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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CFDCE it is the complementary color #630231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CFDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CFDCE shade: #A1FDC9, #B2FFDC, #C3FFEF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CFDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CFDCE shade: #9CFDCE, #8BEBBB, #7AD9A8, #69C795 and #58B582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CFDCE shade: #9BFCCD, #9BFCB3, #9DFC9B, #B7FC9B and #D2FC9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CFDCE shade: #9BFCCD, #9BFCE7, #9BF7FC, #9BDDFC and #9BC2FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CFDCE shade matches the following richer shades: #9BFCCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CFDCE shade: #9BFCCD, #A3F4CD, #ABECCD, #B3E4CC and #BCDBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CFDCE shade: #9EFC9B, #9BFCB1, #9BFCCC, #9BFCE6 and #9BF9FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CFDCE shade: #4AFBA5, #72FCB9, #9BFCCD, #C3FDE1 and #EBFEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CFDCE shade: #9CFDCE, #9BB8FC and #FCA49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CFDCE shade: #9CFDCE, #CC9BFC and #FCCC9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CFDCE shade: #9CFDCE, #9BB8FC, #FC9BCC and #FCDF9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CFDCE shade: #9CFDCE, #9B9BFC, #FC9BCC and #FCFC9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

Complementary color

CMYK 0 / 98 / 51 / 61

HEX #630231

RGB 99 2 49

HSL 330.93, 0.96%, 0.2%

LAB 19.71, 42.03, 0.06

 

CMYK 36 / 0 / 21 / 1

HEX #A1FDC9

RGB 161 253 201

HSL 146.09, 0.96%, 0.81%

LAB 92.59, -38.29, 16.35

 

CMYK 30 / 0 / 14 / 0

HEX #B2FFDC

RGB 178 255 220

HSL 152.73, 1%, 0.85%

LAB 94.38, -30.69, 9.23

 

CMYK 24 / 0 / 6 / 0

HEX #C3FFEF

RGB 195 255 239

HSL 164, 1%, 0.88%

LAB 95.73, -21.93, 1.51

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

CMYK 41 / 0 / 20 / 8

HEX #8BEBBB

RGB 139 235 187

HSL 150, 0.71%, 0.73%

LAB 86.25, -38.94, 14.51

 

CMYK 44 / 0 / 23 / 15

HEX #7AD9A8

RGB 122 217 168

HSL 149.05, 0.56%, 0.66%

LAB 79.95, -39.17, 15.5

 

CMYK 47 / 0 / 25 / 22

HEX #69C795

RGB 105 199 149

HSL 148.09, 0.46%, 0.6%

LAB 73.56, -39.38, 16.57

 

CMYK 51 / 0 / 28 / 29

HEX #58B582

RGB 88 181 130

HSL 147.1, 0.39%, 0.53%

LAB 67.08, -39.55, 17.72

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCD

RGB 155 252 205

HSL 150.93, 0.94%, 0.8%

LAB 92.13, -38.72, 13.6

 

CMYK 38 / 0 / 29 / 1

HEX #9BFCB3

RGB 155 252 179

HSL 134.85, 0.94%, 0.8%

LAB 91.61, -43.53, 26.18

 

CMYK 38 / 0 / 38 / 1

HEX #9DFC9B

RGB 157 252 155

HSL 118.76, 0.94%, 0.8%

LAB 91.3, -46.8, 37.81

 

CMYK 27 / 0 / 38 / 1

HEX #B7FC9B

RGB 183 252 155

HSL 102.68, 0.94%, 0.8%

LAB 92.6, -38.57, 39.74

 

CMYK 17 / 0 / 38 / 1

HEX #D2FC9B

RGB 210 252 155

HSL 85.98, 0.94%, 0.8%

LAB 94.18, -29.25, 42.1

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCD

RGB 155 252 205

HSL 150.93, 0.94%, 0.8%

LAB 92.13, -38.72, 13.6

 

CMYK 38 / 0 / 8 / 1

HEX #9BFCE7

RGB 155 252 231

HSL 167.01, 0.94%, 0.8%

LAB 92.73, -33.3, 1.04

 

CMYK 38 / 2 / 0 / 1

HEX #9BF7FC

RGB 155 247 252

HSL 183.09, 0.94%, 0.8%

LAB 91.92, -26.12, -11.06

 

CMYK 38 / 12 / 0 / 1

HEX #9BDDFC

RGB 155 221 252

HSL 199.18, 0.94%, 0.8%

LAB 84.85, -13.18, -21.68

 

CMYK 38 / 23 / 0 / 1

HEX #9BC2FC

RGB 155 194 252

HSL 215.88, 0.94%, 0.8%

LAB 77.63, 1.08, -32.71

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCD

RGB 155 252 205

HSL 150.93, 0.94%, 0.8%

LAB 92.13, -38.72, 13.6

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCD

RGB 155 252 205

HSL 150.93, 0.94%, 0.8%

LAB 92.13, -38.72, 13.6

 

