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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CD4FC it is the complementary color #632B03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CD4FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CD4FC shade: #A1D4F7, #B2E6FF, #C3F8FF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CD4FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CD4FC shade: #9CD4FC, #8BC2E9, #7AB0D6, #699EC3 and #588CB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CD4FC shade: #9CD3FB, #9CBAFB, #9CA0FB, #B19CFB and #CB9CFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CD4FC shade: #9CD3FB, #9CBAFB, #9CA0FB and #9C9CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CD4FC shade matches the following richer shades: #9CD3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CD4FC shade: #9CD3FB, #A4D2F3, #ACD1EB, #B4CFE3 and #BDCEDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CD4FC shade: #9CFBF0, #9CEDFB, #9CD3FB, #9CBAFB and #9CA0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CD4FC shade: #4CB1F9, #74C2FA, #9CD3FB, #C4E5FD and #ECF6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CD4FC shade: #9CD4FC, #D79CFB and #FAFB9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CD4FC shade: #9CD4FC, #FB9CD3 and #D3FB9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CD4FC shade: #9CD4FC, #D79CFB, #FBC49C and #C0FB9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CD4FC shade: #9CD4FC, #F39CFB, #FBC49C and #A4FB9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

Complementary color

CMYK 0 / 57 / 97 / 61

HEX #632B03

RGB 99 43 3

HSL 25, 0.94%, 0.2%

LAB 24.91, 23.03, 34.15

 

CMYK 35 / 14 / 0 / 3

HEX #A1D4F7

RGB 161 212 247

HSL 204.42, 0.84%, 0.8%

LAB 82.58, -8.19, -22.43

 

CMYK 30 / 10 / 0 / 0

HEX #B2E6FF

RGB 178 230 255

HSL 199.48, 1%, 0.85%

LAB 88.58, -10.92, -17.5

 

CMYK 24 / 3 / 0 / 0

HEX #C3F8FF

RGB 195 248 255

HSL 187, 1%, 0.88%

LAB 94.29, -15.17, -8.86

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 40 / 17 / 0 / 9

HEX #8BC2E9

RGB 139 194 233

HSL 204.89, 0.68%, 0.73%

LAB 76.04, -8.06, -25.01

 

CMYK 43 / 18 / 0 / 16

HEX #7AB0D6

RGB 122 176 214

HSL 204.78, 0.53%, 0.66%

LAB 69.5, -7.82, -24.76

 

CMYK 46 / 19 / 0 / 24

HEX #699EC3

RGB 105 158 195

HSL 204.67, 0.43%, 0.59%

LAB 62.84, -7.53, -24.52

 

CMYK 50 / 20 / 0 / 31

HEX #588CB0

RGB 88 140 176

HSL 204.55, 0.36%, 0.52%

LAB 56.05, -7.16, -24.28

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 38 / 26 / 0 / 2

HEX #9CBAFB

RGB 156 186 251

HSL 221.05, 0.92%, 0.8%

LAB 75.55, 5.46, -35.39

 

CMYK 38 / 36 / 0 / 2

HEX #9CA0FB

RGB 156 160 251

HSL 237.47, 0.92%, 0.8%

LAB 68.88, 20.04, -45.79

 

CMYK 29 / 38 / 0 / 2

HEX #B19CFB

RGB 177 156 251

HSL 253.26, 0.92%, 0.8%

LAB 69.53, 27.92, -44.64

 

CMYK 19 / 38 / 0 / 2

HEX #CB9CFB

RGB 203 156 251

HSL 269.68, 0.92%, 0.8%

LAB 71.85, 35.27, -40.85

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 38 / 26 / 0 / 2

HEX #9CBAFB

RGB 156 186 251

HSL 221.05, 0.92%, 0.8%

LAB 75.55, 5.46, -35.39

 

CMYK 38 / 36 / 0 / 2

HEX #9CA0FB

RGB 156 160 251

HSL 237.47, 0.92%, 0.8%

LAB 68.88, 20.04, -45.79

 

CMYK 38 / 38 / 0 / 2

HEX #9C9CFB

RGB 156 156 251

HSL 240, 0.92%, 0.8%

LAB 67.88, 22.32, -47.36

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 33 / 14 / 0 / 5

HEX #A4D2F3

RGB 164 210 243

HSL 205.06, 0.77%, 0.8%

LAB 82.09, -7.31, -21.05

 

