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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CE463 it is the complementary color #631B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CE463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CE463 shade: #A1E45E, #B2F671, #C3FF84, #D4FF97 and #E5FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CE463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CE463 shade: #9CE463, #8BD250, #7AC03D, #69AE2A and #589C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CE463 shade: #9BE362, #BEE362, #E1E362, #E3C362 and #E3A062

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CE463 shade: #9BE362, #79E362, #62E36F, #62E392 and #62E3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CE463 shade matches the following richer shades: #9BE362 and #99F254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CE463 shade: #9BE362, #9DD471, #9FC580, #A0B68F and #A2A89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CE463 shade: #E1E362, #BFE362, #9CE362, #7AE362 and #62E36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CE463 shade: #70CF24, #85DD3F, #9BE362, #B2E986 and #C8EFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CE463 shade: #9CE463, #62E3C3 and #E362D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CE463 shade: #9CE463, #629CE3 and #E3629C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CE463 shade: #9CE463, #62E3C3, #A962E3 and #E36283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CE463 shade: #9CE463, #62DDE3, #A962E3 and #E36962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

Complementary color

CMYK 37 / 83 / 0 / 39

HEX #631B9C

RGB 99 27 156

HSL 273.49, 0.7%, 0.36%

LAB 29, 53.62, -55.35

 

CMYK 29 / 0 / 59 / 11

HEX #A1E45E

RGB 161 228 94

HSL 90, 0.71%, 0.63%

LAB 83.9, -42.46, 57.47

 

CMYK 28 / 0 / 54 / 4

HEX #B2F671

RGB 178 246 113

HSL 90.68, 0.88%, 0.7%

LAB 90.12, -42.55, 56.49

 

CMYK 24 / 0 / 48 / 0

HEX #C3FF84

RGB 195 255 132

HSL 89.27, 1%, 0.76%

LAB 93.79, -38.61, 52.42

 

CMYK 17 / 0 / 41 / 0

HEX #D4FF97

RGB 212 255 151

HSL 84.81, 1%, 0.8%

LAB 95.06, -30.41, 45.19

 

CMYK 10 / 0 / 33 / 0

HEX #E5FFAA

RGB 229 255 170

HSL 78.35, 1%, 0.83%

LAB 96.44, -21.96, 37.9

 

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

CMYK 34 / 0 / 62 / 18

HEX #8BD250

RGB 139 210 80

HSL 92.77, 0.59%, 0.57%

LAB 77.38, -43.62, 55.88

 

CMYK 36 / 0 / 68 / 25

HEX #7AC03D

RGB 122 192 61

HSL 92.06, 0.52%, 0.5%

LAB 70.99, -43.39, 56.57

 

CMYK 40 / 0 / 76 / 32

HEX #69AE2A

RGB 105 174 42

HSL 91.36, 0.61%, 0.42%

LAB 64.52, -42.98, 56.77

 

CMYK 44 / 0 / 85 / 39

HEX #589C17

RGB 88 156 23

HSL 90.68, 0.74%, 0.35%

LAB 57.95, -42.31, 56.05

 

CMYK 32 / 0 / 57 / 11

HEX #9BE362

RGB 155 227 98

HSL 93.49, 0.7%, 0.64%

LAB 83.33, -43.75, 54.98

 

CMYK 16 / 0 / 57 / 11

HEX #BEE362

RGB 190 227 98

HSL 77.21, 0.7%, 0.64%

LAB 85.39, -30.95, 57.87

 

CMYK 1 / 0 / 57 / 11

HEX #E1E362

RGB 225 227 98

HSL 60.93, 0.7%, 0.64%

LAB 87.89, -17.14, 61.37

 

CMYK 0 / 14 / 57 / 11

HEX #E3C362

RGB 227 195 98

HSL 45.12, 0.7%, 0.64%

LAB 79.75, -0.15, 52.17

 

CMYK 0 / 30 / 57 / 11

HEX #E3A062

RGB 227 160 98

HSL 28.84, 0.7%, 0.64%

LAB 71.11, 18.36, 41.91

 

CMYK 32 / 0 / 57 / 11

HEX #9BE362

RGB 155 227 98

HSL 93.49, 0.7%, 0.64%

LAB 83.33, -43.75, 54.98

 

CMYK 47 / 0 / 57 / 11

HEX #79E362

RGB 121 227 98

HSL 109.3, 0.7%, 0.64%

LAB 81.78, -54.54, 52.78

 

CMYK 57 / 0 / 51 / 11

HEX #62E36F

RGB 98 227 111

HSL 126.05, 0.7%, 0.64%

LAB 81.12, -58.95, 45.79

 

CMYK 57 / 0 / 36 / 11

HEX #62E392

RGB 98 227 146

HSL 142.33, 0.7%, 0.64%

LAB 81.63, -53.45, 29.12

 

CMYK 57 / 0 / 21 / 11

HEX #62E3B4

RGB 98 227 180

HSL 158.14, 0.7%, 0.64%

LAB 82.29, -46.65, 12.36

 

CMYK 32 / 0 / 57 / 11

HEX #9BE362

RGB 155 227 98

HSL 93.49, 0.7%, 0.64%

LAB 83.33, -43.75, 54.98

 

