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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A04AC it is the complementary color #65FB53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A04AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A04AC shade: #9F04A7, #B016BA, #C128CD, #D23AE0 and #E34CF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A04AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A04AC shade: #9A04AC, #890099, #780086, #670073 and #560060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A04AC shade: #9B04AE, #AE0492, #AE0464, #AE0437 and #AE0409

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A04AC shade: #9B04AE, #6E04AE, #4004AE, #1204AE and #0404AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A04AC shade matches the following richer shades: #9B04AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A04AC shade: #9B04AE, #90129F, #852191, #792F82 and #6E3E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A04AC shade: #3F04AE, #6D04AE, #9A04AE, #AE0494 and #AE0467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A04AC shade: #53025D, #770385, #9B04AE, #BF05D6 and #DF0CF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A04AC shade: #9A04AC, #AE1204 and #04AE56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A04AC shade: #9A04AC, #AE9A04 and #04AE9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A04AC shade: #9A04AC, #AE1204, #18AE04 and #049FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A04AC shade: #9A04AC, #AE4504, #18AE04 and #046DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

Complementary color

CMYK 60 / 0 / 67 / 2

HEX #65FB53

RGB 101 251 83

HSL 113.57, 0.95%, 0.65%

LAB 88.15, -69.85, 65.94

 

CMYK 5 / 98 / 0 / 35

HEX #9F04A7

RGB 159 4 167

HSL 297.06, 0.95%, 0.34%

LAB 38.28, 69.8, -46.49

 

CMYK 5 / 88 / 0 / 27

HEX #B016BA

RGB 176 22 186

HSL 296.34, 0.79%, 0.41%

LAB 43.28, 73.37, -49.58

 

CMYK 6 / 80 / 0 / 20

HEX #C128CD

RGB 193 40 205

HSL 295.64, 0.67%, 0.48%

LAB 48.59, 75.73, -51.98

 

CMYK 6 / 74 / 0 / 12

HEX #D23AE0

RGB 210 58 224

HSL 294.94, 0.73%, 0.55%

LAB 54.14, 77.12, -53.79

 

CMYK 7 / 69 / 0 / 5

HEX #E34CF3

RGB 227 76 243

HSL 294.25, 0.87%, 0.63%

LAB 59.86, 77.82, -55.17

 

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

CMYK 10 / 100 / 0 / 40

HEX #890099

RGB 137 0 153

HSL 293.73, 1%, 0.3%

LAB 33.17, 64.5, -46.45

 

CMYK 10 / 100 / 0 / 47

HEX #780086

RGB 120 0 134

HSL 293.73, 1%, 0.26%

LAB 28.68, 58.59, -42.12

 

CMYK 10 / 100 / 0 / 55

HEX #670073

RGB 103 0 115

HSL 293.74, 1%, 0.23%

LAB 24.07, 52.52, -37.67

 

CMYK 10 / 100 / 0 / 62

HEX #560060

RGB 86 0 96

HSL 293.75, 1%, 0.19%

LAB 19.32, 46.28, -33.08

 

CMYK 11 / 98 / 0 / 32

HEX #9B04AE

RGB 155 4 174

HSL 293.29, 0.96%, 0.35%

LAB 38.04, 70.29, -51.11

 

CMYK 0 / 98 / 16 / 32

HEX #AE0492

RGB 174 4 146

HSL 309.88, 0.96%, 0.35%

LAB 39.85, 69.43, -31.12

 

CMYK 0 / 98 / 43 / 32

HEX #AE0464

RGB 174 4 100

HSL 326.12, 0.96%, 0.35%

LAB 37.85, 64.27, -5.49

 

CMYK 0 / 98 / 68 / 32

HEX #AE0437

RGB 174 4 55

HSL 342, 0.96%, 0.35%

LAB 36.67, 61.1, 21.86

 

CMYK 0 / 98 / 95 / 32

HEX #AE0409

RGB 174 4 9

HSL 358.24, 0.96%, 0.35%

LAB 36.19, 59.77, 46.86

 

CMYK 11 / 98 / 0 / 32

HEX #9B04AE

RGB 155 4 174

HSL 293.29, 0.96%, 0.35%

LAB 38.04, 70.29, -51.11

 

CMYK 37 / 98 / 0 / 32

HEX #6E04AE

RGB 110 4 174

HSL 277.41, 0.96%, 0.35%

LAB 30.54, 64.17, -63.65

 

CMYK 63 / 98 / 0 / 32

HEX #4004AE

RGB 64 4 174

HSL 261.18, 0.96%, 0.35%

LAB 24.43, 60.19, -73.95

 

CMYK 90 / 98 / 0 / 32

HEX #1204AE

RGB 18 4 174

HSL 244.94, 0.96%, 0.35%

LAB 21.1, 58.6, -79.58

 

CMYK 98 / 98 / 0 / 32

HEX #0404AE

RGB 4 4 174

HSL 240, 0.96%, 0.35%

LAB 20.71, 58.44, -80.25

 

CMYK 11 / 98 / 0 / 32

HEX #9B04AE

RGB 155 4 174

HSL 293.29, 0.96%, 0.35%

LAB 38.04, 70.29, -51.11

 

