 / 13

HEX #8292DD

RGB 130 146 221

HSL 229.45, 0.57%, 0.69%

LAB 62.1, 13.11, -40.05

 

CMYK 50 / 41 / 0 / 8

HEX #758AEA

RGB 117 138 234

HSL 229.23, 0.74%, 0.69%

LAB 59.8, 18.48, -50.96

 

CMYK 57 / 48 / 0 / 4

HEX #6981F6

RGB 105 129 246

HSL 229.79, 0.89%, 0.69%

LAB 57.42, 25.13, -61.44

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 8 / 6 / 0 / 29

HEX #A8ABB6

RGB 168 171 182

HSL 227.14, 0.09%, 0.69%

LAB 70.06, 1.11, -6

 

CMYK 0 / 1 / 6 / 29

HEX #B5B3AA

RGB 181 179 170

HSL 49.09, 0.07%, 0.69%

LAB 72.87, -0.92, 4.83

 

CMYK 0 / 3 / 19 / 24

HEX #C2BC9D

RGB 194 188 157

HSL 50.27, 0.23%, 0.69%

LAB 75.99, -3.04, 16.47

 

CMYK 0 / 5 / 30 / 19

HEX #CFC490

RGB 207 196 144

HSL 49.52, 0.4%, 0.69%

LAB 78.9, -4.08, 27.55

 

CMYK 20 / 6 / 0 / 24

HEX #9CB8C3

RGB 156 184 195

HSL 196.92, 0.25%, 0.69%

LAB 73.08, -7.1, -8.75

 

CMYK 20 / 11 / 0 / 24

HEX #9CADC3

RGB 156 173 195

HSL 213.85, 0.25%, 0.69%

LAB 70.1, -1.17, -13.2

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 18 / 20 / 0 / 24

HEX #9F9CC3

RGB 159 156 195

HSL 244.62, 0.25%, 0.69%

LAB 65.82, 9.23, -19.66

 

CMYK 13 / 20 / 0 / 24

HEX #AA9CC3

RGB 170 156 195

HSL 261.54, 0.25%, 0.69%

LAB 66.72, 12.81, -18.2

 

CMYK 37 / 30 / 0 / 36

HEX #6873A4

RGB 104 115 164

HSL 229, 0.25%, 0.53%

LAB 49.36, 8.27, -27.63

 

CMYK 28 / 23 / 0 / 29

HEX #828BB4

RGB 130 139 180

HSL 229.2, 0.25%, 0.61%

LAB 58.51, 6.18, -22.56

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C3

RGB 156 163 195

HSL 229.23, 0.25%, 0.69%

LAB 67.43, 4.35, -17.23

 

CMYK 14 / 11 / 0 / 17

HEX #B5BBD3

RGB 181 187 211

HSL 228, 0.25%, 0.77%

LAB 76.11, 2.75, -12.75

 

CMYK 8 / 7 / 0 / 11

HEX #CFD3E2

RGB 207 211 226

HSL 227.37, 0.25%, 0.85%

LAB 84.66, 1.5, -7.86

 

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

CMYK 0 / 20 / 0 / 24

HEX #C39CC3

RGB 195 156 195

HSL 300, 0.25%, 0.69%

LAB 68.98, 21.2, -14.56

 

CMYK 8 / 0 / 20 / 24

HEX #B3C39C

RGB 179 195 156

HSL 84.62, 0.25%, 0.69%

LAB 76.69, -12.41, 17.8

 

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

CMYK 0 / 20 / 16 / 24

HEX #C39CA3

RGB 195 156 163

HSL 349.23, 0.25%, 0.69%

LAB 68.04, 15.57, 1.86

 

CMYK 16 / 0 / 20 / 24

HEX #A3C39C

RGB 163 195 156

HSL 109.23, 0.25%, 0.69%

LAB 75.59, -18.15, 16.1

 

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

CMYK 0 / 20 / 0 / 24

HEX #C39CC3

RGB 195 156 195

HSL 300, 0.25%, 0.69%

LAB 68.98, 21.2, -14.56

 

CMYK 0 / 4 / 20 / 24

HEX #C3BC9C

RGB 195 188 156

HSL 49.23, 0.25%, 0.69%

LAB 76.05, -2.82, 17.1

 

CMYK 20 / 0 / 20 / 24

HEX #9CC39C

RGB 156 195 156

HSL 120, 0.25%, 0.69%

LAB 75.14, -20.57, 15.41

 

CMYK 20 / 17 / 0 / 23

HEX #9CA3C4

RGB 156 163 196

HSL 229.5, 0.25%, 0.69%

LAB 67.46, 4.58, -17.74

 

CMYK 0 / 20 / 6 / 24

HEX #C39CB7

RGB 195 156 183

HSL 318.46, 0.25%, 0.69%

LAB 68.6, 18.99, -8.46

 

CMYK 0 / 4 / 20 / 24

HEX #C3BC9C

RGB 195 188 156

HSL 49.23, 0.25%, 0.69%

LAB 76.05, -2.82, 17.1

 

CMYK 20 / 0 / 14 / 24

HEX #9CC3A8

RGB 156 195 168

HSL 138.46, 0.25%, 0.69%

LAB 75.4, -18.38, 9.32

 

Description

Color code: HEX #9CA3C4 | qconv.com Color code: HEX #9CA3C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 163 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 163 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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