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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A46F1 it is the complementary color #65B90E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A46F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A46F1 shade: #9F46EC, #B058FF, #C16AFF, #D27CFF and #E38EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A46F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A46F1 shade: #9A46F1, #8934DE, #7822CB, #6710B8 and #5600A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A46F1 shade: #9A46F1, #C846F1, #F146EB, #F146BD and #F1468F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A46F1 shade: #9A46F1, #6B46F1 and #4646F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A46F1 shade matches the following richer shades: #9A46F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A46F1 shade: #9A46F1, #9A56E0, #9A66D0, #9A76C0 and #9B86B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A46F1 shade: #464EF1, #6B46F1, #9846F1, #C646F1 and #F146EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A46F1 shade: #7010D4, #851FEE, #9A46F1, #AE6CF3 and #C392F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A46F1 shade: #9A46F1, #F1467C and #46F154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A46F1 shade: #9A46F1, #F19846 and #46F198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A46F1 shade: #9A46F1, #F1467C, #9EF146 and #46F1BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A46F1 shade: #9A46F1, #F14648, #9EF146 and #46F1EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

Complementary color

CMYK 45 / 0 / 92 / 27

HEX #65B90E

RGB 101 185 14

HSL 89.47, 0.86%, 0.39%

LAB 67.65, -49.9, 66.25

 

CMYK 33 / 70 / 0 / 7

HEX #9F46EC

RGB 159 70 236

HSL 272.17, 0.81%, 0.6%

LAB 49.26, 65.18, -68.79

 

CMYK 31 / 65 / 0 / 0

HEX #B058FF

RGB 176 88 255

HSL 271.62, 1%, 0.67%

LAB 55.51, 64.71, -69.18

 

CMYK 24 / 58 / 0 / 0

HEX #C16AFF

RGB 193 106 255

HSL 275.03, 1%, 0.71%

LAB 60.66, 59.82, -60.79

 

CMYK 18 / 51 / 0 / 0

HEX #D27CFF

RGB 210 124 255

HSL 279.39, 1%, 0.74%

LAB 66.01, 55.02, -52.16

 

CMYK 11 / 44 / 0 / 0

HEX #E38EFF

RGB 227 142 255

HSL 285.13, 1%, 0.78%

LAB 71.48, 50.4, -43.41

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 38 / 77 / 0 / 13

HEX #8934DE

RGB 137 52 222

HSL 270, 0.72%, 0.54%

LAB 42.84, 65.6, -71.44

 

CMYK 41 / 83 / 0 / 20

HEX #7822CB

RGB 120 34 203

HSL 270.53, 0.71%, 0.46%

LAB 36.83, 65.12, -70.39

 

CMYK 44 / 91 / 0 / 28

HEX #6710B8

RGB 103 16 184

HSL 271.07, 0.84%, 0.39%

LAB 31.15, 63.51, -68.65

 

CMYK 48 / 100 / 0 / 35

HEX #5600A5

RGB 86 0 165

HSL 271.27, 1%, 0.32%

LAB 25.85, 60.52, -66.07

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 17 / 71 / 0 / 5

HEX #C846F1

RGB 200 70 241

HSL 285.61, 0.86%, 0.61%

LAB 55.08, 74.1, -61.92

 

CMYK 0 / 71 / 2 / 5

HEX #F146EB

RGB 241 70 235

HSL 302.11, 0.86%, 0.61%

LAB 60.85, 81.48, -49.01

 

CMYK 0 / 71 / 22 / 5

HEX #F146BD

RGB 241 70 189

HSL 318.25, 0.86%, 0.61%

LAB 58.75, 75.02, -26.24

 

CMYK 0 / 71 / 41 / 5

HEX #F1468F

RGB 241 70 143

HSL 334.39, 0.86%, 0.61%

LAB 57.14, 69.84, -1.89

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 56 / 71 / 0 / 5

HEX #6B46F1

RGB 107 70 241

HSL 252.98, 0.86%, 0.61%

LAB 44.03, 57.86, -80.39

 

CMYK 71 / 71 / 0 / 5

HEX #4646F1

RGB 70 70 241

HSL 240, 0.86%, 0.61%

LAB 41.27, 53.46, -85.02

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 31 / 62 / 0 / 12

HEX #9A56E0

RGB 154 86 224

HSL 269.57, 0.69%, 0.61%

LAB 50.58, 53.87, -59.92

 

CMYK 26 / 51 / 0 / 18

HEX #9A66D0

RGB 154 102 208

HSL 269.43, 0.53%, 0.61%

LAB 52.87, 41.54, -47.17

 