CMYK 27 / 11 / 0 / 8

HEX #ACD1EB

RGB 172 209 235

HSL 204.76, 0.61%, 0.8%

LAB 82.04, -6.41, -16.81

 

CMYK 21 / 9 / 0 / 11

HEX #B4CFE3

RGB 180 207 227

HSL 205.53, 0.46%, 0.8%

LAB 81.77, -4.77, -12.9

 

CMYK 13 / 6 / 0 / 15

HEX #BDCEDA

RGB 189 206 218

HSL 204.83, 0.28%, 0.8%

LAB 81.85, -3.32, -7.9

 

CMYK 38 / 0 / 4 / 2

HEX #9CFBF0

RGB 156 251 240

HSL 173.05, 0.92%, 0.8%

LAB 92.73, -30.57, -3.62

 

CMYK 38 / 6 / 0 / 2

HEX #9CEDFB

RGB 156 237 251

HSL 188.84, 0.92%, 0.8%

LAB 89.21, -21.23, -14.58

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 38 / 26 / 0 / 2

HEX #9CBAFB

RGB 156 186 251

HSL 221.05, 0.92%, 0.8%

LAB 75.55, 5.46, -35.39

 

CMYK 38 / 36 / 0 / 2

HEX #9CA0FB

RGB 156 160 251

HSL 237.47, 0.92%, 0.8%

LAB 68.88, 20.04, -45.79

 

CMYK 69 / 29 / 0 / 2

HEX #4CB1F9

RGB 76 177 249

HSL 204.97, 0.94%, 0.64%

LAB 69.34, -6.75, -44.25

 

CMYK 54 / 22 / 0 / 2

HEX #74C2FA

RGB 116 194 250

HSL 205.07, 0.93%, 0.72%

LAB 75.57, -8.66, -34.97

 

CMYK 38 / 16 / 0 / 2

HEX #9CD3FB

RGB 156 211 251

HSL 205.26, 0.92%, 0.8%

LAB 82.17, -7.99, -25.2

 

CMYK 23 / 9 / 0 / 1

HEX #C4E5FD

RGB 196 229 253

HSL 205.26, 0.93%, 0.88%

LAB 89.33, -5.69, -15.21

 

CMYK 7 / 3 / 0 / 0

HEX #ECF6FE

RGB 236 246 254

HSL 206.67, 0.9%, 0.96%

LAB 96.37, -1.8, -4.98

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 14 / 38 / 0 / 2

HEX #D79CFB

RGB 215 156 251

HSL 277.26, 0.92%, 0.8%

LAB 73.02, 38.76, -38.94

 

CMYK 0 / 0 / 38 / 2

HEX #FAFB9C

RGB 250 251 156

HSL 60.63, 0.92%, 0.8%

LAB 96.71, -13.87, 45.41

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 0 / 38 / 16 / 2

HEX #FB9CD3

RGB 251 156 211

HSL 325.26, 0.92%, 0.8%

LAB 75.44, 42.78, -13.07

 

CMYK 16 / 0 / 38 / 2

HEX #D3FB9C

RGB 211 251 156

HSL 85.26, 0.92%, 0.8%

LAB 93.99, -28.3, 41.37

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 14 / 38 / 0 / 2

HEX #D79CFB

RGB 215 156 251

HSL 277.26, 0.92%, 0.8%

LAB 73.02, 38.76, -38.94

 

CMYK 0 / 22 / 38 / 2

HEX #FBC49C

RGB 251 196 156

HSL 25.26, 0.92%, 0.8%

LAB 83.12, 14.46, 27.61

 

CMYK 24 / 0 / 38 / 2

HEX #C0FB9C

RGB 192 251 156

HSL 97.26, 0.92%, 0.8%

LAB 92.84, -34.95, 39.66

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 3 / 38 / 0 / 2

HEX #F39CFB

RGB 243 156 251

HSL 294.95, 0.92%, 0.8%

LAB 75.94, 47.04, -34.17

 

CMYK 0 / 22 / 38 / 2

HEX #FBC49C

RGB 251 196 156

HSL 25.26, 0.92%, 0.8%

LAB 83.12, 14.46, 27.61

 

CMYK 35 / 0 / 38 / 2

HEX #A4FB9C

RGB 164 251 156

HSL 114.95, 0.92%, 0.8%

LAB 91.36, -44.09, 37.45

 

Description

Color code: HEX #9CD4FC | qconv.com Color code: HEX #9CD4FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 212 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 212 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 16 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 16% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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