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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEDCC it is the complementary color #631233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEDCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEDCC shade: #A1EDC7, #B2FFDA, #C3FFED, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEDCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEDCC shade: #9CEDCC, #8BDBB9, #7AC9A6, #69B793 and #58A580

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEDCC shade: #9BECCB, #9BECB6, #9BECA0, #ADEC9B and #C3EC9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEDCC shade: #9BECCB, #9BECE1, #9BE2EC, #9BCCEC and #9BB6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEDCC shade matches the following richer shades: #9BECCB and #92F6CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEDCC shade: #9BECCB, #A5E3CA, #AED9C8, #B8D0C6 and #C1C6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEDCC shade: #9BEC9F, #9BECB5, #9BECCB, #9BECE0 and #9BE3EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEDCC shade: #56E0A7, #79E6B9, #9BECCB, #BEF3DD and #E1F9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEDCC shade: #9CEDCC, #9BADEC and #ECAA9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEDCC shade: #9CEDCC, #CB9BEC and #ECCB9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEDCC shade: #9CEDCC, #9BADEC, #EC9BBD and #ECDB9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEDCC shade: #9CEDCC, #A29BEC, #EC9BBD and #E6EC9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

Complementary color

CMYK 0 / 82 / 48 / 61

HEX #631233

RGB 99 18 51

HSL 335.56, 0.69%, 0.23%

LAB 21.3, 37.87, 0.96

 

CMYK 32 / 0 / 16 / 7

HEX #A1EDC7

RGB 161 237 199

HSL 150, 0.68%, 0.78%

LAB 88.1, -31.31, 11.02

 

CMYK 30 / 0 / 15 / 0

HEX #B2FFDA

RGB 178 255 218

HSL 151.17, 1%, 0.85%

LAB 94.33, -31.08, 10.2

 

CMYK 24 / 0 / 7 / 0

HEX #C3FFED

RGB 195 255 237

HSL 162, 1%, 0.88%

LAB 95.68, -22.33, 2.47

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

CMYK 37 / 0 / 16 / 14

HEX #8BDBB9

RGB 139 219 185

HSL 154.5, 0.53%, 0.7%

LAB 81.65, -31.97, 9.03

 

CMYK 39 / 0 / 17 / 21

HEX #7AC9A6

RGB 122 201 166

HSL 153.42, 0.42%, 0.63%

LAB 75.24, -32.21, 9.92

 

CMYK 43 / 0 / 20 / 28

HEX #69B793

RGB 105 183 147

HSL 152.31, 0.35%, 0.56%

LAB 68.73, -32.44, 10.87

 

CMYK 47 / 0 / 22 / 35

HEX #58A580

RGB 88 165 128

HSL 151.17, 0.3%, 0.5%

LAB 62.12, -32.66, 11.91

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 34 / 0 / 23 / 7

HEX #9BECB6

RGB 155 236 182

HSL 140, 0.68%, 0.77%

LAB 87.16, -35.84, 18.49

 

CMYK 34 / 0 / 32 / 7

HEX #9BECA0

RGB 155 236 160

HSL 123.7, 0.68%, 0.77%

LAB 86.75, -39.64, 29.24

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 17 / 0 / 34 / 7

HEX #C3EC9B

RGB 195 236 155

HSL 90.37, 0.68%, 0.77%

LAB 88.9, -27.06, 35.04

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 34 / 0 / 5 / 7

HEX #9BECE1

RGB 155 236 225

HSL 171.85, 0.68%, 0.77%

LAB 88.16, -27.06, -2.52

 

CMYK 34 / 4 / 0 / 7

HEX #9BE2EC

RGB 155 226 236

HSL 187.41, 0.68%, 0.77%

LAB 85.71, -19.62, -11.93

 

CMYK 34 / 14 / 0 / 7

HEX #9BCCEC

RGB 155 204 236

HSL 203.7, 0.68%, 0.77%

LAB 79.73, -8.34, -20.93

 

CMYK 34 / 23 / 0 / 7

HEX #9BB6EC

RGB 155 182 236

HSL 220, 0.68%, 0.77%

LAB 73.86, 3.5, -29.9

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 41 / 0 / 17 / 4

HEX #92F6CD

RGB 146 246 205

HSL 155.4, 0.85%, 0.77%

LAB 90.06, -38.41, 10.6

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 27 / 0 / 11 / 11

HEX #A5E3CA

RGB 165 227 202

HSL 155.81, 0.53%, 0.77%

LAB 85.61, -24.74, 5.9

 

