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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEDBB it is the complementary color #631244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEDBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEDBB shade: #A1EDB6, #B2FFC9, #C3FFDC, #D4FFEF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEDBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEDBB shade: #9CEDBB, #8BDBA8, #7AC995, #69B782 and #58A56F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEDBB shade: #9BECBA, #9BECA5, #A8EC9B, #BEEC9B and #D4EC9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEDBB shade: #9BECBA, #9BECD0, #9BECE6, #9BDDEC and #9BC7EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEDBB shade matches the following richer shades: #9BECBA and #92F6B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEDBB shade: #9BECBA, #A5E3BD, #AED9BF, #B8D0C1 and #C1C6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEDBB shade: #A9EC9B, #9BECA3, #9BECB9, #9BECCF and #9BECE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEDBB shade: #56E08A, #79E6A2, #9BECBA, #BEF3D2 and #E1F9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEDBB shade: #9CEDBB, #9BBEEC and #EC9B9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEDBB shade: #9CEDBB, #B99BEC and #ECB99B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEDBB shade: #9CEDBB, #9BBEEC, #EC9BCF and #ECC99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEDBB shade: #9CEDBB, #9BA6EC, #EC9BCF and #ECE29B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

Complementary color

CMYK 0 / 82 / 31 / 61

HEX #631244

RGB 99 18 68

HSL 322.96, 0.69%, 0.23%

LAB 21.95, 39.88, -9.85

 

CMYK 32 / 0 / 23 / 7

HEX #A1EDB6

RGB 161 237 182

HSL 136.58, 0.68%, 0.78%

LAB 87.74, -34.51, 19.34

 

CMYK 30 / 0 / 21 / 0

HEX #B2FFC9

RGB 178 255 201

HSL 137.92, 1%, 0.85%

LAB 93.97, -34.26, 18.4

 

CMYK 24 / 0 / 14 / 0

HEX #C3FFDC

RGB 195 255 220

HSL 145, 1%, 0.88%

LAB 95.28, -25.6, 10.65

 

CMYK 17 / 0 / 6 / 0

HEX #D4FFEF

RGB 212 255 239

HSL 157.67, 1%, 0.92%

LAB 96.72, -16.75, 3.07

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

CMYK 37 / 0 / 23 / 14

HEX #8BDBA8

RGB 139 219 168

HSL 141.75, 0.53%, 0.7%

LAB 81.28, -35.33, 17.48

 

CMYK 39 / 0 / 26 / 21

HEX #7AC995

RGB 122 201 149

HSL 140.51, 0.42%, 0.63%

LAB 74.88, -35.6, 18.51

 

CMYK 43 / 0 / 29 / 28

HEX #69B782

RGB 105 183 130

HSL 139.23, 0.35%, 0.56%

LAB 68.37, -35.86, 19.61

 

CMYK 47 / 0 / 33 / 35

HEX #58A56F

RGB 88 165 111

HSL 137.92, 0.3%, 0.5%

LAB 61.77, -36.09, 20.81

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 34 / 0 / 30 / 7

HEX #9BECA5

RGB 155 236 165

HSL 127.41, 0.68%, 0.77%

LAB 86.84, -38.82, 26.81

 

CMYK 29 / 0 / 34 / 7

HEX #A8EC9B

RGB 168 236 155

HSL 110.37, 0.68%, 0.77%

LAB 87.33, -36.29, 32.67

 

CMYK 19 / 0 / 34 / 7

HEX #BEEC9B

RGB 190 236 155

HSL 94.07, 0.68%, 0.77%

LAB 88.59, -28.82, 34.57

 

CMYK 10 / 0 / 34 / 7

HEX #D4EC9B

RGB 212 236 155

HSL 77.78, 0.68%, 0.77%

LAB 90.02, -20.9, 36.72

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 34 / 0 / 12 / 7

HEX #9BECD0

RGB 155 236 208

HSL 159.26, 0.68%, 0.77%

LAB 87.73, -30.73, 5.76

 

CMYK 34 / 0 / 3 / 7

HEX #9BECE6

RGB 155 236 230

HSL 175.56, 0.68%, 0.77%

LAB 88.29, -25.93, -4.95

 

CMYK 34 / 6 / 0 / 7

HEX #9BDDEC

RGB 155 221 236

HSL 191.11, 0.68%, 0.77%

LAB 84.35, -17.11, -13.97

 

CMYK 34 / 16 / 0 / 7

HEX #9BC7EC

RGB 155 199 236

HSL 207.41, 0.68%, 0.77%

LAB 78.39, -5.7, -22.97

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 41 / 0 / 25 / 4

HEX #92F6B8

RGB 146 246 184

HSL 142.8, 0.85%, 0.77%

LAB 89.62, -42.52, 20.82

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 27 / 0 / 17 / 11

HEX #A5E3BD

RGB 165 227 189

HSL 143.23, 0.53%, 0.77%

LAB 85.31, -27.28, 12.31

 

