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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CC421 it is the complementary color #633BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CC421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CC421 shade: #A1C41C, #B2D62F, #C3E842, #D4FA55 and #E5FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CC421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CC421 shade: #9CC421, #8BB20E, #7AA000, #698E00 and #587C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CC421 shade: #9CC421, #C4C021, #C49421, #C46821 and #C43C21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CC421 shade: #9CC421, #70C421, #44C421, #21C42A and #21C456

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CC421 shade matches the following richer shades: #9CC421 and #A5D60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CC421 shade: #9CC421, #92B133, #899F46, #7F8C58 and #76796B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CC421 shade: #C49321, #C4BE21, #9EC421, #72C421 and #47C421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CC421 shade: #647D15, #80A01B, #9CC421, #B2DC32 and #BFE255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CC421 shade: #9CC421, #21C467 and #A921C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CC421 shade: #9CC421, #219EC4 and #C4219E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CC421 shade: #9CC421, #21C467, #4721C4 and #C4217D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CC421 shade: #9CC421, #21C498, #4721C4 and #C4214C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

Complementary color

CMYK 55 / 73 / 0 / 13

HEX #633BDE

RGB 99 59 222

HSL 254.72, 0.71%, 0.55%

LAB 39.67, 56.9, -76.79

 

CMYK 18 / 0 / 86 / 23

HEX #A1C41C

RGB 161 196 28

HSL 72.5, 0.75%, 0.44%

LAB 74.28, -31.96, 70.61

 

CMYK 17 / 0 / 78 / 16

HEX #B2D62F

RGB 178 214 47

HSL 72.93, 0.67%, 0.51%

LAB 80.61, -32.81, 71.82

 

CMYK 16 / 0 / 72 / 9

HEX #C3E842

RGB 195 232 66

HSL 73.37, 0.78%, 0.58%

LAB 86.85, -33.49, 72.12

 

CMYK 15 / 0 / 66 / 2

HEX #D4FA55

RGB 212 250 85

HSL 73.82, 0.94%, 0.66%

LAB 93.03, -34.04, 71.87

 

CMYK 10 / 0 / 59 / 0

HEX #E5FF68

RGB 229 255 104

HSL 70.33, 1%, 0.7%

LAB 95.65, -28.51, 67.5

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 22 / 0 / 92 / 30

HEX #8BB20E

RGB 139 178 14

HSL 74.27, 0.85%, 0.38%

LAB 67.55, -32.87, 67.01

 

CMYK 24 / 0 / 100 / 37

HEX #7AA000

RGB 122 160 0

HSL 74.25, 1%, 0.31%

LAB 61.03, -31.69, 63.32

 

CMYK 26 / 0 / 100 / 44

HEX #698E00

RGB 105 142 0

HSL 75.63, 1%, 0.28%

LAB 54.4, -30.27, 57.8

 

CMYK 29 / 0 / 100 / 51

HEX #587C00

RGB 88 124 0

HSL 77.42, 1%, 0.24%

LAB 47.61, -28.82, 52.15

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 0 / 2 / 83 / 23

HEX #C4C021

RGB 196 192 33

HSL 58.53, 0.71%, 0.45%

LAB 75.79, -15.14, 71.81

 

CMYK 0 / 24 / 83 / 23

HEX #C49421

RGB 196 148 33

HSL 42.33, 0.71%, 0.45%

LAB 64.18, 8.03, 61.96

 

CMYK 0 / 47 / 83 / 23

HEX #C46821

RGB 196 104 33

HSL 26.13, 0.71%, 0.45%

LAB 53.76, 31.98, 52.9

 

CMYK 0 / 69 / 83 / 23

HEX #C43C21

RGB 196 60 33

HSL 9.94, 0.71%, 0.45%

LAB 45.74, 52.76, 45.71

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 43 / 0 / 83 / 23

HEX #70C421

RGB 112 196 33

HSL 90.92, 0.71%, 0.45%

LAB 71.58, -50.04, 66.07

 

CMYK 65 / 0 / 83 / 23

HEX #44C421

RGB 68 196 33

HSL 107.12, 0.71%, 0.45%

LAB 70.05, -62.06, 64.12

 

CMYK 83 / 0 / 79 / 23

HEX #21C42A

RGB 33 196 42

HSL 123.31, 0.71%, 0.45%

LAB 69.45, -67.08, 60.82

 

CMYK 83 / 0 / 56 / 23

HEX #21C456

RGB 33 196 86

HSL 139.51, 0.71%, 0.45%

LAB 69.81, -62.64, 43.62

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 23 / 0 / 93 / 16

HEX #A5D60E

RGB 165 214 14

HSL 74.7, 0.88%, 0.45%

LAB 79.68, -38.86, 77.34

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 18 / 0 / 71 / 31

HEX #92B133

RGB 146 177 51

HSL 74.76, 0.55%, 0.45%

LAB 67.87, -28.12, 57.67

 