CMYK 20 / 39 / 0 / 25

HEX #9A76C0

RGB 154 118 192

HSL 269.19, 0.37%, 0.61%

LAB 55.72, 28.71, -33.56

 

CMYK 12 / 24 / 0 / 31

HEX #9B86B0

RGB 155 134 176

HSL 270, 0.21%, 0.61%

LAB 59.12, 16.2, -19.18

 

CMYK 71 / 68 / 0 / 5

HEX #464EF1

RGB 70 78 241

HSL 237.19, 0.86%, 0.61%

LAB 42.92, 48.93, -82.31

 

CMYK 56 / 71 / 0 / 5

HEX #6B46F1

RGB 107 70 241

HSL 252.98, 0.86%, 0.61%

LAB 44.03, 57.86, -80.39

 

CMYK 37 / 71 / 0 / 5

HEX #9846F1

RGB 152 70 241

HSL 268.77, 0.86%, 0.61%

LAB 48.77, 65.06, -72.44

 

CMYK 18 / 71 / 0 / 5

HEX #C646F1

RGB 198 70 241

HSL 284.91, 0.86%, 0.61%

LAB 54.8, 73.71, -62.39

 

CMYK 0 / 71 / 1 / 5

HEX #F146EE

RGB 241 70 238

HSL 301.05, 0.86%, 0.61%

LAB 61.01, 81.94, -50.44

 

CMYK 47 / 92 / 0 / 17

HEX #7010D4

RGB 112 16 212

HSL 269.39, 0.86%, 0.45%

LAB 35.14, 70.64, -78.44

 

CMYK 44 / 87 / 0 / 7

HEX #851FEE

RGB 133 31 238

HSL 269.57, 0.86%, 0.53%

LAB 41.44, 75.31, -82.85

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 28 / 56 / 0 / 5

HEX #AE6CF3

RGB 174 108 243

HSL 269.33, 0.85%, 0.69%

LAB 58.22, 51.61, -58.18

 

CMYK 21 / 41 / 0 / 4

HEX #C392F6

RGB 195 146 246

HSL 269.4, 0.85%, 0.77%

LAB 68.62, 37.33, -43.24

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 0 / 71 / 49 / 5

HEX #F1467C

RGB 241 70 124

HSL 341.05, 0.86%, 0.61%

LAB 56.62, 68.13, 8.59

 

CMYK 71 / 0 / 65 / 5

HEX #46F154

RGB 70 241 84

HSL 124.91, 0.86%, 0.61%

LAB 84.41, -72.44, 61.3

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 0 / 37 / 71 / 5

HEX #F19846

RGB 241 152 70

HSL 28.77, 0.86%, 0.61%

LAB 70.59, 26.6, 55.42

 

CMYK 71 / 0 / 37 / 5

HEX #46F198

RGB 70 241 152

HSL 148.77, 0.86%, 0.61%

LAB 85.24, -62.79, 30.78

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 0 / 71 / 49 / 5

HEX #F1467C

RGB 241 70 124

HSL 341.05, 0.86%, 0.61%

LAB 56.62, 68.13, 8.59

 

CMYK 34 / 0 / 71 / 5

HEX #9EF146

RGB 158 241 70

HSL 89.12, 0.86%, 0.61%

LAB 87.3, -50.83, 70.48

 

CMYK 71 / 0 / 23 / 5

HEX #46F1BA

RGB 70 241 186

HSL 160.7, 0.86%, 0.61%

LAB 85.89, -55.79, 14.22

 

CMYK 36 / 71 / 0 / 5

HEX #9A46F1

RGB 154 70 241

HSL 269.47, 0.86%, 0.61%

LAB 49.01, 65.41, -72.04

 

CMYK 0 / 71 / 70 / 5

HEX #F14648

RGB 241 70 72

HSL 359.3, 0.86%, 0.61%

LAB 55.63, 64.79, 37.74

 

CMYK 34 / 0 / 71 / 5

HEX #9EF146

RGB 158 241 70

HSL 89.12, 0.86%, 0.61%

LAB 87.3, -50.83, 70.48

 

CMYK 71 / 0 / 1 / 5

HEX #46F1EE

RGB 70 241 238

HSL 178.95, 0.86%, 0.61%

LAB 87.19, -42.72, -11.08

 

Description

Color code: HEX #9A46F1 | qconv.com Color code: HEX #9A46F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 70 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 70 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 71 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 71% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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