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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CD059 it is the complementary color #632FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CD059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CD059 shade: #A1D054, #B2E267, #C3F47A, #D4FF8D and #E5FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CD059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CD059 shade: #9CD059, #8BBE46, #7AAC33, #699A20 and #58880D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CD059 shade: #9BCF57, #BBCF57, #CFC357, #CFA357 and #CF8257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CD059 shade: #9BCF57, #7BCF57, #5ACF57, #57CF75 and #57CF95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CD059 shade matches the following richer shades: #9BCF57, #9DE146 and #9FF235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CD059 shade: #9BCF57, #99BE69, #97AD7A, #949B8B and #928A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CD059 shade: #CFC357, #BBCF57, #9BCF57, #7BCF57 and #5BCF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CD059 shade: #72A62E, #88C637, #9BCF57, #AED878 and #C1E298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CD059 shade: #9CD059, #57CFA3 and #CF57CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CD059 shade: #9CD059, #579BCF and #CF579B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CD059 shade: #9CD059, #57CFA3, #8B57CF and #CF5783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CD059 shade: #9CD059, #57CFC7, #8B57CF and #CF575F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

Complementary color

CMYK 40 / 72 / 0 / 35

HEX #632FA6

RGB 99 47 166

HSL 266.22, 0.56%, 0.42%

LAB 32.79, 47.63, -55.23

 

CMYK 23 / 0 / 60 / 18

HEX #A1D054

RGB 161 208 84

HSL 82.74, 0.57%, 0.57%

LAB 78.07, -34.39, 55.27

 

CMYK 21 / 0 / 54 / 11

HEX #B2E267

RGB 178 226 103

HSL 83.41, 0.68%, 0.65%

LAB 84.4, -34.57, 54.31

 

CMYK 20 / 0 / 50 / 4

HEX #C3F47A

RGB 195 244 122

HSL 84.1, 0.85%, 0.72%

LAB 90.65, -34.69, 53.25

 

CMYK 17 / 0 / 45 / 0

HEX #D4FF8D

RGB 212 255 141

HSL 82.63, 1%, 0.78%

LAB 94.92, -31.55, 49.81

 

CMYK 10 / 0 / 37 / 0

HEX #E5FFA0

RGB 229 255 160

HSL 76.42, 1%, 0.81%

LAB 96.29, -23.18, 42.62

 

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

CMYK 27 / 0 / 63 / 25

HEX #8BBE46

RGB 139 190 70

HSL 85.5, 0.48%, 0.51%

LAB 71.39, -35.62, 53.58

 

CMYK 29 / 0 / 70 / 33

HEX #7AAC33

RGB 122 172 51

HSL 84.79, 0.54%, 0.44%

LAB 64.87, -35.3, 54.15

 

CMYK 32 / 0 / 79 / 40

HEX #699A20

RGB 105 154 32

HSL 84.1, 0.66%, 0.36%

LAB 58.24, -34.8, 54.09

 

CMYK 35 / 0 / 90 / 47

HEX #58880D

RGB 88 136 13

HSL 83.41, 0.83%, 0.29%

LAB 51.51, -34.03, 52.77

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 10 / 0 / 58 / 19

HEX #BBCF57

RGB 187 207 87

HSL 70, 0.56%, 0.58%

LAB 79.54, -23.5, 56.08

 

CMYK 0 / 6 / 58 / 19

HEX #CFC357

RGB 207 195 87

HSL 54, 0.56%, 0.58%

LAB 77.87, -9.3, 54.63

 

CMYK 0 / 21 / 58 / 19

HEX #CFA357

RGB 207 163 87

HSL 38, 0.56%, 0.58%

LAB 69.57, 7.55, 45.11

 

CMYK 0 / 37 / 58 / 19

HEX #CF8257

RGB 207 130 87

HSL 21.5, 0.56%, 0.58%

LAB 61.58, 25.45, 35.48

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 41 / 0 / 58 / 19

HEX #7BCF57

RGB 123 207 87

HSL 102, 0.56%, 0.58%

LAB 75.78, -47.02, 50.8

 

CMYK 57 / 0 / 58 / 19

HEX #5ACF57

RGB 90 207 87

HSL 118.5, 0.56%, 0.58%

LAB 74.5, -56.41, 48.99

 

CMYK 58 / 0 / 43 / 19

HEX #57CF75

RGB 87 207 117

HSL 135, 0.56%, 0.58%

LAB 74.78, -52.96, 34.83

 

CMYK 58 / 0 / 28 / 19

HEX #57CF95

RGB 87 207 149

HSL 151, 0.56%, 0.58%

LAB 75.34, -47.08, 18.95

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 30 / 0 / 69 / 12

HEX #9DE146

RGB 157 225 70

HSL 86.32, 0.72%, 0.58%

LAB 82.63, -44.47, 65.73

 