CMYK 20 / 0 / 12 / 15

HEX #AED9BF

RGB 174 217 191

HSL 143.72, 0.36%, 0.77%

LAB 83.12, -19.16, 8.2

 

CMYK 12 / 0 / 7 / 18

HEX #B8D0C1

RGB 184 208 193

HSL 142.5, 0.2%, 0.77%

LAB 81.38, -10.92, 4.71

 

CMYK 3 / 0 / 2 / 22

HEX #C1C6C3

RGB 193 198 195

HSL 144, 0.04%, 0.77%

LAB 79.42, -2.27, 0.89

 

CMYK 28 / 0 / 34 / 7

HEX #A9EC9B

RGB 169 236 155

HSL 109.63, 0.68%, 0.77%

LAB 87.38, -35.97, 32.75

 

CMYK 34 / 0 / 31 / 7

HEX #9BECA3

RGB 155 236 163

HSL 125.93, 0.68%, 0.77%

LAB 86.8, -39.15, 27.78

 

CMYK 34 / 0 / 22 / 7

HEX #9BECB9

RGB 155 236 185

HSL 142.22, 0.68%, 0.77%

LAB 87.22, -35.28, 17.02

 

CMYK 34 / 0 / 12 / 7

HEX #9BECCF

RGB 155 236 207

HSL 158.52, 0.68%, 0.77%

LAB 87.71, -30.94, 6.25

 

CMYK 34 / 0 / 3 / 7

HEX #9BECE4

RGB 155 236 228

HSL 174.07, 0.68%, 0.77%

LAB 88.24, -26.38, -3.98

 

CMYK 62 / 0 / 38 / 12

HEX #56E08A

RGB 86 224 138

HSL 142.61, 0.69%, 0.61%

LAB 80.25, -56.21, 31.3

 

CMYK 47 / 0 / 30 / 10

HEX #79E6A2

RGB 121 230 162

HSL 142.57, 0.69%, 0.69%

LAB 83.58, -46.28, 23.67

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 22 / 0 / 14 / 5

HEX #BEF3D2

RGB 190 243 210

HSL 142.64, 0.69%, 0.85%

LAB 91.55, -23.25, 10.44

 

CMYK 10 / 0 / 6 / 2

HEX #E1F9EA

RGB 225 249 234

HSL 142.5, 0.67%, 0.93%

LAB 95.87, -10.56, 4.53

 

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

CMYK 34 / 19 / 0 / 7

HEX #9BBEEC

RGB 155 190 236

HSL 214.07, 0.68%, 0.77%

LAB 75.98, -0.87, -26.65

 

CMYK 0 / 34 / 33 / 7

HEX #EC9B9E

RGB 236 155 158

HSL 357.78, 0.68%, 0.77%

LAB 72.06, 30.65, 10.98

 

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

CMYK 22 / 34 / 0 / 7

HEX #B99BEC

RGB 185 155 236

HSL 262.22, 0.68%, 0.77%

LAB 69.34, 27.19, -36.71

 

CMYK 0 / 22 / 34 / 7

HEX #ECB99B

RGB 236 185 155

HSL 22.22, 0.68%, 0.77%

LAB 78.98, 14.34, 22.27

 

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

CMYK 34 / 19 / 0 / 7

HEX #9BBEEC

RGB 155 190 236

HSL 214.07, 0.68%, 0.77%

LAB 75.98, -0.87, -26.65

 

CMYK 0 / 34 / 12 / 7

HEX #EC9BCF

RGB 236 155 207

HSL 321.48, 0.68%, 0.77%

LAB 73.4, 37.7, -14.12

 

CMYK 0 / 15 / 34 / 7

HEX #ECC99B

RGB 236 201 155

HSL 34.07, 0.68%, 0.77%

LAB 82.9, 5.93, 27.59

 

CMYK 34 / 0 / 21 / 7

HEX #9CEDBB

RGB 156 237 187

HSL 142.96, 0.69%, 0.77%

LAB 87.59, -35.07, 16.51

 

CMYK 34 / 30 / 0 / 7

HEX #9BA6EC

RGB 155 166 236

HSL 231.85, 0.68%, 0.77%

LAB 69.68, 12.41, -36.36

 

CMYK 0 / 34 / 12 / 7

HEX #EC9BCF

RGB 236 155 207

HSL 321.48, 0.68%, 0.77%

LAB 73.4, 37.7, -14.12

 

CMYK 0 / 4 / 34 / 7

HEX #ECE29B

RGB 236 226 155

HSL 52.59, 0.68%, 0.77%

LAB 89.2, -6.91, 35.98

 

Description

Color code: HEX #9CEDBB | qconv.com Color code: HEX #9CEDBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 237 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 237 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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