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Color name
HEX #9A1320

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A1320 it is the complementary color #65ECDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A1320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A1320 shade: #9F131B, #B0252E, #C13741, #D24954 and #E35B67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A1320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A1320 shade: #9A1320, #89010D, #780000, #670000 and #560000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A1320 shade: #9A1320 and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A1320 shade: #9A1320, #9A1344, #9A1369, #9A138D and #82139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A1320 shade matches the following richer shades: #9A1320 and #A80514

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A1320 shade: #9A1320, #8C212B, #7E2F36, #703D42 and #624B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A1320 shade: #9A1368, #9A1344, #9A1320, #9A2913 and #9A4D13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A1320 shade: #500910, #750E18, #9A1320, #BF1727 and #E31C2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A1320 shade: #9A1320, #8C9A13 and #13569A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A1320 shade: #9A1320, #209A13 and #13209A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A1320 shade: #9A1320, #8C9A13, #139A8C and #20139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A1320 shade: #9A1320, #649A13, #139A8C and #49139A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

Complementary color

CMYK 57 / 0 / 6 / 7

HEX #65ECDF

RGB 101 236 223

HSL 174.22, 0.78%, 0.66%

LAB 86.05, -39.82, -4.82

 

CMYK 0 / 88 / 83 / 38

HEX #9F131B

RGB 159 19 27

HSL 356.57, 0.79%, 0.35%

LAB 33.81, 53.88, 35.03

 

CMYK 0 / 79 / 74 / 31

HEX #B0252E

RGB 176 37 46

HSL 356.12, 0.65%, 0.42%

LAB 39.16, 54.91, 30.58

 

CMYK 0 / 72 / 66 / 24

HEX #C13741

RGB 193 55 65

HSL 355.65, 0.56%, 0.49%

LAB 44.87, 55.01, 26.75

 

CMYK 0 / 65 / 60 / 18

HEX #D24954

RGB 210 73 84

HSL 355.18, 0.6%, 0.55%

LAB 50.81, 54.56, 23.58

 

CMYK 0 / 60 / 55 / 11

HEX #E35B67

RGB 227 91 103

HSL 354.71, 0.71%, 0.62%

LAB 56.87, 53.81, 20.94

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 99 / 91 / 46

HEX #89010D

RGB 137 1 13

HSL 354.71, 0.99%, 0.27%

LAB 27.76, 50.52, 35.44

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 88 / 56 / 40

HEX #9A1344

RGB 154 19 68

HSL 338.22, 0.78%, 0.34%

LAB 33.46, 54.59, 8.36

 

CMYK 0 / 88 / 32 / 40

HEX #9A1369

RGB 154 19 105

HSL 321.78, 0.78%, 0.34%

LAB 34.71, 58.11, -13.82

 

CMYK 0 / 88 / 8 / 40

HEX #9A138D

RGB 154 19 141

HSL 305.78, 0.78%, 0.34%

LAB 36.48, 62.87, -33.63

 

CMYK 16 / 88 / 0 / 40

HEX #82139A

RGB 130 19 154

HSL 289.33, 0.78%, 0.34%

LAB 33.02, 60.55, -47.38

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 97 / 88 / 34

HEX #A80514

RGB 168 5 20

HSL 354.48, 0.94%, 0.34%

LAB 34.97, 58.25, 40.6

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 76 / 69 / 45

HEX #8C212B

RGB 140 33 43

HSL 354.39, 0.62%, 0.34%

LAB 31.43, 44.94, 21.49

 

CMYK 0 / 63 / 57 / 51

HEX #7E2F36

RGB 126 47 54

HSL 354.68, 0.46%, 0.34%

LAB 31.2, 34.85, 13.54

 

CMYK 0 / 46 / 41 / 56

HEX #703D42

RGB 112 61 66

HSL 354.12, 0.29%, 0.34%

LAB 32.2, 22.91, 6.8

 

CMYK 0 / 23 / 21 / 62

HEX #624B4D

RGB 98 75 77

HSL 354.78, 0.13%, 0.34%

LAB 34.32, 10.08, 2.55

 

CMYK 0 / 88 / 32 / 40

HEX #9A1368

RGB 154 19 104

HSL 322.22, 0.78%, 0.34%

LAB 34.67, 58, -13.24

 

CMYK 0 / 88 / 56 / 40

HEX #9A1344

RGB 154 19 68

HSL 338.22, 0.78%, 0.34%

LAB 33.46, 54.59, 8.36

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 73 / 88 / 40

HEX #9A2913

RGB 154 41 19

HSL 9.78, 0.78%, 0.34%

LAB 35.01, 45.67, 39.93

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 89 / 80 / 69

HEX #500910

RGB 80 9 16

HSL 354.08, 0.8%, 0.17%

LAB 15.16, 32.03, 16.41

 

CMYK 0 / 88 / 79 / 54

HEX #750E18

RGB 117 14 24

HSL 354.17, 0.79%, 0.26%

LAB 24.2, 42.68, 24.03

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 88 / 80 / 25

HEX #BF1727

RGB 191 23 39

HSL 354.29, 0.79%, 0.42%

LAB 40.95, 62.24, 37.55

 

CMYK 0 / 88 / 79 / 11

HEX #E31C2F

RGB 227 28 47

HSL 354.27, 0.78%, 0.5%

LAB 48.72, 71.06, 43.36

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 9 / 0 / 88 / 40

HEX #8C9A13

RGB 140 154 19

HSL 66.22, 0.78%, 0.34%

LAB 60.55, -20.69, 60.47

 

CMYK 88 / 44 / 0 / 40

HEX #13569A

RGB 19 86 154

HSL 210.22, 0.78%, 0.34%

LAB 36.23, 6.34, -42.7

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 79 / 0 / 88 / 40

HEX #209A13

RGB 32 154 19

HSL 114.22, 0.78%, 0.34%

LAB 55.55, -55.71, 54.22

 

CMYK 88 / 79 / 0 / 40

HEX #13209A

RGB 19 32 154

HSL 234.22, 0.78%, 0.34%

LAB 21.96, 42.07, -65.98

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 9 / 0 / 88 / 40

HEX #8C9A13

RGB 140 154 19

HSL 66.22, 0.78%, 0.34%

LAB 60.55, -20.69, 60.47

 

CMYK 88 / 0 / 9 / 40

HEX #139A8C

RGB 19 154 140

HSL 173.78, 0.78%, 0.34%

LAB 57.21, -36.33, -2.14

 

CMYK 79 / 88 / 0 / 40

HEX #20139A

RGB 32 19 154

HSL 245.78, 0.78%, 0.34%

LAB 20.46, 48.98, -68.45

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 35 / 0 / 88 / 40

HEX #649A13

RGB 100 154 19

HSL 84, 0.78%, 0.34%

LAB 57.91, -37.26, 57.19

 

CMYK 88 / 0 / 9 / 40

HEX #139A8C

RGB 19 154 140

HSL 173.78, 0.78%, 0.34%

LAB 57.21, -36.33, -2.14

 

CMYK 53 / 88 / 0 / 40

HEX #49139A

RGB 73 19 154

HSL 264, 0.78%, 0.34%

LAB 24.37, 52.3, -61.86

 

Description

Color code: HEX #9A1320 | qconv.com Color code: HEX #9A1320 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 19 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 19 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 79 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 79% 40% C M Y K

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Provide designers and agencies with accurate color values.

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