CMYK 37 / 0 / 65 / 5

HEX #99F254

RGB 153 242 84

HSL 93.8, 0.86%, 0.64%

LAB 87.44, -51.93, 65.38

 

CMYK 32 / 0 / 57 / 11

HEX #9BE362

RGB 155 227 98

HSL 93.49, 0.7%, 0.64%

LAB 83.33, -43.75, 54.98

 

CMYK 26 / 0 / 47 / 17

HEX #9DD471

RGB 157 212 113

HSL 93.33, 0.54%, 0.64%

LAB 79.3, -34.74, 43.17

 

CMYK 19 / 0 / 35 / 23

HEX #9FC580

RGB 159 197 128

HSL 93.04, 0.37%, 0.64%

LAB 75.37, -24.96, 30.58

 

CMYK 12 / 0 / 21 / 29

HEX #A0B68F

RGB 160 182 143

HSL 93.85, 0.21%, 0.64%

LAB 71.5, -14.76, 17.38

 

CMYK 4 / 0 / 6 / 34

HEX #A2A89E

RGB 162 168 158

HSL 96, 0.05%, 0.64%

LAB 68.13, -4.01, 4.42

 

CMYK 1 / 0 / 57 / 11

HEX #E1E362

RGB 225 227 98

HSL 60.93, 0.7%, 0.64%

LAB 87.89, -17.14, 61.37

 

CMYK 16 / 0 / 57 / 11

HEX #BFE362

RGB 191 227 98

HSL 76.74, 0.7%, 0.64%

LAB 85.45, -30.57, 57.97

 

CMYK 31 / 0 / 57 / 11

HEX #9CE362

RGB 156 227 98

HSL 93.02, 0.7%, 0.64%

LAB 83.38, -43.4, 55.05

 

CMYK 46 / 0 / 57 / 11

HEX #7AE362

RGB 122 227 98

HSL 108.84, 0.7%, 0.64%

LAB 81.82, -54.25, 52.83

 

CMYK 57 / 0 / 52 / 11

HEX #62E36D

RGB 98 227 109

HSL 125.12, 0.7%, 0.64%

LAB 81.09, -59.21, 46.71

 

CMYK 46 / 0 / 83 / 19

HEX #70CF24

RGB 112 207 36

HSL 93.33, 0.7%, 0.48%

LAB 74.95, -54.21, 68.33

 

CMYK 40 / 0 / 71 / 13

HEX #85DD3F

RGB 133 221 63

HSL 93.42, 0.7%, 0.56%

LAB 80.21, -51.52, 65.43

 

CMYK 32 / 0 / 57 / 11

HEX #9BE362

RGB 155 227 98

HSL 93.49, 0.7%, 0.64%

LAB 83.33, -43.75, 54.98

 

CMYK 24 / 0 / 42 / 9

HEX #B2E986

RGB 178 233 134

HSL 93.33, 0.69%, 0.72%

LAB 86.73, -34.4, 42.47

 

CMYK 16 / 0 / 29 / 6

HEX #C8EFA9

RGB 200 239 169

HSL 93.43, 0.69%, 0.8%

LAB 90.26, -24.76, 29.83

 

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

CMYK 57 / 0 / 14 / 11

HEX #62E3C3

RGB 98 227 195

HSL 165.12, 0.7%, 0.64%

LAB 82.63, -43.23, 4.95

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

CMYK 57 / 31 / 0 / 11

HEX #629CE3

RGB 98 156 227

HSL 213.02, 0.7%, 0.64%

LAB 63.28, 1.69, -41.67

 

CMYK 0 / 57 / 31 / 11

HEX #E3629C

RGB 227 98 156

HSL 333.02, 0.7%, 0.64%

LAB 59.4, 55.96, -6.39

 

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

CMYK 57 / 0 / 14 / 11

HEX #62E3C3

RGB 98 227 195

HSL 165.12, 0.7%, 0.64%

LAB 82.63, -43.23, 4.95

 

CMYK 26 / 57 / 0 / 11

HEX #A962E3

RGB 169 98 227

HSL 273.02, 0.7%, 0.64%

LAB 54.78, 51.91, -54.78

 

CMYK 0 / 57 / 42 / 11

HEX #E36283

RGB 227 98 131

HSL 344.65, 0.7%, 0.64%

LAB 58.7, 53.16, 7.13

 

CMYK 32 / 0 / 57 / 11

HEX #9CE463

RGB 156 228 99

HSL 93.49, 0.7%, 0.64%

LAB 83.68, -43.74, 54.95

 

CMYK 57 / 3 / 0 / 11

HEX #62DDE3

RGB 98 221 227

HSL 182.79, 0.7%, 0.64%

LAB 81.76, -32.38, -13.31

 

CMYK 26 / 57 / 0 / 11

HEX #A962E3

RGB 169 98 227

HSL 273.02, 0.7%, 0.64%

LAB 54.78, 51.91, -54.78

 

CMYK 0 / 54 / 57 / 11

HEX #E36962

RGB 227 105 98

HSL 3.26, 0.7%, 0.64%

LAB 59.27, 46.92, 26.99

 

Description

Color code: HEX #9CE463 | qconv.com Color code: HEX #9CE463 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 228 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 228 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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