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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CB007 it is the complementary color #634FF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CB007. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CB007 shade: #A1B002, #B2C215, #C3D428, #D4E63B and #E5F84E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CB007. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CB007 shade: #9CB007, #8B9E00, #7A8C00, #697A00 and #586800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CB007 shade: #9CB007, #B09607, #B06907, #B03B07 and #B00E07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CB007 shade: #9CB007, #6EB007, #41B007, #13B007 and #07B028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CB007 shade matches the following richer shades: #9CB007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CB007 shade: #9CB007, #90A116, #859225, #7A8333 and #6E7442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CB007 shade: #B06907, #B09607, #9CB007, #6FB007 and #42B007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CB007 shade: #566104, #798805, #9CB007, #BFD708 and #DAF514

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CB007 shade: #9CB007, #07B03C and #8007B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CB007 shade: #9CB007, #079CB0 and #B0079C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CB007 shade: #9CB007, #07B03C, #1B07B0 and #B0077A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CB007 shade: #9CB007, #07B06F, #1B07B0 and #B00748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

Complementary color

CMYK 60 / 68 / 0 / 3

HEX #634FF8

RGB 99 79 248

HSL 247.1, 0.92%, 0.64%

LAB 45.66, 54.07, -81.65

 

CMYK 9 / 0 / 99 / 31

HEX #A1B002

RGB 161 176 2

HSL 65.17, 0.98%, 0.35%

LAB 68.48, -22.84, 69.89

 

CMYK 8 / 0 / 89 / 24

HEX #B2C215

RGB 178 194 21

HSL 65.55, 0.8%, 0.42%

LAB 74.89, -24.11, 72.93

 

CMYK 8 / 0 / 81 / 17

HEX #C3D428

RGB 195 212 40

HSL 65.93, 0.68%, 0.49%

LAB 81.2, -25.2, 74.68

 

CMYK 8 / 0 / 74 / 10

HEX #D4E63B

RGB 212 230 59

HSL 66.32, 0.77%, 0.57%

LAB 87.44, -26.1, 75.37

 

CMYK 8 / 0 / 69 / 3

HEX #E5F84E

RGB 229 248 78

HSL 66.71, 0.92%, 0.64%

LAB 93.6, -26.86, 75.38

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 12 / 0 / 100 / 38

HEX #8B9E00

RGB 139 158 0

HSL 67.22, 1%, 0.31%

LAB 61.6, -23.49, 64.28

 

CMYK 13 / 0 / 100 / 45

HEX #7A8C00

RGB 122 140 0

HSL 67.71, 1%, 0.27%

LAB 54.96, -21.95, 58.75

 

CMYK 14 / 0 / 100 / 52

HEX #697A00

RGB 105 122 0

HSL 68.36, 1%, 0.24%

LAB 48.16, -20.37, 53.09

 

CMYK 15 / 0 / 100 / 59

HEX #586800

RGB 88 104 0

HSL 69.23, 1%, 0.2%

LAB 41.18, -18.77, 47.27

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 0 / 15 / 96 / 31

HEX #B09607

RGB 176 150 7

HSL 50.77, 0.92%, 0.36%

LAB 62.56, -2.58, 65.41

 

CMYK 0 / 40 / 96 / 31

HEX #B06907

RGB 176 105 7

HSL 34.79, 0.92%, 0.36%

LAB 51.09, 22.36, 57.18

 

CMYK 0 / 66 / 96 / 31

HEX #B03B07

RGB 176 59 7

HSL 18.46, 0.92%, 0.36%

LAB 41.8, 45.78, 51.07

 

CMYK 0 / 92 / 96 / 31

HEX #B00E07

RGB 176 14 7

HSL 2.49, 0.92%, 0.36%

LAB 37.04, 59.04, 48.31

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 38 / 0 / 96 / 31

HEX #6EB007

RGB 110 176 7

HSL 83.43, 0.92%, 0.36%

LAB 65.26, -43.31, 65.39

 

CMYK 63 / 0 / 96 / 31

HEX #41B007

RGB 65 176 7

HSL 99.41, 0.92%, 0.36%

LAB 63.5, -56.91, 63.23

 

CMYK 89 / 0 / 96 / 31

HEX #13B007

RGB 19 176 7

HSL 115.74, 0.92%, 0.36%

LAB 62.68, -64.03, 62.22

 

