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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CE85E it is the complementary color #6317A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CE85E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CE85E shade: #A1E859, #B2FA6C, #C3FF7F, #D4FF92 and #E5FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CE85E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CE85E shade: #9CE85E, #8BD64B, #7AC438, #69B225 and #58A012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CE85E shade: #9CE85E, #C1E85E, #E6E85E, #E8C45E and #E89F5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CE85E shade: #9CE85E, #77E85E, #5EE86A, #5EE88F and #5EE8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CE85E shade matches the following richer shades: #9CE85E and #9AF64F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CE85E shade: #9CE85E, #9DD96D, #9FCA7C, #A0BB8A and #A2AC99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CE85E shade: #E5E85E, #C1E85E, #9CE85E, #77E85E and #5EE869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CE85E shade: #70D51E, #86E23A, #9CE85E, #B2ED82 and #C8F2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CE85E shade: #9CE85E, #5EE8C5 and #E85ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CE85E shade: #9CE85E, #5E9CE8 and #E85E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CE85E shade: #9CE85E, #5EE8C5, #AA5EE8 and #E85E80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CE85E shade: #9CE85E, #5EE1E8, #AA5EE8 and #E8655E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

Complementary color

CMYK 39 / 86 / 0 / 37

HEX #6317A1

RGB 99 23 161

HSL 273.04, 0.75%, 0.36%

LAB 29, 56.06, -58.39

 

CMYK 31 / 0 / 62 / 9

HEX #A1E859

RGB 161 232 89

HSL 89.79, 0.76%, 0.63%

LAB 85, -44.63, 60.83

 

CMYK 29 / 0 / 57 / 2

HEX #B2FA6C

RGB 178 250 108

HSL 90.42, 0.93%, 0.7%

LAB 91.2, -44.77, 59.94

 

CMYK 24 / 0 / 50 / 0

HEX #C3FF7F

RGB 195 255 127

HSL 88.13, 1%, 0.75%

LAB 93.73, -39.13, 54.66

 

CMYK 17 / 0 / 43 / 0

HEX #D4FF92

RGB 212 255 146

HSL 83.67, 1%, 0.79%

LAB 94.99, -30.99, 47.51

 

CMYK 10 / 0 / 35 / 0

HEX #E5FFA5

RGB 229 255 165

HSL 77.33, 1%, 0.82%

LAB 96.37, -22.58, 40.27

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 35 / 0 / 65 / 16

HEX #8BD64B

RGB 139 214 75

HSL 92.37, 0.63%, 0.57%

LAB 78.51, -45.75, 59.2

 

CMYK 38 / 0 / 71 / 23

HEX #7AC438

RGB 122 196 56

HSL 91.71, 0.56%, 0.49%

LAB 72.16, -45.43, 59.67

 

CMYK 41 / 0 / 79 / 30

HEX #69B225

RGB 105 178 37

HSL 91.06, 0.66%, 0.42%

LAB 65.73, -44.92, 59.53

 

CMYK 45 / 0 / 89 / 37

HEX #58A012

RGB 88 160 18

HSL 90.42, 0.8%, 0.35%

LAB 59.21, -44.13, 58.28

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 17 / 0 / 59 / 9

HEX #C1E85E

RGB 193 232 94

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

 

CMYK 1 / 0 / 59 / 9

HEX #E6E85E

RGB 230 232 94

HSL 60.87, 0.75%, 0.64%

LAB 89.55, -17.85, 65.01

 

CMYK 0 / 16 / 59 / 9

HEX #E8C45E

RGB 232 196 94

HSL 44.35, 0.75%, 0.64%

LAB 80.43, 1.11, 54.93

 

CMYK 0 / 31 / 59 / 9

HEX #E89F5E

RGB 232 159 94

HSL 28.26, 0.75%, 0.64%

LAB 71.39, 20.64, 44.42

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 49 / 0 / 59 / 9

HEX #77E85E

RGB 119 232 94

HSL 109.13, 0.75%, 0.64%

LAB 83.15, -57.46, 56.1

 

CMYK 59 / 0 / 54 / 9

HEX #5EE86A

RGB 94 232 106

HSL 125.22, 0.75%, 0.64%

LAB 82.45, -62.34, 49.72

 

CMYK 59 / 0 / 38 / 9

HEX #5EE88F

RGB 94 232 143

HSL 141.3, 0.75%, 0.64%

LAB 82.95, -56.8, 32.39

 

CMYK 59 / 0 / 22 / 9

HEX #5EE8B5

RGB 94 232 181

HSL 157.83, 0.75%, 0.64%

LAB 83.67, -49.33, 13.77

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 37 / 0 / 68 / 4

HEX #9AF64F

RGB 154 246 79

HSL 93.05, 0.9%, 0.64%

LAB 88.61, -53.59, 68.52

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 28 / 0 / 50 / 15

HEX #9DD96D

RGB 157 217 109

HSL 93.33, 0.59%, 0.64%

LAB 80.68, -37.48, 46.8

 

