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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4559 it is the complementary color #65BAA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A4559 shade: #9F4554, #B05767, #C1697A, #D27B8D and #E38DA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A4559 shade: #9A4559, #893346, #782133, #670F20 and #56000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A4559 shade: #9A4559 and #9A4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A4559 shade: #9A4559, #9A4570, #9A4587, #97459A and #80459A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A4559 shade matches the following richer shades: #9A4559, #AC3350, #BF2146 and #D10F3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A4559 shade: #9A4559, #885763, #76696C, #647C76 and #528E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A4559 shade: #9A4588, #9A4571, #9A455A, #9A4645 and #9A5D45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A4559 shade: #612B38, #7E3849, #9A4559, #B3566C and #C07285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A4559 shade: #9A4559, #9A9645 and #457C9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A4559 shade: #9A4559, #5A9A45 and #455A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A4559 shade: #9A4559, #9A9645, #459A85 and #45499A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A4559 shade: #9A4559, #859A45, #459A85 and #5A459A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

Complementary color

CMYK 46 / 0 / 11 / 27

HEX #65BAA6

RGB 101 186 166

HSL 165.88, 0.38%, 0.56%

LAB 69.92, -30.64, 2.15

 

CMYK 0 / 57 / 47 / 38

HEX #9F4554

RGB 159 69 84

HSL 350, 0.39%, 0.45%

LAB 41.64, 38.83, 9.73

 

CMYK 0 / 51 / 41 / 31

HEX #B05767

RGB 176 87 103

HSL 349.21, 0.36%, 0.52%

LAB 48.29, 37.85, 7.86

 

CMYK 0 / 46 / 37 / 24

HEX #C1697A

RGB 193 105 122

HSL 348.41, 0.42%, 0.58%

LAB 54.91, 36.87, 6.32

 

CMYK 0 / 41 / 33 / 18

HEX #D27B8D

RGB 210 123 141

HSL 347.59, 0.49%, 0.65%

LAB 61.47, 35.92, 5.01

 

CMYK 0 / 38 / 30 / 11

HEX #E38DA0

RGB 227 141 160

HSL 346.74, 0.61%, 0.72%

LAB 67.96, 35.02, 3.86

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 63 / 49 / 46

HEX #893346

RGB 137 51 70

HSL 346.74, 0.46%, 0.37%

LAB 34.25, 38.4, 7.68

 

CMYK 0 / 73 / 58 / 53

HEX #782133

RGB 120 33 51

HSL 347.59, 0.57%, 0.3%

LAB 27.63, 38.89, 10.49

 

CMYK 0 / 85 / 69 / 60

HEX #670F20

RGB 103 15 32

HSL 348.41, 0.75%, 0.23%

LAB 21.32, 38.51, 14.44

 

CMYK 0 / 100 / 85 / 66

HEX #56000D

RGB 86 0 13

HSL 350.93, 1%, 0.17%

LAB 15.53, 36.72, 18.73

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 55 / 55 / 40

HEX #9A4545

RGB 154 69 69

HSL 0, 0.38%, 0.44%

LAB 40.5, 35.54, 17.34

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 55 / 27 / 40

HEX #9A4570

RGB 154 69 112

HSL 329.65, 0.38%, 0.44%

LAB 41.68, 40.5, -7.68

 

CMYK 0 / 55 / 12 / 40

HEX #9A4587

RGB 154 69 135

HSL 313.41, 0.38%, 0.44%

LAB 42.58, 44.06, -20.43

 

CMYK 2 / 55 / 0 / 40

HEX #97459A

RGB 151 69 154

HSL 297.88, 0.38%, 0.44%

LAB 43.02, 46.56, -31.25

 

CMYK 17 / 55 / 0 / 40

HEX #80459A

RGB 128 69 154

HSL 281.65, 0.38%, 0.44%

LAB 39.88, 40.09, -36.41

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 70 / 53 / 33

HEX #AC3350

RGB 172 51 80

HSL 345.62, 0.54%, 0.44%

LAB 40.76, 50.95, 11.35

 

CMYK 0 / 83 / 63 / 25

HEX #BF2146

RGB 191 33 70

HSL 345.95, 0.71%, 0.44%

LAB 42.16, 61.48, 20.13

 

CMYK 0 / 93 / 71 / 18

HEX #D10F3C

RGB 209 15 60

HSL 346.08, 0.87%, 0.44%

LAB 44.55, 68.82, 30.1

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 36 / 27 / 47

HEX #885763

RGB 136 87 99

HSL 345.31, 0.22%, 0.44%

LAB 42.69, 22.03, 1.53

 