CMYK 11 / 98 / 0 / 32

HEX #9B04AE

RGB 155 4 174

HSL 293.29, 0.96%, 0.35%

LAB 38.04, 70.29, -51.11

 

CMYK 9 / 89 / 0 / 38

HEX #90129F

RGB 144 18 159

HSL 293.62, 0.8%, 0.35%

LAB 35.72, 64.06, -45.93

 

CMYK 8 / 77 / 0 / 43

HEX #852191

RGB 133 33 145

HSL 293.57, 0.63%, 0.35%

LAB 34.23, 55.65, -39.89

 

CMYK 7 / 64 / 0 / 49

HEX #792F82

RGB 121 47 130

HSL 293.49, 0.47%, 0.35%

LAB 33.37, 44.35, -32.1

 

CMYK 5 / 47 / 0 / 55

HEX #6E3E74

RGB 110 62 116

HSL 293.33, 0.3%, 0.35%

LAB 34.03, 30.26, -22.44

 

CMYK 64 / 98 / 0 / 32

HEX #3F04AE

RGB 63 4 174

HSL 260.82, 0.96%, 0.35%

LAB 24.32, 60.13, -74.13

 

CMYK 37 / 98 / 0 / 32

HEX #6D04AE

RGB 109 4 174

HSL 277.06, 0.96%, 0.35%

LAB 30.39, 64.06, -63.91

 

CMYK 11 / 98 / 0 / 32

HEX #9A04AE

RGB 154 4 174

HSL 292.94, 0.96%, 0.35%

LAB 37.87, 70.14, -51.4

 

CMYK 0 / 98 / 15 / 32

HEX #AE0494

RGB 174 4 148

HSL 309.18, 0.96%, 0.35%

LAB 39.95, 69.69, -32.18

 

CMYK 0 / 98 / 41 / 32

HEX #AE0467

RGB 174 4 103

HSL 325.06, 0.96%, 0.35%

LAB 37.96, 64.55, -7.24

 

CMYK 11 / 98 / 0 / 64

HEX #53025D

RGB 83 2 93

HSL 293.41, 0.96%, 0.19%

LAB 18.68, 44.66, -32.15

 

CMYK 11 / 98 / 0 / 48

HEX #770385

RGB 119 3 133

HSL 293.54, 0.96%, 0.27%

LAB 28.59, 57.75, -41.64

 

CMYK 11 / 98 / 0 / 32

HEX #9B04AE

RGB 155 4 174

HSL 293.29, 0.96%, 0.35%

LAB 38.04, 70.29, -51.11

 

CMYK 11 / 98 / 0 / 16

HEX #BF05D6

RGB 191 5 214

HSL 293.4, 0.95%, 0.43%

LAB 47.03, 82.14, -59.68

 

CMYK 10 / 95 / 0 / 3

HEX #DF0CF8

RGB 223 12 248

HSL 293.64, 0.94%, 0.51%

LAB 54.79, 91.67, -66.12

 

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

CMYK 0 / 90 / 98 / 32

HEX #AE1204

RGB 174 18 4

HSL 4.94, 0.96%, 0.35%

LAB 36.82, 57.83, 49.12

 

CMYK 98 / 0 / 51 / 32

HEX #04AE56

RGB 4 174 86

HSL 148.94, 0.96%, 0.35%

LAB 62.48, -57.32, 34.63

 

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

CMYK 0 / 11 / 98 / 32

HEX #AE9A04

RGB 174 154 4

HSL 52.94, 0.96%, 0.35%

LAB 63.44, -5.68, 66.39

 

CMYK 98 / 0 / 11 / 32

HEX #04AE9A

RGB 4 174 154

HSL 172.94, 0.96%, 0.35%

LAB 63.86, -41.87, -0.3

 

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

CMYK 0 / 90 / 98 / 32

HEX #AE1204

RGB 174 18 4

HSL 4.94, 0.96%, 0.35%

LAB 36.82, 57.83, 49.12

 

CMYK 86 / 0 / 98 / 32

HEX #18AE04

RGB 24 174 4

HSL 112.94, 0.96%, 0.35%

LAB 62.06, -63.1, 62.13

 

CMYK 98 / 9 / 0 / 32

HEX #049FAE

RGB 4 159 174

HSL 185.29, 0.96%, 0.35%

LAB 59.78, -28.8, -17.62

 

CMYK 10 / 98 / 0 / 33

HEX #9A04AC

RGB 154 4 172

HSL 293.57, 0.95%, 0.35%

LAB 37.73, 69.81, -50.43

 

CMYK 0 / 60 / 98 / 32

HEX #AE4504

RGB 174 69 4

HSL 22.94, 0.96%, 0.35%

LAB 43.16, 40.44, 52.59

 

CMYK 86 / 0 / 98 / 32

HEX #18AE04

RGB 24 174 4

HSL 112.94, 0.96%, 0.35%

LAB 62.06, -63.1, 62.13

 

CMYK 98 / 37 / 0 / 32

HEX #046DAE

RGB 4 109 174

HSL 202.94, 0.96%, 0.35%

LAB 44.26, -1.08, -41.76

 

Description

Color code: HEX #9A04AC | qconv.com Color code: HEX #9A04AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 4 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 4 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 98 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 98% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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