CMYK 20 / 0 / 8 / 15

HEX #AED9C8

RGB 174 217 200

HSL 156.28, 0.36%, 0.77%

LAB 83.33, -17.42, 3.74

 

CMYK 12 / 0 / 5 / 18

HEX #B8D0C6

RGB 184 208 198

HSL 155, 0.2%, 0.77%

LAB 81.5, -9.97, 2.23

 

CMYK 3 / 0 / 1 / 22

HEX #C1C6C4

RGB 193 198 196

HSL 156, 0.04%, 0.77%

LAB 79.45, -2.09, 0.39

 

CMYK 34 / 0 / 33 / 7

HEX #9BEC9F

RGB 155 236 159

HSL 122.96, 0.68%, 0.77%

LAB 86.73, -39.8, 29.73

 

CMYK 34 / 0 / 23 / 7

HEX #9BECB5

RGB 155 236 181

HSL 139.26, 0.68%, 0.77%

LAB 87.14, -36.02, 18.98

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 34 / 0 / 5 / 7

HEX #9BECE0

RGB 155 236 224

HSL 171.11, 0.68%, 0.77%

LAB 88.13, -27.28, -2.04

 

CMYK 34 / 4 / 0 / 7

HEX #9BE3EC

RGB 155 227 236

HSL 186.67, 0.68%, 0.77%

LAB 85.99, -20.12, -11.52

 

CMYK 62 / 0 / 25 / 12

HEX #56E0A7

RGB 86 224 167

HSL 155.22, 0.69%, 0.61%

LAB 80.78, -50.55, 17.02

 

CMYK 47 / 0 / 20 / 10

HEX #79E6B9

RGB 121 230 185

HSL 155.23, 0.69%, 0.69%

LAB 84.05, -41.73, 12.34

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCB

RGB 155 236 203

HSL 155.56, 0.68%, 0.77%

LAB 87.62, -31.76, 8.2

 

CMYK 22 / 0 / 9 / 5

HEX #BEF3DD

RGB 190 243 221

HSL 155.09, 0.69%, 0.85%

LAB 91.81, -21.16, 5.1

 

CMYK 10 / 0 / 4 / 2

HEX #E1F9EF

RGB 225 249 239

HSL 155, 0.67%, 0.93%

LAB 95.99, -9.65, 2.12

 

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

CMYK 34 / 27 / 0 / 7

HEX #9BADEC

RGB 155 173 236

HSL 226.67, 0.68%, 0.77%

LAB 71.5, 8.48, -33.55

 

CMYK 0 / 28 / 34 / 7

HEX #ECAA9B

RGB 236 170 155

HSL 11.11, 0.68%, 0.77%

LAB 75.42, 22.31, 17.35

 

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

CMYK 14 / 34 / 0 / 7

HEX #CB9BEC

RGB 203 155 236

HSL 275.56, 0.68%, 0.77%

LAB 71.01, 32.58, -33.99

 

CMYK 0 / 14 / 34 / 7

HEX #ECCB9B

RGB 236 203 155

HSL 35.56, 0.68%, 0.77%

LAB 83.4, 4.89, 28.26

 

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

CMYK 34 / 27 / 0 / 7

HEX #9BADEC

RGB 155 173 236

HSL 226.67, 0.68%, 0.77%

LAB 71.5, 8.48, -33.55

 

CMYK 0 / 34 / 20 / 7

HEX #EC9BBD

RGB 236 155 189

HSL 334.81, 0.68%, 0.77%

LAB 72.86, 34.9, -5

 

CMYK 0 / 7 / 34 / 7

HEX #ECDB9B

RGB 236 219 155

HSL 47.41, 0.68%, 0.77%

LAB 87.42, -3.36, 33.63

 

CMYK 34 / 0 / 14 / 7

HEX #9CEDCC

RGB 156 237 204

HSL 155.56, 0.69%, 0.77%

LAB 87.97, -31.74, 8.19

 

CMYK 31 / 34 / 0 / 7

HEX #A29BEC

RGB 162 155 236

HSL 245.19, 0.68%, 0.77%

LAB 67.41, 20.58, -39.86

 

CMYK 0 / 34 / 20 / 7

HEX #EC9BBD

RGB 236 155 189

HSL 334.81, 0.68%, 0.77%

LAB 72.86, 34.9, -5

 

CMYK 3 / 0 / 34 / 7

HEX #E6EC9B

RGB 230 236 155

HSL 64.44, 0.68%, 0.77%

LAB 91.32, -14.19, 38.66

 

Description

Color code: HEX #9CEDCC | qconv.com Color code: HEX #9CEDCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 237 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 237 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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