CMYK 96 / 0 / 77 / 31

HEX #07B028

RGB 7 176 40

HSL 131.72, 0.92%, 0.36%

LAB 62.72, -63.24, 54.86

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 11 / 0 / 86 / 37

HEX #90A116

RGB 144 161 22

HSL 67.34, 0.76%, 0.36%

LAB 62.91, -22.38, 61.9

 

CMYK 9 / 0 / 75 / 43

HEX #859225

RGB 133 146 37

HSL 67.16, 0.6%, 0.36%

LAB 57.73, -19, 52.58

 

CMYK 7 / 0 / 61 / 49

HEX #7A8333

RGB 122 131 51

HSL 66.75, 0.44%, 0.36%

LAB 52.52, -15.07, 41.08

 

CMYK 5 / 0 / 43 / 55

HEX #6E7442

RGB 110 116 66

HSL 67.2, 0.27%, 0.36%

LAB 47.23, -10.67, 26.82

 

CMYK 0 / 40 / 96 / 31

HEX #B06907

RGB 176 105 7

HSL 34.79, 0.92%, 0.36%

LAB 51.09, 22.36, 57.18

 

CMYK 0 / 15 / 96 / 31

HEX #B09607

RGB 176 150 7

HSL 50.77, 0.92%, 0.36%

LAB 62.56, -2.58, 65.41

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 37 / 0 / 96 / 31

HEX #6FB007

RGB 111 176 7

HSL 83.08, 0.92%, 0.36%

LAB 65.31, -42.95, 65.45

 

CMYK 63 / 0 / 96 / 31

HEX #42B007

RGB 66 176 7

HSL 99.05, 0.92%, 0.36%

LAB 63.53, -56.67, 63.26

 

CMYK 11 / 0 / 96 / 62

HEX #566104

RGB 86 97 4

HSL 67.1, 0.92%, 0.2%

LAB 38.79, -15.82, 44.28

 

CMYK 11 / 0 / 96 / 47

HEX #798805

RGB 121 136 5

HSL 66.87, 0.93%, 0.28%

LAB 53.69, -20.25, 56.88

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 11 / 0 / 96 / 16

HEX #BFD708

RGB 191 215 8

HSL 66.96, 0.93%, 0.44%

LAB 81.67, -28.92, 80.21

 

CMYK 11 / 0 / 92 / 4

HEX #DAF514

RGB 218 245 20

HSL 67.2, 0.92%, 0.52%

LAB 91.8, -31.75, 87.63

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 96 / 0 / 66 / 31

HEX #07B03C

RGB 7 176 60

HSL 138.82, 0.92%, 0.36%

LAB 62.86, -61.4, 47.34

 

CMYK 27 / 96 / 0 / 31

HEX #8007B0

RGB 128 7 176

HSL 282.96, 0.92%, 0.36%

LAB 33.72, 66.36, -59.52

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 96 / 11 / 0 / 31

HEX #079CB0

RGB 7 156 176

HSL 187.1, 0.92%, 0.36%

LAB 58.93, -26.53, -20.04

 

CMYK 0 / 96 / 11 / 31

HEX #B0079C

RGB 176 7 156

HSL 307.1, 0.92%, 0.36%

LAB 40.87, 70.83, -35.56

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 96 / 0 / 66 / 31

HEX #07B03C

RGB 7 176 60

HSL 138.82, 0.92%, 0.36%

LAB 62.86, -61.4, 47.34

 

CMYK 85 / 96 / 0 / 31

HEX #1B07B0

RGB 27 7 176

HSL 247.1, 0.92%, 0.36%

LAB 22.01, 58.54, -79.25

 

CMYK 0 / 96 / 31 / 31

HEX #B0077A

RGB 176 7 122

HSL 319.17, 0.92%, 0.36%

LAB 39.22, 66.6, -17.26

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 96 / 0 / 37 / 31

HEX #07B06F

RGB 7 176 111

HSL 156.92, 0.92%, 0.36%

LAB 63.54, -53.19, 22.91

 

CMYK 85 / 96 / 0 / 31

HEX #1B07B0

RGB 27 7 176

HSL 247.1, 0.92%, 0.36%

LAB 22.01, 58.54, -79.25

 

CMYK 0 / 96 / 59 / 31

HEX #B00748

RGB 176 7 72

HSL 336.92, 0.92%, 0.36%

LAB 37.57, 62.21, 12.16

 

Description

Color code: HEX #9CB007 | qconv.com Color code: HEX #9CB007 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 176 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 176 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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