CMYK 21 / 0 / 39 / 21

HEX #9FCA7C

RGB 159 202 124

HSL 93.08, 0.42%, 0.64%

LAB 76.72, -27.93, 34.42

 

CMYK 14 / 0 / 26 / 27

HEX #A0BB8A

RGB 160 187 138

HSL 93.06, 0.26%, 0.64%

LAB 72.79, -18.12, 21.86

 

CMYK 6 / 0 / 11 / 33

HEX #A2AC99

RGB 162 172 153

HSL 91.58, 0.1%, 0.64%

LAB 69.1, -7.07, 8.57

 

CMYK 1 / 0 / 59 / 9

HEX #E5E85E

RGB 229 232 94

HSL 61.3, 0.75%, 0.64%

LAB 89.48, -18.25, 64.91

 

CMYK 17 / 0 / 59 / 9

HEX #C1E85E

RGB 193 232 94

HSL 76.96, 0.75%, 0.64%

LAB 86.93, -32.45, 61.38

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 49 / 0 / 59 / 9

HEX #77E85E

RGB 119 232 94

HSL 109.13, 0.75%, 0.64%

LAB 83.15, -57.46, 56.1

 

CMYK 59 / 0 / 55 / 9

HEX #5EE869

RGB 94 232 105

HSL 124.78, 0.75%, 0.64%

LAB 82.44, -62.47, 50.16

 

CMYK 47 / 0 / 86 / 16

HEX #70D51E

RGB 112 213 30

HSL 93.11, 0.75%, 0.48%

LAB 76.76, -56.71, 71.29

 

CMYK 41 / 0 / 74 / 11

HEX #86E23A

RGB 134 226 58

HSL 92.86, 0.74%, 0.56%

LAB 81.71, -53.5, 68.62

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 25 / 0 / 45 / 7

HEX #B2ED82

RGB 178 237 130

HSL 93.08, 0.75%, 0.72%

LAB 87.8, -36.71, 45.75

 

CMYK 17 / 0 / 31 / 5

HEX #C8F2A6

RGB 200 242 166

HSL 93.16, 0.75%, 0.8%

LAB 91.02, -26.62, 32.37

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 59 / 0 / 15 / 9

HEX #5EE8C5

RGB 94 232 197

HSL 164.78, 0.75%, 0.64%

LAB 84.03, -45.7, 5.89

 

CMYK 0 / 59 / 9 / 9

HEX #E85ED3

RGB 232 94 211

HSL 309.13, 0.75%, 0.64%

LAB 61.54, 66.81, -34.55

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 59 / 33 / 0 / 9

HEX #5E9CE8

RGB 94 156 232

HSL 213.04, 0.75%, 0.64%

LAB 63.33, 2.5, -44.36

 

CMYK 0 / 59 / 33 / 9

HEX #E85E9C

RGB 232 94 156

HSL 333.04, 0.75%, 0.64%

LAB 59.49, 59.28, -6.18

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 59 / 0 / 15 / 9

HEX #5EE8C5

RGB 94 232 197

HSL 164.78, 0.75%, 0.64%

LAB 84.03, -45.7, 5.89

 

CMYK 27 / 59 / 0 / 9

HEX #AA5EE8

RGB 170 94 232

HSL 273.04, 0.75%, 0.64%

LAB 54.43, 55.32, -58.15

 

CMYK 0 / 59 / 45 / 9

HEX #E85E80

RGB 232 94 128

HSL 345.22, 0.75%, 0.64%

LAB 58.71, 56.29, 9

 

CMYK 33 / 0 / 59 / 9

HEX #9CE85E

RGB 156 232 94

HSL 93.04, 0.75%, 0.64%

LAB 84.79, -45.92, 58.4

 

CMYK 59 / 3 / 0 / 9

HEX #5EE1E8

RGB 94 225 232

HSL 183.04, 0.75%, 0.64%

LAB 82.94, -33.61, -14.2

 

CMYK 27 / 59 / 0 / 9

HEX #AA5EE8

RGB 170 94 232

HSL 273.04, 0.75%, 0.64%

LAB 54.43, 55.32, -58.15

 

CMYK 0 / 56 / 59 / 9

HEX #E8655E

RGB 232 101 94

HSL 3.04, 0.75%, 0.64%

LAB 59.22, 50.3, 29.36

 

Description

Color code: HEX #9CE85E | qconv.com Color code: HEX #9CE85E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 232 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 232 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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