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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CF6E4 it is the complementary color #63091B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CF6E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CF6E4 shade: #A1F6DF, #B2FFF2, #C3FFFF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CF6E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CF6E4 shade: #9CF6E4, #8BE4D1, #7AD2BE, #69C0AB and #58AE98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CF6E4 shade: #9DF5E4, #9DF5CC, #9DF5B4, #9DF59D and #B5F59D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CF6E4 shade: #9DF5E4, #9DEFF5, #9DD7F5, #9DBFF5 and #9DA7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CF6E4 shade matches the following richer shades: #9DF5E4 and #94FEE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CF6E4 shade: #9DF5E4, #A5EDDE, #AEE4D9, #B6DBD4 and #BFD3CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CF6E4 shade: #9DF5B4, #9DF5CC, #9DF5E4, #9DEFF5 and #9DD8F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CF6E4 shade: #51EECF, #77F2D9, #9DF5E4, #C2F9EE and #E8FCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CF6E4 shade: #9CF6E4, #9D9DF5 and #F5C09D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CF6E4 shade: #9CF6E4, #E49DF5 and #F5E49D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CF6E4 shade: #9CF6E4, #9D9DF5, #F59DAE and #F5F59D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CF6E4 shade: #9CF6E4, #B79DF5, #F59DAE and #DBF59D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

Complementary color

CMYK 0 / 91 / 73 / 61

HEX #63091B

RGB 99 9 27

HSL 348, 0.83%, 0.21%

LAB 19.75, 38.61, 15.75

 

CMYK 35 / 0 / 9 / 4

HEX #A1F6DF

RGB 161 246 223

HSL 163.76, 0.83%, 0.8%

LAB 91.15, -30.63, 2.92

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF2

RGB 178 255 242

HSL 169.87, 1%, 0.85%

LAB 94.91, -26.19, -1.34

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

CMYK 39 / 0 / 8 / 11

HEX #8BE4D1

RGB 139 228 209

HSL 167.19, 0.62%, 0.72%

LAB 84.78, -31.05, 0.86

 

CMYK 42 / 0 / 10 / 18

HEX #7AD2BE

RGB 122 210 190

HSL 166.36, 0.49%, 0.65%

LAB 78.43, -31.2, 1.62

 

CMYK 45 / 0 / 11 / 25

HEX #69C0AB

RGB 105 192 171

HSL 165.52, 0.41%, 0.58%

LAB 71.99, -31.33, 2.44

 

CMYK 49 / 0 / 13 / 32

HEX #58AE98

RGB 88 174 152

HSL 164.65, 0.35%, 0.51%

LAB 65.45, -31.44, 3.32

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 36 / 0 / 17 / 4

HEX #9DF5CC

RGB 157 245 204

HSL 152.05, 0.81%, 0.79%

LAB 90.24, -35.18, 11.45

 

CMYK 36 / 0 / 27 / 4

HEX #9DF5B4

RGB 157 245 180

HSL 135.68, 0.81%, 0.79%

LAB 89.75, -39.69, 23.13

 

CMYK 36 / 0 / 36 / 4

HEX #9DF59D

RGB 157 245 157

HSL 120, 0.81%, 0.79%

LAB 89.35, -43.48, 34.24

 

CMYK 26 / 0 / 36 / 4

HEX #B5F59D

RGB 181 245 157

HSL 103.64, 0.81%, 0.79%

LAB 90.58, -35.8, 36.09

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 36 / 2 / 0 / 4

HEX #9DEFF5

RGB 157 239 245

HSL 184.09, 0.81%, 0.79%

LAB 89.62, -23.39, -10.81

 

CMYK 36 / 12 / 0 / 4

HEX #9DD7F5

RGB 157 215 245

HSL 200.45, 0.81%, 0.79%

LAB 83.11, -11.31, -20.6

 

CMYK 36 / 22 / 0 / 4

HEX #9DBFF5

RGB 157 191 245

HSL 216.82, 0.81%, 0.79%

LAB 76.69, 1.43, -30.39

 

CMYK 36 / 32 / 0 / 4

HEX #9DA7F5

RGB 157 167 245

HSL 233.18, 0.81%, 0.79%

LAB 70.45, 14.74, -40.05

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 42 / 0 / 8 / 0

HEX #94FEE9

RGB 148 254 233

HSL 168.11, 0.98%, 0.79%

LAB 93.04, -35.53, 0.42

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 30 / 0 / 6 / 7

HEX #A5EDDE

RGB 165 237 222

HSL 167.5, 0.67%, 0.79%

LAB 88.85, -25.44, 0.11

 