CMYK 33 / 0 / 16 / 4

HEX #A3F4CD

RGB 163 244 205

HSL 151.11, 0.79%, 0.8%

LAB 90.27, -32.82, 11.01

 

CMYK 28 / 0 / 13 / 7

HEX #ABECCD

RGB 171 236 205

HSL 151.38, 0.63%, 0.8%

LAB 88.47, -26.69, 8.5

 

CMYK 21 / 0 / 11 / 11

HEX #B3E4CC

RGB 179 228 204

HSL 150.61, 0.48%, 0.8%

LAB 86.72, -20.52, 6.55

 

CMYK 14 / 0 / 7 / 14

HEX #BCDBCC

RGB 188 219 204

HSL 150.97, 0.3%, 0.8%

LAB 84.85, -13.13, 3.93

 

CMYK 37 / 0 / 38 / 1

HEX #9EFC9B

RGB 158 252 155

HSL 118.14, 0.94%, 0.8%

LAB 91.35, -46.5, 37.88

 

CMYK 38 / 0 / 30 / 1

HEX #9BFCB1

RGB 155 252 177

HSL 133.61, 0.94%, 0.8%

LAB 91.58, -43.88, 27.15

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCC

RGB 155 252 204

HSL 150.31, 0.94%, 0.8%

LAB 92.11, -38.92, 14.09

 

CMYK 38 / 0 / 9 / 1

HEX #9BFCE6

RGB 155 252 230

HSL 166.39, 0.94%, 0.8%

LAB 92.71, -33.52, 1.52

 

CMYK 38 / 1 / 0 / 1

HEX #9BF9FC

RGB 155 249 252

HSL 181.86, 0.94%, 0.8%

LAB 92.46, -27.08, -10.24

 

CMYK 71 / 0 / 34 / 2

HEX #4AFBA5

RGB 74 251 165

HSL 150.85, 0.96%, 0.64%

LAB 88.53, -63.43, 28.65

 

CMYK 55 / 0 / 27 / 1

HEX #72FCB9

RGB 114 252 185

HSL 150.87, 0.96%, 0.72%

LAB 90.18, -52.7, 20.91

 

CMYK 38 / 0 / 19 / 1

HEX #9BFCCD

RGB 155 252 205

HSL 150.93, 0.94%, 0.8%

LAB 92.13, -38.72, 13.6

 

CMYK 23 / 0 / 11 / 1

HEX #C3FDE1

RGB 195 253 225

HSL 151.03, 0.94%, 0.88%

LAB 94.86, -23.7, 7.47

 

CMYK 7 / 0 / 4 / 0

HEX #EBFEF5

RGB 235 254 245

HSL 151.58, 0.9%, 0.96%

LAB 98.09, -7.81, 2.16

 

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

CMYK 38 / 27 / 0 / 1

HEX #9BB8FC

RGB 155 184 252

HSL 222.06, 0.94%, 0.8%

LAB 75, 6.56, -36.78

 

CMYK 0 / 35 / 38 / 1

HEX #FCA49B

RGB 252 164 155

HSL 5.57, 0.94%, 0.8%

LAB 75.83, 31.51, 18.19

 

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

CMYK 19 / 38 / 0 / 1

HEX #CC9BFC

RGB 204 155 252

HSL 270.31, 0.94%, 0.8%

LAB 71.76, 36.32, -41.52

 

CMYK 0 / 19 / 38 / 1

HEX #FCCC9B

RGB 252 204 155

HSL 30.31, 0.94%, 0.8%

LAB 85.12, 10.56, 30.83

 

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

CMYK 38 / 27 / 0 / 1

HEX #9BB8FC

RGB 155 184 252

HSL 222.06, 0.94%, 0.8%

LAB 75, 6.56, -36.78

 

CMYK 0 / 38 / 19 / 1

HEX #FC9BCC

RGB 252 155 204

HSL 329.69, 0.94%, 0.8%

LAB 75.14, 42.57, -9.68

 

CMYK 0 / 12 / 38 / 1

HEX #FCDF9B

RGB 252 223 155

HSL 42.06, 0.94%, 0.8%

LAB 89.78, 0.77, 36.99

 

CMYK 38 / 0 / 19 / 1

HEX #9CFDCE

RGB 156 253 206

HSL 150.93, 0.96%, 0.8%

LAB 92.48, -38.7, 13.58

 

CMYK 38 / 38 / 0 / 1

HEX #9B9BFC

RGB 155 155 252

HSL 240, 0.94%, 0.8%

LAB 67.61, 22.9, -48.34

 

CMYK 0 / 38 / 19 / 1

HEX #FC9BCC

RGB 252 155 204

HSL 329.69, 0.94%, 0.8%

LAB 75.14, 42.57, -9.68

 

CMYK 0 / 0 / 38 / 1

HEX #FCFC9B

RGB 252 252 155

HSL 60, 0.94%, 0.8%

LAB 97.1, -13.7, 46.42

 

Description

Color code: HEX #9CFDCE | qconv.com Color code: HEX #9CFDCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 253 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 253 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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