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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CFAFB it is the complementary color #630504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CFAFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CFAFB shade: #A1FAF6, #B2FFFF, #C3FFFF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CFAFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CFAFB shade: #9CFAFB, #8BE8E8, #7AD6D5, #69C4C2 and #58B2AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CFAFB shade: #9DF9FA, #9DE0FA, #9DC7FA, #9DAEFA and #A59DFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CFAFB shade: #9DF9FA, #9DE0FA, #9DC7FA, #9DAEFA and #9D9DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CFAFB shade matches the following richer shades: #9DF9FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CFAFB shade: #9DF9FA, #A5F1F2, #ADE9EA, #B5E1E2 and #BED9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CFAFB shade: #9DFAC8, #9DFAE1, #9DFAFA, #9DE1FA and #9DC8FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CFAFB shade: #4DF5F7, #75F7F9, #9DF9FA, #C4FBFC and #ECFEFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CFAFB shade: #9CFAFB, #AF9DFA and #FAD59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CFAFB shade: #9CFAFB, #FA9DFA and #FAFA9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CFAFB shade: #9CFAFB, #AF9DFA, #FA9D9D and #E8FA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CFAFB shade: #9CFAFB, #CC9DFA, #FA9D9D and #CCFA9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

Complementary color

CMYK 0 / 95 / 96 / 61

HEX #630504

RGB 99 5 4

HSL 0.63, 0.92%, 0.2%

LAB 19.1, 38.79, 27.57

 

CMYK 36 / 0 / 2 / 2

HEX #A1FAF6

RGB 161 250 246

HSL 177.3, 0.9%, 0.81%

LAB 92.84, -27.45, -6.54

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

CMYK 40 / 0 / 0 / 9

HEX #8BE8E8

RGB 139 232 232

HSL 180, 0.67%, 0.73%

LAB 86.52, -27.59, -8.7

 

CMYK 43 / 0 / 0 / 16

HEX #7AD6D5

RGB 122 214 213

HSL 179.35, 0.53%, 0.66%

LAB 80.2, -27.62, -8.09

 

CMYK 46 / 0 / 1 / 23

HEX #69C4C2

RGB 105 196 194

HSL 178.68, 0.44%, 0.59%

LAB 73.79, -27.61, -7.44

 

CMYK 51 / 0 / 2 / 30

HEX #58B2AF

RGB 88 178 175

HSL 178, 0.37%, 0.52%

LAB 67.29, -27.56, -6.74

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 37 / 10 / 0 / 2

HEX #9DE0FA

RGB 157 224 250

HSL 196.77, 0.9%, 0.8%

LAB 85.7, -14.7, -19.33

 

CMYK 37 / 20 / 0 / 2

HEX #9DC7FA

RGB 157 199 250

HSL 212.9, 0.9%, 0.8%

LAB 78.99, -1.61, -29.53

 

CMYK 37 / 30 / 0 / 2

HEX #9DAEFA

RGB 157 174 250

HSL 229.03, 0.9%, 0.8%

LAB 72.46, 12.12, -39.64

 

CMYK 34 / 37 / 0 / 2

HEX #A59DFA

RGB 165 157 250

HSL 245.16, 0.9%, 0.8%

LAB 68.76, 23.85, -45.38

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 37 / 10 / 0 / 2

HEX #9DE0FA

RGB 157 224 250

HSL 196.77, 0.9%, 0.8%

LAB 85.7, -14.7, -19.33

 

CMYK 37 / 20 / 0 / 2

HEX #9DC7FA

RGB 157 199 250

HSL 212.9, 0.9%, 0.8%

LAB 78.99, -1.61, -29.53

 

CMYK 37 / 30 / 0 / 2

HEX #9DAEFA

RGB 157 174 250

HSL 229.03, 0.9%, 0.8%

LAB 72.46, 12.12, -39.64

 

CMYK 37 / 37 / 0 / 2

HEX #9D9DFA

RGB 157 157 250

HSL 240, 0.9%, 0.8%

LAB 68.16, 21.74, -46.37

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 32 / 0 / 0 / 5

HEX #A5F1F2

RGB 165 241 242

HSL 180.78, 0.75%, 0.8%

LAB 90.47, -22.97, -7.95

 

CMYK 26 / 0 / 0 / 8

HEX #ADE9EA

RGB 173 233 234

HSL 180.98, 0.59%, 0.8%

LAB 88.5, -18.6, -6.64

 