CMYK 0 / 11 / 8 / 54

HEX #76696C

RGB 118 105 108

HSL 346.15, 0.06%, 0.44%

LAB 45.69, 5.69, 0.19

 

CMYK 19 / 0 / 5 / 51

HEX #647C76

RGB 100 124 118

HSL 165, 0.11%, 0.44%

LAB 50.02, -10.02, 0.38

 

CMYK 42 / 0 / 10 / 44

HEX #528E80

RGB 82 142 128

HSL 166, 0.27%, 0.44%

LAB 54.76, -23.02, 1.35

 

CMYK 0 / 55 / 12 / 40

HEX #9A4588

RGB 154 69 136

HSL 312.71, 0.38%, 0.44%

LAB 42.62, 44.23, -20.97

 

CMYK 0 / 55 / 27 / 40

HEX #9A4571

RGB 154 69 113

HSL 328.94, 0.38%, 0.44%

LAB 41.72, 40.64, -8.24

 

CMYK 0 / 55 / 42 / 40

HEX #9A455A

RGB 154 69 90

HSL 345.18, 0.38%, 0.44%

LAB 41, 37.67, 4.98

 

CMYK 0 / 55 / 55 / 40

HEX #9A4645

RGB 154 70 69

HSL 0.71, 0.38%, 0.44%

LAB 40.7, 35.02, 17.6

 

CMYK 0 / 40 / 55 / 40

HEX #9A5D45

RGB 154 93 69

HSL 16.94, 0.38%, 0.44%

LAB 45.81, 22.38, 24.28

 

CMYK 0 / 56 / 42 / 62

HEX #612B38

RGB 97 43 56

HSL 345.56, 0.39%, 0.27%

LAB 25.43, 25.99, 3.44

 

CMYK 0 / 56 / 42 / 51

HEX #7E3849

RGB 126 56 73

HSL 345.43, 0.38%, 0.36%

LAB 33.45, 32.15, 4.35

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 52 / 40 / 30

HEX #B3566C

RGB 179 86 108

HSL 345.81, 0.38%, 0.52%

LAB 48.66, 40.03, 5.44

 

CMYK 0 / 41 / 31 / 25

HEX #C07285

RGB 192 114 133

HSL 345.38, 0.38%, 0.6%

LAB 57.01, 33.09, 2.9

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 3 / 55 / 40

HEX #9A9645

RGB 154 150 69

HSL 57.18, 0.38%, 0.44%

LAB 60.88, -9.72, 42.57

 

CMYK 55 / 19 / 0 / 40

HEX #457C9A

RGB 69 124 154

HSL 201.18, 0.38%, 0.44%

LAB 49.51, -9.24, -21.7

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 42 / 0 / 55 / 40

HEX #5A9A45

RGB 90 154 69

HSL 105.18, 0.38%, 0.44%

LAB 57.77, -37.09, 37.84

 

CMYK 55 / 42 / 0 / 40

HEX #455A9A

RGB 69 90 154

HSL 225.18, 0.38%, 0.44%

LAB 39.43, 11.52, -37.47

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 0 / 3 / 55 / 40

HEX #9A9645

RGB 154 150 69

HSL 57.18, 0.38%, 0.44%

LAB 60.88, -9.72, 42.57

 

CMYK 55 / 0 / 14 / 40

HEX #459A85

RGB 69 154 133

HSL 165.18, 0.38%, 0.44%

LAB 58.1, -30.99, 3.27

 

CMYK 55 / 53 / 0 / 40

HEX #45499A

RGB 69 73 154

HSL 237.18, 0.38%, 0.44%

LAB 34.73, 22.54, -44.99

 

CMYK 0 / 55 / 42 / 40

HEX #9A4559

RGB 154 69 89

HSL 345.88, 0.38%, 0.44%

LAB 40.97, 37.56, 5.57

 

CMYK 14 / 0 / 55 / 40

HEX #859A45

RGB 133 154 69

HSL 74.82, 0.38%, 0.44%

LAB 60.36, -20.75, 41.54

 

CMYK 55 / 0 / 14 / 40

HEX #459A85

RGB 69 154 133

HSL 165.18, 0.38%, 0.44%

LAB 58.1, -30.99, 3.27

 

CMYK 42 / 55 / 0 / 40

HEX #5A459A

RGB 90 69 154

HSL 254.82, 0.38%, 0.44%

LAB 35.52, 29.98, -43.61

 

Description

Color code: HEX #9A4559 | qconv.com Color code: HEX #9A4559 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 69 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 69 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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