CMYK 34 / 0 / 78 / 5

HEX #9FF235

RGB 159 242 53

HSL 86.35, 0.88%, 0.58%

LAB 87.55, -51.81, 76.08

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 19 / 0 / 45 / 25

HEX #99BE69

RGB 153 190 105

HSL 86.12, 0.4%, 0.58%

LAB 72.64, -26.79, 38.8

 

CMYK 13 / 0 / 29 / 32

HEX #97AD7A

RGB 151 173 122

HSL 85.88, 0.24%, 0.58%

LAB 67.93, -16.77, 23.76

 

CMYK 5 / 0 / 10 / 39

HEX #949B8B

RGB 148 155 139

HSL 86.25, 0.07%, 0.58%

LAB 63.01, -5.54, 7.52

 

CMYK 7 / 12 / 0 / 38

HEX #928A9D

RGB 146 138 157

HSL 265.26, 0.09%, 0.58%

LAB 58.72, 6.75, -9

 

CMYK 0 / 6 / 58 / 19

HEX #CFC357

RGB 207 195 87

HSL 54, 0.56%, 0.58%

LAB 77.87, -9.3, 54.63

 

CMYK 10 / 0 / 58 / 19

HEX #BBCF57

RGB 187 207 87

HSL 70, 0.56%, 0.58%

LAB 79.54, -23.5, 56.08

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 41 / 0 / 58 / 19

HEX #7BCF57

RGB 123 207 87

HSL 102, 0.56%, 0.58%

LAB 75.78, -47.02, 50.8

 

CMYK 56 / 0 / 58 / 19

HEX #5BCF57

RGB 91 207 87

HSL 118, 0.56%, 0.58%

LAB 74.53, -56.16, 49.04

 

CMYK 31 / 0 / 72 / 35

HEX #72A62E

RGB 114 166 46

HSL 86, 0.57%, 0.42%

LAB 62.55, -35.97, 53.56

 

CMYK 31 / 0 / 72 / 22

HEX #88C637

RGB 136 198 55

HSL 86.01, 0.57%, 0.5%

LAB 73.48, -41.38, 61.59

 

CMYK 25 / 0 / 58 / 19

HEX #9BCF57

RGB 155 207 87

HSL 86, 0.56%, 0.58%

LAB 77.45, -35.91, 53.15

 

CMYK 19 / 0 / 44 / 15

HEX #AED878

RGB 174 216 120

HSL 86.25, 0.55%, 0.66%

LAB 81.55, -29.61, 42.76

 

CMYK 15 / 0 / 33 / 11

HEX #C1E298

RGB 193 226 152

HSL 86.76, 0.56%, 0.74%

LAB 86.01, -23.38, 32.7

 

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

CMYK 58 / 0 / 21 / 19

HEX #57CFA3

RGB 87 207 163

HSL 158, 0.56%, 0.58%

LAB 75.64, -44.08, 11.9

 

CMYK 0 / 58 / 2 / 19

HEX #CF57CB

RGB 207 87 203

HSL 302, 0.56%, 0.58%

LAB 56.48, 62.03, -38.18

 

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

CMYK 58 / 25 / 0 / 19

HEX #579BCF

RGB 87 155 207

HSL 206, 0.56%, 0.58%

LAB 61.63, -6.28, -33.16

 

CMYK 0 / 58 / 25 / 19

HEX #CF579B

RGB 207 87 155

HSL 326, 0.56%, 0.58%

LAB 54.5, 54.7, -13.46

 

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

CMYK 58 / 0 / 21 / 19

HEX #57CFA3

RGB 87 207 163

HSL 158, 0.56%, 0.58%

LAB 75.64, -44.08, 11.9

 

CMYK 33 / 58 / 0 / 19

HEX #8B57CF

RGB 139 87 207

HSL 266, 0.56%, 0.58%

LAB 48.02, 45.76, -54.44

 

CMYK 0 / 58 / 37 / 19

HEX #CF5783

RGB 207 87 131

HSL 338, 0.56%, 0.58%

LAB 53.73, 51.7, -0.44

 

CMYK 25 / 0 / 57 / 18

HEX #9CD059

RGB 156 208 89

HSL 86.22, 0.56%, 0.58%

LAB 77.82, -35.82, 52.69

 

CMYK 58 / 0 / 4 / 19

HEX #57CFC7

RGB 87 207 199

HSL 176, 0.56%, 0.58%

LAB 76.54, -35.29, -6.13

 

CMYK 33 / 58 / 0 / 19

HEX #8B57CF

RGB 139 87 207

HSL 266, 0.56%, 0.58%

LAB 48.02, 45.76, -54.44

 

CMYK 0 / 58 / 54 / 19

HEX #CF575F

RGB 207 87 95

HSL 356, 0.56%, 0.58%

LAB 52.85, 48.17, 19.68

 

Description

Color code: HEX #9CD059 | qconv.com Color code: HEX #9CD059 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 208 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 208 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 57 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 57% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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