CMYK 20 / 0 / 0 / 11

HEX #B5E1E2

RGB 181 225 226

HSL 181.33, 0.44%, 0.8%

LAB 86.59, -13.96, -5.2

 

CMYK 12 / 0 / 0 / 15

HEX #BED9D9

RGB 190 217 217

HSL 180, 0.26%, 0.8%

LAB 84.78, -8.92, -3.04

 

CMYK 37 / 0 / 20 / 2

HEX #9DFAC8

RGB 157 250 200

HSL 147.74, 0.9%, 0.8%

LAB 91.55, -38.25, 15.37

 

CMYK 37 / 0 / 10 / 2

HEX #9DFAE1

RGB 157 250 225

HSL 163.87, 0.9%, 0.8%

LAB 92.12, -33.15, 3.27

 

CMYK 37 / 0 / 0 / 2

HEX #9DFAFA

RGB 157 250 250

HSL 180, 0.9%, 0.8%

LAB 92.77, -27.54, -8.74

 

CMYK 37 / 10 / 0 / 2

HEX #9DE1FA

RGB 157 225 250

HSL 196.13, 0.9%, 0.8%

LAB 85.97, -15.21, -18.92

 

CMYK 37 / 20 / 0 / 2

HEX #9DC8FA

RGB 157 200 250

HSL 212.26, 0.9%, 0.8%

LAB 79.26, -2.15, -29.12

 

CMYK 69 / 1 / 0 / 3

HEX #4DF5F7

RGB 77 245 247

HSL 180.71, 0.91%, 0.64%

LAB 88.73, -41.18, -13.47

 

CMYK 53 / 1 / 0 / 2

HEX #75F7F9

RGB 117 247 249

HSL 180.91, 0.92%, 0.72%

LAB 90.39, -35.21, -11.93

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 22 / 0 / 0 / 1

HEX #C4FBFC

RGB 196 251 252

HSL 181.07, 0.9%, 0.88%

LAB 95.06, -17.01, -6.17

 

CMYK 7 / 0 / 0 / 0

HEX #ECFEFE

RGB 236 254 254

HSL 180, 0.9%, 0.96%

LAB 98.38, -5.84, -2.02

 

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

CMYK 30 / 37 / 0 / 2

HEX #AF9DFA

RGB 175 157 250

HSL 251.61, 0.9%, 0.8%

LAB 69.56, 26.56, -44.07

 

CMYK 0 / 15 / 37 / 2

HEX #FAD59D

RGB 250 213 157

HSL 36.13, 0.9%, 0.8%

LAB 87.17, 5.35, 32.49

 

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

CMYK 0 / 37 / 0 / 2

HEX #FA9DFA

RGB 250 157 250

HSL 300, 0.9%, 0.8%

LAB 76.88, 48.44, -32.12

 

CMYK 0 / 0 / 37 / 2

HEX #FAFA9D

RGB 250 250 157

HSL 60, 0.9%, 0.8%

LAB 96.46, -13.27, 44.61

 

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

CMYK 30 / 37 / 0 / 2

HEX #AF9DFA

RGB 175 157 250

HSL 251.61, 0.9%, 0.8%

LAB 69.56, 26.56, -44.07

 

CMYK 0 / 37 / 37 / 2

HEX #FA9D9D

RGB 250 157 157

HSL 0, 0.9%, 0.8%

LAB 74.11, 34.64, 14.66

 

CMYK 7 / 0 / 37 / 2

HEX #E8FA9D

RGB 232 250 157

HSL 71.61, 0.9%, 0.8%

LAB 95.14, -20.03, 42.65

 

CMYK 38 / 0 / 0 / 2

HEX #9CFAFB

RGB 156 250 251

HSL 180.63, 0.92%, 0.8%

LAB 92.75, -27.55, -9.29

 

CMYK 18 / 37 / 0 / 2

HEX #CC9DFA

RGB 204 157 250

HSL 270.32, 0.9%, 0.8%

LAB 72.13, 34.79, -39.86

 

CMYK 0 / 37 / 37 / 2

HEX #FA9D9D

RGB 250 157 157

HSL 0, 0.9%, 0.8%

LAB 74.11, 34.64, 14.66

 

CMYK 18 / 0 / 37 / 2

HEX #CCFA9D

RGB 204 250 157

HSL 89.68, 0.9%, 0.8%

LAB 93.3, -30.19, 39.9

 

Description

Color code: HEX #9CFAFB | qconv.com Color code: HEX #9CFAFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 250 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 250 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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