CMYK 14 / 0 / 56 / 38

HEX #899F46

RGB 137 159 70

HSL 74.83, 0.39%, 0.45%

LAB 62.13, -21.54, 43.18

 

CMYK 9 / 0 / 37 / 45

HEX #7F8C58

RGB 127 140 88

HSL 75, 0.23%, 0.45%

LAB 56.06, -13.75, 26.24

 

CMYK 2 / 0 / 12 / 53

HEX #76796B

RGB 118 121 107

HSL 72.86, 0.06%, 0.45%

LAB 50.2, -3.85, 7.29

 

CMYK 0 / 25 / 83 / 23

HEX #C49321

RGB 196 147 33

HSL 41.96, 0.71%, 0.45%

LAB 63.93, 8.58, 61.75

 

CMYK 0 / 3 / 83 / 23

HEX #C4BE21

RGB 196 190 33

HSL 57.79, 0.71%, 0.45%

LAB 75.25, -14.13, 71.35

 

CMYK 19 / 0 / 83 / 23

HEX #9EC421

RGB 158 196 33

HSL 73.99, 0.71%, 0.45%

LAB 74.1, -33.02, 69.25

 

CMYK 42 / 0 / 83 / 23

HEX #72C421

RGB 114 196 33

HSL 90.18, 0.71%, 0.45%

LAB 71.67, -49.38, 66.18

 

CMYK 64 / 0 / 83 / 23

HEX #47C421

RGB 71 196 33

HSL 106.01, 0.71%, 0.45%

LAB 70.13, -61.41, 64.22

 

CMYK 20 / 0 / 83 / 51

HEX #647D15

RGB 100 125 21

HSL 74.42, 0.71%, 0.29%

LAB 48.8, -23.52, 48.72

 

CMYK 20 / 0 / 83 / 37

HEX #80A01B

RGB 128 160 27

HSL 74.44, 0.71%, 0.37%

LAB 61.49, -28.55, 59.01

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 19 / 0 / 77 / 14

HEX #B2DC32

RGB 178 220 50

HSL 74.82, 0.71%, 0.53%

LAB 82.32, -35.44, 72.51

 

CMYK 15 / 0 / 62 / 11

HEX #BFE255

RGB 191 226 85

HSL 74.89, 0.71%, 0.61%

LAB 85.06, -31.11, 63.06

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 83 / 0 / 47 / 23

HEX #21C467

RGB 33 196 103

HSL 145.77, 0.71%, 0.45%

LAB 70.02, -60.05, 35.58

 

CMYK 14 / 83 / 0 / 23

HEX #A921C4

RGB 169 33 196

HSL 290.06, 0.71%, 0.45%

LAB 43.52, 71.61, -55.12

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 83 / 19 / 0 / 23

HEX #219EC4

RGB 33 158 196

HSL 193.99, 0.71%, 0.45%

LAB 60.57, -19.3, -28.77

 

CMYK 0 / 83 / 19 / 23

HEX #C4219E

RGB 196 33 158

HSL 313.99, 0.71%, 0.45%

LAB 46.03, 71.08, -28.4

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 83 / 0 / 47 / 23

HEX #21C467

RGB 33 196 103

HSL 145.77, 0.71%, 0.45%

LAB 70.02, -60.05, 35.58

 

CMYK 64 / 83 / 0 / 23

HEX #4721C4

RGB 71 33 196

HSL 253.99, 0.71%, 0.45%

LAB 30.43, 58.18, -77.05

 

CMYK 0 / 83 / 36 / 23

HEX #C4217D

RGB 196 33 125

HSL 326.13, 0.71%, 0.45%

LAB 44.67, 67.24, -10.48

 

CMYK 20 / 0 / 83 / 23

HEX #9CC421

RGB 156 196 33

HSL 74.72, 0.71%, 0.45%

LAB 73.97, -33.83, 69.09

 

CMYK 83 / 0 / 22 / 23

HEX #21C498

RGB 33 196 152

HSL 163.8, 0.71%, 0.45%

LAB 70.92, -49.93, 10.99

 

CMYK 64 / 83 / 0 / 23

HEX #4721C4

RGB 71 33 196

HSL 253.99, 0.71%, 0.45%

LAB 30.43, 58.18, -77.05

 

CMYK 0 / 83 / 61 / 23

HEX #C4214C

RGB 196 33 76

HSL 344.17, 0.71%, 0.45%

LAB 43.28, 63.19, 18.03

 

Description

Color code: HEX #9CC421 | qconv.com Color code: HEX #9CC421 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 196 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 196 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 83 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 83% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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