CMYK 24 / 0 / 5 / 11

HEX #AEE4D9

RGB 174 228 217

HSL 167.78, 0.5%, 0.79%

LAB 86.75, -19.46, -0.27

 

CMYK 17 / 0 / 3 / 14

HEX #B6DBD4

RGB 182 219 212

HSL 168.65, 0.34%, 0.79%

LAB 84.67, -13.49, -0.61

 

CMYK 9 / 0 / 2 / 17

HEX #BFD3CF

RGB 191 211 207

HSL 168, 0.19%, 0.79%

LAB 83, -7.47, -0.32

 

CMYK 36 / 0 / 27 / 4

HEX #9DF5B4

RGB 157 245 180

HSL 135.68, 0.81%, 0.79%

LAB 89.75, -39.69, 23.13

 

CMYK 36 / 0 / 17 / 4

HEX #9DF5CC

RGB 157 245 204

HSL 152.05, 0.81%, 0.79%

LAB 90.24, -35.18, 11.45

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 36 / 2 / 0 / 4

HEX #9DEFF5

RGB 157 239 245

HSL 184.09, 0.81%, 0.79%

LAB 89.62, -23.39, -10.81

 

CMYK 36 / 12 / 0 / 4

HEX #9DD8F5

RGB 157 216 245

HSL 199.77, 0.81%, 0.79%

LAB 83.38, -11.83, -20.19

 

CMYK 66 / 0 / 13 / 7

HEX #51EECF

RGB 81 238 207

HSL 168.15, 0.82%, 0.63%

LAB 85.71, -48.03, 3.03

 

CMYK 51 / 0 / 10 / 5

HEX #77F2D9

RGB 119 242 217

HSL 167.8, 0.83%, 0.71%

LAB 88.18, -40.41, 1.51

 

CMYK 36 / 0 / 7 / 4

HEX #9DF5E4

RGB 157 245 228

HSL 168.41, 0.81%, 0.79%

LAB 90.81, -30.15, -0.19

 

CMYK 22 / 0 / 4 / 2

HEX #C2F9EE

RGB 194 249 238

HSL 168, 0.82%, 0.87%

LAB 94.05, -19.51, -0.42

 

CMYK 8 / 0 / 2 / 1

HEX #E8FCF8

RGB 232 252 248

HSL 168, 0.77%, 0.95%

LAB 97.45, -7.23, -0.33

 

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

CMYK 36 / 36 / 0 / 4

HEX #9D9DF5

RGB 157 157 245

HSL 240, 0.81%, 0.79%

LAB 67.93, 20.41, -44

 

CMYK 0 / 22 / 36 / 4

HEX #F5C09D

RGB 245 192 157

HSL 23.86, 0.81%, 0.79%

LAB 81.59, 14.36, 24.91

 

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

CMYK 7 / 36 / 0 / 4

HEX #E49DF5

RGB 228 157 245

HSL 288.41, 0.81%, 0.79%

LAB 74.32, 40.88, -33.57

 

CMYK 0 / 7 / 36 / 4

HEX #F5E49D

RGB 245 228 157

HSL 48.41, 0.81%, 0.79%

LAB 90.47, -4.24, 36.78

 

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

CMYK 36 / 36 / 0 / 4

HEX #9D9DF5

RGB 157 157 245

HSL 240, 0.81%, 0.79%

LAB 67.93, 20.41, -44

 

CMYK 0 / 36 / 29 / 4

HEX #F59DAE

RGB 245 157 174

HSL 348.41, 0.81%, 0.79%

LAB 73.92, 34.92, 4.95

 

CMYK 0 / 0 / 36 / 4

HEX #F5F59D

RGB 245 245 157

HSL 60, 0.81%, 0.79%

LAB 94.8, -12.71, 42.4

 

CMYK 37 / 0 / 7 / 4

HEX #9CF6E4

RGB 156 246 228

HSL 168, 0.83%, 0.79%

LAB 91.04, -30.89, 0.14

 

CMYK 25 / 36 / 0 / 4

HEX #B79DF5

RGB 183 157 245

HSL 257.73, 0.81%, 0.79%

LAB 70.02, 27.59, -40.58

 

CMYK 0 / 36 / 29 / 4

HEX #F59DAE

RGB 245 157 174

HSL 348.41, 0.81%, 0.79%

LAB 73.92, 34.92, 4.95

 

CMYK 11 / 0 / 36 / 4

HEX #DBF59D

RGB 219 245 157

HSL 77.73, 0.81%, 0.79%

LAB 92.93, -22.43, 39.61

 

Description

Color code: HEX #9CF6E4 | qconv.com Color code: HEX #9CF6E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 246 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 246 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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